De presentatie op Marketing & Technology 2016. Een kijkje in onze 24/7 uitdagingen èn geheimen. Ik ben vereerd dat ik het e-commerce team van Meeùs mocht vertegenwoordigen dat dagelijks de Agile uitdaging aangaat om onze website te optimaliseren en de klantreis online en offline te verbeteren.
On the off chance that there's one thing to say in regards to purchasing a canvas it's this: size up. They're so light you can bear the cost of the advantage of a two man protect, and when you are stuck under one for a day you'll be happy you did. The weight punishment of picking a two man canvas over a performance is typically immaterial contrasted with the advantages of bigger coverate.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
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1. THE SIXTH SENSE
THE SIXTH SENSE IS A 1999 AMERICAN SUPERNATURAL HORROR-THRILLER FILM WRITTEN AND
DIRECTED BY M. NIGHT SHYAMALAN. THE FILM TELLS THE STORY OF COLE SEAR (HALEY JOEL
OSMENT), A TROUBLED, ISOLATED BOY WHO IS ABLE TO SEE AND TALK TO THE DEAD, AND AN
EQUALLY TROUBLED CHILD PSYCHOLOGIST (BRUCE WILLIS) WHO TRIES TO HELP HIM. THE FILM
ESTABLISHED SHYAMALAN AS A WRITER AND DIRECTOR, AND INTRODUCED THE CINEMA PUBLIC TO
HIS TRAITS, MOST NOTABLY HIS AFFINITY FOR SURPRISE ENDINGS.
2. CAMERAWORK:
• The camerawork in this opening scene creates a tense, eerie atmosphere. The scene opens with a close-
up of a lightbulb turning on. This stationary shot creates an eerie mood, as it draws out the length of
the scene. We are then shown an extreme close-up of a woman’s face as she searches a wine cellar. This
coupled with the camera tracking her face as she searches for the wine lets the audience know that this
character is important to the scene. When she hears a noise behind her, the camera zooms in on her
face to signify this realisation. When she turns, the camera is positioned in a mid-range shot. This shot
shows her as the only person in the room (supposedly), which further heightens the tension. The final
shot of this scene is a long shot of the woman. This creates the effect of someone watching her from
afar. She is out of focus in this shot, this conveys her insignificance to the large scale of the story, and
whatever’s watching her.
3. MISE EN SCENE
• The Mise en Scene in this opening sequence creates a ghostly, chilling effect on the audience. Firstly,
the character’s costume is a dress – something commonly associated with elegance and grace.
However, I believe that in this scene, it adds to the overall disturbing nature. This is due to the fact that
this pre-perceived elegance adds to the exaggerated stillness and quiet of the scene. Moreover, the
dress is composed of two colours: dark blue and purple. These are two colours that connote sadness
and other-worldly beings. The actress’ makeup had the same effect as the dress, an over exaggerated
feeling of safety and perfection, which leads the audience into a trap of false hope. Low-level lighting is
used effectively in this opening sequence to deepen the darkness of the shadows and dark colours in
this scene. This adds a dark and sombre feel to the entire scene, as darkness connotes to negative
emotions and insecurity. In addition, the rustic look of the flooring and walls juxtaposes the elegance
that radiates from the woman. This creates a feeling of unease in the viewer, as the woman appears
extremely out of place in her environment. This idea is supported by the use of props. She clutches the
wine bottle close to her chest, as (much like her) it is the only elegant thing in the room.
4. EDITING
• The editing in this scene is very slow-placed, this adds to the eerie atmosphere of the scene.
5. SOUND
• The lack of ambient sound in this scene draws the audience’s attention to the action on-screen.
Additionally, the physical sound of everything else is amplified, this immediately engages the audience
with this character’s every move. The diegetic sound of the woman stepping increases the tension with
every step. Additionally, when the credits stop, the non-diegetic music also cuts out. This makes this
opening scene more ethereal and ghost-like.
6. WHAT WE COULD ASK
• Who is this woman?
• Is there someone watching her?
• Who is watching her?
• Where is she?
• Why is she dressed-up?
• Why did the lights cut out?
7. WHAT WE HAVE LEARNT
• This woman is attending some sort of social event
• She is collecting wine from the wine cellar
• The owner of the house must be quite wealthy
• Something is watching her