The forth and final part of a four part lecture providing an introduction to thematic analysis and particularly the reflexive approach outlined by Braun & Clarke.
ENGLISH 7_Q4_LESSON 2_ Employing a Variety of Strategies for Effective Interp...
Braun, Clarke & Hayfield Thematic Analysis Part 4
1. Thematic analysis
Part 4: Avoiding common problems
Presentation by
Victoria
Clarke
Associate Professor of
Qualitative and Critical
Psychology, UWE
May 2019
2. PowerPoint slides from the Braun, Clarke &
Hayfield Qualitative Methods Online Teaching &
Learning Resources Collaboration (QMOTLRC)
• Narration by Victoria Clarke
3. Topic overview
o Understanding the key features of thematic analysis and
specifically the Braun & Clarke reflexive approach to thematic
analysis.
o Understanding how to undertake a reflexive thematic analysis of
qualitative data, including coding and theme generation.
o Understand how to conduct a high quality thematic analysis and
avoid common problems.
4. Topic overview
o Part 1: What is thematic analysis?
o Part 2: Thematic analysis is uniquely flexible
o Part 3: Six phases of reflexive thematic analysis
o Part 4: Avoiding common problems
5. Process…
• You are not a mechanic…
• Proceduralism vs. engagement
• TA as a ‘recipe’ for starting your (reflexive;
knowing) adventure!
• Not a prescriptive recipe that must be
followed exactly as specified to guarantee
a good outcome.
6. Some common problems we see…
• TA fails to address the research question.
• Unconvincing or under-developed analysis:
oToo many or too few themes
oToo much overlap between themes or themes are unrelated
oThemes are vague or not internally consistent or coherent
• Analysis fails to provide a rich or ‘thick’ description and interpretation of the data.
• Little or no analytic work has been carried out: Using data collection questions as
themes.
• The data are not contextualised, or acknowledged as situated or located.
7. Some common problems we see...
• Mismatch between data and analytic claims or extracts are not compelling.
• Too few or too many data extracts (and little or no analytic commentary).
• Paraphrasing not analysing and interpreting data.
• Failure to consider other (obvious) alternative readings of the data and variation and
contradiction in the data.
• Arguing with the data.
• The analysis and theoretical frameworks are contradictory or the analysis is theoretically
inconsistent.
• In research conducted by psychological practitioners: confusing clinical interpretation
with qualitative data analysis.
• Confusing themes and domain-summaries (or poorly named themes).
• Unacknowledged and unknowing ‘mash-ups’ of different types of TA procedures and
philosophy.
8. Good practices in reporting a TA
• A good balance between analytic narrative and data extracts (half and half is a useful starting
guide – but not a rule!).
• The analytical commentary provides original and novel insights into the meaning of the data.
• There is a good fit between the data and analytic claims.
• Each theme has a clear central organising concept & is distinctive.
• An appropriate number of themes are presented – analysis is not fragmented and ‘undercooked’.
• Each theme is discussed in sufficient depth and detail.
• The themes work together to tell a story about the data.
• The analytic claims fit with the overall theoretical position of the analysis and are consistent.
• There is strong evidence of a systematic and thorough analytic process.
• The analysis explains why the data are interesting and important in relation to the research
question.
9. Good practices in reporting a TA –
moving towards more complex TA
• The analysis moves beyond description to interpretation and conceptual
engagement.
• The analysis provides a critical analysis of the assumptions underpinning the data
and the implications of the data.
• The data is contextualised, and acknowledged as situated and located.
• The analysis captures some of the different ‘stories’ in the data and considers
some other plausible interpretations of the data.
• The analysis makes an argument.
10. Our 15-point checklist for good quality TA
1. Transcription – appropriate level of detail and ‘accuracy’
2. Coding – each data item given equal attention
3. Coding – thorough, inclusive and comprehensive
4. Coding – all relevant extracts for each theme have been collated
5. Coding – themes have been checked against each other and the original data set
6. Coding – themes are internally coherent, consistent and distinctive
7. Analysis – data have been interpreted/analysed rather than just paraphrased or
described
8. Analysis and data match, extracts illustrate analytic claims
11. Our 15-point checklist for good quality TA
9. Analysis – tells a convincing and well-organised story about the data and
topic
10.Analysis – good balance between extracts and analytic narrative
11.Overall – enough time allocated to complete all phases adequately, no
rushing or once-over-lightly
12.Written report – assumptions and specific approach explicated
13.Written report – good fit between what claim to do and what have done
14.Written report – language and concepts consistent with theoretical
position
15.Written report – the researcher is active in the research process
Editor's Notes
In this lecture, we’ll focus on exploring and explaining our particular approach to thematic analysis. It’s important to note that there are numerous different approaches to TA, TA is not a singular/homogenous approach, and our approach tends to be rather (or very!) different from most of the other more widely (and lesser) known approaches
To understand more about the wider context of TA, which we don’t have time to talk about today in this lecture (but are happy to take questions on later) – see Victoria’s lecture on her YouTube Channel on the various types/styles of TA, and the history and wider context of TA
But we will touch on this when defining what TA is
.
A good balance between analytic narrative and data extracts (roughly half and half; more analytically commentary in a conceptual/theoretical analysis)
The analytical commentary provides original and novel insights into the meaning of the data
There is a good fit between the data and analytic claims; interpretation of the data is convincing and compelling.
Each theme has a clear central organizing concept.
An appropriate number of coherent themes are presented; together they provide a ‘thick description’ of the data.
Each theme is discussed in sufficient depth and detail.
The themes work together to tell a story about the data. During the analysis equal attention has been paid to individual themes and the relationship between them; the analyst has had the confidence to discard codes/themes that do not fit the overall developing analysis.
The analysis is descriptive and interpretative, providing a conceptual and theoretical analysis of the data. Existing research and theoretical concepts are drawn on to deepen the analysis of the data.
The analysis provides a critical analysis of the assumptions underpinning the data and the implications of the data
The data is located in the wider social context
There is strong evidence of a systematic and thorough analytic process – while some themes may closely map onto data collection questions (e.g., in Frith and Gleeson’s (2004) study of men’s feelings about their bodies and their clothing practices, the theme clothes are used to conceal and reveal closely maps onto two of their survey questions ‘do you dress in a way that hides/emphasises aspects of your body?’), other themes capture unanticipated insights (e.g., their theme clothes are used to fit a cultural ideal does not map onto any of their questions).
The analysis captures some of the different ‘stories’ in the data and considers other plausible interpretations of the data. For example, Frith & Gleeson (2004) reported that social norms dictated that (heterosexual) men should not appear to be invested in their appearance but that in practice men actively and strategically used their clothes to approximate cultural ideas of masculinity. Kitzinger & Willmott (2002: 359), in their study of women’s experiences of polycystic ovarian syndrome, reported a dominant theme of feeling freakish and abnormal but noted that there was “some muted and inconsistent resistance to the socially constructed notion of ‘normal’ women” in their data