This poem summarizes the key ideas from the two poems "Heritage" by Gwendolyn Bennett and "even death will not stop me from struggling" by Kalamu Ya Salaam. The summary discusses how both poems express a connection to African heritage and ancestry, with Bennett longing to experience aspects of African culture and Ya Salaam asserting that despite death, their spirit and struggle will live on through becoming part of the soil and environment.
XZU ,once again the fellow citizen is moving a big step forward towards the fascinating land of the XZUZ and XYRIA
A faithful countrywoman of the Universe in reality or in
imagination that's where all Xzu 's mysterious plot starts from ..And whereat his life goals up rise to the highest happy world achievements and constructive goals throughout media and social actions over the past century and the years to come. Becoming the XZUZ in the most fantastic world ever been created since then!
XZU ,once again the fellow citizen is moving a big step forward towards the fascinating land of the XZUZ and XYRIA
A faithful countrywoman of the Universe in reality or in
imagination that's where all Xzu 's mysterious plot starts from ..And whereat his life goals up rise to the highest happy world achievements and constructive goals throughout media and social actions over the past century and the years to come. Becoming the XZUZ in the most fantastic world ever been created since then!
The first set of ‘World Poems on the Underground’ in 2012 features poets born in India, Turkey, Germany, Pakistan, Guyana and Nigeria - although their lives took them to places far removed from their countries of origin. The poems:
• ‘Finding India in Unexpected Places’ by Sujata Bhatt from Pure Lizard (Carcanet 2008)
• ‘I Sing of Change’ by Niyi Osundare from Selected Poems (1992)
• ‘Baku at Night’ by Nazim Hikmet from Poems of Nazim Hikmet, translated from the Turkish by Randy Blasing & Mutlu Konuk (Persea Books 2002)
• ‘Toussaint L’Ouverture Acknowledges Wordsworth’s Sonnet To Toussaint L’Ouverture’ by John Agard from Alternative Anthems: Selected Poems (Bloodaxe 2009)
• ‘Carving’ by Imtiaz Dharker from The terrorist at my table ( Bloodaxe 2006)
• ‘Boy with Orange (out of Kosovo)’ by Lotte Kramer from New & Collected Poems (Rockingham Press 2011).
Poems on the Underground is supported by TfL, Arts Council England and the British Council and London 2012 Festival. Poems are selected by writer Judith Chernaik and poets Cicely Herbert and Gerard Benson (poet laureate of Bradford).
The first set of ‘World Poems on the Underground’ in 2012 features poets born in India, Turkey, Germany, Pakistan, Guyana and Nigeria - although their lives took them to places far removed from their countries of origin. The poems:
• ‘Finding India in Unexpected Places’ by Sujata Bhatt from Pure Lizard (Carcanet 2008)
• ‘I Sing of Change’ by Niyi Osundare from Selected Poems (1992)
• ‘Baku at Night’ by Nazim Hikmet from Poems of Nazim Hikmet, translated from the Turkish by Randy Blasing & Mutlu Konuk (Persea Books 2002)
• ‘Toussaint L’Ouverture Acknowledges Wordsworth’s Sonnet To Toussaint L’Ouverture’ by John Agard from Alternative Anthems: Selected Poems (Bloodaxe 2009)
• ‘Carving’ by Imtiaz Dharker from The terrorist at my table ( Bloodaxe 2006)
• ‘Boy with Orange (out of Kosovo)’ by Lotte Kramer from New & Collected Poems (Rockingham Press 2011).
Poems on the Underground is supported by TfL, Arts Council England and the British Council and London 2012 Festival. Poems are selected by writer Judith Chernaik and poets Cicely Herbert and Gerard Benson (poet laureate of Bradford).
Neste trabalho, apresento alguns dados sobre a poesia de Lord Byron, seleciono alguns dos seus principais poemas para mostrar a importância de seu papel para a literatura Inglesa bem como o que caracteriza sua poesia como romântica.
Carrizo
BY CRISOSTO APACHE
For Edgar
The submarine’s inside was dim.
— Ryūnosuke Akutagawa, tr. by Will Petersen
in my youth, I hitched a ride to San Diego, across
chirping desert and distant night, I gazed upon a slow-moving
dark, encasing a convex cerulean cavity
each night, I stood beneath the sky for hours mesmerized
at the perplex reformatory, twinkling lights of broken
glass fragments spreading against a glistening sunset
a faceless man behind a lost reflection of glass
at a drive-up window informs me,
too bad, you know nothing of your own past
how far will I walk against the night?
conforming to a captivity I had never realized
some years later, under the kitchen table, they all huddle,
as the rampage continues toward the back of the house,
a clash of debris from the other room recoils
and broken sounds escape the barricade of doors
I remember I returned in 1970,
all they remember is me sitting at the edge of my bed,
with the war still in my hands
Anasazi
BY TACEY M. ATSITTY
How can we die when we're already
prone to leaving the table mid-meal
like Ancient Ones gone to breathe
elsewhere. Salt sits still, but pepper's gone
rolled off in a rush. We've practiced dying
for a long time: when we skip dance or town,
when we chew. We've rounded out
like dining room walls in a canyon, eaten
through by wind—Sorry we rushed off;
the food wasn't ours. Sorry the grease sits
white on our plates, and the jam that didn't set—
use it as syrup to cover every theory of us.
When Roots Are Exposed
BY ESTHER BELIN
I.
The empty of stomach
manifests silence
a stillness
that levels
coffee in a cup
and in a respectful manner
allows steam to penetrate
the surface.
Reversal of action
has created my sandstone canyon
rooted cedar and sage at my feet.
This movement is where
a tranquility stems.
II.
When my child creates
bubbles through a soapy wand,
I occupy the action of fate
that bursts the perfect form.
A halcyon absorbed
nesting within
the existence of the form
that no longer exists.
The formless form
is where my mind floats.
III.
It is easy to give form
especially with English words
a promotion of mechanical ligaments
binding spirit with assembly-fabricated molds.
Just as my hair poses an appendage of my brain
my tongue poses an appendage of my heart.
I cannot classify this thought as a typewritten symbol.
An ideogram of essence
cultivates my stillness to action.
ANWR
BY SHERWIN BITSUI
When we are out of gas,
a headache haloes the roof,
darkening the skin of everyone who has a full tank.
I was told that the nectar of shoelaces,
if squeezed hard enough,
turns to water and trickles from the caribou’s snout.
A glacier nibbled from its center
spiders a story of the Southern Cross,
twin brothers
dancing in the back room lit with cigarettes
break through the drum’s soft skin—
There bone faces atlas
a grieving century ...
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Thesis Statement for students diagnonsed withADHD.ppt
Black poetry
1. EQUALITY STILL I RISE
Written by Maya Angelou Written by Maya Angelou
You declare you see me dimly You may write me down in history
through a glass which will not shine, With your bitter, twisted lies,
though I stand before you boldly, You may trod me in the very dirt
trim in rank and making time. But still, like dust, I'll rise.
Does my sassiness upset you?
You do own to hear me faintly Why are you beset with gloom?
as a whisper out of range, 'Cause I walk like I've got oil wells
while my drums beat out the message Pumping in my living room.
and the rhythms never change.
Just like moons and like suns,
With the certainty of tides,
Equality, and I will be free. Just like hopes springing high,
Equality, and I will be free. Still I'll rise.
Did you want to see me broken?
You announce my ways are wanton, Bowed head and lowered eyes?
that I fly from man to man, Shoulders falling down like teardrops.
but if I'm just a shadow to you, Weakened by my soulful cries.
could you ever understand?
Does my haughtiness offend you?
Don't you take it awful hard
We have lived a painful history, 'Cause I laugh like I've got gold mines
we know the shameful past, Diggin' in my own back yard.
but I keep on marching forward,
and you keep on coming last. You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
Equality, and I will be free. But still, like air, I'll rise.
Equality, and I will be free.
Does my sexiness upset you?
Does it come as a surprise
Take the blinders from your vision, That I dance like I've got diamonds
take the padding from your ears, At the meeting of my thighs?
and confess you've heard me crying, Out of the huts of history's shame - I rise
and admit you've seen my tears. Up from a past that's rooted in pain - I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Hear the tempo so compelling,
hear the blood throb through my veins. Leaving behind nights of terror and fear - I rise
Yes, my drums are beating nightly, Into a daybreak that's wondrously clear - I rise
and the rhythms never change. Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
Equality, and I will be free. I rise I rise I rise.
Equality, and I will be free.
2. I Know Why The Caged Bird Sings TO AMERICA
Written by Maya Angelou Written by James Weldon Johnson
(1871-1938)
A free bird leaps on the back of the wind
and floats downstream till the current ends How would you have us, as we are?
and dips his wing in the orange suns rays Or sinking 'neath the load we bear?
and dares to claim the sky. Our eyes fixed forward on a star?
Or gazing empty at despair?
But a bird that stalks down his narrow cage
can seldom see through his bars of rage Rising or falling? Men or things?
his wings are clipped and his feet are With dragging pace or footsteps fleet?
tied so he opens his throat to sing. Strong, willing sinews in your wings?
Or tightening chains about your feet?
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill Advice
for the caged bird sings of freedom.
Written by Gwendolyn Bennett (1902-
The free bird thinks of another breeze 1981)
and the trade winds soft through the
sighing trees and the fat worms
waiting on a dawn-bright lawn and
he names the sky his own. You were a sophist,
Pale and quite remote,
As you bade me
But a caged bird stands on the Write poems---
grave of dreams his shadow shouts Brown poems
on a nightmare scream Of dark words
his wings are clipped and his feet are
And prehistoric rhythms....
tied so he opens his throat to sing.
Your pallor stifled my poesy
But I remebered a tapestry
The caged bird sings with a fearful trill That I would some day weave
of things unknown but longed for still Of dim purples and fine reds
and his tune is heard on the distant hill And blues
for the caged bird sings of freedom. Like night and death---
The keen precision of your words
Wove a silver thread
Through the dusk softness
Of my dream-stuff....
3. Heritage even death will not stop me from struggling
Written by Gwendolyn Bennett Written by Kalamu Ya Salaam
I want to see the slim palm-trees, i will continue
Pulling at the clouds as ashes & dust
With little pointed fingers....
my bronze flesh will join the soil
I want to see lithe Negro girls, of free lands everywhere
Etched dark against the sky & grow trees
While sunset lingers. be the mud within which rabbits burrow
be carpet of rain forest mountain walls
I want to hear the silent sands, welcoming gorillas home
Singing to the moon
Before the Sphinx-still face.... my bronze flesh
sacred ground
I want to hear the chanting will become ancestor soil
Around a heathen fire
Of a strange black race. and i will also be dry dust
refusing to cover despots
I want to breathe the Lotus flow'r, i'll clog the air filters
Sighing to the stars of tanks & invade the nostrils
With tendrils drinking at the Nile.... of invaders
I want to feel the surging you hear that wind
Of my sad people's soul that's my dying breath
Hidden by a minsrel-smile. laughing at those who thought
they'd seen the last of me
you see that baby eating soil
dirt smeared around her cheeks
that worker dusting himself off
that couple of love embracing on
picnic ground
that hopi sand painting
that amazonian stripped with the chalk
of white clay
you see me
i am sorry to disappoint you
but i do not die
i just move to another plane of existence
and become the fertilizer of the future
even when i'm gone
i will still be here
though death do us part