The document provides an analysis of the music video for the song "Feed the Dada" by Dada Life. It summarizes the various camera techniques used in the video including unconventional shots, close-ups of facial expressions, and shots that correspond to the rhythm of the music. It also analyzes elements of mise-en-scene such as the costumes worn by the artists and the use of an iPod and speakers to set up the party atmosphere. Overall, the document analyzes how the camera work and visual elements are used to illustrate the lyrics and genre of house music.
Analysis of house music updated version 17 10-12shiplakecollege
This document provides analysis of the music video for the song "Feed the Dada" by Dada Life. It discusses various shots used in the video including unconventional shots, close-ups of facial expressions, and shots of people partying. It also analyzes editing techniques like slow motion and the use of contrasting shots. Cinematography elements like mise-en-scene, costumes, and symbols are examined. Theories related to the video like illustrating lyrics and electronic shamanism are also mentioned.
The document discusses different types of music videos including pop, alternative/indie, and rock music videos. It analyzes several specific music videos in terms of their setting and lighting, costumes, props, pace, how the artist is featured, and whether they tell an overall story. The document aims to better understand different types of music videos to help decide which kind would be most suitable for a video the author wants to create.
The document provides initial ideas and planning for two potential student projects: a music video and a horror film teaser trailer. For the music video, the student analyzed reference music videos and selected "Fix You" by Secondhand Serenade, with a narrative of a struggling relationship. For the teaser trailer, the genre of horror was chosen, and the story would involve a woman discovering paranormal activity after moving into a new house. Both projects emphasize using mise-en-scene, color schemes, and editing techniques to effectively set the tone and convey the narrative in a short format.
The document analyzes music video conventions across different genres. It discusses how dance songs often have repetitive visuals that may not correspond to lyrics. Dance/electro videos focus on music over material things and rarely promote substances or sex. Hip hop/rap videos often take place in clubs or mansions and feature flashy branding and aggressive artists. Indie/rock videos use close-ups, dark locations, and special effects. Pop videos have upbeat songs and tell stories or feature dancing for younger audiences. R&B videos highlight artists' physical appearances and brands and reference relationships.
The song chosen combines indie and electronic styles. While the main concept of projecting images over performers isn't genre-specific, conventions from both genres were included. Typical indie music video elements like band performance shots and narratives were incorporated, though not conventionally. Performance shots and close-ups of instruments are common in both genres, but were replaced with lip syncing due to practical constraints. The projection features surreal and ambiguous clips to convey the song's atmosphere. Representations of relationships reference genres like depicting passion alongside violence controversially. Clothing styles stuck to typical indie casual wear of shirts and jumpers.
The document discusses conventions used in indie and electronic music videos. It summarizes how the author's video incorporates some conventions like showing the performers lip syncing with projections in the background, while avoiding others like extreme close-ups of instruments. It also discusses depicting themes like partying, drinking, relationships, and fashion in ways typical of these genres.
The song chosen for the video combines indie and electronic music styles. While the main concept of projecting images over the performers is not genre-specific, conventions from both genres are included. Performance shots are common to both genres, so lip syncing was used since actually playing instruments would not fit. Surreal and ambiguous projected clips were chosen to match the song's atmosphere. Drinking and drug culture is depicted through characters in a car park to fit the "rough and ready" feel sought for the video in line with conventions for indie music videos.
The document discusses conventions used in music video production based on Goodwin's theory of music videos. It analyzes several factors that record labels and producers consider when constructing music videos, including genre characteristics, relationships between lyrics/music and visuals, narrative/performance aspects, editing styles, mise-en-scene elements like location, clothing, lighting, and performers' expressions. The author applies these conventions in their own music video by mirroring shots, edits, clothing, and lighting styles from popular artists' music videos to match the song's genre.
Analysis of house music updated version 17 10-12shiplakecollege
This document provides analysis of the music video for the song "Feed the Dada" by Dada Life. It discusses various shots used in the video including unconventional shots, close-ups of facial expressions, and shots of people partying. It also analyzes editing techniques like slow motion and the use of contrasting shots. Cinematography elements like mise-en-scene, costumes, and symbols are examined. Theories related to the video like illustrating lyrics and electronic shamanism are also mentioned.
The document discusses different types of music videos including pop, alternative/indie, and rock music videos. It analyzes several specific music videos in terms of their setting and lighting, costumes, props, pace, how the artist is featured, and whether they tell an overall story. The document aims to better understand different types of music videos to help decide which kind would be most suitable for a video the author wants to create.
The document provides initial ideas and planning for two potential student projects: a music video and a horror film teaser trailer. For the music video, the student analyzed reference music videos and selected "Fix You" by Secondhand Serenade, with a narrative of a struggling relationship. For the teaser trailer, the genre of horror was chosen, and the story would involve a woman discovering paranormal activity after moving into a new house. Both projects emphasize using mise-en-scene, color schemes, and editing techniques to effectively set the tone and convey the narrative in a short format.
The document analyzes music video conventions across different genres. It discusses how dance songs often have repetitive visuals that may not correspond to lyrics. Dance/electro videos focus on music over material things and rarely promote substances or sex. Hip hop/rap videos often take place in clubs or mansions and feature flashy branding and aggressive artists. Indie/rock videos use close-ups, dark locations, and special effects. Pop videos have upbeat songs and tell stories or feature dancing for younger audiences. R&B videos highlight artists' physical appearances and brands and reference relationships.
The song chosen combines indie and electronic styles. While the main concept of projecting images over performers isn't genre-specific, conventions from both genres were included. Typical indie music video elements like band performance shots and narratives were incorporated, though not conventionally. Performance shots and close-ups of instruments are common in both genres, but were replaced with lip syncing due to practical constraints. The projection features surreal and ambiguous clips to convey the song's atmosphere. Representations of relationships reference genres like depicting passion alongside violence controversially. Clothing styles stuck to typical indie casual wear of shirts and jumpers.
The document discusses conventions used in indie and electronic music videos. It summarizes how the author's video incorporates some conventions like showing the performers lip syncing with projections in the background, while avoiding others like extreme close-ups of instruments. It also discusses depicting themes like partying, drinking, relationships, and fashion in ways typical of these genres.
The song chosen for the video combines indie and electronic music styles. While the main concept of projecting images over the performers is not genre-specific, conventions from both genres are included. Performance shots are common to both genres, so lip syncing was used since actually playing instruments would not fit. Surreal and ambiguous projected clips were chosen to match the song's atmosphere. Drinking and drug culture is depicted through characters in a car park to fit the "rough and ready" feel sought for the video in line with conventions for indie music videos.
The document discusses conventions used in music video production based on Goodwin's theory of music videos. It analyzes several factors that record labels and producers consider when constructing music videos, including genre characteristics, relationships between lyrics/music and visuals, narrative/performance aspects, editing styles, mise-en-scene elements like location, clothing, lighting, and performers' expressions. The author applies these conventions in their own music video by mirroring shots, edits, clothing, and lighting styles from popular artists' music videos to match the song's genre.
The document provides information and recommendations for improving the visual elements of a music video to better appeal to the target audience. It discusses techniques like using projectors, lighting, shot types, and color palettes to set mood. Location shots and close-ups of the artist are suggested to make them the clear focus. Ending on a memorable note that leaves audiences questioning is also advised.
Bhangra Music Videos Influencing our project AlishaDuggal
The document discusses various shots and techniques used in Bhangra music videos that influenced the project. Some of these influences include the use of colorful costumes, mid shots of singers interacting with the audience, titles appearing with the music, shots of friends dancing together, and different backgrounds around singers. Traditional Bhangra dancing emphasizes facial expressions of happiness and smiles. Some videos also incorporate love stories or arguments between couples. The introduction of characters usually involves mid shots and close ups that build anticipation for the music.
The document analyzes several indie/alternative artist digipacks. It finds that they typically feature simple fonts focusing on the music rather than flashy graphics. Nature imagery reflecting the music is common. Color schemes and fonts are often consistent between panels to relate them. While the artists sometimes vary conventions like font styles, there are also commonalities like the frequent use of blue and white colors.
The document discusses the conventions and common features found in different genres of music videos. It identifies that pop music videos are usually performance-based and include choreographed dancing, upbeat tones, and trendy clothing. R&B and hip hop videos similarly include performances but in luxurious settings reflecting wealth and expensive brands. Rock and metal videos emphasize mysterious, dark tones through the band's appearance and atmosphere. Indie videos can include narratives or performances and utilize varying techniques based on the song.
Digipack design after audience feedbackBen Thatcher
The document provides design details for a digipack based on audience feedback. It outlines color schemes and fonts for various elements of the digipack, including a black to blue gradient background for the cover, cold saturated photos, and Century Gothic or Courier fonts in white or light gray. Interior pages will feature song lyrics, credits, and photos of characters in various poses and costumes, using similar design elements.
The document discusses the conventions and common features of music videos across different genres. It identifies that pop music videos are usually performance-based and include choreographed dancing, while R&B and hip-hop videos portray wealthy lifestyles and include beautiful women. Rock and metal videos create a dark and mysterious atmosphere through the band's appearance and the video's tone. Indie music videos can include narratives or performances and utilize various editing techniques depending on the song's pace.
The document provides an analysis of the digipak designs of four hip hop albums:
1) J. Cole's "Cole World: The Sideline Story" depicts the artist sitting on a bench, representing his mindset of waiting for his chance since being signed by Jay-Z. Imagery throughout continues this theme of being "on the sidelines."
2) Chris Brown's "F.A.M.E" uses colorful, graphic imagery of the artist to attract a young audience. Imagery on the back depicts the artist in a metal mask, possibly representing his desire to be obscured from media attention.
3) Jay-Z's "The Black Album" features an obscured image of the
The front cover of Wiz Khalifa's album appeals to its target audience of smokers with the image of green smoke and references to rolling papers. The back cover further sells the persona of the artist as a smoker by displaying his name in green smoked writing.
The front cover of Eminem's Encore album portrays the artist in a suit to attract audiences of other genres like classical while subverting expectations of rappers. The inside panel tells a story about the album through a designed letter and bullet to engage the target audience.
The front cover of Tiesto's album uses bright colors and UV lights appealing to clubbers and dancers, while the back cover portrays possible anger and threats of violence common in
The document analyzes and compares the album artwork and design of two hip hop artists, J.Cole and Chris Brown. For J.Cole's album, the front cover image depicts him sitting confidently on a bench in a sophisticated outfit, denoting his success. The background of a locker room suggests themes of waiting and the sidelines. Typography and imagery are consistently used across the design. Chris Brown's album features a stern portrait of the artist against a colorful graffiti-style background, focusing on his image over the music itself and appealing to younger audiences. Both album designs utilize consistent typography and imagery that tie into themes and styles of the respective artists.
1. The genre characteristic shown is that it focuses on a boys band. Additionally, guitar is used as an instrument in some scenes.
2. The relationship between lyrics and visuals is both illustrative and amplified. Some scenes directly relate to the lyrics while others enhance the meaning.
3. The relationship between music and visuals matches the pace and tone. Faster scenes correspond to faster music and louder scenes correspond to louder music.
The document discusses the origins of various performance art forms such as blues, melodrama, morality plays, classical ballet, ragtime music, sattriya dance, lindy hop, restoration comedy, alternative comedy, punk rock, and brit pop. It provides information on when and where each form originated, early examples, and key individuals involved in their development. The earliest examples mentioned include African slave songs that influenced the blues, a 15th century saint who introduced sattriya dance, and Charles II in the 1660s who encouraged sexual explicitness in restoration comedy.
Lady Gaga's "Bad Romance" music video uses a mixture of performance and narrative elements. It features repetitive choreography during the chorus alongside a clinical narrative theme. Lady Gaga portrays a mentally ill patient, broadening the video's appeal beyond mainstream pop fans. The video utilizes white costumes, lighting, and backgrounds to portray innocence alongside red fonts and black costumes representing danger and evil. It employs fast cuts and close-ups to create a dramatic, futuristic atmosphere, linking different scenes through iconic hand gestures and choreography that position Lady Gaga and others as "monsters."
The document discusses various conventions used in music videos and ancillary products for the acoustic/singer-songwriter genre. It provides examples of how the artist's costume, location, props, and performer presentation follow conventions of appearing natural and authentic. In contrast, it analyzes how women are often objectified in pop and hip hop videos. The document also discusses conventions used in the layout and design of the artist's digipak and magazine advertisement ancillary products.
The document summarizes how conventions were used and challenged in the design of a magazine advertisement and digipack for a music album. Key conventions included featuring large images of the artist, providing details on how to purchase the album, and including the track listing. Some conventions challenged included giving the artist an unusual pose and designing the CD to look like a pearl. The overall design kept a consistent style across formats to create familiarity and recognition for the audience.
The document discusses the ways in which a media product uses and challenges conventions of real media. It analyzes the author's music video alongside Chris Brown's "With You" video. Some ways the author's video follows conventions are using a car prominently and having a narrative/performance structure. Some ways it challenges conventions are not showing the artist at first and not including any girls. The document also discusses elements like mise-en-scene, lighting, framing, costume, and how there is synergy between the video, single, and album packaging to promote each other.
This document is a newspaper listing of events happening around Mumbai on April 21, 2012. It includes an electronica music act, an art show displaying contemporary works and carpets, classical Indian music performances, screenings of the Indian Premier League cricket matches at various bars and restaurants, and a German techno band performance as part of an urban festival.
The document discusses the production of a music video for the song "The Freshman" by the band The Verve Pipe. It describes the creative choices made in filming and editing the video, such as using different filters to represent memories and fading edits to represent the fast pace of the narrative. It also discusses the design of promotional materials like the album cover, inside cover, back cover, and poster - focusing on visual elements like lighting, fonts, and imagery that establish a consistent indie rock brand centered around fire and candles. The document reflects on lessons learned from audience feedback, such as confirming the target demographic and genre based on the positive reception to the song and amateur quality of the production.
This document describes a QR code marketing campaign conducted by WPHI radio for clothing retailer Villa. WPHI distributed 1000 QR code lanyards at a Super Jam concert to engage attendees and drive them to an interactive mobile landing page. Live scan data was provided to Villa during the concert. The campaign resulted in 418 unique scans and 682 total scans, with users spending an average of 3 minutes and 47 seconds on the site. The majority of scans came from Android and iPhone users on Verizon, AT&T, Sprint and T-Mobile networks.
This document summarizes information about the Roman villa located in Noheda, Cuenca, Spain. It discusses the typical layout of Roman villas including residential and agricultural areas. The villa in Noheda, called Mansio Urbiaca, was built in the 4th century AD during the reigns of several Roman emperors. It had exceptional mosaics and marble sculptures decorating the main rooms. An e-twinning school project in 2011-2012 aimed to teach students about aspects of ancient Rome represented in their modern town.
In this class we discuss a variety of modern houses, from Case Study House No.8 to the work of developer Joseph Eichler, from Neutra's Kaufmann Desert House to Philip Johnson's Glass House in New Canaan, CT.
The document provides information and recommendations for improving the visual elements of a music video to better appeal to the target audience. It discusses techniques like using projectors, lighting, shot types, and color palettes to set mood. Location shots and close-ups of the artist are suggested to make them the clear focus. Ending on a memorable note that leaves audiences questioning is also advised.
Bhangra Music Videos Influencing our project AlishaDuggal
The document discusses various shots and techniques used in Bhangra music videos that influenced the project. Some of these influences include the use of colorful costumes, mid shots of singers interacting with the audience, titles appearing with the music, shots of friends dancing together, and different backgrounds around singers. Traditional Bhangra dancing emphasizes facial expressions of happiness and smiles. Some videos also incorporate love stories or arguments between couples. The introduction of characters usually involves mid shots and close ups that build anticipation for the music.
The document analyzes several indie/alternative artist digipacks. It finds that they typically feature simple fonts focusing on the music rather than flashy graphics. Nature imagery reflecting the music is common. Color schemes and fonts are often consistent between panels to relate them. While the artists sometimes vary conventions like font styles, there are also commonalities like the frequent use of blue and white colors.
The document discusses the conventions and common features found in different genres of music videos. It identifies that pop music videos are usually performance-based and include choreographed dancing, upbeat tones, and trendy clothing. R&B and hip hop videos similarly include performances but in luxurious settings reflecting wealth and expensive brands. Rock and metal videos emphasize mysterious, dark tones through the band's appearance and atmosphere. Indie videos can include narratives or performances and utilize varying techniques based on the song.
Digipack design after audience feedbackBen Thatcher
The document provides design details for a digipack based on audience feedback. It outlines color schemes and fonts for various elements of the digipack, including a black to blue gradient background for the cover, cold saturated photos, and Century Gothic or Courier fonts in white or light gray. Interior pages will feature song lyrics, credits, and photos of characters in various poses and costumes, using similar design elements.
The document discusses the conventions and common features of music videos across different genres. It identifies that pop music videos are usually performance-based and include choreographed dancing, while R&B and hip-hop videos portray wealthy lifestyles and include beautiful women. Rock and metal videos create a dark and mysterious atmosphere through the band's appearance and the video's tone. Indie music videos can include narratives or performances and utilize various editing techniques depending on the song's pace.
The document provides an analysis of the digipak designs of four hip hop albums:
1) J. Cole's "Cole World: The Sideline Story" depicts the artist sitting on a bench, representing his mindset of waiting for his chance since being signed by Jay-Z. Imagery throughout continues this theme of being "on the sidelines."
2) Chris Brown's "F.A.M.E" uses colorful, graphic imagery of the artist to attract a young audience. Imagery on the back depicts the artist in a metal mask, possibly representing his desire to be obscured from media attention.
3) Jay-Z's "The Black Album" features an obscured image of the
The front cover of Wiz Khalifa's album appeals to its target audience of smokers with the image of green smoke and references to rolling papers. The back cover further sells the persona of the artist as a smoker by displaying his name in green smoked writing.
The front cover of Eminem's Encore album portrays the artist in a suit to attract audiences of other genres like classical while subverting expectations of rappers. The inside panel tells a story about the album through a designed letter and bullet to engage the target audience.
The front cover of Tiesto's album uses bright colors and UV lights appealing to clubbers and dancers, while the back cover portrays possible anger and threats of violence common in
The document analyzes and compares the album artwork and design of two hip hop artists, J.Cole and Chris Brown. For J.Cole's album, the front cover image depicts him sitting confidently on a bench in a sophisticated outfit, denoting his success. The background of a locker room suggests themes of waiting and the sidelines. Typography and imagery are consistently used across the design. Chris Brown's album features a stern portrait of the artist against a colorful graffiti-style background, focusing on his image over the music itself and appealing to younger audiences. Both album designs utilize consistent typography and imagery that tie into themes and styles of the respective artists.
1. The genre characteristic shown is that it focuses on a boys band. Additionally, guitar is used as an instrument in some scenes.
2. The relationship between lyrics and visuals is both illustrative and amplified. Some scenes directly relate to the lyrics while others enhance the meaning.
3. The relationship between music and visuals matches the pace and tone. Faster scenes correspond to faster music and louder scenes correspond to louder music.
The document discusses the origins of various performance art forms such as blues, melodrama, morality plays, classical ballet, ragtime music, sattriya dance, lindy hop, restoration comedy, alternative comedy, punk rock, and brit pop. It provides information on when and where each form originated, early examples, and key individuals involved in their development. The earliest examples mentioned include African slave songs that influenced the blues, a 15th century saint who introduced sattriya dance, and Charles II in the 1660s who encouraged sexual explicitness in restoration comedy.
Lady Gaga's "Bad Romance" music video uses a mixture of performance and narrative elements. It features repetitive choreography during the chorus alongside a clinical narrative theme. Lady Gaga portrays a mentally ill patient, broadening the video's appeal beyond mainstream pop fans. The video utilizes white costumes, lighting, and backgrounds to portray innocence alongside red fonts and black costumes representing danger and evil. It employs fast cuts and close-ups to create a dramatic, futuristic atmosphere, linking different scenes through iconic hand gestures and choreography that position Lady Gaga and others as "monsters."
The document discusses various conventions used in music videos and ancillary products for the acoustic/singer-songwriter genre. It provides examples of how the artist's costume, location, props, and performer presentation follow conventions of appearing natural and authentic. In contrast, it analyzes how women are often objectified in pop and hip hop videos. The document also discusses conventions used in the layout and design of the artist's digipak and magazine advertisement ancillary products.
The document summarizes how conventions were used and challenged in the design of a magazine advertisement and digipack for a music album. Key conventions included featuring large images of the artist, providing details on how to purchase the album, and including the track listing. Some conventions challenged included giving the artist an unusual pose and designing the CD to look like a pearl. The overall design kept a consistent style across formats to create familiarity and recognition for the audience.
The document discusses the ways in which a media product uses and challenges conventions of real media. It analyzes the author's music video alongside Chris Brown's "With You" video. Some ways the author's video follows conventions are using a car prominently and having a narrative/performance structure. Some ways it challenges conventions are not showing the artist at first and not including any girls. The document also discusses elements like mise-en-scene, lighting, framing, costume, and how there is synergy between the video, single, and album packaging to promote each other.
This document is a newspaper listing of events happening around Mumbai on April 21, 2012. It includes an electronica music act, an art show displaying contemporary works and carpets, classical Indian music performances, screenings of the Indian Premier League cricket matches at various bars and restaurants, and a German techno band performance as part of an urban festival.
The document discusses the production of a music video for the song "The Freshman" by the band The Verve Pipe. It describes the creative choices made in filming and editing the video, such as using different filters to represent memories and fading edits to represent the fast pace of the narrative. It also discusses the design of promotional materials like the album cover, inside cover, back cover, and poster - focusing on visual elements like lighting, fonts, and imagery that establish a consistent indie rock brand centered around fire and candles. The document reflects on lessons learned from audience feedback, such as confirming the target demographic and genre based on the positive reception to the song and amateur quality of the production.
This document describes a QR code marketing campaign conducted by WPHI radio for clothing retailer Villa. WPHI distributed 1000 QR code lanyards at a Super Jam concert to engage attendees and drive them to an interactive mobile landing page. Live scan data was provided to Villa during the concert. The campaign resulted in 418 unique scans and 682 total scans, with users spending an average of 3 minutes and 47 seconds on the site. The majority of scans came from Android and iPhone users on Verizon, AT&T, Sprint and T-Mobile networks.
This document summarizes information about the Roman villa located in Noheda, Cuenca, Spain. It discusses the typical layout of Roman villas including residential and agricultural areas. The villa in Noheda, called Mansio Urbiaca, was built in the 4th century AD during the reigns of several Roman emperors. It had exceptional mosaics and marble sculptures decorating the main rooms. An e-twinning school project in 2011-2012 aimed to teach students about aspects of ancient Rome represented in their modern town.
In this class we discuss a variety of modern houses, from Case Study House No.8 to the work of developer Joseph Eichler, from Neutra's Kaufmann Desert House to Philip Johnson's Glass House in New Canaan, CT.
This document describes the design of a residential villa building with 3 stories using STAAD-Pro software. It discusses the introduction, applicable design codes, software used, project details, structural design objectives, material properties, loads, and the analysis process. The analysis is performed on the RCC structure in STAAD-Pro by assigning loads, properties, and applying the IS 456-2000 code. The design of slab, beams, columns, footing, and staircase are done as per Indian codes and standards. The STAAD-Pro model results in reinforcement areas comparable to manual calculations.
villa savoye le courbiser ppt by teja gattigatti Teja
This document provides biographical information about Swiss-French architect Le Corbusier and summarizes some of his most important works. It notes that he was born in Switzerland in 1887 but spent most of his life in France. Le Corbusier helped develop the International Style of architecture in the 1920s, which used new materials like steel and glass. One of his most famous designs from this period was the Villa Savoye (1929-1930), located outside of Paris. The villa exemplified his five points of new architecture through its use of pilotis (elevated columns) and an open floor plan with ribbon windows, and it revealed his vision of how architecture could embody the Machine Age through modern construction techniques.
Villa Savoye, completed in 1931, was designed by Swiss architect Le Corbusier as a private country house. It is considered one of the most influential buildings of the International style and cemented Le Corbusier's reputation. The villa was built according to Le Corbusier's five points of modernist architecture and became iconic for its use of pilotis, a roof garden, free floor plan, horizontal windows, and unconstrained facades. While pioneering modern design, the villa also proved complex to build and faced issues that highlighted tensions between new and traditional construction methods.
The document discusses risk management strategies for the construction of the Sydney Opera House. It identifies key risks that contributed to cost overruns and schedule delays such as an unrealistic initial cost estimate of $7 million, an incomplete design that lacked structural details, failure to control escalating costs, and pressure to accelerate the construction schedule. These risks led to a final cost of over $100 million, over 15 times the initial estimate, and completion 14 years late. The project was also impacted by political risks like deceptive cost disclosure and design changes.
Hewlett Packard Corporation was founded in 1939 by Bill Hewlett and Dave Packard in a garage in Palo Alto, California. HP produces personal computing devices, enterprise servers, storage devices, and printers and imaging products. The document analyzes HP's strategy using various frameworks including SWOT analysis, BCG matrix, IE matrix, and QSPM to recommend the strategic option of horizontal integration for HP to pursue based on its strengths in a rapidly growing market.
Yamuna Apartments is a 200-unit housing complex designed for lower-middle income residents in India. The complex was designed as an "urban village" with narrow pedestrian streets (galis) that restrict vehicular traffic to the perimeter. The units are arranged around a central square used for recreation. The design incorporates traditional Indian elements like balconies, courtyards, and terraces to establish private, semi-private, and public spaces and maximize cross-ventilation while maintaining a sense of community.
Yale Art + Architecture Building - Case StudyVikram Bengani
A case study from the perspective of architecture of the Architecture Building at Yale University. Performed as part of the architectural education campus design project in the year three of the B. Architecture course.
Omaxe Heights is a residential apartment complex located in Lucknow, India developed by Omaxe Constructions Ltd. It consists of 11 buildings arranged in a circular planning layout, with 3BHK, 4BHK, and penthouse units. Amenities include tennis courts, swimming pools, a gym, and parking. The project occupies a 28,282 square meter site and was approved by the local development authority. It aims to provide modern housing for high- and middle-income residents in a secure setting with amenities like pools and courts. Some issues were reported with seepage, negative spaces from the circular design, and quality of certain materials.
Architectural case study of ApartmentsTanzil Faraz
This document discusses the orientation, site observations, services, and materials of two apartment developments - Sushil Mehta Apartments and Nirman Developers. Sushil Mehta Apartments faces south with a road to the front and prevailing winds from northwest to southeast. Site observations and services are discussed. Materials used include tiles, granite, brick and concrete, wooden partitions, false ceilings, and grills.
The document summarizes two resort case studies - the Amandari resort in Bali and the Nazimgarh garden resort in Sylhet, Bangladesh. The Amandari resort is located in a village in Bali and designed to reflect traditional Balinese culture, using local materials like thatch, bamboo, and wood. It consists of detached villas and suites with private pools and gardens. The Nazimgarh resort is located in hills near Sylhet and divided into accommodation, restaurant, and parking areas. It contains different room types and facilities like a kids zone, gym, and restaurants. Both resorts utilize landscaping and greenery to cope with warm, humid climates and incorporate local architectural styles and materials.
- The Villa Rotonda is a Renaissance villa located near Vicenza, Italy designed by architect Andrea Palladio between 1566 and 1571.
- It has a symmetrical circular design with a domed central hall and four identical porticos with columns, inspired by classical Roman architecture.
- The villa was highly influential with its design being replicated across Europe and in the United States due to Palladio's architectural treatise on classical design.
Google has a dominant position in the search engine market but faces strong competition. The company has had strong financial performance and a weighted competitive strength assessment shows it has superior strength over competitors like Yahoo and Microsoft. The strategy recommendation is for Google to continue its focus on differentiation, pursue strategic alliances and acquisitions, and expand globally especially in China to capture the growing Asian market. The implementation plan focuses on building organizational capabilities through recruiting and retaining talented employees, matching structure to strategy, and establishing supportive policies, procedures, and culture.
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative scenes portraying the story of betrayal told in the song lyrics. It will be fast-paced and edited to match the energy of the upbeat rock track. Traditional rock costumes, makeup, and a simple dark background will be used to showcase the performers. Possible locations include the drama studio, a bedroom, and Wandlebury Woods.
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative elements depicting the story of betrayal told in the song's lyrics. Scenes will be filmed at locations like the drama studio and outdoors. Technical elements like editing, lighting, costumes, and camera work will all be designed to maintain the energy and pace of the upbeat, rock/pop track. The goal is to produce an entertaining music video that fully captures the sound and message of the song.
The document discusses conventions of the indie music genre in music videos. It notes that indie videos typically include close-ups to portray emotion, long shots to show different locations, and artists dressed casually while looking as if they are not obviously "performing" for the camera. Scenes are often darkly lit to look natural and authentic.
This document compares the conventions of folk rock music videos to the student's own music video production. It finds that the student's video used many typical conventions, such as showing the band performing in a natural rural setting surrounded by trees and fields. It also finds that the student's video developed some conventions by having the music and visuals amplify each other rather than just illustrating the lyrics, such as when the music sped up as the man leapt into the sea. The document analyzes several examples of professional folk rock music videos and identifies their conventions around performance style, nature settings, relationships between music, lyrics and visuals, close-ups of artists, and notions of voyeurism.
This document analyzes and summarizes three music videos. For the first video, "Itch" by Nothing But Thieves, the summary notes that the video has a narrative style with random moments from the protagonist's day and maintains interest through unpredictable elements. It targets a niche audience. The second video, "PARKING LOT" by VANT, is performance-based, showing a rowdy crowd at the band's show. It cuts very quickly between shots. The third video, "Hook, Line & Sinker" by Royal Blood, is a live performance with no narrative. It focuses on illustrating the instruments and changing camera techniques and lighting to match the energy of the song.
The music video tells a narrative story through its imagery and location shots. It follows a singer hoping his ex-girlfriend will return to him. Scenes show her leaving on a train and struggling without him, while he performs in a dark room with empty chairs. Shots of the girl walking down a hallway and entering a room with chairs connect her story to his. The video uses dark colors and lighting to represent the singer's emotions of missing her. While open-ended, it suggests the potential for her to reunite with him by the ending shot of spinning a chair to invite her back.
This summarizes a document analyzing several music videos based on music video theory. It discusses Foster the People's "Call it What You Want" video, noting how it represents the band's indie genre through casual outfits and setting. Various shots link to lyrics, like a cracked wall representing breaking from ideas. It also shows an aspirational lifestyle but implies money doesn't buy happiness. For Arctic Monkeys' "One for the Road", the video introduces the song title through a woman's jacket and uses closeups and setting to represent the indie genre. Shots of a tractor link to the "one for the road" lyrics. Overall, the summary analyzes how the videos represent their genres and connect visually to the songs' lyrics
Andrew Goodwins theory- Example Stay awake.jansen13
The document discusses the relationship between lyrics and visuals in music videos. It provides examples of how lyrics like "Do we chase the rabbit into wonderland" are brought to life visually by showing a person dressed as a rabbit going to a party. It also discusses how the upbeat pace of music is reflected in more energetic visuals like a zooming close up of friends dancing. Finally, it analyzes conventions within indie music videos, such as the use of black and white shots, masks, forest parties, and close ups of the male artist to promote their image.
The document provides ideas for costumes, lighting, props, and other elements of mise-en-scène for a music video being produced by students. For the male band members' costumes, jeans are suggested instead of chinos since they don't have access to chinos. For the female in the narrative, lyrics imply a promiscuous character so a dress with a jacket is proposed. Dim lighting is discussed to imply a low budget, while colored lighting could provide an art deco feel but is unavailable. Natural lighting and a suitcase are among the prop ideas. Makeup and hairstyles of red lipstick and curly hair are planned to characterize the female, while scruffy hair is proposed for the males.
The digipak uses conventional indie band imagery and designs to develop themes around life and death. The band is centered on the cover with a mixture of black and white and color in the background. Subsequent pages include heart imagery, medical equipment, and lyrics to connect the packaging to the songs' themes of saving lives. Broken glass and an out of focus image also link the digipak to the band's music videos. The advertisement follows conventions by prominently featuring the album cover and using consistent colors to tie the products together.
The music video tells a narrative of a woman chasing her ex-lover through digital discos across the world. It uses conventions like flashy lights, dancing, and vibrant colors typical of pop music videos. While conforming to the genre, the video also draws intertextual references to films like Tron through its depiction of a digital world and motorbike-style vehicles. Overall, the video visually represents the song's lyrics of searching for love through discos globally.
Henry
Director: Me
Camera Operator: Me
Sound Recordist: Me
Editor: Me
Location Manager: Me
Props Master: Me
Costume Designer: N/A
Cast: Me, Brother
Crew Size: 2
Budget: £100
Insurance: Covered under parents
Health and Safety: Risk assessments done, first aid kit
Schedule: See below
Call Sheets: See below
Permissions: Forest is public land
Contacts: See below
Equipment List: See below
Props/Costumes List: See below
Budget Breakdown: See below
Risk Assessment: See below
The document discusses conventions used in pop/rock music videos. It analyzes several existing music videos to identify conventions such as simple transitions, fast or slow editing depending on tempo, cuts between bands performing and narratives, lip syncing when bands are shown, inclusion of narratives, cuts matching the music's beat, narratives linking to lyrics, casual clothing for characters, use of natural lighting and colors. The document then discusses how these conventions were applied or challenged in the author's own music video for their song.
The document proposes a digipak design for an Ellie Goulding greatest hits album. It suggests using a natural forest setting for the front cover photo of the artist. The background of the interior spread would be a panoramic forest landscape without the artist. A close-up photo of the artist could appear next to the track listing. Additional interior pages would include album details, a possible close-up photo style, and descriptions of the target audience and possible concepts for the music videos.
This document provides ideas and inspiration for a music video coursework project. It discusses potential ideas like a performance video or narrative music video. Example music videos are analyzed for their filming techniques, editing, lighting, locations, and representation. The document outlines plans for the project's mise-en-scene, casting, filming approach, editing, and messaging around representation. Key elements that will be incorporated include lighting effects, location changes, close-ups, and using female performers to challenge stereotypes in rock music genres.
The document discusses conventions in indie folk music videos. It summarizes that the opening of the music video establishes a natural setting through slow pans or shots of nature. Costumes are casual with the artist often holding an acoustic guitar. Settings are usually outdoors in natural areas. Camera work is handheld to seem realistic. The style often mixes performance with narrative to showcase the artist. The document analyzes how the student's music video incorporates these conventions to fit with the genre.
The document discusses conventions in indie folk music videos. It summarizes that the opening of the analyzed music video and others in the genre conventionally feature establishing shots in natural settings. The setting and locations in indie folk videos also commonly take place outdoors in natural areas. Costumes typically feature casual clothing and the artist playing an acoustic guitar. Camera work relies on handheld shots and panning to connect smoothly with the music. The analyzed video and genre conform to conventions of including both performance and narrative elements.
My music video adopted several common conventions of the indie folk genre. It began with an establishing shot panning over a natural landscape to set the scene. Most of the video was filmed outdoors in a forest to reflect the genre's connection to nature. It also included a narrative story element showing the artist coping with the loss of his girlfriend through scenes of him wandering aimlessly in hospital clothing. Special effects were kept minimal to maintain the natural feel, though some slow motion was used to add emotion. The artist was portrayed performing with an acoustic guitar and in casual clothing consistent with the genre.
The editing in the Arctic Monkeys - Brainstorm music video cuts rapidly between shots of the band, a pixelated screen with dancers, and black and white photos within the first 30 seconds. This pattern repeats throughout to match the speed and beat of the song. The random collection of shots and focus on the changing color screen and dancers instead of the band suggests there is no narrative and focuses on the music.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
2. Feed the Dada – Camera
A more conventional shot
shows a teenager partying
On Wikipedia, ‘Dada’ is said on
away in the chorus of the
the website as ‘prizing
song.
nonsense, irrationality, intuitio
n’ In the video there are some
unconventional shots being
taken place for this type of This medium shot is a
genre. more conventional shot
as we see people This close up of one of the
partying towards the artists shows his facial
end. In house music this expressions in detail, his mouth
is what we tend to see. movements are in rhythm with
the song.
3. Feed the Dada – Camera
A shot of uncertainty is used as the
establishing shot. Inside the box is
A close-up shows that the track
an IPod and a note stating to play
the audience is listening to the
the track.
on-screen characters are listening
to it to.
Below you see two
contrasting shots of one
person dancing erratically
and the girl relaxing or
sleeping.
4. Feed The Dada – Editing
From this shot, we can see that time is
As well as condensed time, we see that
slowed down once the chorus come into
the boy is shaking his head repeatedly
play.
and slowly.
We see the singer slowly singing
the track with an extreme close-up
shot. Wee see a contrast between
fast-paced music and slow mouth
movements
As the song nears an end,
we see people flying into
the air. This has the effect
as it coincides with the
fast-paced music at the
end.
5. Feed The Dada – Editing
Slow motion is again used to correspond to
the music which is being played. Everyone is
dancing to the music at the same time.
6. Related Theories
One of Andrew Goodwin’s three words to Another theory which is related to this
describe visuals were Illustrate. Feed the song is the electronic shaman. We see
Dada uses a set of images to illustrate the different movements in this video which
lyrics which are being sung. ‘Feed the Dada’ are not normal. We se people magically
happens towards the end of the video. floating into the air without anyone’s
help.
7. Mise-en-Scene
At first we see a man and girl at home calmly
staring at a box uncertain whether to open it or
There is a bit of a contrast between the
not. Although the genre is house and a buzzing
man and girl. The girl is wearing more up
theme, this is a conventional start.
market clothing as well as jewelry. Her
hair as well is nicely brushed and she is
wearing make-up. Compared to the man,
he is wearing a plain white t-shirt and
some jeans and his hair is a bit messy.
Jewelry
8. Feed the Dada – Mise-en-Scene
The artists are wearing
unconventional outfits, plain
white. As a hose genre, you
would expect them to have
more up market clothing.
The Ipod and speakers symbolises that
a party may be about to start or some
form of dancing is going to take place. Why are there two people
wearing strange costumes?
The logo on the box which
the IPod is in is the same
logo which is on Dada Life’s
website.
9. Feed the Dada – Dada Life
‘So come and feed the Da
Da Da Da Da’ The bald men
are the Dada, they are
producers.
10. Eric Pydz – Pjanoo
The establishing shot of this video show us a
man, possibly the artist, running away from
something which we do not find out. The
video starts up with an ELS of the man
running along a railway track, followed by a
low angle CU then a birds eye view from the
side.
11. Pjanoo – Camera
The long shot seen here of
the barn shows us that it has
not been in use for months,
possibly years with old chairs
The purpose of the ELS is to set the and dusty tables and bottles.
scene of the man running away
from somewhere. We see that it is
in the middle of the American The CU of the plants give gives us
wilderness; Cowboy like land, dry another indication of how dry the land
land and dry grass with an is. We can see that the plants have not
abandoned railway track perhaps. touched water for months.
12. Pjanoo – Editing
At the beginning of the video we see the
music video being introduced to us in a red
We see a close-up of the piano key
font as well as the song title.
being pressed down and the camera
shot instantly changes when the
rythem of the music changes.
Another editing technique
used is a hedgehog which
then turns into a little
man.
13. Pjanoo – Editing
Various editing techniques are used at once,
fading, we see money fall down as well as the
man’s face when a location is fading out.
14. Pjanoo – Mise-en-Scene
As I have mentioned before, the ELS at
the beginning of the video shows us the
wilderness and state a man is going
through. He is running along a railway
track that is probably not in use.
Once the man enters the
barn, we see that the
glasses, chairs and bottles
are covered in dust. It is also
a darkened room, with the
only light coming from
outside.
Right we also see the exact detail
of how dry the wilderness is with
dry plants in shot.
15. Pjanoo – Mise-en-Scene
Here we can see that a man encounters a little man,
possibly from a tribe. He is wearing a costume that is
made out of things from the bush.
From this shot we can get a good look on how
the man is looking. From what it looks like he is a
stereotype of a cowboy, but no guns. He is
wearing jeans, a rolled-up collard t-shirt and an
Indiana Jones hat. He is also carrying a bag which
looks like a bag cowboys carry with money in it.
We can make out that it
is money, an American
dollar note
16. Pjanoo – Mise-en-Scene
My final analysis of the man is that we an see he is
wearing cowboy like boots when he walks into the
barn
17. Nervo – You’re Gonna Love Again
For the song to start, it takes twenty
seconds to happen. A range of close- This close-up shows us that the women in the
ups and medium shots are used in the car is looking at a picture, but then screws it
first 25 seconds of the video. up. Is this related to the song, ‘..Love Again’
The extreme close-up shows
the detail into how much she is
screwing up the picture.
Once the song gets into the chorus,
the conventional part of the song
begins as we see people dancing
around to the song. At this point we
see a range of fast-paced camera
shots being used of different parts of It’s conventional for any song to set
the body on different people. the message early and carry on
throughout the song.
18. Camera – You’re Gonna Love Again
Once the song gets into the chorus, the
Once the tempo of the music slowed
conventional part of the song begins as we see
down, slower camera shots we used
people dancing around to the song. At this
and close-ups were directed at people’s
point we see a range of fast-paced camera
faces.
shots being used of different parts of the body
on different people.
As the music gathered pace, there is a
long-shot used to show everyone
having fun and dancing around.
19. Editing – You’re Gonna Love Again
One logo shown here is used form
the video and the other one from
Nevro’s website. They are the
same font and same style. The
purpose of this is to symbolize the
artist.
As you see this close up from behind,
time is condensed as the music being
played at the time is slower than it
normally is.
The close-up here is darkened to give
the shot more of an effect.
20. Editing – You’re Gonna Love Again
Another editing technique used by the
production company is that we see the The same is done to a girl who falls of a ledge,
man floating in the air. Again, this gives but then starts floating above other dancers as
it more of an effect. the are dancing.
21. Related Theories – You’re Gonna Love
Again
I believe that there are two theories
related to this song. One of which is the Another theory related to this video I think is the
electronic shaman. It is very unusual to commercial exhibitionist. The two singers promote
see people floating in the air. themselves by there indie style look. One of the
woman has their hair spiked up which is unusual for
a lady and she also has dark eyeliner on her
eyelashes and eyebrows. The girl on the left
however has a more basic look about herself. With
a black hat and long blond hair.