Ancillary product analysis
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The document analyzes the album art and design of the Circle of Dust album "Metamorphosis". It notes that the front cover art features the artist's face partly covered by a bladed object, following a dystopian theme common to the artist's work. The layout places the artist name at top left and album title at bottom against a backdrop of yellow, white, black and orange colors. The typography uses bold sans-serif font for the artist name and a futuristic sans-serif for the album title in tan/white/yellow colors. The overall design fits conventions for metal and EDM genres as well as standard album formats.
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pendulum – immersion ancillary
This document summarizes and analyzes the artwork of Pendulum's 2010 album "Immersion". The front cover features a man and woman swimming towards the surface of the ocean, representing Adam and Eve from Genesis. Track titles and sounds also reference water and the ocean. Colors get darker towards the bottom, suggesting an escape from darkness. Font and style are consistent with the band's previous album. The disc art centers the band name and title and maintains the theme. The back cover includes legal text, the track listing, and a brighter version of the underwater scene from the front cover.
Looking at existing Album covers
This document provides descriptions of three album covers:
1) Avril Lavigne's "The Best Damn Thing" album cover features her against a wall with pink highlights in her hair. The skull and heart logo represents what she's been through.
2) The back cover of the album shows Lavigne in heavy makeup, continuing her punk persona. Song titles are printed in a stylized, rebellious font.
3) Tom Odell's album cover uses a simple, monochrome design with his blurred background portrait to match the relaxed atmosphere of his music. Song titles are placed on a brick wall for effect.
Blink Digi Pak Analysis - Front Cover
The album artwork depicts Blink-182 performing on stage in cartoon form, reflecting the live nature of the album which was recorded at a concert in Australia. There are references to the band's previous album "Enema of the State" with the nurse character included. The positioning of the band name and album title are designed like a drive-in movie sign to match the genre. The artwork captures elements of the band's pop punk style through features of the cartoon band members like their clothing, hair, and piercings.
Analysing a cd cover (conor maynard) (album)
The document discusses analyzing the design elements of a CD cover for Conor Maynard's album. It describes the typical layout of the front cover which includes a central image of the artist, their name, and the album name. It also analyzes the font choices, colors, and Conor Maynard's image on the cover. The back cover and spine are described as containing publishing details, the song list, and the artist and album names.
Conventions of cd album covers
The document discusses conventions for CD album covers. It analyzes two album covers - one by Linkin Park that uses a minimalist design with few elements and dull colors, and one by Muse that stands out with many bright colors and shapes. Both covers have small, modest text for the band name and album title despite the commercial success of the albums.
Conventions of cd album covers
The document discusses conventions for CD album covers, comparing two examples. It notes that one cover, Linkin Park's Living Things, uses a minimalist design with only the necessary information. The other, Muse's The Resistance, uses bright colors and a blurred image of the band to draw attention. Both covers place the album title and band name in small, modest font, likely because they are well-known bands that do not need to advertise heavily.
Magazine advert analysis
The magazine advertisement analyzes features common across several music posters advertising new album releases. Key common elements identified include prominently displaying the artist's name in large font at the top of the poster, featuring the album artwork and imagery central to conveying the genre of music, and including tour dates and ticket information for upcoming concerts. Additional details like the album name, release date, and purchase options are often presented in a smaller font at the bottom of the poster. The analysis suggests posters primarily aim to promote the artist's brand and live shows rather than provide extensive information about the album itself.
Interior of an album cover
This document discusses and compares the interior designs of albums by J Cole, Jay Z, and A$AP Rocky. It finds that there is usually synergy between the interior and exterior designs through consistent images or color schemes. There are three common types of interior designs: one with a picture on the booklet but not the CD, one with no picture on the booklet but a design on the CD, and one with matching designs on both the booklet and CD. It also notes that most rap album designs have a dark theme.
Recommended
pendulum – immersion ancillary
This document summarizes and analyzes the artwork of Pendulum's 2010 album "Immersion". The front cover features a man and woman swimming towards the surface of the ocean, representing Adam and Eve from Genesis. Track titles and sounds also reference water and the ocean. Colors get darker towards the bottom, suggesting an escape from darkness. Font and style are consistent with the band's previous album. The disc art centers the band name and title and maintains the theme. The back cover includes legal text, the track listing, and a brighter version of the underwater scene from the front cover.
Looking at existing Album covers
This document provides descriptions of three album covers:
1) Avril Lavigne's "The Best Damn Thing" album cover features her against a wall with pink highlights in her hair. The skull and heart logo represents what she's been through.
2) The back cover of the album shows Lavigne in heavy makeup, continuing her punk persona. Song titles are printed in a stylized, rebellious font.
3) Tom Odell's album cover uses a simple, monochrome design with his blurred background portrait to match the relaxed atmosphere of his music. Song titles are placed on a brick wall for effect.
Blink Digi Pak Analysis - Front Cover
The album artwork depicts Blink-182 performing on stage in cartoon form, reflecting the live nature of the album which was recorded at a concert in Australia. There are references to the band's previous album "Enema of the State" with the nurse character included. The positioning of the band name and album title are designed like a drive-in movie sign to match the genre. The artwork captures elements of the band's pop punk style through features of the cartoon band members like their clothing, hair, and piercings.
Analysing a cd cover (conor maynard) (album)
The document discusses analyzing the design elements of a CD cover for Conor Maynard's album. It describes the typical layout of the front cover which includes a central image of the artist, their name, and the album name. It also analyzes the font choices, colors, and Conor Maynard's image on the cover. The back cover and spine are described as containing publishing details, the song list, and the artist and album names.
Conventions of cd album covers
The document discusses conventions for CD album covers. It analyzes two album covers - one by Linkin Park that uses a minimalist design with few elements and dull colors, and one by Muse that stands out with many bright colors and shapes. Both covers have small, modest text for the band name and album title despite the commercial success of the albums.
Conventions of cd album covers
The document discusses conventions for CD album covers, comparing two examples. It notes that one cover, Linkin Park's Living Things, uses a minimalist design with only the necessary information. The other, Muse's The Resistance, uses bright colors and a blurred image of the band to draw attention. Both covers place the album title and band name in small, modest font, likely because they are well-known bands that do not need to advertise heavily.
Magazine advert analysis
The magazine advertisement analyzes features common across several music posters advertising new album releases. Key common elements identified include prominently displaying the artist's name in large font at the top of the poster, featuring the album artwork and imagery central to conveying the genre of music, and including tour dates and ticket information for upcoming concerts. Additional details like the album name, release date, and purchase options are often presented in a smaller font at the bottom of the poster. The analysis suggests posters primarily aim to promote the artist's brand and live shows rather than provide extensive information about the album itself.
Interior of an album cover
This document discusses and compares the interior designs of albums by J Cole, Jay Z, and A$AP Rocky. It finds that there is usually synergy between the interior and exterior designs through consistent images or color schemes. There are three common types of interior designs: one with a picture on the booklet but not the CD, one with no picture on the booklet but a design on the CD, and one with matching designs on both the booklet and CD. It also notes that most rap album designs have a dark theme.
Music poster research
The document summarizes common elements found on music posters used to promote albums. Most posters feature the album cover as the main photo. They also typically include popular song titles from the album to entice potential buyers. Other common elements are the artist and album name in large font, the release date, website URL, and publishing company logos. Posters aim to highlight recognizable music and key details in order to effectively promote and advertise the album.
Billie eilish digipak analysis script loops media
The document outlines conventions commonly found on CD packaging for albums, noting aspects like the artist name and logo on the front, the album title, track listings, inclusion of lyrics or bonus materials, logos and small print. Specific conventions mentioned for Billie Eilish's album "When We All Fall Asleep, Where Do We Go?" include her name on the front, the album title only appearing on the CD, links to the color green, and inclusion of temporary tattoos, posters and stickers as extras. The conventions are intended to make replica packaging look professional and realistic.
Analysis of Lemar Digipak
The album cover, back cover, and spine of Lemar's album "The Truth About Love" feature simple, minimalist designs that suggest Lemar's simplistic lifestyle. While Lemar is featured prominently on the front cover, his name appears in the top left corner and the album title in the bottom right corner, implying he and the album are not among the biggest artists and albums. The inside pages contrast this with lavish photos of Lemar posing in suits in America, suggesting he has found success without flaunting wealth. Extra materials include tour details and opportunities to win signed merchandise and tickets.
Bastille digipak analysis
The album cover features the artist's name and personal symbol prominently displayed at the top, with the record label name below in smaller text. The artwork depicts a boy running away from headlights that appear to be chasing him, suggesting a theme of fleeing or being pursued. Production credits are listed at the bottom in the style of a movie or DVD cover, implying the album has a cinematic quality to its music videos.
Alt j - an awesome wave, digipak deconstruction
Alt-J is an indie rock band formed in 2007 in Leeds, England. Their debut album "An Awesome Wave" was released in 2012 and targets an audience of late teens to young adults. The digipak packaging for the album contains a folder that holds the CD and a small insert with song information. The CD itself has a plain light grey design without distracting from the music, though some song titles may be more visible than others.
Conventions of cd album covers
The document discusses conventions for CD album covers, noting that minimalism is often used with only essential information like the artist, title, and tracklist. Main images take up most of the cover to draw attention, while text is kept modest in size. Band names are placed prominently but not dominantly, and additional details like the record label and barcode are typically included in smaller typeface at the bottom.
Ancillary layout draft- Album digipak
A CD contains a front and back cover that protects the disc, with additional panels inside the covers. The front of the disc contains the record label logo, barcode, track list, images and information about the artist, and album title. The included booklet provides lyrics and more photos of the artist.
Digipak Research
Here are some potential EP design ideas based on the brief:
- Long shot landscape B&W photo to set a moody tone
- Medium shot portrait of artist against plain backdrop
- Graphic incorporating a lyric/song symbol
The landscape shot in black and white could create drama. A portrait maintains focus on the artist. And a graphic symbolizes the music. Together these visuals could effectively promote the EP across online and physical formats. Keeping the design clean and simple highlights the music.
Digipak analysis
The document analyzes and compares three different digipak album covers. All three covers feature background photographs. The left and right covers include the band/artist and album names while the middle cover only includes the album name over a chaotic photo. The bottom two covers have simpler interior designs with modified photographs on the left side and more photos where the CD would be. The top cover has the most complex interior with text, photos, and an image behind the CD. The back of all three covers lists the album tracks along with production details and websites.
Drake Drake Cover
The document summarizes the design of the back cover of Drake's "Take Care" album. It notes that the back cover uses the same black and gold color scheme as the front cover. The typography is also simplistic and the same color as the front. Images of the record labels Drake is associated with and other details are centered to create a focal point. The simple, coordinated design of the front and back covers reinforces themes of wealth/power in rap and creates a cohesive album package.
Digipak analysis
Media Studies A2 Digipak Analysis.
Looking at Daft punks album in detail as well as Jack Johnsons Album in detail.
Done for my A level Media studies.
Digipack Deconstruction 2: AC/DC - High Voltage
The document summarizes the album artwork and packaging for AC/DC's album "High Voltage". Key elements are prominently featured, including the band's logo, lead guitarist Angus Young in his schoolboy outfit, and lightning bolts representing the album title. These visual motifs are used consistently throughout to establish the band's brand and reinforce the high-energy themes of their live performances and music that are represented by the album title "High Voltage".
Album Cover Conventions
This document discusses conventions for album cover design and how the designers of the album "LIGHTS" by MiraJax incorporated these conventions in their design. Key conventions included featuring the artist name prominently on the front cover as well as a central image of the artist. Track lists and other information like the record label are typically placed on the back panel. For the LIGHTS album cover, there is a central image of MiraJax on the front with the artist and album title also featured. The track list and other details are positioned on the back panel following convention. A visual motif of split screens and neon lights is continued throughout the front and inside panels to create synergy across the design.
Cd plan
The document provides guidelines for designing an album cover and back cover, including elements such as the artist name, album title, track listing, images, and background colors. The front cover should feature the artist name, an image of the artist or related animal, and the album title on a vibrant background representing the genre. The back cover should have similar elements arranged differently, including the track listing and bar codes, to create continuity in the album's visual theme and representation of its genre.
Album cover conventions
The document discusses album cover design conventions and how they were used or challenged for a debut album. Half of the artist's face is used on either side of the cover as an abstract focal image. The artist name is larger than the album name to promote the artist. The track listing uses a font matching the artist title for synergy. Inside panels include label information and a consistent design flows throughout while maintaining visual interest.
Cd Collage
The document discusses and analyzes the album covers of several rock and metal bands, including Avenged Sevenfold, Korn, Metallica, and Pendulum. It notes that Avenged Sevenfold and Metallica both use consistent font styles and logos that serve as recognizable brands. The Korn album cover references Alice in Wonderland in a dark, twisted way, indicating their musical style. Metallica's album featuring a coffin implies themes of death and darkness. Pendulum's highly technical, layered cover with unusual colors suggests their music incorporates elements of techno and drum and bass. Across the covers, visual themes and styles provide clues to the kind of music listeners can expect from each band.
Analysis of music posters
The document analyzes and summarizes music posters for four different albums:
1) Bring Me The Horizon's "Sempiternal" poster features the band's name in large white text on a black background for visibility. It also includes the album's unique "sempiternal" logo and positions the album title at the bottom in gold text for continuity.
2) Fall Out Boy's "From Under The Cork Tree" poster uses a theater theme commonly seen in 2000s pop punk posters. It features the band's tour van crash and contrasts monotone and vibrant colors to represent the band's old-school rock music.
3) Arctic Monkeys' "AM" poster positions the band's iconic white
Album art
The document provides summaries of album artworks for various artists:
1. The Slayer album "Show No Mercy" uses symbols of destruction like devil tails and broken stars to convey the thrash metal genre.
2. Ali Azmat's solo album "Social Circus" features a graffiti-covered image of his face representing the confused social circus of today.
3. Nirvana's "Bleach" album art is in black and white to achieve a "bleached" effect, showing the band's energetic rock music.
4. Metallica's "Death Magnetic" depicts a coffin in a magnetic field, reflecting the album's name and content.
Digipak analysis
The digipak analysis summarizes the design elements of the Gaslight Anthem album "American Slang". The album cover prominently features the band's title and vintage Americana images relating to the album's theme. Track listings and artist credits are included along with a booklet containing lyrics and more photos consistent with the antique-inspired aesthetic. The simple color scheme and emphasis on the music over band imagery creates a cohesive classic look.
Pitch
eOne Music is a large independent music label that distributes the metal EDM artist Zardonic and other well-known artists like Chromeo. As they cover many genres including metal EDM, eOne would be a good fit to distribute a music video featuring violent situations to promote the Pendulum song "Show Down" or alternatively "Salt in the Wounds". The target audience for the video would primarily be 15-40 year old males, and filming behind a school or along an alleyway would provide an effective setting for chase scenes to match the aggressive music genres and concept of the video.
Pendulum show down script
This document contains a script for a short film set to the song "Pendulum" by Pendulum. The script describes shots of the protagonist encountering and confronting the antagonist. As the song plays, the two begin fighting. The antagonist overpowers the protagonist and leaves them defeated on the ground as the song ends. The script syncs story moments like punches thrown and escapes attempted to lyrics in the song.
Step outline
This document outlines the song and music video steps for Pendulum's "Show Down". It provides the lyrics for both the album and radio/music video versions. It then lists 13 steps describing the protagonist being followed and attacked by an antagonist, with references to specific lyrics occurring during certain steps of their confrontation and fight. The protagonist initially tries to escape but is ultimately beaten by the antagonist.
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Music poster research
The document summarizes common elements found on music posters used to promote albums. Most posters feature the album cover as the main photo. They also typically include popular song titles from the album to entice potential buyers. Other common elements are the artist and album name in large font, the release date, website URL, and publishing company logos. Posters aim to highlight recognizable music and key details in order to effectively promote and advertise the album.
Billie eilish digipak analysis script loops media
The document outlines conventions commonly found on CD packaging for albums, noting aspects like the artist name and logo on the front, the album title, track listings, inclusion of lyrics or bonus materials, logos and small print. Specific conventions mentioned for Billie Eilish's album "When We All Fall Asleep, Where Do We Go?" include her name on the front, the album title only appearing on the CD, links to the color green, and inclusion of temporary tattoos, posters and stickers as extras. The conventions are intended to make replica packaging look professional and realistic.
Analysis of Lemar Digipak
The album cover, back cover, and spine of Lemar's album "The Truth About Love" feature simple, minimalist designs that suggest Lemar's simplistic lifestyle. While Lemar is featured prominently on the front cover, his name appears in the top left corner and the album title in the bottom right corner, implying he and the album are not among the biggest artists and albums. The inside pages contrast this with lavish photos of Lemar posing in suits in America, suggesting he has found success without flaunting wealth. Extra materials include tour details and opportunities to win signed merchandise and tickets.
Bastille digipak analysis
The album cover features the artist's name and personal symbol prominently displayed at the top, with the record label name below in smaller text. The artwork depicts a boy running away from headlights that appear to be chasing him, suggesting a theme of fleeing or being pursued. Production credits are listed at the bottom in the style of a movie or DVD cover, implying the album has a cinematic quality to its music videos.
Alt j - an awesome wave, digipak deconstruction
Alt-J is an indie rock band formed in 2007 in Leeds, England. Their debut album "An Awesome Wave" was released in 2012 and targets an audience of late teens to young adults. The digipak packaging for the album contains a folder that holds the CD and a small insert with song information. The CD itself has a plain light grey design without distracting from the music, though some song titles may be more visible than others.
Conventions of cd album covers
The document discusses conventions for CD album covers, noting that minimalism is often used with only essential information like the artist, title, and tracklist. Main images take up most of the cover to draw attention, while text is kept modest in size. Band names are placed prominently but not dominantly, and additional details like the record label and barcode are typically included in smaller typeface at the bottom.
Ancillary layout draft- Album digipak
A CD contains a front and back cover that protects the disc, with additional panels inside the covers. The front of the disc contains the record label logo, barcode, track list, images and information about the artist, and album title. The included booklet provides lyrics and more photos of the artist.
Digipak Research
Here are some potential EP design ideas based on the brief:
- Long shot landscape B&W photo to set a moody tone
- Medium shot portrait of artist against plain backdrop
- Graphic incorporating a lyric/song symbol
The landscape shot in black and white could create drama. A portrait maintains focus on the artist. And a graphic symbolizes the music. Together these visuals could effectively promote the EP across online and physical formats. Keeping the design clean and simple highlights the music.
Digipak analysis
The document analyzes and compares three different digipak album covers. All three covers feature background photographs. The left and right covers include the band/artist and album names while the middle cover only includes the album name over a chaotic photo. The bottom two covers have simpler interior designs with modified photographs on the left side and more photos where the CD would be. The top cover has the most complex interior with text, photos, and an image behind the CD. The back of all three covers lists the album tracks along with production details and websites.
Drake Drake Cover
The document summarizes the design of the back cover of Drake's "Take Care" album. It notes that the back cover uses the same black and gold color scheme as the front cover. The typography is also simplistic and the same color as the front. Images of the record labels Drake is associated with and other details are centered to create a focal point. The simple, coordinated design of the front and back covers reinforces themes of wealth/power in rap and creates a cohesive album package.
Digipak analysis
Media Studies A2 Digipak Analysis.
Looking at Daft punks album in detail as well as Jack Johnsons Album in detail.
Done for my A level Media studies.
Digipack Deconstruction 2: AC/DC - High Voltage
The document summarizes the album artwork and packaging for AC/DC's album "High Voltage". Key elements are prominently featured, including the band's logo, lead guitarist Angus Young in his schoolboy outfit, and lightning bolts representing the album title. These visual motifs are used consistently throughout to establish the band's brand and reinforce the high-energy themes of their live performances and music that are represented by the album title "High Voltage".
Album Cover Conventions
This document discusses conventions for album cover design and how the designers of the album "LIGHTS" by MiraJax incorporated these conventions in their design. Key conventions included featuring the artist name prominently on the front cover as well as a central image of the artist. Track lists and other information like the record label are typically placed on the back panel. For the LIGHTS album cover, there is a central image of MiraJax on the front with the artist and album title also featured. The track list and other details are positioned on the back panel following convention. A visual motif of split screens and neon lights is continued throughout the front and inside panels to create synergy across the design.
Cd plan
The document provides guidelines for designing an album cover and back cover, including elements such as the artist name, album title, track listing, images, and background colors. The front cover should feature the artist name, an image of the artist or related animal, and the album title on a vibrant background representing the genre. The back cover should have similar elements arranged differently, including the track listing and bar codes, to create continuity in the album's visual theme and representation of its genre.
Album cover conventions
The document discusses album cover design conventions and how they were used or challenged for a debut album. Half of the artist's face is used on either side of the cover as an abstract focal image. The artist name is larger than the album name to promote the artist. The track listing uses a font matching the artist title for synergy. Inside panels include label information and a consistent design flows throughout while maintaining visual interest.
Cd Collage
The document discusses and analyzes the album covers of several rock and metal bands, including Avenged Sevenfold, Korn, Metallica, and Pendulum. It notes that Avenged Sevenfold and Metallica both use consistent font styles and logos that serve as recognizable brands. The Korn album cover references Alice in Wonderland in a dark, twisted way, indicating their musical style. Metallica's album featuring a coffin implies themes of death and darkness. Pendulum's highly technical, layered cover with unusual colors suggests their music incorporates elements of techno and drum and bass. Across the covers, visual themes and styles provide clues to the kind of music listeners can expect from each band.
Analysis of music posters
The document analyzes and summarizes music posters for four different albums:
1) Bring Me The Horizon's "Sempiternal" poster features the band's name in large white text on a black background for visibility. It also includes the album's unique "sempiternal" logo and positions the album title at the bottom in gold text for continuity.
2) Fall Out Boy's "From Under The Cork Tree" poster uses a theater theme commonly seen in 2000s pop punk posters. It features the band's tour van crash and contrasts monotone and vibrant colors to represent the band's old-school rock music.
3) Arctic Monkeys' "AM" poster positions the band's iconic white
Album art
The document provides summaries of album artworks for various artists:
1. The Slayer album "Show No Mercy" uses symbols of destruction like devil tails and broken stars to convey the thrash metal genre.
2. Ali Azmat's solo album "Social Circus" features a graffiti-covered image of his face representing the confused social circus of today.
3. Nirvana's "Bleach" album art is in black and white to achieve a "bleached" effect, showing the band's energetic rock music.
4. Metallica's "Death Magnetic" depicts a coffin in a magnetic field, reflecting the album's name and content.
Digipak analysis
The digipak analysis summarizes the design elements of the Gaslight Anthem album "American Slang". The album cover prominently features the band's title and vintage Americana images relating to the album's theme. Track listings and artist credits are included along with a booklet containing lyrics and more photos consistent with the antique-inspired aesthetic. The simple color scheme and emphasis on the music over band imagery creates a cohesive classic look.
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Pitch
eOne Music is a large independent music label that distributes the metal EDM artist Zardonic and other well-known artists like Chromeo. As they cover many genres including metal EDM, eOne would be a good fit to distribute a music video featuring violent situations to promote the Pendulum song "Show Down" or alternatively "Salt in the Wounds". The target audience for the video would primarily be 15-40 year old males, and filming behind a school or along an alleyway would provide an effective setting for chase scenes to match the aggressive music genres and concept of the video.
Pendulum show down script
This document contains a script for a short film set to the song "Pendulum" by Pendulum. The script describes shots of the protagonist encountering and confronting the antagonist. As the song plays, the two begin fighting. The antagonist overpowers the protagonist and leaves them defeated on the ground as the song ends. The script syncs story moments like punches thrown and escapes attempted to lyrics in the song.
Step outline
This document outlines the song and music video steps for Pendulum's "Show Down". It provides the lyrics for both the album and radio/music video versions. It then lists 13 steps describing the protagonist being followed and attacked by an antagonist, with references to specific lyrics occurring during certain steps of their confrontation and fight. The protagonist initially tries to escape but is ultimately beaten by the antagonist.
Genre research - Metal EDM
The document discusses the genre of music that mixes metal and electronic dance music (EDM). It explores the history of both genres from their origins in the 1960s to modern artists that blend the two styles. The metal/EDM genre covers subgenres like industrial metal, dubstep-influenced metal, and electrocore. Iconography in music videos may include turntables, vinyl discs, and footage of concerts. The evaluation concludes that metal and EDM have both changed significantly since their origins while retaining core elements, and that fusing the two genres has become increasingly popular.
Analysis of media text (new)
This document provides an analysis of the music video for the song "Run You" by the band The Qemists. The summary is as follows:
The video begins with the band's logo and silhouettes of the band members. Throughout the video there are close-up shots of the band aggressively playing their instruments in a tunnel. The lyrics are repetitive, reinforcing the theme of anti-establishment.
The music genre is described as a fusion of metal and drum and bass. Conventions of the genre include rebellion, aggression, and anti-establishment. Shots of the keyboardist and cross-cutting between band members reinforce the musical fusion.
Key conventions of form include the small performance space
Shot list
The document outlines a shot sequence and notes for a music video. It contains 70 shots of varying sizes and angles depicting a fight between a protagonist and antagonist that is eventually broken up by police arriving. The protagonist is initially punched and loses the fight but later gains the upper hand and manages to escape until being shot in the leg by police during a chase scene. The video ends with the protagonist limping away from police as the screen cuts to black.
Production concept
This document outlines the key details for a music video production concept, including descriptions of the main protagonist and antagonist characters as well as options for the song and setting. The main protagonist is described as a male teenager around 16-18 years old wearing generic clothing like a black hoodie and jeans. The antagonist's details are limited but assumed to be an average built male in a blue coat. The song options listed are all in an electronic/dance genre by artists like Pendulum and Zardonic. The proposed setting is alleys and walkways near a school that would work well for chase scenes.
Ancillary/Digipak draft and photoshop
This document provides different versions of album art and packaging design, including a band logo in the center with album title below, blue space-themed album art and disc, and art around and on the disc. New versions move from a left side design to a right side design and include designs for the inside, CD, and back cover/spines.
filming sample_risk_assessment.doc
This risk assessment document summarizes the hazards, control measures, and risk levels for a student film shoot. Three key hazards are identified: 1) crossing the road when cars are present, with the control of waiting for no cars or crossing safely, resulting in a trivial risk level. 2) Cars on the road near the filming location, with the same control measures, resulting in a low risk level. 3) Filming in an abandoned building with risks of tripping, injury from sharp objects, or injuries during fight scenes, with controls of watching where filming and having first aid available, assessed as a low risk level.
Lyric analysis
The lyrics analyze a band responding to criticism of changing their musical style from drum and bass to incorporating rock elements. The lyrics suggest the band had hoped fans would understand this evolution ("It's been such a long time coming, I'd thought you'd understand"). They dismiss past styles as "over" and "joining in the sand." The lyrics also push back against critics who claimed the band "sold their soul" or only changed styles for money rather than the fans. The repetition in the song is meant for a radio edit version.
Script response analysis
The document summarizes feedback on a script for a music video. Respondents noted that the script had good shots, action, and syncing of scenes with the song lyrics. They suggested adding more shots, characters, and development. However, one respondent said the script seemed good with nothing to improve. Respondents agreed the song choice was suitable and said they would watch the finished video. The authors were pleased people noticed the planned fighting during chorus parts and would add more than two characters and improve quality for the final video.
Cast and production/ Production Schedule
The document outlines the production details for a short film including casting, locations, scenes, costumes, and equipment. Adam and Josh Holmes will play identical twin protagonists allowing one to fight his darker side. Thomas Smith and Kirstey Fuller-Rylance will direct, write, and edit across three scenes: a field, a street with fences and cars, and an abandoned building where Ryan Grange may also appear as a police officer. Costumes include black and blue hoodies while equipment consists of a Panasonic camera and tripod.
Pendulum band profile
Pendulum is a drum and bass band formed in 2002 in Perth, Australia. They are known for blending drum and bass with rock music. The band released three successful studio albums between 2005-2011 before going on hiatus as the members worked on other projects. In 2016, Pendulum reunited for a live performance at Ultra Music Festival, signaling their return as an active band once more.
Production logistics
This document provides details on the production logistics, costumes, props, locations, and casting for a film trailer about a group of teenagers. Costumes will show a smart yet casual look for the male characters and jeans for dates scenes. Props like coffee cups and a pool table will be used. Filming locations in March, Cambridgeshire include a park for a bench scene, a club rented from YPM for party scenes, and a Costa for coffee shop scenes. Actors aged 17-18 have been cast in lead roles based on their experience and personality fits for characters.
Audience research summary
This document summarizes audience research for a romantic comedy film. It identifies the film's target demographics as both male and female audiences, with a focus on teenagers due to including young actors. Research found that the target audience enjoys films with similarly aged actors, listening to music, and socializing. Qualitative research found that male audiences liked the comedy aspects, while some disliked misleading posters that did not convey the comedy. The document concludes that this research will inform the production of the film trailer, poster, and magazine cover to better appeal to the target audience.
Still image analysis 7 pics
The document provides descriptions and analysis of various scenes from the trailer for the romantic comedy movie "Just Go With It". It analyzes elements like composition, lighting, costumes, settings and character interactions/expressions to understand the context and meaning conveyed in each scene. Key details that emerge are that the trailer shows the main character going on unsuccessful dates with different women, attending a birthday party with vibrant colors, and glimpses of a romantic holiday setting that could provide opportunities for love.
Character profile
The document profiles the main characters of a film including their name, height, age, appearance and brief descriptions of their personalities. It introduces the characters of Lydia Collins, Jack Humphrey, Connie Patterson, Phoebe Parsons, Kelly Simpson, Jadyn Burns and Nick Jordan who are students looking for love and friendship. Their heights range from 5ft 2 to 6ft 3 and ages are between 17-18 years old.
Location
The document provides details for several filming locations to be used for a movie, including the dates, times, and reasons for each location. Location details include alleyways, parks, fields, nature reserves, and overgrown areas to portray isolation and create a creepy atmosphere where characters have nowhere to run or hide. A house and shed are also listed on the 7th of October to show an isolated area and serve as the location where a character is taken, transitioning from an earlier scene of happiness.
Production scheldue
This document outlines 12 scenes for a film shoot over several days in October. It provides details of the date, time, location, characters, costumes, props, set design, and equipment for each scene. The same director, Amellia, is listed as the crew for all scenes. The main characters appearing in multiple scenes are Clarizh, Mads, Francessica, Emilie, Els, and Josh. The locations include Creek Road, Norwood Road Nature Reserve, behind the cricket field, Ellingham Avenue, and the nature reserve.
Questionnaire summary results
From a questionnaire survey of their target audience, the document summarizes key findings about demographics, psychographics, favorite horror film genres and likes/dislikes. It was found that the audience prefers psychological horror films and are young, quirky and creative. Their interests in music and streaming platforms like Netflix indicate they enjoy trends. This information will help guide the planning and production of a film trailer that appeals to this audience's preferences to increase the chances of its success.
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The document discusses conventions and design elements commonly found on album covers and advertisements for metal music. It provides examples of fonts, color palettes, imagery, and layouts typically used to represent the genre. Key focal points are the band's name in a bold font and the use of dark, menacing artwork featuring monsters or skulls rather than band photographs. Advertisements aim to prominently feature the album cover artwork alongside the band's established visual identity.
Cd cover design
This document summarizes and analyzes the themes, imagery, and stylistic elements used in the cover designs of 5 different music albums:
1) Rob Zombie's "Hellbilly Deluxe" uses fiery colors and imagery of zombies and hell to represent the album's heavy sound.
2) Deadmau5's "4x4=12" features images of a mouse and neon colors that evoke the atmosphere of clubs, fitting the album's drum & bass/electro genre.
3) Charlie Simpson's "Young Pilgrim" employs natural, light colors and simple fonts/layouts that mirror the album's acoustic/folk sound.
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Digipaks analysis ancillary task - december
This document analyzes the packaging design of two albums: Michael Jackson's "Bad" and Eminem's "The Marshall Mathers LP". For both albums, the document examines the front and back covers, CD design, and additional elements like booklets. Some key aspects summarized are:
- The front covers feature large images of the artists with their name and album title prominently displayed. Color schemes and fonts are consistent throughout the packaging.
- Back covers include track lists, copyright information, and barcodes. Additional content like lyrics and photos are included in booklets.
- CD designs prominently display the artist's name and follow the overall color scheme, with track lists and logos also included.
Digipack presentation
The document discusses the conventions and design elements of digipacks. It provides examples of digipacks for the albums Nevermind by Nirvana, Smash by Offspring, and The Battle of LA by Rage Against the Machine. Some key points:
- Digipacks typically include the artist/album name, tracklist, label logo, and barcode
- Front panels usually feature the artist image and name in a recognizable font
- Back panels contain the tracklist, barcode, and label logos
- Color schemes aim to represent the genre and atmosphere of the music
Digipack and poster analysis
The document analyzes conventions of CD covers and digipacks in the electronic dance music genre. It finds that CD covers often feature futuristic themes of outer space and depict the earth from a cosmic perspective, suggesting the music provides a sense of escapism. Colors are bold and vibrant. Digipacks consistently include artist name, album title, track list, and use stylistic elements like fonts and colors to create a signature house style and give the artist a distinctive stamp. Images may use special effects and depict artists in fantastical settings to appeal to younger audiences.
Digipack and poster analysis
This document analyzes the conventions and themes found in CD covers, digipacks, and a poster for electronic dance music artists. It finds that CD covers commonly feature the artist's name, album title, and images that suggest themes of futurism and escapism through depictions of outer space. Digipacks similarly include key information but also track lists and barcode information. They often use consistent color schemes and computer-generated imagery fitting for electronic music. The analyzed poster catches viewers' eyes with large bright text announcing a new single against a dark background, mimicking rave lighting and intriguing people to listen. Common across formats are emphasis on the artist and futuristic themes reflecting the genre.
Textual Analysis Of Various Albums
The document analyzes and compares the album artwork for albums across different musical genres, including classical (Ludovico Einaudi's Elements), EDM/dance (Sub Focus' Torus), and indie (The Smiths' Meat Is Murder). For the classical album, the front and back covers feature hand-drawn musical notation, reflecting the genre's association with sheet music. The EDM album uses typography and geometric shapes consistent with the artist's branding. The indie album features a Vietnam War photo on the front with the title replacing text on the soldier's helmet, showing the album's political message regarding vegetarianism.
Album cover analysis
The document discusses several album covers and their design elements. It notes design features like basic fonts that allow the artwork to stand out, circular mazes and colors that reference sci-fi music styles. Album covers are described as having simple silhouettes of band members, ocean life with neon features relating to electronic music, and band symbols used consistently across the CD and album artwork.
Digipak analysis
The document analyzes and summarizes the design elements of several album covers, including:
- Blink-182's "Take Off Your Pants and Jacket" which features images representing the album title on a black background.
- The Killers' "Sam's Town" which has a black and white monochrome concept highlighting the band's indie rock genre and features the band members on the back.
- Muse's "Resistance" depicts a figure on a path surrounded by shapes, with a grey background tying into the generic font used.
Digipack Presentation
The document analyzes the cover designs of albums from several musical artists. It discusses elements of synergy and intertextuality between the covers. Common elements include featuring the artist's name and image prominently, consistent color schemes and font styles, and positioning of text and images. This is intended to clearly identify the artist and tie together albums as part of their brand and style. Minor variations between covers are also analyzed as relating to the theme or message of the music.
Conventions
The document discusses conventions for album covers, back covers, inside covers, and magazine advertisements across different music genres. It notes that album covers often feature the artist and relate to the genre's imagery. Back and inside covers usually list the tracklist and credits. Magazine ads prominently display the artist, album, release date, and where to buy the album. Overall, conventions provide recognition of the product while allowing room for uniqueness.
Analyzing digipaks
Analysis of Digipaks of the metal genre which includes albums of Black Sabbath, Iron Maiden and Judas Priest.
Album cover analysis
The album cover for Pendulum - in Silico features a small title to focus attention on the circular maze-like artwork, which relates to the sci-fi style music. The Linkin Park - Minutes to Midnight cover uses minimal greyscale images and silhouettes to convey a dark feeling. Pendulum - Immersion depicts band members reaching towards figures amid neon-lit ocean life, relating to their electronic style.
Analysing existing digipaks
The digipak for Muse's album "Black Holes & Revelations" follows a conventional layout with the band name on the front and tracklist on the back. It uses imagery throughout relating to the album's apocalyptic and space themes, including images of the four horsemen of the apocalypse and the sun. The typography on the front cover is in all capital sans serif letters matching the style on the booklet. Images inside portray the band as serious musicians and the CD tray design suggests the genre of space rock.
Question 2 by Rishi Ghetia
The document discusses the effectiveness of combining an artist's main album product, a digipak, with ancillary promotional materials like magazine advertisements.
It describes the digipak created for the fictional artist Algwyne, which uses natural themes of flowers and nature to represent growing up and coming of age, as explored in the album's songs. Examples of existing indie artists' experimental digipaks are provided.
The document also shows the magazine advertisement created to promote the album, which mirrors the digipak's themes and design to create a cohesive brand identity across products.
Digipack analysis
The front cover of the Nirvana album "Smells Like Teen Spirit" features a large dark blue logo against a light blue backdrop. It includes a blurred photo from the music video of the band performing, connecting the album visually to the title song. The CD has the same water background and blurred band photo. The back provides song information and credits, while the spine displays the barcode and label logo. Throughout, a consistent blue color scheme and visual references to the "Teen Spirit" video tie the packaging cohesively together.
Task c digipack and advert research fini
The document analyzes and compares the album covers and advertising designs for Arctic Monkeys' "AM" album and The Neighbourhood's "Wiped Out!" album. Both album covers have a black background with white text and a simple white graphic or image in the center. This minimalist, black and white design is intended to attract younger audiences to the indie and alternative rock music styles. While the designs are subtle and leave out band names or photos to create intrigue, the use of the same graphics from the advertisements helps make the albums recognizable to fans.
Mag ad research
The document provides guidelines for creating an advertisement for a CD/Digipak in a magazine. It recommends including a centered portrait image of the artist with a pop art filter, the artist and album name in bold capital letters matching the CD cover, listing popular tracks to attract fans, and using a maximum of 3 colors that link to the main image. Additional optional elements can be a brief track listing, release date, website, and quotes from music publications.
Electronic Rock Album Covers
The document analyzes several album covers from electronic rock bands such as Awolnation, Pendulum, The Rapture, How to Destroy Angels, and The Prodigy. It discusses common conventions across the covers including dark color palettes that fit the genre, lack of band images, use of effects and editing, prominence of band names, and subtle references to technology. The covers generally aim to attract younger audiences through modern, plain but futuristic designs while representing the bands' unique sounds and themes.
Alaysis of albums
The document analyzes several indie album covers. It notes that they typically have simple, minimalist designs that focus on the band name and logo in plain fonts. This emphasizes the music over the artists' images. The album covers mainly use black and white with occasional splashes of color. They maintain continuity across the front and back covers as well as in the spine. The goal is a clean, easy-to-read presentation that lets the music be the central focus.
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Ancillary product analysis
- 1. Ancillary Product Analysis: Circle of Dust - Metamorphosis By Thomas Smith
- 2. Circle of Dust – Metamorphosis | Digipak Analysis Image: The front cover of the album shows Klayton’s face (works under the Circle of Dust and Celldweller aliases) with what looks like some sort of bladed object covering the left side of his face (right side of album art). The whole digipak follows the route of the eye. Layout: The artist’s name/logo placed at the top left, main artwork seen in the middle and the album name on the bottom. A common theme for Circle of Dust/Celldweller is the dystopian and apocalyptic design in the album art, merchandising and music videos. Colours: Yellow, white, black and orange – placed in a minimalistic manner. Typography: The artist’s name/logo on the album art is in bold and the font is sans- serif. The logo seems to have either fire or sun rays coming from the text itself. The text “Metamorphosis Bundle 01” appears to be a futuristic version of sans-serif. The colour of the text appears to be some sort of tan or white with a hint of yellow. The main colouring for the typography is white/tan/yellow.
- 3. Circle of Dust – Metamorphosis | Digipak Analysis Conventions to Genre (Metal EDM): Dystopian/Metal feel to the artwork Dark colouring with brighter highlights What appears to be a blade covering a portion of the artist’s face – signifies violence in Metal and aggressive forms of EDM? Artwork is well made and doesn’t feel empty – seen a lot in EDM albums, as well as Metal albums. Conventions to Form: Album name is at the bottom – seen regularly on album artworks (although some have them at the top, centre, left or right.) Bundles usually have 2 discs and extra merchandising – clearly seen here.
- 4. Back Cover The back cover of the album uses a deeper version of the colour scheme found on the front cover. It has the conventional layout for a bundle – Track listing is categorised into Disc 1 and Disc 2. Everything is clear to read despite the intense background.