The document provides details about a student's media studies portfolio project. The student's main project is a teaser trailer for an urban drama film called Ransom, with two ancillary projects of a film poster and magazine. The student has researched similar urban drama films targeting audiences aged 15-25. Feedback from test audiences was positive about the realism and engagement of the planned trailer. The student provides photos and storyboards for the trailer, along with modifications made to the photos. Details are given about learning from the planning and feedback process.
The document discusses the forms and conventions of film magazines and horror film posters, providing examples from real products. It then analyzes how the magazine "Focus" and poster for the film "Wiccan" employ these conventions, including using close-up shots of the main actress, placing the title prominently, using common fonts and color schemes related to the genre, and including other typical design elements like the masthead, tagline, billing block and barcode/release information. The conclusion states that the fake products adhere to many conventions to appeal to audiences familiar with traditional magazine and poster formats.
The document discusses three media products created for a course assignment: a horror movie trailer about poltergeists, two related posters, and two magazine covers. For each product, conventions from real examples in the genre were researched and certain elements were adapted, such as establishing shots, scary images, and coordinated designs across the products. The goal was to make the student-created media look and feel professionally produced like real movie marketing materials.
The document summarizes a student's main portfolio project of creating a film trailer for an urban drama titled "RANSOM" along with two ancillary projects of a film poster and magazine cover. The trailer uses fast editing and soundtrack techniques to build suspense and engage the target audience of black, lower-class males in London. Audience feedback was gathered through surveys and influenced changes to break conventions and avoid revealing the ending. The poster and magazine cover were designed to complement the trailer in tone and provide clues without fully revealing the plot.
The combination of the main film Crook and its ancillary products of a poster, magazine cover, and trailer were effective in establishing a brand. All three products featured the main characters from the film and used consistent font and coloring for the film title. A blood red color was used throughout to convey the film's tone. The production company logo was included on the poster and trailer to promote the brand. Consistent inclusion of the actors' names helped familiarize audiences with the cast. Credits were used across all products to provide information to audiences. The linking of these elements helped create a cohesive brand identity for the film.
Connor Barbors analyzes how his short film "Narco Snatch" challenges conventions of real media products. His film includes 5 characters rather than the typical few. It also leaves the narrative ending open rather than resolving simply. While challenging some conventions, the film maintains others like a low budget through inexpensive props. Barbors believes the combination of his film and ancillary texts like a poster and magazine review are effective through their consistent style and adherence to genre conventions.
The poster depicts two characters holding guns against a golden backdrop, signaling an action-packed thriller about violence. The female lead is prominently featured at the front to subvert expectations and raise questions about her dangerous nature. Additional details like the date and description of the city location work to draw in the target audience interested in these genres.
Connor Barbors evaluates how his short film "Narco Snatch" uses, develops, and challenges conventions of real media products. His film contains 5 characters rather than the typical few, and leaves the ending open-ended. It also includes humor and references other films. Barbors created two versions, one rated 18 and one rated 15 by censoring language. He believes his poster and magazine review complement his film by using familiar conventions and styles. Audience feedback found the film should be rated 18 and was generally enjoyed across gender and age ranges. Most viewed it after it was published on Twitter and Facebook.
The poster uses visuals rather than text to convey mystery and intrigue around the plot. A lone figure stands in front of a dark, ominous building, appearing frightened or lost. Very little is revealed about the narrative to leave the audience wondering what danger lies ahead. Bright lights in the lower center contrast with the dark background and add a sense of impending fear or threat.
The document discusses the forms and conventions of film magazines and horror film posters, providing examples from real products. It then analyzes how the magazine "Focus" and poster for the film "Wiccan" employ these conventions, including using close-up shots of the main actress, placing the title prominently, using common fonts and color schemes related to the genre, and including other typical design elements like the masthead, tagline, billing block and barcode/release information. The conclusion states that the fake products adhere to many conventions to appeal to audiences familiar with traditional magazine and poster formats.
The document discusses three media products created for a course assignment: a horror movie trailer about poltergeists, two related posters, and two magazine covers. For each product, conventions from real examples in the genre were researched and certain elements were adapted, such as establishing shots, scary images, and coordinated designs across the products. The goal was to make the student-created media look and feel professionally produced like real movie marketing materials.
The document summarizes a student's main portfolio project of creating a film trailer for an urban drama titled "RANSOM" along with two ancillary projects of a film poster and magazine cover. The trailer uses fast editing and soundtrack techniques to build suspense and engage the target audience of black, lower-class males in London. Audience feedback was gathered through surveys and influenced changes to break conventions and avoid revealing the ending. The poster and magazine cover were designed to complement the trailer in tone and provide clues without fully revealing the plot.
The combination of the main film Crook and its ancillary products of a poster, magazine cover, and trailer were effective in establishing a brand. All three products featured the main characters from the film and used consistent font and coloring for the film title. A blood red color was used throughout to convey the film's tone. The production company logo was included on the poster and trailer to promote the brand. Consistent inclusion of the actors' names helped familiarize audiences with the cast. Credits were used across all products to provide information to audiences. The linking of these elements helped create a cohesive brand identity for the film.
Connor Barbors analyzes how his short film "Narco Snatch" challenges conventions of real media products. His film includes 5 characters rather than the typical few. It also leaves the narrative ending open rather than resolving simply. While challenging some conventions, the film maintains others like a low budget through inexpensive props. Barbors believes the combination of his film and ancillary texts like a poster and magazine review are effective through their consistent style and adherence to genre conventions.
The poster depicts two characters holding guns against a golden backdrop, signaling an action-packed thriller about violence. The female lead is prominently featured at the front to subvert expectations and raise questions about her dangerous nature. Additional details like the date and description of the city location work to draw in the target audience interested in these genres.
Connor Barbors evaluates how his short film "Narco Snatch" uses, develops, and challenges conventions of real media products. His film contains 5 characters rather than the typical few, and leaves the ending open-ended. It also includes humor and references other films. Barbors created two versions, one rated 18 and one rated 15 by censoring language. He believes his poster and magazine review complement his film by using familiar conventions and styles. Audience feedback found the film should be rated 18 and was generally enjoyed across gender and age ranges. Most viewed it after it was published on Twitter and Facebook.
The poster uses visuals rather than text to convey mystery and intrigue around the plot. A lone figure stands in front of a dark, ominous building, appearing frightened or lost. Very little is revealed about the narrative to leave the audience wondering what danger lies ahead. Bright lights in the lower center contrast with the dark background and add a sense of impending fear or threat.
The promotional materials for "The Devil's Notebook" effectively maintain consistency through repeated use of the female protagonist, supernatural visual elements like scars and a cracked face, a dark color palette, and identical typography and positioning of the film title. This consistency across the poster, magazine cover, and trailer strengthens the horror film's brand identity and creates a symbiotic relationship that will more powerfully communicate the narrative and appeal to the target supernatural horror film audience.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
The document discusses and evaluates various marketing materials created for a fictional film project, including a film poster, magazine covers, and a teaser trailer. The poster, covers, and trailer effectively utilize genre conventions and visual styles to promote the film's comedy genre and office workplace setting. Feedback acknowledges keeping the marketing materials cohesive while also experimenting with less exaggerated comedy conventions.
The document discusses the use of fonts, colors, and other stylistic elements across a film poster, magazine cover, and teaser trailer for a film called "Reverie." There is consistency in using a red font for the film title across all pieces, while other fonts vary stylistically depending on the needs of each ancillary task. Character expressions also differ slightly between the poster and magazine to suit the tone and audience of each medium. Overall, the combination of main product and ancillary tasks effectively promotes the film through clear visual links tied to its mystery genre themes.
L3 l4 -textual analysis of 2 soap opera trailers chris jacobsChris238
This document provides a textual analysis of two soap opera trailers from Coronation Street and EastEnders. For each trailer, the analysis comments on verbal codes like dialogue and soundtrack, non-verbal codes like setting and costumes, and technical codes like camera angles and shot types. Areas of strength that would be repeated include the use of soundtracks and effects to build irony and tension, and quick cuts and close-ups to portray character personalities and build tension between them.
The document discusses several editing techniques used in film and television, including jump cuts, cutting on action, graphic matches, parallel editing, tonal montages, metric montages, and slow motion. For each technique, the document provides examples from older and more modern films/TV shows, and analyzes the purpose, any changes over time, and the effect on the story and audience. The editing techniques are used to convey meaning, build tension, match images symbolically, and engage audiences in different eras of filmmaking.
The document discusses how the media producer's film poster, magazine cover, and trailer challenge or develop conventions of those media forms. For the poster, they included credits and logos at the bottom as is typical, but used silhouettes to maintain mystery. For the magazine, they modeled it after Empire magazine but included a close-up of the main actor. Their trailer drew inspiration from Murder by Numbers, using character introductions, clues to the killer, and editing techniques like quick cuts between shots to build mystery. Overall, the media producer aimed to fit genre conventions while also preventing viewers from knowing too much about the source of drama in their crime story.
The document discusses audience feedback received on a soap opera trailer. It finds that the varied camera angles, effective soundtrack and identification of themes like bullying were successful aspects. While the use of color red was not always identifiable, symbolism could be enhanced. Overall, the feedback showed the trailer appealed to its target 16-25 age demographic and was an effective promotional tool.
The document discusses various elements used in the opening of the film The Warriors to set the mood and provide clues to the audience without revealing plot details. Mysterious sounds and a gruff narrator create an unsettled tone. Distorted music and a plucked guitar string symbolize future tension and climax. Panning over ancient Greek folklore and diegetic seaside sounds establish historical and location context without dialogue. A neon wheel and ominous music during the opening credits allow the audience to focus on key elements without context. A lit subway train is singled out to signify its importance, while shallow focus on a character hints at his significance to the plot.
This document summarizes feedback received on a student's media trailer project for a soap opera. The feedback praised the effective soundtrack choice, noting that the instrumental Arctic Monkeys song fit well with the conflict depicted and would appeal to the target demographic. However, the feedback also pointed out that the student should aim for a more inclusive audience and cast by incorporating female characters. Overall, the feedback suggested the trailer was strong in conveying conflict through sound and visuals but could improve on representation.
This document contains summaries of movie posters and websites:
1. The summaries describe key elements of the posters/websites that would attract audiences, such as prominent use of stars' names, enigmatic taglines, and imagery that hints at the plot or genre.
2. Common techniques highlighted include the use of bold fonts, ominous color schemes, and positioning of characters to convey meaning.
3. Interactive elements of movie websites are also summarized, like navigation tabs, purchase options, and consistency with the visual style of associated posters.
5) how did you attract address your audience?Suzie Micael
The document discusses how the opening sequence of a horror film attracts audiences through its use of conventions, editing techniques, characters, mise-en-scene, locations, and props. Specifically, it introduces two main characters - Jade, who would attract through relatability, and Clarissa, who would attract the male gaze. The forest location was chosen to attract British audiences for its familiarity. Editing uses fast pacing and juxtaposition to create an escapist tone. A tent prop in a subtle edited scene also hints at foreshadowing future events.
The document provides details about various aspects of the film opening, including:
1) The title font and placement sets up intrigue and mystery before clarifying the meaning.
2) The opening shot establishes the location/setting and follows conventions of similar films.
3) A favorite shot zooms out from the main character to a scenic view, though editing cuts were added for time.
4) Character names are introduced through a writing effect, suggesting the story will be like a diary.
The filmposter for the film Snowflake was highly effective at promoting and conveying the genre of the film. It featured iconic elements from the film like the snow globe to pique audience interest. The monochrome black and white color scheme aligned with the themes of light overcoming darkness explored in the film. Audience feedback on draft posters helped improve the final product to better reflect the thriller/mystery genre. Taken together, the film, poster, and film review worked well to engage audiences and generate intrigue around the unexplained elements of Snowflake.
1) The document discusses ideas for creating a poster to advertise a new soap opera called "Walton Hill". It considers poster formats and elements used in shows like "Narcos", "EastEnders", and "Hollyoaks" as inspiration.
2) Key elements that could be used in the poster are discussed, such as image manipulation techniques, positioning of images and text, backgrounds, and inclusion of details like broadcast time/channel.
3) The summary will select elements like multiple character images, image adjustments, a hashtag or social media icons, and broadcast details to create an engaging poster advertising the new soap opera.
Front Cover & Film Poster Target Audience Feedbackjassinta
Our target audience provided feedback on the final front cover and film poster. They responded positively to the color scheme and use of a glitch on the face, feeling it reflected themes in the narrative and moral panic. They also liked the features on the front cover and its familiar aesthetic. Additionally, they enjoyed the cracked phone on the poster, finding it subverted conventions by not including characters and making it stand out.
The filmposter, film, and film review for the movie "Snowflake" effectively work together to promote the film and capture its genre. The filmposter uses similar black and white coloring and imagery as the film to draw connections. It features ambiguous symbols like a snow globe that match elements in the film and intrigue audiences. Both the poster and review target 16-25 year olds and film fans interested in mysteries and thrillers. The review balances strengths like cinematography with weaknesses like sound to give a sense of the film without revealing too much of the plot. All three products complement each other to build interest in Snowflake's psychological thriller/mystery storylines through subtle hints and imagination.
The document analyzes the opening title sequences of the horror films Friday the 13th (2009) and Sinister (2012) based on uses and gratifications theory. It discusses how the titles provide subtle hints about the plot and convey information about the production companies. Both films manipulate colors, fonts, and positioning of titles to suit the horror genre and build suspense. Friday the 13th uses red imagery and delays revealing the main title, while Sinister incorporates found footage into its titles to reflect the plot. The analysis concludes the titles are an important way to impact audiences and will inform the opening titles of the author's own media project.
The group evaluated their research on films, posters, and magazines from the World War 2 era to inform their short film "Venture". Their research covered conventions in costumes, props, settings, lighting, shots, editing, sound, and poster design. They analyzed how these elements represent the war genre and allow audiences to connect emotionally. They will apply these conventions in their own film through elements like period-appropriate costumes in brown and pastel tones, props like name tags and letters, rural settings, and editing techniques like slow cutting and fades.
This poster summarizes the film Hot Fuzz through several elements:
- A two-shot image of the main actors Simon Pegg and Nick Frost dominates the poster to attract audiences' eyes and signal Pegg as the leading role.
- Black is the main color, adding mystery and suggesting a story. Ambient lighting on the actors' serious expressions hints at their roles as police officers in an exaggerated comedy.
- The slogan "Big Cops, Small Town, Moderate Violence" promises action, adventure, and humor that would appeal especially to British audiences.
- Names of the recognizable actors are placed above the title, using their star power to draw audiences, according to Dyer
This magazine article discusses the design elements used in movie magazine covers to promote films. It analyzes covers from magazines about Captain America, Empire, and Sherlock Holmes. The covers are designed to entice readers through prominent placement of the film title and trailers. Distinct color schemes and images from the films help create a sense of anchorage between the magazine and movie. The goal is to effectively market and promote the films through these magazine design techniques.
Situación actual de las relaciones entre docentes y estudiantesLuis Dave Escobar
El documento resume tres investigaciones sobre la importancia de la relación profesor-alumno en los primeros años de educación de un niño. Específicamente, señala que una buena relación entre profesor y alumno en el jardín de niños predice mejores resultados académicos y de conducta hasta el octavo grado, que los profesores sensibles pueden ayudar a prevenir problemas de conducta futuros, y que las interacciones cálidas entre profesor y alumno predicen mejor progreso en lectura y matemáticas.
The promotional materials for "The Devil's Notebook" effectively maintain consistency through repeated use of the female protagonist, supernatural visual elements like scars and a cracked face, a dark color palette, and identical typography and positioning of the film title. This consistency across the poster, magazine cover, and trailer strengthens the horror film's brand identity and creates a symbiotic relationship that will more powerfully communicate the narrative and appeal to the target supernatural horror film audience.
The film poster summarizes the plot of the comedy film "The Hangover" in 3 sentences:
The main image shows three disheveled men - one with a missing tooth, another with a cut lip, and a baby strapped to the third man's chest - implying they had a wild night in Vegas and are now suffering from hangovers. The tagline "Some guys just can't handle Vegas" provides context that the men got into trouble in Vegas. Elements like the bright colors, gold, and dazzling lights in the background reflect the glamorous Vegas setting and highlight the humor in the men's ragged appearances.
The document discusses and evaluates various marketing materials created for a fictional film project, including a film poster, magazine covers, and a teaser trailer. The poster, covers, and trailer effectively utilize genre conventions and visual styles to promote the film's comedy genre and office workplace setting. Feedback acknowledges keeping the marketing materials cohesive while also experimenting with less exaggerated comedy conventions.
The document discusses the use of fonts, colors, and other stylistic elements across a film poster, magazine cover, and teaser trailer for a film called "Reverie." There is consistency in using a red font for the film title across all pieces, while other fonts vary stylistically depending on the needs of each ancillary task. Character expressions also differ slightly between the poster and magazine to suit the tone and audience of each medium. Overall, the combination of main product and ancillary tasks effectively promotes the film through clear visual links tied to its mystery genre themes.
L3 l4 -textual analysis of 2 soap opera trailers chris jacobsChris238
This document provides a textual analysis of two soap opera trailers from Coronation Street and EastEnders. For each trailer, the analysis comments on verbal codes like dialogue and soundtrack, non-verbal codes like setting and costumes, and technical codes like camera angles and shot types. Areas of strength that would be repeated include the use of soundtracks and effects to build irony and tension, and quick cuts and close-ups to portray character personalities and build tension between them.
The document discusses several editing techniques used in film and television, including jump cuts, cutting on action, graphic matches, parallel editing, tonal montages, metric montages, and slow motion. For each technique, the document provides examples from older and more modern films/TV shows, and analyzes the purpose, any changes over time, and the effect on the story and audience. The editing techniques are used to convey meaning, build tension, match images symbolically, and engage audiences in different eras of filmmaking.
The document discusses how the media producer's film poster, magazine cover, and trailer challenge or develop conventions of those media forms. For the poster, they included credits and logos at the bottom as is typical, but used silhouettes to maintain mystery. For the magazine, they modeled it after Empire magazine but included a close-up of the main actor. Their trailer drew inspiration from Murder by Numbers, using character introductions, clues to the killer, and editing techniques like quick cuts between shots to build mystery. Overall, the media producer aimed to fit genre conventions while also preventing viewers from knowing too much about the source of drama in their crime story.
The document discusses audience feedback received on a soap opera trailer. It finds that the varied camera angles, effective soundtrack and identification of themes like bullying were successful aspects. While the use of color red was not always identifiable, symbolism could be enhanced. Overall, the feedback showed the trailer appealed to its target 16-25 age demographic and was an effective promotional tool.
The document discusses various elements used in the opening of the film The Warriors to set the mood and provide clues to the audience without revealing plot details. Mysterious sounds and a gruff narrator create an unsettled tone. Distorted music and a plucked guitar string symbolize future tension and climax. Panning over ancient Greek folklore and diegetic seaside sounds establish historical and location context without dialogue. A neon wheel and ominous music during the opening credits allow the audience to focus on key elements without context. A lit subway train is singled out to signify its importance, while shallow focus on a character hints at his significance to the plot.
This document summarizes feedback received on a student's media trailer project for a soap opera. The feedback praised the effective soundtrack choice, noting that the instrumental Arctic Monkeys song fit well with the conflict depicted and would appeal to the target demographic. However, the feedback also pointed out that the student should aim for a more inclusive audience and cast by incorporating female characters. Overall, the feedback suggested the trailer was strong in conveying conflict through sound and visuals but could improve on representation.
This document contains summaries of movie posters and websites:
1. The summaries describe key elements of the posters/websites that would attract audiences, such as prominent use of stars' names, enigmatic taglines, and imagery that hints at the plot or genre.
2. Common techniques highlighted include the use of bold fonts, ominous color schemes, and positioning of characters to convey meaning.
3. Interactive elements of movie websites are also summarized, like navigation tabs, purchase options, and consistency with the visual style of associated posters.
5) how did you attract address your audience?Suzie Micael
The document discusses how the opening sequence of a horror film attracts audiences through its use of conventions, editing techniques, characters, mise-en-scene, locations, and props. Specifically, it introduces two main characters - Jade, who would attract through relatability, and Clarissa, who would attract the male gaze. The forest location was chosen to attract British audiences for its familiarity. Editing uses fast pacing and juxtaposition to create an escapist tone. A tent prop in a subtle edited scene also hints at foreshadowing future events.
The document provides details about various aspects of the film opening, including:
1) The title font and placement sets up intrigue and mystery before clarifying the meaning.
2) The opening shot establishes the location/setting and follows conventions of similar films.
3) A favorite shot zooms out from the main character to a scenic view, though editing cuts were added for time.
4) Character names are introduced through a writing effect, suggesting the story will be like a diary.
The filmposter for the film Snowflake was highly effective at promoting and conveying the genre of the film. It featured iconic elements from the film like the snow globe to pique audience interest. The monochrome black and white color scheme aligned with the themes of light overcoming darkness explored in the film. Audience feedback on draft posters helped improve the final product to better reflect the thriller/mystery genre. Taken together, the film, poster, and film review worked well to engage audiences and generate intrigue around the unexplained elements of Snowflake.
1) The document discusses ideas for creating a poster to advertise a new soap opera called "Walton Hill". It considers poster formats and elements used in shows like "Narcos", "EastEnders", and "Hollyoaks" as inspiration.
2) Key elements that could be used in the poster are discussed, such as image manipulation techniques, positioning of images and text, backgrounds, and inclusion of details like broadcast time/channel.
3) The summary will select elements like multiple character images, image adjustments, a hashtag or social media icons, and broadcast details to create an engaging poster advertising the new soap opera.
Front Cover & Film Poster Target Audience Feedbackjassinta
Our target audience provided feedback on the final front cover and film poster. They responded positively to the color scheme and use of a glitch on the face, feeling it reflected themes in the narrative and moral panic. They also liked the features on the front cover and its familiar aesthetic. Additionally, they enjoyed the cracked phone on the poster, finding it subverted conventions by not including characters and making it stand out.
The filmposter, film, and film review for the movie "Snowflake" effectively work together to promote the film and capture its genre. The filmposter uses similar black and white coloring and imagery as the film to draw connections. It features ambiguous symbols like a snow globe that match elements in the film and intrigue audiences. Both the poster and review target 16-25 year olds and film fans interested in mysteries and thrillers. The review balances strengths like cinematography with weaknesses like sound to give a sense of the film without revealing too much of the plot. All three products complement each other to build interest in Snowflake's psychological thriller/mystery storylines through subtle hints and imagination.
The document analyzes the opening title sequences of the horror films Friday the 13th (2009) and Sinister (2012) based on uses and gratifications theory. It discusses how the titles provide subtle hints about the plot and convey information about the production companies. Both films manipulate colors, fonts, and positioning of titles to suit the horror genre and build suspense. Friday the 13th uses red imagery and delays revealing the main title, while Sinister incorporates found footage into its titles to reflect the plot. The analysis concludes the titles are an important way to impact audiences and will inform the opening titles of the author's own media project.
The group evaluated their research on films, posters, and magazines from the World War 2 era to inform their short film "Venture". Their research covered conventions in costumes, props, settings, lighting, shots, editing, sound, and poster design. They analyzed how these elements represent the war genre and allow audiences to connect emotionally. They will apply these conventions in their own film through elements like period-appropriate costumes in brown and pastel tones, props like name tags and letters, rural settings, and editing techniques like slow cutting and fades.
This poster summarizes the film Hot Fuzz through several elements:
- A two-shot image of the main actors Simon Pegg and Nick Frost dominates the poster to attract audiences' eyes and signal Pegg as the leading role.
- Black is the main color, adding mystery and suggesting a story. Ambient lighting on the actors' serious expressions hints at their roles as police officers in an exaggerated comedy.
- The slogan "Big Cops, Small Town, Moderate Violence" promises action, adventure, and humor that would appeal especially to British audiences.
- Names of the recognizable actors are placed above the title, using their star power to draw audiences, according to Dyer
This magazine article discusses the design elements used in movie magazine covers to promote films. It analyzes covers from magazines about Captain America, Empire, and Sherlock Holmes. The covers are designed to entice readers through prominent placement of the film title and trailers. Distinct color schemes and images from the films help create a sense of anchorage between the magazine and movie. The goal is to effectively market and promote the films through these magazine design techniques.
Situación actual de las relaciones entre docentes y estudiantesLuis Dave Escobar
El documento resume tres investigaciones sobre la importancia de la relación profesor-alumno en los primeros años de educación de un niño. Específicamente, señala que una buena relación entre profesor y alumno en el jardín de niños predice mejores resultados académicos y de conducta hasta el octavo grado, que los profesores sensibles pueden ayudar a prevenir problemas de conducta futuros, y que las interacciones cálidas entre profesor y alumno predicen mejor progreso en lectura y matemáticas.
This document provides analysis of shots from the movie trailer for "The Dark Knight". It notes that the establishing shot of Gotham City is dark, setting the tone for the film. Shots of the antagonist feature predominantly dark lighting to increase intensity, while Batman is shown in more natural but still dark lighting. The concluding shot uses computer graphics to show buildings falling apart and revealing the Batman symbol against a backdrop of dark lighting transitioning to bright white light.
The document discusses key design elements of movie posters and how they are used to attract audiences. It notes that main characters are featured prominently to entice viewers with known actors. It also analyzes how color, imagery, composition and other visual elements are deliberately used to convey themes and mysteries to intrigue viewers without revealing too much about the plot. Credits and other text details are kept minimal so the central image can illustrate the tone and focus of the film.
This document provides contact information for various services at the Madison Sites building, including health services, security, audio visual assistance, the café, building services, help desk, and mail room. It also includes the menu for Starbucks drinks and food items available in sizes of Tall, Grande and Venti. Prices are listed for hot and iced coffee, tea, hot cocoa, espresso drinks, and other beverages. Food items include breakfast items, salads, sandwiches, snacks and fruit.
Este documento presenta un resumen de varias teorías de la psicología educativa como el conductismo, el procesamiento de la información y la teoría cognitiva social. También describe brevemente las teorías contextuales de Vygotsky y Bronfenbrenner, incluyendo que Vygotsky creía que el aprendizaje ocurre en ambientes culturales mientras que Bronfenbrenner desarrolló un marco para identificar los diferentes contextos sociales que afectan el desarrollo.
The document provides analysis of scenes from the film "Safe House". It summarizes that the opening shot establishes the modern urban setting and issues covered in the film. A close-up scene shows the main character holding a gun, identifying him as a rogue agent, and building intrigue around his character. A later scene shows the character strapped to a chair but calm, reinforcing his danger and mystery while foreshadowing impending chaos. Large explosions illustrate the scale of violence and problems faced by the main character.
This document provides contact information for various services at the Madison Sites building, including health services, security, audio visual assistance, the café, building services, help desk, and mail room. It also includes the menu for Starbucks drinks and food items available in sizes of Tall, Grande and Venti. Prices are listed for hot and iced coffee, tea, hot cocoa, espresso drinks, and other beverages. Food items include breakfast items, salads, sandwiches, snacks and fruit.
This short story is aimed at children in Montbrió and tells a tale from the Stone Age. It describes a group of early humans living in primitive conditions and hunting for food to survive. The story shares details about the challenges of daily life long ago to educate young readers.
This magazine article discusses the design elements used in movie magazine covers to promote films. It analyzes covers from magazines about Captain America, Empire, and Sherlock Holmes. The covers are designed to entice readers through prominent placement of the film title and trailers. Distinct color schemes and images from the films help create a sense of anchorage between the magazine and movie. The layout, fonts, and other design choices aim to effectively market the films to their target audiences.
The document discusses the process of editing a film trailer in Adobe Premiere and After Effects. It describes importing establishing shots and effects, locking layers for easier editing, adding intertitles designed in After Effects, fitting intertitles onto the timeline, researching soundtracks, editing soundtracks, and renaming sound files and placing them in project folders for importing.
The document describes the use of various media technologies at different stages of a film project. During construction, Adobe Photoshop and InDesign were used to design posters and experiment with image and text layouts. Templates were created in Photoshop and InDesign during the planning stage to help with composition. Adobe Premiere was used to edit film trailers and add transitions and titles, while After Effects was used to design titles and experiment with fonts and effects. Soundtracks were also researched to fit the theme of the film.
Este documento define las TIC (tecnologías de la información y comunicación) y discute sus usos en la educación y vida diaria, así como sus efectos en la sociedad. También analiza las ventajas de las TIC como mejorar la motivación y competencias de aprendizaje, y las desventajas como las distracciones y la dependencia de los demás. Finalmente, incluye una bibliografía de cuatro fuentes sobre el tema.
The movie poster uses bold fonts for main characters to draw attention. It features a tagline "Your Mind Is The Scene Of The Crime" to involve viewers and relate to the film's focus on mystery. Little text is used, allowing the central image of characters holding weapons on a deserted road to convey information. Dark colors and muted buildings create a sense of mystery about what the film will include.
The document discusses the effectiveness of a promotional package for the film "The Basement" that includes posters, a magazine cover, and a trailer. It analyzes how successful each piece is individually and together at appealing to the target audience. Key strengths included establishing symbiosis between the pieces through consistent visual themes and evolving the narrative from one piece to the next. Feedback from focus groups was influential in shaping elements of the package to better align with the preferences of the target audience.
Final helena lopez a2 research-planning_2010-11HelenaLopez21
This document contains a student's media studies portfolio project which focuses on creating a teaser trailer for an urban drama film called "One Shot". The student discusses their target audience, details of the film genre and title, and provides screenshots and explanations of shots from the teaser trailer. The student also discusses feedback received on the teaser trailer from their media studies class and online viewers. Additionally, the portfolio includes details on the student's two ancillary projects - a film magazine cover and film poster. Examples of professional film magazine covers are provided and analyzed, and one attempt at a magazine cover by the student is critiqued based on audience feedback.
- The document discusses a short film called "Hoodie" that uses and challenges conventions of the action thriller genre. It aims to emulate the genre's blueprint of mixing action and suspense but also straying from it at times.
- Feedback was received on the film, praising how it appeals to its target audience but noting that the dialogue was sometimes inaudible. Suggestions were made to raise the target age group or add another audience.
- Technologies like blogs and YouTube were used in the planning, and Adobe Premiere was used to edit footage and add effects, but it had limitations in file conversion.
- The document discusses a short film called "Hoodie" that uses and challenges conventions of the action/thriller genre. It aims to emulate the genre's blueprint of mixing fast-paced action with tense, suspenseful moments, while also straying from conventions at times.
- Feedback on the film was mostly positive, though some said dialogue was difficult to hear due to limitations of the equipment. Suggestions were made to raise the target audience age range or add another potential audience.
- Technologies like the internet, blogs, cameras, editing software, and mobile phones were used at various stages of planning, production, and evaluation.
The document provides an evaluation of the student's media studies advanced portfolio project which included creating a film trailer, blog, film poster, and magazine cover.
The student analyzed existing horror film trailers and conventions to develop their thriller genre trailer about three teenage students at an old school building. Feedback indicated the unexpected antagonist and vulnerable teen characters were appealing.
Technologies like cameras, iMovie, Photoshop, and surveys were used at different stages for construction, research, planning and evaluation. Lessons included managing time better on ancillary tasks and improving background music in the trailer.
The document provides an evaluation of a media coursework project involving the creation of a short film titled "Collision" about social class divisions. It discusses how the film used conventions of real short films such as having a 5 minute runtime, minimal characters and dialogue, and being shot on location with a low budget. Feedback was received from the target 12-18 year old audience, which praised the relatable storyline but noted room for improvement in technical quality. Lessons were learned about effectively researching genres and incorporating feedback to strengthen works.
The document provides information about a student's media production project. It discusses how the student's short film used and developed conventions of existing short films through its use of minimal characters, a plot twist, low budget, and limited locations. It also explains how the student challenged conventions through surreal imagery, fast editing, and use of only non-diegetic sound. The student represented social groups like age, gender, and class in their film. Subsidiary products like a film poster and magazine article were created to promote the film. Feedback indicated areas for improvement but generally rated the film positively.
This document evaluates a film poster created by the author for an ancillary task. The poster features an image of a girl with her face covered in a dominant position, challenging notions of childhood innocence. Reviews and typical design elements like credits are included to make it seem like a real movie poster. While similar to the poster for "Wicked Little Things" in its use of a girl and woods, it contrasts by using a high camera angle, saturated colors, and prominently featuring the tagline and reviews. The author feels they successfully created an advertisement that draws on horror conventions and movie poster codes to promote their fictional film.
The document discusses the evaluation of media products created by Jake Hashdi for an assignment. It summarizes the intentions for the products, which were to appeal to a target demographic while being high quality. It analyzes audience feedback which showed the characters and drama aspects were successful, though the science fiction element was less clear. The website also achieved its goals of being simple to use while reflecting the TV show's themes.
The poster and radio trailer for the film Saving Grace effectively promoted the intended message and themes of the film. The poster uses dark colors and imagery to create a sense of mystery surrounding the main character and what will happen to her. It also clearly displays the title and tagline to intrigue viewers. Similarly, the radio trailer utilizes film quotes, suspenseful music and sound effects to grab attention and hint at the thriller/drama genre. Feedback confirmed these ancillary texts successfully represented the film and would attract the target audience to watch. Overall, the combination of the visually striking poster and audio radio trailer worked well together to maximize promotion of the film across different media platforms.
How effective is the combination of your maintyronece24
This document discusses the effectiveness of ancillary texts used to promote a thriller film trailer. It analyzes a magazine cover, film poster, and trailer created to advertise the film. The magazine cover highlights the film's placement on "Top 10 Thrillers" lists and includes stills from the trailer and interviews to attract audiences. The poster uses mystery and intrigue with images of the masked killer to draw viewers in. Both ancillary texts effectively utilize color schemes, fonts, and key objects like the killer's mask, gloves and knife consistently across materials to create a cohesive promotional campaign.
Q1 - In what ways does your media product use, develop or challenge forms and...will clarke
The document discusses the media student Will Clarke's poster, website, and trailer for their horror film project. For the poster, Will used conventions like a large red title, tagline, antagonist image, and release date. However, they only featured the sole antagonist rather than multiple villains like in The Purge poster. The website featured the red title, trailer, and social media links for accessibility. It provided a plot synopsis for context. While mostly following conventions, the gallery used snapshots instead of being too technical. The trailer showed the villain's mask to build familiarity, like other horror trailers that introduce the antagonist.
The document discusses the student's crime thriller media product titled "In The Frame". It summarizes how the student used, developed, and challenged conventions of the crime thriller genre in their product. Specifically, it discusses how they used conventions like dark colors, mysterious music, and not showing the antagonist's face to create ambiguity. It also explains how they challenged conventions by having the setting in a normally safe and busy area rather than a dark alley. The student reflects on what they learned about camerawork, editing, sound, and other technologies through creating this product. They felt they gained skills and understanding of the filmmaking process.
The student was assigned two production briefs for their AS and A2 media studies assignments. For AS, they created a music magazine cover, contents page, and magazine spread. For A2, they worked in a group to create a film magazine cover, film poster, and teaser trailer. They conducted research on similar media products and target audiences to inform their work.
The document discusses the creation of ancillary texts to accompany a short film for a class project. It describes researching film posters to create one for the short film. It analyzes a sample poster's design elements and how they relate to the genre. It also discusses writing a film review in the style of a magazine to promote the short film. The conclusion states that although the poster, review, and film are different media texts, they were all completed in the same style and conceptually support each other.
This document provides details about the production and evaluation of a short film created by the author. It discusses how the film challenges conventions of psychological thriller/drama genres through its use of minimal dialogue and voiceovers. Feedback from test audiences is discussed, such as recommendations to improve the audio mixing and reduce the prominence of music. The author explains how research, planning and evaluation were conducted using online resources and film review magazines, and how technologies like iMovie and Ken Burns effects were used in the construction and editing stages.
The document discusses the evaluation of media products created by Jake Hashdi for an assignment. Hashdi intended to create high quality products that appealed to his target audience of 15-35 year olds, with a focus on 18-29 year old males. For his TV segment, he sought to create believable characters and reflect real-life issues within a science fiction drama genre. Based on audience feedback, Hashdi felt he successfully achieved his goals and appealed to his target demographic. The characters and production quality were praised, though some felt the science fiction element was not fully communicated. For his accompanying website, Hashdi again aimed to create a high quality, easy to use product that reflected the TV segment's themes. Audience feedback indicated the
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It discusses the use of soundtracks to build tension, as well as challenging conventions by not including dialogue. It also discusses the use of various camera shots and movements that both conform to and challenge conventions. The editing and costumes/props are also described as conforming to horror film conventions. The document evaluates how the characters represent social groups such as gender, age and race. It discusses what type of media institution would be suitable for distributing the product. Finally, it discusses the intended audience and how they were attracted and addressed.
The document provides an evaluation of a 2-minute media film opening. It discusses several ways the opening uses and develops conventions of real media products. It examines how the characters represent various social groups in terms of gender, age, race, class, and sexuality. Finally, it considers what type of media institution might distribute the product and who the target audience would be. The opening challenges conventions by not including dialogue to emphasize mood, and uses camera shots and editing techniques typical of horror films to attract audiences.
The document discusses how the author's media product uses conventions of the thriller genre. It incorporates elements of horror, mystery, and film noir to create tension and raise narrative enigmas for the audience. Research was done on successful thrillers like Memento to understand techniques like shadowy lighting and camera angles. The target audience is teenagers and young adults because the characters use casual dialogue and realistic settings they can relate to.
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Early Life and Backgrounds
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3. My main portfolio project is:
Teaser Trailer
with 2 ancillary projects:
a film poster & a film magazine.
4. The genre of my main project is:
Urban Drama
RANSOM
RANSOM will be a film set in London and the films I have
chosen to look at, in terms of their target audience appeal
reflect that choice. Additionally, I have chosen to look at
Urban Dramas that contain a desirable amount of action
adding a more enjoyable viewer experience. These films were
aimed at a younger audience ranging from 15/16 years of
age progressing into people in their mid twenties. This is a result
of taking into consideration the context of the film, its purpose
and its plot in today‟s urban community.
5. So I have researched as follows:
Model 1 Model 2
6. What I learned from this was…..
Design aspect 1 Design aspect 2
Main Characters are placed at the top of the Looking at the SHANK poster, I looked at the way in which colour
poster, in bold fonts. This is to draw the was used to present a specific theme and portray the narrative
audience‟s attention to potential high profile in a specific way. Additionally, I found that because the film is
actors that can entice potential viewers. set in the future, 2015 to be specific, that the futuristic theme has
Additionally, we are given a strap line “ Your Mind translated into its design in some forms. There is a background
Is The Scene Of The Crime” which offers a sense image that has been blended into the background, a feature
of involvement, a greater sense of relation to the that is often evident in horror films and products. This particular
films central focus. This holds great significance in film integrates a sense of horror as the trailer depicts very
the design stage as through this we are given a re bloody, gory scenes in which hardcore violence is a central
able to make various links between illustrations theme. Nevertheless, the way in which colour is used also
and our own interpretations of what the film will presents a sense of this violent nature, opting to present the title
include. in a red colour that denotes danger, violence and in some
One feature that is to be noted is that, there is not sense caution. Although the target audience is a young age it
a great amount of text. This poster has been becomes evident that the contents of this film are explicit by the
constructed or designed to allow the reader to way in which the characters are clothed.
extract information from the central image which Some characters are wearing ripped clothing symbolising
in turn illustrates a deserted road, where five main conflict and a war in some sense. Also some characters are
characters are holding weapons, predominantly carrying weapons, this alone indicates that the film will be very
heavy firearms. violent and that the explicitly of violence will be of a significant
Looking at the colours used in the poster, it level.
becomes evident that their has been a great use One piece of great creativity is the integration of an intimidating
of colour correction to enhance the look and image within the title itself. I felt that this summarised the way in
sharpness of the surroundings (Buildings, Cars etc.) which the film‟s narrative goes where things that are not
Nevertheless, it can be understood that the expected occur.
colour blue denotes a sense of calmness but the Additionally, the colour scheme also provides a contrast, the
use of a strong and bold red for the film title dullness of the greyish blue against the deep red. This is effective
contrasts this and the denotations of red are of in highlighting the importance of particular parts of a poster.
danger, violence, bloody. From this, the audience
are drawn into a sense of controlled yet enticing
confusion and through such a thorough thought
processes into colour usage, leads to a more
quality body of work.
Moreover, the use of dark colours and the
insipidness of the enclosed buildings adds a sense
of mystery, a mystery that can only be understood
when the film is watched. This is another device
that makes this poster a quality and effective
promotional tool.
7. For my main project….
My target audience will be people of mixed genders aged 16 – 25.
Films such as Adulthood and its predecessor Kidulthood were purpose produced for young
people who were living in the areas in which the action on screen was a reality to. From
this, this led me to take into consideration a great level of verisimilitude, aiming to create an
unrivalled amount of realism in the trailer to draw in the young target audience successfully.
Additionally, I also looked at promotional mechanism employed by film distributers and
producers who used youth intended platforms to promote the film such as „Reprezent‟
radio station, BBC 1Xtra, RWD Magazine and campaigns that would see posters appear on
public transport across London. From this, I looked into how young people felt the films
already produced had great relevance to them and the result was a positive response.
Young people especially college and secondary students, between age 15 – 18 felt these
illustrations made wider society aware of urban predicaments, problems and life. This was a
point further emphasised by the launch of the TV Drama Top Boy that also presented a
level of verisimilitude that received great feedback. Nevertheless, looking at my
trailer, Initial thoughts would be to integrate great levels of realism in a way that the action
was not ridiculous or make-believe. The action would not be overly dramatic but would
allow the intended target audience to relate and become significantly engaged in the
contextual illustration constructed in the film. This will be one way in which I will look to
capture the attention of young audiences/spectators aged 15 – 25+.
8. Target Audience
Here is an image of how I imagine
a typical member of my target
audience.
This young male is 17 years of age
and represents my intended
target audience. The distinct
characteristics of this male is the
clothing he wears which consists of
a „G-Star Raw‟ hooded
jumper, „G-Star Raw‟ jeans, „Air-
Forces‟ & the very popular
„Snapback‟ a favourite accessory
item amongst the youth of today.
This particular male comes from an
area in South-London where a lot
of controversy, violence and anti-
social behaviour is evident. In my
film, violence is a common theme
and by targeting an audience
who are familiar with such
illustrations and environments, it will
enable the film to attract a
widespread following.
9. What I learned from audience feedback about planning my main task
I learned that during the planning stage that I would have to broaden the way in which I
approach the genre collectively chosen. This meant conducting further research into the way in
which I explored the locations, mise-en-scene and further revisions to the storyboard.
Nevertheless, after asking a range of people inside and out of the media studies department, I
found that the plot and the initial drafts and design were of a good quality and from this people
bought into the plot. I found this encouraging as I was able to build on this factor and work on
the foundation set by myself. Additionally, I presented a few presentations on locations and
presented a few images of where we would look to film.
These are the two Moreover, I found that during the
establishing shots we construction period it was important to
opted to use for our main see if the plot made sense and if the
task/film trailer. This was specified target audience were drawn in
because, these iconic by the narrative before the initial
landmarks perfectly production stages.
captured the theme of Additionally, It became evident that the
our trailer. I personally audience found it exciting to see how we
pitched this idea as I felt it opted to film in parts of central London
would be a strong way to and also bring elements of verisimilitude
present the opposite ends back into the film by film in in areas such
of society & how as Nunhead/Peckham and Vauxhall.
corruption and violence This all worked to entice the audience
can occur where such who were very much impressed by the
beautiful landmarks are initial steps taken towards the production
based. of this film.
10. Here are 4 original photographs for the newspaper or
storyboard……
Split screen effects to
These are the
be implemented in
editing. images taken
from the film that
were directly
influenced by the
original
Inter-titles storyboard.
and
transitions.
These are the original storyboards I
had drawn at the initial design and
planning stages. The more
elaborative version consisted of thirty
images whereas this contained
fourteen basic or rough sketches of
what we will need to film for each
particular scene.
Antagonist
and group
discussing
plans.
Ideas of shot
types such as
close-
ups, medium
shots and
rough idea of
mise-en-scene.
11. I modified each photograph; here is the original next to the final version:
Raw 1 Final 1
Here I used Adobe PhotoShop to change the contrast to a light red, to tie in with the conventions and
themes I aimed to represent in the trailer. Additionally, I looked to add an effect to the images by
integrating a film strip effect onto the picture.
12. And the second one:
Raw 2 Final 2
Here I used Adobe PhotoShop to change the contrast to a light red, to tie in with the conventions and
themes I aimed to represent in the trailer. Additionally, I looked to add an effect to the images by
integrating a film strip effect onto the picture.
13. And the third one:
Raw 3 Final 3
Here I used Adobe PhotoShop to change the contrast to a light red, to tie in with the conventions and
themes I aimed to represent in the trailer. Additionally, I looked to add an effect to the images by
integrating a film strip effect onto the picture.
14. And the last one:
Raw 4
The final image that was used in my ancillary
project, taken from the original storyboard was
unchanged. This was primarily because, although it was
part of an enigma code I felt it should remain in colour
without any editing to keep some original images in my
work. I wanted to ensure that I combined an
unchanged enigma code with some enticing shots that
were edited.
15. What I learned from audience feedback about my
main task
The main topic that became a common feature in people‟s feedback was that the trailer was a very strong media
product. The way in which the trailer had been edited, thought out and constructed was creatively done and was
evidently given great prominence in our priorities. I felt that whilst working on the film, that step by step we were making
a strong product and from this we were able, as a group to create something desirable by a mass audience.
Additionally. From audience feedback, I found that my main product was very strong and was a quality piece of work
as with such a genre there are a few limitations that become apparent & these can only be overcome by quick thinking
and initiative. One question that had been constantly asked was how we manage to include the police in our film. This
was something we chose to keep a secret and that in itself worked as an enigma code externally, as people were
interestingly confused as to how such measures were taken to include the police and even still how they appear in the
film. Such devises is what enticed the audience and lead to the audience wanting to watch more.
16. Main Characters are placed at the top of the poster, in bold fonts.
Professional Model 1 for Ancillary 2 This is to draw the audience‟s attention to potential high profile
actors that can entice potential viewers. Additionally, we are given
Model 1: Inception a strap line “ Your Mind Is The Scene Of The Crime” which offers a
sense of involvement, a greater sense of relation to the films central
focus. This holds great significance in the design stage as through
this we are given a re able to make various links between
illustrations and our own interpretations of what the film will include.
One feature that is to be noted is that, there is not a great amount
of text. This poster has been constructed or designed to allow the
reader to extract information from the central image which in turn
illustrates a deserted road, where five main characters are holding
weapons, predominantly heavy firearms.
Looking at the colours used in the poster, it becomes evident that
their has been a great use of colour correction to enhance the look
and sharpness of the surroundings (Buildings, Cars etc.)
Nevertheless, it can be understood that the colour blue denotes a
sense of calmness but the use of a strong and bold red for the film
title contrasts this and the denotations of red are of
danger, violence, bloody. From this, the audience are drawn into a
sense of controlled yet enticing confusion and through such a
thorough thought processes into colour usage, leads to a more
quality body of work.
Moreover, the use of dark colours and the insipidness of the
enclosed buildings adds a sense of mystery, a mystery that can only
be understood when the film is watched. This is another device that
makes this poster a quality and effective promotional tool.
Shot composition is very important in how the characters, and the
environment is structured. In this poster, we can see that the main
characters are small in comparison to the surroundings. This can be
seen or interpreted in alternative ways. One of which is that the
focus of the film is the subjection of multiple dreams “layers” & from
this the surroundings become evermore important than the actual
characters. Also, close attention should be given to the immediate
background that features the roofs of buildings. This has been taken
from a scene in the film and used to show how and what can be
expected in the film, a sense of manipulation and creative mass
structures. Nevertheless, the importance of image composition is
significant as this structures how text can be laid out and how the
poster is designed.
17. Professional Model 2 for Ancillary 2
Model 2: Adulthood
This is the poster from the UK urban drama Adulthood. It is evident that this poster has been designed to depict the
decay of urban London. In the background we see that it is sunset and the buildings have been blacked out to
illustrate how slowly and gradually society is disintegrating. Additionally, the very low-key lighting has been used to
place emphasis on the main characters and set them apart from their surroundings. However, it could be argued
that the use of the mellow background in contrast to the distaste in the facial expressions of the characters is what
enables the audience to distinguish the difference between the environment and various characters and how their
development stemmed from the brutal environment in Kidulthood.
Positioned to the far left of the poster is a character who is presented in a way that challenges the common
stereotypes placed on young people. Here the character is wearing a cardigan, smart shirt and a cap often
seen on older aged men. This can be seen as a way of him distancing himself away from immediate society and
trying to integrating himself into greater society for economical gained and also cultural gains.
Right at the bottom of the poster is a baseball bat.
This could illustrate the violence in society. Using a
metaphor to describe the poster, it can be seen
that the sky is the ambition of particular characters
trying to get out of the decaying environment, but
at the foot or core of society is the violence
emphasised by the baseball bat and this is what the
audience can pick up on in this film. Another thing I
learned from analysing this poster is that the way in
which colour is used can effect the overall
interpretation of your film from the audience an also
the ways in which the characters are
illustrated, such as choice of clothing, stature and
positioning.
18. This is my ancillary task 2
The film Ransom being an Urban Drama means that the depiction of the truth,
This is the poster I designed displaying unquestionable levels of verisimilitude is the most important element
using both Photoshop & in this film. Although it is a short trailer, this does not mean it shouldn‟t present a
InDesign. I integrated the message and have a strong impact on the audience. Nevertheless, the colour
London Eye and The scheme is what will attract the audience most. The use of dark colours that are
Houses of Parliament to act highlighted in the background are strong foundations to attract the audience.
as a backdrop to the The use of black as a foundation colour adds a sense of mystery, elements of
poster. The reasoning horror & a genuine sense of drama. Also, the fact that the images of the
behind this design is the London landmarks were shot at night allowed the poster to gain a more
fact that the audience will appealing look.
able to relate and identify
with these landmarks.
Nevertheless, the use of the
main characters in the
poster allows the audience
to appreciate the situations
illustrated and identify
within themselves being in
similar or witnessing such
events. For example, the
first image on the far left is
of a young male wearing a
bandanna symbolising his
involvement and
integration into gang
culture. This is something a
lot of people fall into and
can be a point of interest in
the film.
19. This is how key concepts link main task and ancillary task 1
Narrative
Genre
Representation
Looking at narrative linking my main task and ancillary, I aimed to be able to reveal just minute details to reveal
what events occur in the film without giving away the main features of the film. The way to successfully design a
poster that links to the main task (trailer) is to integrate snapshots and key frames of the film into the poster ,to
enable the audience to become engraved in the plot and understand the main themes of the film. Using a fixed
narrative as a guide to how my poster would be designed allowed me to pay more attention to how the
transitions and the way in which the trailer would flow. Using examples such as Adulthood and also television
programmes such as „TopBoy‟ allowed me to extract elements of their narratives and try to integrate them
creatively into my trailer as a complete body of work. For example, the dialogue and the way in which
characters carried themselves when in role where influenced by such programmes that focused on roughly the
same issues and explored the same themes.
In reference to genre, my main task and ancillary 1 are linked by the distinct colour schemes and lighting used in
each. Urban Dramas usually consist of dark lighting that look to conceal pieces of information and have the
audience guessing what will occur next. This colour scheme and lighting is what I chose to implement in my
poster as it is a direct promotional device to market the film. From this, I chose to have contrasting colours in my
poster, using bright and highlighted backgrounds as a foundation to my work. Nevertheless, I looked to link my
main task and ancillary task by highlighting the important scenes and in professional posters I found that a key
scene would be used as a backdrop to the poster. For example, Inception uses a scene in which they have
collectively entered a dream in a level where they come under strenuous attack. This is a way in which I linked
my two tasks within my chosen genre.
I looked to present a true representation of modern day Britain in which London, the capital city that nobody
would expect to facilitate gang culture, crime and anti-social behaviour is presented in its most explicit form.
Having said that, I didn‟t want to present something where people would brand it as a film playing to the
stereotypes of young people in South-London & the youth in general. Furthermore, I found that representing my
target audience was not hard to achieve when designing my poster and producing my film as I was able to build
on the work of established films & also acquire actors from local areas in and around South-London.
20. What I learned from audience feedback about ancillary task 1
The main thing I learned from audience feedback is that taking sole consideration into what is
needed to present a professional body of work for a specific target audience is crucial. I feel
that from listening to the viewpoints of classmates and various other college students, I
acknowledged that being able to present the main message in a few images is important.
Reason being, when a poster is seen from afar, the audience does not have a lot of time to read
every line of information, the most they‟ll see is the title and the main images that should be able
to sell the story. In my poster, it becomes evident that array of images I opted to use perfectly
sold the story and enticed the audience to want to watch this trailer/film.
One thing I did to branch out or expand the responses I received was to send the poster to the
actors and also display the poster on social networking platforms such as „BlackBerry Messenger‟
to see what people thought of it. From this I found that people of varied ages were interested in
seeing the finished product (trailer/film) as a result of my successful poster design. I found this
encouraging to know so I would be able to build on this to design my magazine.
21. Professional Model 1 for Ancillary 1 What I have learned
Model 1 This is a magazine from Marvel‟s Captain America.
The design of this magazine integrated the use of
the American flag in the background as a
foundation to the design to emphasis the sense of
national identity & also work to the thought of an
all inclusive American product. Nevertheless, It
becomes evident in magazines such as
Empire, depending on the issue will determine the
elaborate use of design, how the text is laid out
and to what effect it will have on its audience.
Moreover, the masthead always remains a large
font featuring the title „magazine of the year‟ at
the very top of the magazine. Additionally, this
magazine features a very distinct colour
scheme, using colours of the American flag and a
fairly right yellow as a complementary colour to the
white, red and blue. In this magazine, there is a
clear link to previous and upcoming products „The
Avengers‟ due for release in 2012. here we see
that a common feature of magazines is that they
highlight the extra features to be integrated into
the specific edition or issue.
The title of the film always takes a prominent place
in the magazines layout and design process. Here it
is of a large font similar to that of the
title/masthead and very central to emphasise the
main focus of this issue.
Additionally, this magazine promotes its contents
on the front page as a device to entice the reader
further to purchase the magazine and find out
more or build upon the foundation they have been
given.
22. Professional Model 1 for Ancillary 1 What I have learned
Model 1
This is a very unique and distinct magazine front cover
employed by Empire. Compared to the Captain America
issue, this issue features the elaborate use of direct links to the
film, presenting a sense of anchorage to tie down the main
message of the film. It becomes very evident that this is an
action film and the use of a night vision effect that is created
through a computer generated programme to create this
product. Nevertheless, further links are made by the use of the
gun being in close proximity to the „target‟ integrating the
words „Amazing 2010 preview issue‟ to both entice the
readers to watch the film and to also present a direct link to
the film as without this the product will lose its significance. The
main aim of such media products is to market and promote
the film.
One interesting feature is that the barcode is placed in a
place that is not usually given to the barcode, but given for
more elaborate text. Nevertheless, the subscribing information
is given prominence and segregated to a degree to
emphasise the importance of subscription to such media
products for upcoming offers ad deals. This is a feature all
magazines employ & is something I must integrate into my
own magazine to create a high quality, professional product.
Looking back at the background image as a basis to this
design is the use of blending and contrasting to almost hide
the image but to also present the theme of the film in greater
detail. This emphasises the action and violent nature of this
film as there is an exploding car in the background. This links
to the theory of Laura Mulvey on male pleasures, that such
elements in an action film is what attracts men to this macho
style of representation.
23. This is my ancillary project 1
This is my ancillary project 1, the magazine and I
found that after research I needed to create a
name that was appealing and had a direct link to
the products I was creating. This lead me to the
masthead and title „Legendary‟. This name implies
or denotes a substantial status in the industry, a
magazine that has top credentials and only
markets the best media products currently in the
market. Nevertheless, I also looked to integrate an
online website that I would act as an additional
promotion device used to push the sales and
audience attraction of this film.
As highlighted in previous analysis slides, it is
evident that the title of the film is always placed in
a prominent position, near the centre of the page.
This is to signify it is the focal point of the magazine
& this issue in particular.
This layout is very simplistic and does not feature as
many effects and edits as I aimed to keep a
„clean‟ design however I do acknowledge that
compared to my ancillary task 2, this does not
correlate as strongly as it could do. Nevertheless, I
looked to keep a level of consistency through the
use of similar fonts and text sizes to make sure there
were immediate links between the two products.
The central image is of a character in the film who
is not identified to integrate an enigma, a sense of
mystery that only becomes clear as your read the
magazine and also watch the film, so the two
products work hand in hand to create one strong
collective body of work.
24. This is how key concepts link main task, ancillary tasks 1 and 2
Narrative Genre Representation
Creating an ancillary task that has no direct link to the trailer is very much a disastrous thing to do which is why I aimed to keep
a level of consistency throughout the planning, construction & also the research stages. Personally, I feel that I successfully
made a link between my ancillary tasks and the main task as, I extracted elements of the main task into my magazine and
poster to ensure the consistency was evident in each of my projects. Additionally, I looked to transfer the fonts used in my
magazine to the fonts used in my magazine to certify that I consistently kept the standard of my work at a high level.
Moreover, I also went one step further and included the same fonts featured in the transitions in the film to the ancillary tasks
also. Nevertheless, it became important for me to do this because; the text I use has a heavy influence on the ways in which
the products are interpreted. The institutions I had designed and constructed also feature similar text fonts simply to present a
professional piece of work and have direct links to all my pieces of work. The main aim of my poster and in essence both my
ancillary tasks, was to successfully promote and market the film to reach a substantial peak in sales. An example of a thorough
marketing strategy was the integration of an enigma. An enigma being a question that is not immediately answered and thus
draws an audience to a text. In reference to my own text, this comes in the form of the identity of the protagonist being hidden
for a prolonged period of time enabling the audience to become enticed into the film. This plays to the ideology of urban
dramas that they in essence look to depict male strengths and present a masculine view of 21 st century London. Moreover, this
links to the theorist Roland Barthes, who presented the five codes. One code that perfectly summarises the way in which I have
linked my products together is the proairetic code (ATC) in which tension is built through action and withholding information
that proceeds ay given scene. This worked to develop the stories tension and keep the audience thoroughly interested. A
progression from this proairetic code was the use of binary oppositions, this being a clear division between the protagonist and
antagonist/good and evil. Nevertheless, my products all work to build audience interest so when the trailer is released; the
acknowledgement of the poster is what lures the audience to watch the film.
Moreover, it is evident that every film has a marketing tool whether it is a magazine or poster it has a USP, a unique selling point
that separates itself from every other product currently on the market. My USP is that such an issue has not been introduced
and the way in which it is presented, with no form of weaponry involved allows this film to be considered different to that of
films such as Adulthood that is of the same genre. I chose to present an archetypal character, one that could be identified by
the audience to be universally accepted and recognisable. This archetype character was the protagonist, the character that
found him at the centre of controversy at no fault of their own. He is simply a humble character that is made a lucrative target
by his former friends & this also presents itself as an archetypal character.
25. What I learned from audience feedback about
ancillary task 1
Michael, 18: “the magazine in contrast to the poster is not as strong in quality but is still a
good piece of simplistic but effective design.”
Femi, 18: “the poster is a very strong piece of design, I feel that the way you have captured
the narrative in your poster especially is very good. Also, your trailer is very good, presents a
side of London that I haven't seen presented in the media today so I think you‟ve done
well. However, I do think the magazine could be better but overall a quality piece of work
all round.”
These are just two responses but I was able to grasp what people though of my film and
ancillary tasks. I was pleased with both the merit and constructive criticism especially
concerning my ancillary task 1. I found that creating the magazine was a lot harder than
creating the poster. Reason for this being that, to extract images from a trailer and
implementing them into a poster is straight-forward and there is room to integrate them. In
a magazine, most magazines uses one main image & to capture your theme or narrative in
one image is a strenuous task. From my audience feedback, it is evident and fair to say a
lot of work needs to be done to the magazine to match the quality of the poster and trailer
but having said that I am happy with my work as a collective.
Additionally, I found that my ancillary task 2 was lacking a bit of creativity in terms of
implementing more effects and maybe changing the background colour instead of a
normal and possibly dull white.
26. Changes made in the re-draft of main task
Changes made in the re-draft of the main task were of a significant level. The main changes
were to the length of the soundtrack used in the trailer and also the transitions used in terms
of inter-titles and overall appearance.
This is where I had to shorten the track in several
places to fit the trailer and then re-edit the shot
sequence so that the audio and moving image ran
in unison without any hitches. This took a significant
amount of time but was beneficial to the creation
of my end product.
Following on from editing the audio, I began
placing the audio in the designated layers
and then re-sequencing the film to fit the
audio. These were the main changes that
were made to the film.
Another main change in the re-draft of the main task was
the significant amount inter-titles that needed to be
implemented. These titles are what guided the audience
through the film, almost acting as an aid to the audience.
27. Changes made in the re-draft of ancillary task 1
NO CHANGES WERE MADE TO MY ANCILLARY TASK 1
28. Changes made in the re-draft of ancillary task 2
In the ancillary task 2, it became
apparent that there were a few thinks
that needed straightening out especially
the four images across the poster. To
amend this, I had used the ruler tool „CTRL
+ R‟ to perfectly align all the images and
text on the poster. Apart from this, no
other changes were made to the poster.
29. How my 3 products work together to appeal to target
audience Creating an ancillary task that has no direct link to the trailer is
very much a disastrous thing to do which is why I aimed to keep
Target audience (reception theory) a level of consistency throughout the planning, construction &
Generic characteristics also the research stages. Personally, I feel that I successfully
Narrative structure made a link between my ancillary tasks and the main task as, I
extracted elements of the main task into my magazine and
Representational issues (gender, age, etc) poster to ensure the consistency was evident in each of my
projects.
Additionally, I looked to transfer the fonts used in my magazine to the fonts used in my magazine to certify that I
consistently kept the standard of my work at a high level. Moreover, I also went one step further and included the
same fonts featured in the transitions in the film to the ancillary tasks also. Nevertheless, it became important for me
to do this because; the text I use has a heavy influence on the ways in which the products are interpreted. The
institutions I had designed and constructed also feature similar text fonts simply to present a professional piece of
work and have direct links to all my pieces of work. The main aim of my poster and in essence both my ancillary
tasks, was to successfully promote and market the film to reach a substantial peak in sales. An example of a
thorough marketing strategy was the integration of an enigma. An enigma being a question that is not immediately
answered and thus draws an audience to a text. In reference to my own text, this comes in the form of the identity
of the protagonist being hidden for a prolonged period of time enabling the audience to become enticed into the
film. This plays to the ideology of urban dramas that they in essence look to depict male strengths and present a
masculine view of 21st century London. Moreover, this links to the theorist Roland Barthes, who presented the five
codes. One code that perfectly summarises the way in which I have linked my products together is the proairetic
code (ATC) in which tension is built through action and withholding information that proceeds ay given scene. This
worked to develop the stories tension and keep the audience thoroughly interested. A progression from this
proairetic code was the use of binary oppositions, this being a clear division between the protagonist and
antagonist/good and evil. Nevertheless, my products all work to build audience interest so when the trailer is
released; the acknowledgement of the poster is what lures the audience to watch the film.
Moreover, it is evident that every film has a marketing tool whether it is a magazine or poster it has a USP, a unique
selling point that separates itself from every other product currently on the market. My USP is that such an issue has
not been introduced and the way in which it is presented, with no form of weaponry involved allows this film to be
considered different to that of films such as Adulthood that is of the same genre. I chose to present an archetypal
character, one that could be identified by the audience to be universally accepted and recognisable. This
archetype character was the protagonist, the character that found him at the centre of controversy at no fault of
their own. He is simply a humble character that is made a lucrative target by his former friends & this also presents
itself as an archetypal character.
30. Links back to evaluation and
blog
http://bcarltonsfx.blogspot.co.uk/