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cassiopeia - carlos marques - set of clarinets

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Kristal42 .
Kristal42 .

cassiopeia - carlos marques - set of clarinets

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CASSIOPEIA (Carlos Marques) Cassiopeia was the wife of Cepheus, the Ethiopian king of Joppa (now known as Jaffa, in Israel), and the mother of Andromeda. The queen was both beautiful and vain, and the story of how her vanity caused great distress is told in relation to the constellation Andromeda. A great Symphonic Poem.
                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Bass Clarinet             Andante ()                                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 6                 6                               3           3             3             3                                                  3 3                3 3        9                                          CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 11                                            3 11             3                 3 3 3                             3 3 3                            3 3 3                             3 3 3                                        3 3               3 3                                                                              3            3                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 16                          16                              rall....                      Allegro ()  18                                          2Cassiopeia
                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 21      21                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 26                         26                                                                                                                                                                                                                      30 3 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31                                     31                                                                                                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 36                                       36                                                                                          3     3          38                                     4Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 41               41          3     3                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.     3     3          46           46                                                                                      3     3                     5 Cassiopeia
                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 51              51                                                                                                                    54                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 56                                          56                                                                                            dim. dim. dim. dim. dim. dim. dim.                                                                6Cassiopeia
                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 61                    61                                                                                                                                                                           Poco rit.                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 66                                     66                  rall...                                                                    Ritenuto                                                                             Maestoso ()   7 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 71                   71                                                                                                                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 75                            75                   subito                                               Andante ()     78                                         8Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 81               81                                                  rall....        dim. dim. dim. dim. dim. dim. dim.                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.          86      Menos ()86                                                            9 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 91       91                                                   94                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 96                 96                                                                                          10Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 101      101                                    Più mosso 102                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 106                     106     cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                     molto rall... cresc. cresc. cresc. cresc. cresc. cresc. 11 Cassiopeia
                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 111                 111                                 112 a tempo                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 116                116                                                                                    3           3           3           rall....                           120 a tempo        12Cassiopeia
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 121                    121                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 126                     126        Poco rit.                                                  Allegro ()127                                                                13 Cassiopeia
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 131                       131                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 136                          136                                                                                                                                                                          14Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 141                       141                                                                                                                    3     3         145               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 146                            146                                                            3 3       3 3                                           3 3       3 3       3     3                                            15 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 151                             151                                                                                                                   153                                                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 156                                  156                                                                           dim. dim. dim. dim. dim. dim. dim.                3        3                   160       16Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 161            161                   3        3                                                      3        3                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 166         3        3         166                                        3        3                   168                                     3        3                   17 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 171        3                 171                      3        3                                                                                    cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                        3        3     176         176                              3           3                                3        3                                              18Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 180                        3        3     180                                                     3        3                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                        3        3     184         184                             3          3                                3        3                                           19 Cassiopeia
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 188                        3        3     188                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 193                     193               sempre allargando                                                                                                 20Cassiopeia
   Andante ()        9                                  rall....  Allegro () 18                       30                                       38                346                      3                          54                  dim.                                                rall...       Ritenuto                            Maestoso ()                                            CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 1ºB
                                     subito            Andante ()78                       rall.... dim.       Menos () 86          94                                      Più mosso 102                   cresc.               molto rall...  cresc.           112 a tempo                            rall....      120 a tempo                          Poco rit.      Allegro ()127                                                                                   2Cassiopeia
           145                   3 3       3 3                            153                     dim.  160  168                  3          cresc.             176                                                                 184                                                            sempre allargando               3 Cassiopeia
    Andante ()                   9                  rall....   Allegro () 18                       30                                       38                 346                     3                          54                  dim.                                               Poco rit.         Ritenuto       Maestoso ()                         Andante () 78              CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 2ºB
           rall....  dim.     Menos () 86  94                          Più mosso 102                   cresc.                             112 a tempo                            rall....     120 a tempo                          Poco rit.      Allegro ()127                                                                                              145                   3 3       3 3                            153        2Cassiopeia
                   dim.         3160            3           3            3           3 168         3           3              cresc.            3 176          3            3          3         3 184          3            3                      sempre allargando               3 Cassiopeia
        Andante ()                                  3        9                               3 3 3                                     rall....     Allegro ()18                                                30                                         38            46                          54                                 dim.                                               Poco rit.    CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 3ºB
       Ritenuto      Maestoso ()                          Andante ()  78           rall....    dim.     Menos ()86                    94                                Più mosso102          cresc.                   cresc.       112 a tempo                            rall....           3    120 a tempo                             Poco rit.      Allegro ()127                                                                   2Cassiopeia
            145                                     153                                        dim.         3160          3             3            3         3168           3           3            cresc.              3 176           3            3            3         3184           3              3                             sempre allargando           3 Cassiopeia
     Andante ()                        3           9                                                    3 3 3                                 rall....    Allegro ()18                                                              30                                                                                         3 38                   3                        46                                              54                                     dim.                          CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 4ºB
           Poco rit.         Ritenuto          Maestoso ()                                Andante ()  78           rall.... dim.             Menos ()86                                       94                                 Più mosso102             cresc.               cresc.    112 a tempo                   rall....           3  120 a tempo                   Poco rit.      Allegro ()127                                            2Cassiopeia
                       145                                                           153                                      dim.        160                                    168                           cresc.       176            3                           184             3                    sempre allargando             3 Cassiopeia
    Andante ()                       3                     3 3  9                       3                            3 3 3                    3 3                      3         rall....       Allegro ()18                                                                                                               30                                                                                          3 38                   3                        46                                       54 CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 5ºB
                                    dim.                                      Poco rit.           Ritenuto            Maestoso ()                                     Andante ()  78             rall.... dim.      Menos ()86                94                 Più mosso102      cresc.               cresc.    112 a tempo                         rall....           3  120 a tempo                        Poco rit.      Allegro ()127                2Cassiopeia
                                                       3145                     3                              153                                               dim.      160                                    168                          cresc.       176           3                            184            3                     sempre allargando                            3 Cassiopeia
    Andante ()                           3                   3 3  9                        3                             3 3 3                    3 3                       3       rall.... Allegro () 18                                                                                                               30                                                                                     38            46                 54                       dim.                  CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 6ºB
                                                      Poco rit.              Ritenuto             Maestoso ()                                              Andante ()78                   rall....  dim.        Menos ()86           94                      Più mosso102                        cresc.              cresc.            112 a tempo                        rall....                   120 a tempo                           Poco rit.             Allegro ()127              2Cassiopeia
                                                                                             3145                     3                               153                                                  dim.      160                                    168                          cresc.       176                              184                                sempre allargando                    3 Cassiopeia
    Andante ()             9                        rall....                Allegro ()  18                                                                                                                       30                                                                                38                                    46                                     54                          dim.                                         Poco rit.               Ritenuto      Maestoso ()                  CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinete Bass
              Andante ()  78           rall....  dim.       Menos ()86                 94                      Più mosso102        cresc.              cresc.     112 a tempo                rall....   120 a tempo               Poco rit.             Allegro ()127                                                                                              145                         2Cassiopeia
                             153                                              dim.        160                                                      168                                       cresc.             176                                                        184                                                   sempre allargando                        3 Cassiopeia

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cassiopeia - carlos marques - set of clarinets

  • 1. CASSIOPEIA (Carlos Marques) Cassiopeia was the wife of Cepheus, the Ethiopian king of Joppa (now known as Jaffa, in Israel), and the mother of Andromeda. The queen was both beautiful and vain, and the story of how her vanity caused great distress is told in relation to the constellation Andromeda. A great Symphonic Poem.
  • 2.                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Bass Clarinet             Andante ()                                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 6                 6                               3           3             3             3                                                  3 3                3 3        9                                          CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
  • 3.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 11                                            3 11             3                 3 3 3                             3 3 3                            3 3 3                             3 3 3                                        3 3               3 3                                                                              3            3                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 16                          16                              rall....                      Allegro ()  18                                          2Cassiopeia
  • 4.                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 21      21                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 26                         26                                                                                                                                                                                                                      30 3 Cassiopeia
  • 5.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31                                     31                                                                                                                                                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 36                                       36                                                                                          3     3          38                                     4Cassiopeia
  • 6.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 41               41          3     3                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.     3     3          46           46                                                                                      3     3                     5 Cassiopeia
  • 7.                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 51              51                                                                                                                    54                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 56                                          56                                                                                            dim. dim. dim. dim. dim. dim. dim.                                                                6Cassiopeia
  • 8.                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 61                    61                                                                                                                                                                           Poco rit.                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 66                                     66                  rall...                                                                    Ritenuto                                                                             Maestoso ()   7 Cassiopeia
  • 9.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 71                   71                                                                                                                                                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 75                            75                   subito                                               Andante ()     78                                         8Cassiopeia
  • 10.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 81               81                                                  rall....        dim. dim. dim. dim. dim. dim. dim.                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.          86      Menos ()86                                                            9 Cassiopeia
  • 11.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 91       91                                                   94                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 96                 96                                                                                          10Cassiopeia
  • 12.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 101      101                                    Più mosso 102                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 106                     106     cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                     molto rall... cresc. cresc. cresc. cresc. cresc. cresc. 11 Cassiopeia
  • 13.                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 111                 111                                 112 a tempo                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 116                116                                                                                    3           3           3           rall....                           120 a tempo        12Cassiopeia
  • 14.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 121                    121                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 126                     126        Poco rit.                                                  Allegro ()127                                                                13 Cassiopeia
  • 15.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 131                       131                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 136                          136                                                                                                                                                                          14Cassiopeia
  • 16.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 141                       141                                                                                                                    3     3         145               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 146                            146                                                            3 3       3 3                                           3 3       3 3       3     3                                            15 Cassiopeia
  • 17.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 151                             151                                                                                                                   153                                                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 156                                  156                                                                           dim. dim. dim. dim. dim. dim. dim.                3        3                   160       16Cassiopeia
  • 18.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 161            161                   3        3                                                      3        3                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 166         3        3         166                                        3        3                   168                                     3        3                   17 Cassiopeia
  • 19.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 171        3                 171                      3        3                                                                                    cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                        3        3     176         176                              3           3                                3        3                                              18Cassiopeia
  • 20.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 180                        3        3     180                                                     3        3                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                        3        3     184         184                             3          3                                3        3                                           19 Cassiopeia
  • 21.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 188                        3        3     188                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 193                     193               sempre allargando                                                                                                 20Cassiopeia
  • 22.    Andante ()        9                                  rall....  Allegro () 18                       30                                       38                346                      3                          54                  dim.                                                rall...       Ritenuto                            Maestoso ()                                            CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 1ºB
  • 23.                                      subito            Andante ()78                       rall.... dim.       Menos () 86          94                                      Più mosso 102                   cresc.               molto rall...  cresc.           112 a tempo                            rall....      120 a tempo                          Poco rit.      Allegro ()127                                                                                   2Cassiopeia
  • 24.            145                   3 3       3 3                            153                     dim.  160  168                  3          cresc.             176                                                                 184                                                            sempre allargando               3 Cassiopeia
  • 25.     Andante ()                   9                  rall....   Allegro () 18                       30                                       38                 346                     3                          54                  dim.                                               Poco rit.         Ritenuto       Maestoso ()                         Andante () 78              CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 2ºB
  • 26.            rall....  dim.     Menos () 86  94                          Più mosso 102                   cresc.                             112 a tempo                            rall....     120 a tempo                          Poco rit.      Allegro ()127                                                                                              145                   3 3       3 3                            153        2Cassiopeia
  • 27.                    dim.         3160            3           3            3           3 168         3           3              cresc.            3 176          3            3          3         3 184          3            3                      sempre allargando               3 Cassiopeia
  • 28.         Andante ()                                  3        9                               3 3 3                                     rall....     Allegro ()18                                                30                                         38            46                          54                                 dim.                                               Poco rit.    CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 3ºB
  • 29.        Ritenuto      Maestoso ()                          Andante ()  78           rall....    dim.     Menos ()86                    94                                Più mosso102          cresc.                   cresc.       112 a tempo                            rall....           3    120 a tempo                             Poco rit.      Allegro ()127                                                                   2Cassiopeia
  • 30.             145                                     153                                        dim.         3160          3             3            3         3168           3           3            cresc.              3 176           3            3            3         3184           3              3                             sempre allargando           3 Cassiopeia
  • 31.      Andante ()                        3           9                                                    3 3 3                                 rall....    Allegro ()18                                                              30                                                                                         3 38                   3                        46                                              54                                     dim.                          CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 4ºB
  • 32.            Poco rit.         Ritenuto          Maestoso ()                                Andante ()  78           rall.... dim.             Menos ()86                                       94                                 Più mosso102             cresc.               cresc.    112 a tempo                   rall....           3  120 a tempo                   Poco rit.      Allegro ()127                                            2Cassiopeia
  • 33.                        145                                                           153                                      dim.        160                                    168                           cresc.       176            3                           184             3                    sempre allargando             3 Cassiopeia
  • 34.     Andante ()                       3                     3 3  9                       3                            3 3 3                    3 3                      3         rall....       Allegro ()18                                                                                                               30                                                                                          3 38                   3                        46                                       54 CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 5ºB
  • 35.                                     dim.                                      Poco rit.           Ritenuto            Maestoso ()                                     Andante ()  78             rall.... dim.      Menos ()86                94                 Più mosso102      cresc.               cresc.    112 a tempo                         rall....           3  120 a tempo                        Poco rit.      Allegro ()127                2Cassiopeia
  • 36.                                                        3145                     3                              153                                               dim.      160                                    168                          cresc.       176           3                            184            3                     sempre allargando                            3 Cassiopeia
  • 37.     Andante ()                           3                   3 3  9                        3                             3 3 3                    3 3                       3       rall.... Allegro () 18                                                                                                               30                                                                                     38            46                 54                       dim.                  CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinet 6ºB
  • 38.                                                       Poco rit.              Ritenuto             Maestoso ()                                              Andante ()78                   rall....  dim.        Menos ()86           94                      Più mosso102                        cresc.              cresc.            112 a tempo                        rall....                   120 a tempo                           Poco rit.             Allegro ()127              2Cassiopeia
  • 39.                                                                                              3145                     3                               153                                                  dim.      160                                    168                          cresc.       176                              184                                sempre allargando                    3 Cassiopeia
  • 40.     Andante ()             9                        rall....                Allegro ()  18                                                                                                                       30                                                                                38                                    46                                     54                          dim.                                         Poco rit.               Ritenuto      Maestoso ()                  CASSIOPEIA Carlos Marques Gino Gonçals Fantasía para Banda (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Clarinete Bass
  • 41.               Andante ()  78           rall....  dim.       Menos ()86                 94                      Più mosso102        cresc.              cresc.     112 a tempo                rall....   120 a tempo               Poco rit.             Allegro ()127                                                                                              145                         2Cassiopeia
  • 42.                              153                                              dim.        160                                                      168                                       cresc.             176                                                        184                                                   sempre allargando                        3 Cassiopeia