Camera angles
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This document defines and describes various camera angles used in filmmaking. It explains that an establishing shot establishes the location of a scene, a master shot shows the beginning or end of a section, and a close-up shot shows facial expressions or small details. It also discusses long shots, extreme long shots, low angle shots, high angle shots, crane shots, wide angle shots, aerial shots, panning shots, tracking shots, framing shots, point of view shots, and two shots.
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Shot by shot analysis of The A Team
The document analyzes several shots from the 2010 film The A Team. It describes how perspective shots are used to immerse the audience in the action from the point of view of the helicopter. Over-the-shoulder shots break conventions by showing battle instead of conversation. These shots convey the danger of the situation by showing enemies in a military helicopter and the impending doom faced by the main characters. Shots are also used to shock the audience by suggesting the team didn't survive an explosion before revealing they made it, and to create panic by showing a character terrified while the helicopter is falling.
Shots description
The document describes different types of camera shots including high angle shots, low angle shots, establishing shots, extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, extreme close ups, point of view shots, over the shoulder shots, and two person shots. Each shot type is defined by where the camera is positioned in relation to the subject and what part or how much of the subject is included. The different shot types are used to achieve specific effects like making a subject appear more or less powerful or to focus on reactions, actions, or conversations between subjects.
Some rules of movie making
This document provides guidance on several cinematography techniques: 180 degree shots require staying on one side of the line to maintain audience orientation, and any crossing must be shown; shot reverse shots cut between two cameras filming a conversation to capture reactions; match on action ensures continuity and fluidity between two shots; and cut-aways provide clues to the narrative by cutting from a general sequence to an object or character.
some rules of movie making
This document provides guidance on several cinematography techniques used in movie making including maintaining the 180 degree shot rule when filming, using shot reverse shot editing between two cameras in conversations, matching the action between two shots for continuity, and using cut-aways to provide clues or foreshadow events for the audience by cutting to another object or character.
Shot list
The document provides a shot list for a film, outlining various shots that will be used: close-ups to show the protagonists' defiance and terror; over the shoulder shots to put the audience in their perspective; establishing shots of abandoned buildings to show the destruction caused by an infection; low-angle shots of bandits attacking to show their dominance; and mid-shots of protagonists with weapons and food to show they are prepared. Tracking shots of infected feet and pans of empty surroundings are meant to convey the threats and isolation the protagonists face.
Planning a short film: demonstrating match-on-action technique
The document outlines 13 shots for a scene involving two characters. Shot 1 tracks one character down a corridor without showing their face. In Shot 2, the character hesitates before opening a door, shown from the side in a medium shot. Shot 3 shows the character stopping in front of the door in an arc shot and close up. Subsequent shots include the character reaching for the door handle, entering the room, pulling out a chair to sit down while being watched by the other character, getting angry and standing up, storming towards the door, and leaving while walking down the corridor in view of the camera. Matching shots are used to connect the character's actions.
Media shooting script
This filming script outlines several camera shots and angles to capture a stage scene interaction between a male and female character. It includes a high angle shot of the female emerging from curtains to appear superior, followed by over-the-shoulder and low angle shots between the characters to display their dynamic. Further shots such as eye level and high angles are planned to focus on the characters' eyes and facial expressions throughout the scene.
Media shooting script backstage
The document outlines the filming shots and audio for a scene where the main male character spies on the main female lead as she gets ready in her changing room. It includes a series of match action shots of the male character walking down the hallway and entering the changing room. Then there are several point-of-view and mid-range shots from the male's perspective as he spies on the female putting on lipstick while she kisses her own reflection in the mirror, unaware that she is being watched.
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Shot by shot analysis of The A Team
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Shots description
The document describes different types of camera shots including high angle shots, low angle shots, establishing shots, extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, extreme close ups, point of view shots, over the shoulder shots, and two person shots. Each shot type is defined by where the camera is positioned in relation to the subject and what part or how much of the subject is included. The different shot types are used to achieve specific effects like making a subject appear more or less powerful or to focus on reactions, actions, or conversations between subjects.
Some rules of movie making
This document provides guidance on several cinematography techniques: 180 degree shots require staying on one side of the line to maintain audience orientation, and any crossing must be shown; shot reverse shots cut between two cameras filming a conversation to capture reactions; match on action ensures continuity and fluidity between two shots; and cut-aways provide clues to the narrative by cutting from a general sequence to an object or character.
some rules of movie making
This document provides guidance on several cinematography techniques used in movie making including maintaining the 180 degree shot rule when filming, using shot reverse shot editing between two cameras in conversations, matching the action between two shots for continuity, and using cut-aways to provide clues or foreshadow events for the audience by cutting to another object or character.
Shot list
The document provides a shot list for a film, outlining various shots that will be used: close-ups to show the protagonists' defiance and terror; over the shoulder shots to put the audience in their perspective; establishing shots of abandoned buildings to show the destruction caused by an infection; low-angle shots of bandits attacking to show their dominance; and mid-shots of protagonists with weapons and food to show they are prepared. Tracking shots of infected feet and pans of empty surroundings are meant to convey the threats and isolation the protagonists face.
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The document outlines 13 shots for a scene involving two characters. Shot 1 tracks one character down a corridor without showing their face. In Shot 2, the character hesitates before opening a door, shown from the side in a medium shot. Shot 3 shows the character stopping in front of the door in an arc shot and close up. Subsequent shots include the character reaching for the door handle, entering the room, pulling out a chair to sit down while being watched by the other character, getting angry and standing up, storming towards the door, and leaving while walking down the corridor in view of the camera. Matching shots are used to connect the character's actions.
Media shooting script
This filming script outlines several camera shots and angles to capture a stage scene interaction between a male and female character. It includes a high angle shot of the female emerging from curtains to appear superior, followed by over-the-shoulder and low angle shots between the characters to display their dynamic. Further shots such as eye level and high angles are planned to focus on the characters' eyes and facial expressions throughout the scene.
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The document outlines the filming shots and audio for a scene where the main male character spies on the main female lead as she gets ready in her changing room. It includes a series of match action shots of the male character walking down the hallway and entering the changing room. Then there are several point-of-view and mid-range shots from the male's perspective as he spies on the female putting on lipstick while she kisses her own reflection in the mirror, unaware that she is being watched.
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1) The document discusses different types of camera shots that could be used to film a scene where Alex Hunter is being stalked through the corridors of Tupton Hall School by the known killer Connor Sanderson.
2) Establishing shots are used to set the scene and show the exterior of Tupton Hall School, while low shots portray Connor as a dominant character.
3) Close-ups capture Alex's emotional reactions as Connor approaches him down the corridor, and tilt shots could exaggerate Alex's speed as he sprints away.
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The document analyzes shots from two music videos. It describes various shots including sliding shots, establishing shots, drone shots, close ups, and tracking shots. Elements like camera angles, depth of field, lighting, clothing, and background are discussed to show how they establish tone and draw focus to the artist. Comparison notes the videos used stabilization, shallow depth of field, and drone shots, while the settings differed based on the genre of music.
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This risk assessment document identifies several potential hazards for actors and crew during a production, including walking into a tree, tripping, heavy objects falling, falling into a bush, getting wet, getting lost, slipping, equipment getting damaged, and dog attacks. For each hazard, it lists the people and property affected, existing risk controls, and assigns a low risk level. The overall document evaluates routine safety risks and precautions for on-location filming.
Understanding of continuity principles
Cutting between shots that match the action, such as a man walking up to a door and reaching for the knob, helps provide continuity in film editing. The 180 degree rule and shot reverse shot techniques also aid continuity by maintaining the spatial relationship between characters and objects in a scene from different camera angles.
Camera Angles
Low angle shots are used to portray a character looking up, such as Spiderman contemplating his role. Extreme long shots establish a location from a distance. Medium long shots introduce characters from head to knee, like The Joker entering a scene. Medium close ups show who is speaking and give a close view of characters' upper bodies, used in The Boy in the Striped Pyjamas. Extreme close ups focus on specific facial features to show emotions, seen in Tom Hanks' eyes in Saving Private Ryan. Two shots show two people conversing, like in Star Trek. Point of view shots portray what a character sees, such as the view of those shocked by Andy's escape in Shawshank Redemption.
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Part 2
This document contains a shot list for a film or video with 11 shots described. The shots include establishing shots of locations, medium shots of characters talking or interacting, slow motion and point of view shots, and shots showing chase scenes and characters arriving at the same place. Dialogue is included for some shots. The locations listed are a department/building and an interrogation room.
Part 3
The document is a shot list for a film containing 10 shots. The first shot is a low angle of boots walking past the camera. The second and third shots are close ups of characters Aimee and Shakil with shocked expressions. The fourth shot is a long shot from a low angle showing Aimee and Shakil standing equal distances from the body of Tommy in the middle, with Mansib stepping into the shot. The final shots include end credits for the film "The Target" and a note that it is coming soon.
digital media unit 1
This document discusses different camera shots and angles from movies and what they convey about characters. An extreme close-up from Avatar shows the strength in the character's eyes. A medium long shot of The Joker conveys his confidence and power. Interview footage shows a subject looking into space while answering questions. A big close-up allows viewers to react to facial expressions. Long shots of Thor depict his height and power. Harry Potter walking away from the camera creates a strange atmosphere, while a high angle shot shows his vulnerability.
Part 1
Tommy is on the phone with Mansib who asks what Tommy has done this time. The scene then focuses on Aimee preparing weapons, including putting a gun in her waistband and knife in her boot. The credits roll showing Aimee-Rose Gosset. Mansib mentions two assassins, and the scene cuts to Shakil adjusting his tie and putting on a jacket, preparing for a job.
Risk Assessment
This document outlines potential risks and preventative measures for various shots in a film production. It identifies hazards such as actors tripping over equipment, cameras accidentally hitting actors, or props injuring people. Preventative measures include keeping equipment away from actors, holding cameras at angles instead of directly above faces, throwing props short distances without people present, and maintaining a safe distance between actors and equipment. The goal is to film the shots as planned while preventing injuries or equipment damage.
Rahel -bayzid--mashud-animated
The document provides a shot list for a film scene that includes three people aiming weapons at each other. It then details various shots around a building location on Warren Street, including establishing shots of the exterior, a character's legs walking inside, and a character arriving at the reception area. Further shots inside include a character leaving a lift, another character sitting at a chair, and a character looking out a window before leaving in a car.
Edit Decision List
This document contains notes from 163 shots taken during the filming of a short film. Each shot is rated as good or bad based on factors like camera work, actor performance, and whether extras or equipment are visible. Several shots were not usable due to issues like changes in actors, shots belonging to another production, or technical problems. In the end, 27 shots were marked as used in the final film.
Shot list
The document outlines different camera shots that will be used in the opening of a thriller film. It includes an aerial shot of the house from the roof, a close-up of the victim's face showing confusion, and close-up shots of the weapon and victim's face. It also details handheld shots of the killer walking and different angles like low angles to make the killer seem powerful and high angles to portray the woman as weaker.
Production script 2
This production script outlines various camera shots and angles for a scene involving a group of actors. It includes tracking shots of actors running through trees and shots of actors having conversations on a hill. It also describes close-up shots of hands and eyes, as well as overhead shots showing actors throwing rocks and a villain looking down at another actor. The script aims to build suspense through dramatic music and an unsettling audio cue as the actors continue down a hill while bickering.
Shot types
The document discusses different types of camera shots commonly used in film and television production. It provides descriptions of close up, mid, and establishing shots, as well as high angle, low angle, two shot, over the shoulder, tilt, and long shots. It notes that close ups, establishing, and long shots are often used in film openings to introduce characters and settings, while shots like high angle, low angle, two shot, and tilt shots tend to be used later in films when tension or drama is building.
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This document defines different shot types and sizes used in filmmaking, including extreme long shots used to show settings from a quarter mile away, long shots that show whole figures or objects, mid shots from the waist up that allow movement, close ups focused on the head that show emotion, and extreme close ups of single facial features for detail. Cutaways are also mentioned as a shot type.
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When filming scenes for editing, it is best to reshoot the scene until satisfied rather than rewinding the tape. Any titles added during filming will remain on the scene permanently. It is recommended to turn off automatic time and data features, take thorough notes labeling good scenes and players, add fades during editing rather than using camera fades, and start recording a few seconds before and after the action.
Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Cinematography
Cinematography techniques are used to establish shots, perspectives, and movement. An establishing shot provides exterior context from a distance. Extreme close-ups magnify details like eyes or mouths. Long shots capture a wide view from far away. Point-of-view shots show what a character sees through their own eyes. Medium shots contain the full action within the frame from a moderate distance. Over the shoulder shots film what a character sees but not through their eyes. Tilted or dolly shots add dynamic movement that can disorient or empower the audience.
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Camera shots and Practise
1) The document discusses different types of camera shots that could be used to film a scene where Alex Hunter is being stalked through the corridors of Tupton Hall School by the known killer Connor Sanderson.
2) Establishing shots are used to set the scene and show the exterior of Tupton Hall School, while low shots portray Connor as a dominant character.
3) Close-ups capture Alex's emotional reactions as Connor approaches him down the corridor, and tilt shots could exaggerate Alex's speed as he sprints away.
Camera Angles
This document discusses different camera angles used in filmmaking, including low-angle shots which make subjects appear powerful by filming from below eye level, close-ups which film subjects or objects closely, establishing shots which indicate where scenes take place through wide shots, panning shots which follow moving actions while keeping the camera stationary, and point-of-view shots which show scenes from the perspective of characters.
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This shot list contains 67 shots detailing 3 sequences for a film: an opening ordinary day sequence, a lost and confused sequence in the woods, and a revelation sequence on a hill. The shots include establishing shots, close-ups, reactions shots, and point-of-view shots from different camera angles and movements to depict one actor following another who seems familiar, experiencing chest pain, and having a heart attack upon discovering the other actor is his identical twin.
Text Analysis
The document analyzes shots from two music videos. It describes various shots including sliding shots, establishing shots, drone shots, close ups, and tracking shots. Elements like camera angles, depth of field, lighting, clothing, and background are discussed to show how they establish tone and draw focus to the artist. Comparison notes the videos used stabilization, shallow depth of field, and drone shots, while the settings differed based on the genre of music.
Hazard
This risk assessment document identifies several potential hazards for actors and crew during a production, including walking into a tree, tripping, heavy objects falling, falling into a bush, getting wet, getting lost, slipping, equipment getting damaged, and dog attacks. For each hazard, it lists the people and property affected, existing risk controls, and assigns a low risk level. The overall document evaluates routine safety risks and precautions for on-location filming.
Understanding of continuity principles
Cutting between shots that match the action, such as a man walking up to a door and reaching for the knob, helps provide continuity in film editing. The 180 degree rule and shot reverse shot techniques also aid continuity by maintaining the spatial relationship between characters and objects in a scene from different camera angles.
Camera Angles
Low angle shots are used to portray a character looking up, such as Spiderman contemplating his role. Extreme long shots establish a location from a distance. Medium long shots introduce characters from head to knee, like The Joker entering a scene. Medium close ups show who is speaking and give a close view of characters' upper bodies, used in The Boy in the Striped Pyjamas. Extreme close ups focus on specific facial features to show emotions, seen in Tom Hanks' eyes in Saving Private Ryan. Two shots show two people conversing, like in Star Trek. Point of view shots portray what a character sees, such as the view of those shocked by Andy's escape in Shawshank Redemption.
Acting tips 101
The document provides acting tips for surviving onstage. It recommends projecting one's voice from the diaphragm and speaking as if addressing someone in the back of the room. It defines common stage directions like upstage, downstage, stage left, and stage right. It also discusses blocking, the planned movement of actors on stage, and stage combat, which requires convincingly fighting without injury while delivering emotion. Actors are advised to stay open and face the audience.
Part 2
This document contains a shot list for a film or video with 11 shots described. The shots include establishing shots of locations, medium shots of characters talking or interacting, slow motion and point of view shots, and shots showing chase scenes and characters arriving at the same place. Dialogue is included for some shots. The locations listed are a department/building and an interrogation room.
Part 3
The document is a shot list for a film containing 10 shots. The first shot is a low angle of boots walking past the camera. The second and third shots are close ups of characters Aimee and Shakil with shocked expressions. The fourth shot is a long shot from a low angle showing Aimee and Shakil standing equal distances from the body of Tommy in the middle, with Mansib stepping into the shot. The final shots include end credits for the film "The Target" and a note that it is coming soon.
digital media unit 1
This document discusses different camera shots and angles from movies and what they convey about characters. An extreme close-up from Avatar shows the strength in the character's eyes. A medium long shot of The Joker conveys his confidence and power. Interview footage shows a subject looking into space while answering questions. A big close-up allows viewers to react to facial expressions. Long shots of Thor depict his height and power. Harry Potter walking away from the camera creates a strange atmosphere, while a high angle shot shows his vulnerability.
Part 1
Tommy is on the phone with Mansib who asks what Tommy has done this time. The scene then focuses on Aimee preparing weapons, including putting a gun in her waistband and knife in her boot. The credits roll showing Aimee-Rose Gosset. Mansib mentions two assassins, and the scene cuts to Shakil adjusting his tie and putting on a jacket, preparing for a job.
Risk Assessment
This document outlines potential risks and preventative measures for various shots in a film production. It identifies hazards such as actors tripping over equipment, cameras accidentally hitting actors, or props injuring people. Preventative measures include keeping equipment away from actors, holding cameras at angles instead of directly above faces, throwing props short distances without people present, and maintaining a safe distance between actors and equipment. The goal is to film the shots as planned while preventing injuries or equipment damage.
Rahel -bayzid--mashud-animated
The document provides a shot list for a film scene that includes three people aiming weapons at each other. It then details various shots around a building location on Warren Street, including establishing shots of the exterior, a character's legs walking inside, and a character arriving at the reception area. Further shots inside include a character leaving a lift, another character sitting at a chair, and a character looking out a window before leaving in a car.
Edit Decision List
This document contains notes from 163 shots taken during the filming of a short film. Each shot is rated as good or bad based on factors like camera work, actor performance, and whether extras or equipment are visible. Several shots were not usable due to issues like changes in actors, shots belonging to another production, or technical problems. In the end, 27 shots were marked as used in the final film.
Shot list
The document outlines different camera shots that will be used in the opening of a thriller film. It includes an aerial shot of the house from the roof, a close-up of the victim's face showing confusion, and close-up shots of the weapon and victim's face. It also details handheld shots of the killer walking and different angles like low angles to make the killer seem powerful and high angles to portray the woman as weaker.
Production script 2
This production script outlines various camera shots and angles for a scene involving a group of actors. It includes tracking shots of actors running through trees and shots of actors having conversations on a hill. It also describes close-up shots of hands and eyes, as well as overhead shots showing actors throwing rocks and a villain looking down at another actor. The script aims to build suspense through dramatic music and an unsettling audio cue as the actors continue down a hill while bickering.
Shot types
The document discusses different types of camera shots commonly used in film and television production. It provides descriptions of close up, mid, and establishing shots, as well as high angle, low angle, two shot, over the shoulder, tilt, and long shots. It notes that close ups, establishing, and long shots are often used in film openings to introduce characters and settings, while shots like high angle, low angle, two shot, and tilt shots tend to be used later in films when tension or drama is building.
Shot sizes
This document defines different shot types and sizes used in filmmaking, including extreme long shots used to show settings from a quarter mile away, long shots that show whole figures or objects, mid shots from the waist up that allow movement, close ups focused on the head that show emotion, and extreme close ups of single facial features for detail. Cutaways are also mentioned as a shot type.
Next Generation
When filming scenes for editing, it is best to reshoot the scene until satisfied rather than rewinding the tape. Any titles added during filming will remain on the scene permanently. It is recommended to turn off automatic time and data features, take thorough notes labeling good scenes and players, add fades during editing rather than using camera fades, and start recording a few seconds before and after the action.
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Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Cinematography
Cinematography techniques are used to establish shots, perspectives, and movement. An establishing shot provides exterior context from a distance. Extreme close-ups magnify details like eyes or mouths. Long shots capture a wide view from far away. Point-of-view shots show what a character sees through their own eyes. Medium shots contain the full action within the frame from a moderate distance. Over the shoulder shots film what a character sees but not through their eyes. Tilted or dolly shots add dynamic movement that can disorient or empower the audience.
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The document defines and describes various camera shots used in filmmaking including close-up shots that focus on a character's face, medium shots that show a character from the waist up, and long shots that show a character from head to toe. It also discusses aerial shots that establish a location from above, deep focus shots that keep the foreground, middle ground, and background in focus, and over-the-shoulder shots that imply a connection between conversing characters. Finally, it briefly outlines other shots like low angle shots that make a subject appear dominant, high angle shots that isolate a subject, and dolly and crane shots that move the camera.
Cinematography
An establishing shot establishes the location and time period of a film. A wide shot provides a panoramic view of a landscape or significant set details. A crane shot is similar to an aerial shot but filmed from a lower angle, while an aerial shot provides a bird's eye view from above using a drone. Common shots include long shots showing a full person, medium shots containing the action, close-ups focusing on faces or details, and extreme close-ups on specific elements like eyes or mouths. Point of view and over the shoulder shots show the perspective of a character. Two shots capture conversations between two people.
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Camera shots
Camera shots are used in filmmaking to convey different perspectives and information. Some key shots include the establishing shot which orients the audience to a setting from a distance, wide shots which show a full human or object to emphasize scale, and crane shots which allow movement around a scene from one viewpoint. Close-ups focus intently on details while extreme close-ups magnify details beyond normal human vision. Point-of-view shots place the audience in a character's perspective while shot reverse shots alternate between characters to imply they are looking at each other.
Camera frames
This document defines and describes various camera shots including extreme close-up, big close-up, close-up, mid shot, long shot, extreme long shot, point-of-view shot, worm's eye view, bird's eye view, aerial, crane shot, high angle, and low angle shots. Each shot type is defined by the perspective and amount of the subject and background shown. Shots like extreme close-up focus tightly on details while long shots show more of the background, and shots like high angles and low angles influence the subject's perceived power.
Camera shots and Angles
High angle shots are taken from above eye level and make subjects seem smaller, adding drama. Low angle shots are taken below eye level and make subjects seem more powerful or intimidating. Oblique angle shots are at an angle rather than straight on, creating a sense of instability. Bird's eye view shots are taken directly overhead, putting the audience in a detached, godlike position looking down.
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This document discusses various cinematography techniques used in motion picture photography including different types of shots like close-ups, wide shots, and birds-eye views. It provides examples of shots from movies like The Raid, Escape Plan, and Expendables 3 to illustrate techniques like close-ups for showing emotion, wide shots for context, and low angles for dramatic effect.
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This document provides definitions and descriptions of various camera angles and shots used in cinematography. It discusses extreme close-ups, close-ups, mid shots, long shots, and extreme long shots which show subjects at different distances. It also covers establishing shots, point of view shots, over the shoulder shots, low angles, and high angles which provide different perspectives. Additionally, it summarizes camera movements like panning, tracking, tilting, crane shots, and zooming, as well as editing techniques such as match on action, the 180 degree rule, shot reverse shot, and cutaways.
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This document defines and describes various shots and camera movements used in filmmaking. It discusses close-up shots that focus on details and magnify objects, extreme close-ups that show even smaller elements, and medium shots that capture figures from the knees up. It also outlines wide shots that show some of the setting, long shots that approximate life-size scale, and extreme long shots that establish exterior landscapes from far away. Additionally, it defines point-of-view shots, two shots, vertical shots, over the shoulder shots, and zoom lenses that change magnification without moving. Rounds out descriptions of high and low camera angles, tilts, pans, tracking shots, dolly shots, and crane shots.
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This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over the shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera shots & angles
This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over-the-shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera shots
The document discusses different camera shots and angles used in media, including extreme close-ups of faces, close-ups that focus on faces with blurred backgrounds, medium shots from knee or waist level for dialogue, long shots that show full body from head to feet with backgrounds, extreme long shots from far away for scene setting, low angles that make objects appear taller against sky or ceiling, and high angles from above for an overview that makes settings and subjects appear smaller.
Camera shots & angles
Camera shots and angles can be used to convey different meanings and perspectives. Long shots provide context by showing a subject and their surroundings, while close-ups concentrate on specific details like facial expressions. Shot types also indicate distance from the subject, from extreme long shots taken far away to establish landscapes to medium shots that frame subjects from the knees up. Camera angles like high angles make subjects seem smaller while low angles imply dominance. Oblique tilted angles can suggest imbalance or a character's point of view.
Camera Shots - AS Media
The document defines and provides examples of various camera shots including establishing shots, long shots, crane shots, aerial shots, close-ups, point-of-view shots, over the shoulder shots, shot reverse shots, two-shots, pans, tilts, high angle shots, low angle shots, and zoom shots. Each shot type is explained and an image example is provided to illustrate how the shot would look and the intended effect on the audience.
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Camera angles
- 2. Establishing shot ✦ The establishing shot is meant to show the audience where your film is set. ✦ For example, if a film was set in New York, the establishing shot may be of the New York skyline;
- 3. Master Shot ✦ A Master shot is a shot that appears at the beginning or end of a section.
- 4. Close-up Shot ✦ A shot that is extremely close to a face or item ✦ Usually used to show facial expressions or so you can read text or see small details.
- 5. Long shot ✦ Involves seeing the whole person in the shot ✦ To show more of the action
- 6. Extreme long shot ✦ The shot usually takes place outside since it can be from up to half a mile away.
- 7. Low angle shot ✦ A shot looking up at an actor ✦ Can be used to make an actor look tall and powerful.
- 8. High angle shot ✦ Shot looking down on an actor. ✦ Can be used to make an actor seem weak/small.
- 9. Crane shot ✦ A shot that uses a crane to get an angle from high up.
- 10. Wide angle shot ✦ A shot to show a widespread view of the scene
- 11. Aerial shot ✦ A shot from up in the sky – usually from a helicopter
- 12. Panning shot ✦ Where the actor stays still and rotates the camera around the action
- 13. Tracking shot ✦ Where the camera moves along with the action
- 14. Framing shot ✦ Where the camera looks through a doorway or a frame ✦ Usually to enhance and add more tension to the action
- 15. Point of view shot ✦ Where the camera shows what the actor would be seeing through his own eyes ✦ To add realism
- 16. Two shot ✦ Where two people are in the shot