The document provides a review of the Linkin Park album "A Thousand Suns" in 3 paragraphs. It summarizes that the album takes a different musical approach than their previous work, with elements like Middle Eastern chanting and reggae influences. While most of the album has a cohesive storyline about loss and gain, some tracks are considered unnecessary fillers. The album is explorative musically but overly auto-tuned in parts.
Jamie Renton is given the opportunity to DJ at a local bar called Darbucka. With no prior DJ experience, he nervously agrees. At his first lesson, the resident DJ Karim shows Jamie the basics of fading between songs and mixing beats. For his debut, Jamie struggles at first but eventually finds his rhythm. The party crowd enjoys Jamie's global music selection as well as more familiar hits. Karim advises Jamie to play what he loves rather than just pleasing the crowd. Jamie interviews several expert DJs for tips, including Dave Hucker, a pioneer of world music DJing, and Eric Soul, who blends global beats for clubs.
Jarboe is a pioneering musician known for her work with Swans and over 25 solo albums exploring uncharted dimensions of sound. She has a unique vocal range and skill with various instruments. Her work often features supernatural or spiritual elements and explores belief systems. She has collaborated with over 70 other musicians from North America, Europe and Japan. This document provides a top 20 list of Jarboe's songs, summarizing each entry and highlighting her diverse influences and experimental approach.
This document provides a list of CD acquisitions from February to June 2010. It is organized by genre including pop music, film music, instrumental music, jazz and blues, Christmas music, and classical music. Many popular artists are listed such as Michael Bublé, Johnny Cash, André Hazes, and Nick Cave. Film soundtracks from movies like Avatar, Alice in Wonderland, and The Road are also included. The classical section covers works by Bach, Mozart, Chopin, Mahler, and others.
1. The group chose Queens of the Stone Age's song "A Song for the Dead" to use for their music video and found it conveyed a dark, foreboding feeling.
2. They decided the video would show a couple being chased through a forest by zombie-like characters.
3. Scenes of the band playing would be intercut with the narrative to help tell the story through the music.
This album cover draft summarizes the key elements included to promote the fictional band Rancid. The front cover features a vintage-style black and white image that fits the band's reckless punk image. The Hellcat Records logo is prominently displayed to represent the record label that supports punk bands. The track listing and band logo are designed to be easily readable and recognize the band's style. The parental advisory sticker and album title "Nucking Futs" both hint at offensive language typical of punk music.
The song chosen for the video combines indie and electronic music styles. While the main concept of projecting images over the performers is not genre-specific, conventions from both genres are included. Performance shots are common to both genres, so lip syncing was used since actually playing instruments would not fit. Surreal and ambiguous projected clips were chosen to match the song's atmosphere. Drinking and drug culture is depicted through characters in a car park to fit the "rough and ready" feel sought for the video in line with conventions for indie music videos.
The document discusses conventions used in indie and electronic music videos. It summarizes how the author's video incorporates some conventions like showing the performers lip syncing with projections in the background, while avoiding others like extreme close-ups of instruments. It also discusses depicting themes like partying, drinking, relationships, and fashion in ways typical of these genres.
The document provides a review of the Linkin Park album "A Thousand Suns" in 3 paragraphs. It summarizes that the album takes a different musical approach than their previous work, with elements like Middle Eastern chanting and reggae influences. While most of the album has a cohesive storyline about loss and gain, some tracks are considered unnecessary fillers. The album is explorative musically but overly auto-tuned in parts.
Jamie Renton is given the opportunity to DJ at a local bar called Darbucka. With no prior DJ experience, he nervously agrees. At his first lesson, the resident DJ Karim shows Jamie the basics of fading between songs and mixing beats. For his debut, Jamie struggles at first but eventually finds his rhythm. The party crowd enjoys Jamie's global music selection as well as more familiar hits. Karim advises Jamie to play what he loves rather than just pleasing the crowd. Jamie interviews several expert DJs for tips, including Dave Hucker, a pioneer of world music DJing, and Eric Soul, who blends global beats for clubs.
Jarboe is a pioneering musician known for her work with Swans and over 25 solo albums exploring uncharted dimensions of sound. She has a unique vocal range and skill with various instruments. Her work often features supernatural or spiritual elements and explores belief systems. She has collaborated with over 70 other musicians from North America, Europe and Japan. This document provides a top 20 list of Jarboe's songs, summarizing each entry and highlighting her diverse influences and experimental approach.
This document provides a list of CD acquisitions from February to June 2010. It is organized by genre including pop music, film music, instrumental music, jazz and blues, Christmas music, and classical music. Many popular artists are listed such as Michael Bublé, Johnny Cash, André Hazes, and Nick Cave. Film soundtracks from movies like Avatar, Alice in Wonderland, and The Road are also included. The classical section covers works by Bach, Mozart, Chopin, Mahler, and others.
1. The group chose Queens of the Stone Age's song "A Song for the Dead" to use for their music video and found it conveyed a dark, foreboding feeling.
2. They decided the video would show a couple being chased through a forest by zombie-like characters.
3. Scenes of the band playing would be intercut with the narrative to help tell the story through the music.
This album cover draft summarizes the key elements included to promote the fictional band Rancid. The front cover features a vintage-style black and white image that fits the band's reckless punk image. The Hellcat Records logo is prominently displayed to represent the record label that supports punk bands. The track listing and band logo are designed to be easily readable and recognize the band's style. The parental advisory sticker and album title "Nucking Futs" both hint at offensive language typical of punk music.
The song chosen for the video combines indie and electronic music styles. While the main concept of projecting images over the performers is not genre-specific, conventions from both genres are included. Performance shots are common to both genres, so lip syncing was used since actually playing instruments would not fit. Surreal and ambiguous projected clips were chosen to match the song's atmosphere. Drinking and drug culture is depicted through characters in a car park to fit the "rough and ready" feel sought for the video in line with conventions for indie music videos.
The document discusses conventions used in indie and electronic music videos. It summarizes how the author's video incorporates some conventions like showing the performers lip syncing with projections in the background, while avoiding others like extreme close-ups of instruments. It also discusses depicting themes like partying, drinking, relationships, and fashion in ways typical of these genres.
Noah Lennox (aka Panda Bear) Secondary Research (improved)cloestead
Noah Lennox, known by his stage name Panda Bear, is an American musician and songwriter. He is best known as a founding member of the experimental pop band Animal Collective. This document provides an overview of Panda Bear's personal life, musical career and discography. It discusses his early life in Maryland, influences including Aphex Twin and Black Dice, and solo albums such as Young Prayer, Person Pitch and Tomboy. The document also includes reviews of his albums and quotes from interviews where Panda Bear discusses his musical influences, songwriting process, and life as a musician.
The song chosen combines indie and electronic styles. While the main concept of projecting images over performers isn't genre-specific, conventions from both genres were included. Typical indie music video elements like band performance shots and narratives were incorporated, though not conventionally. Performance shots and close-ups of instruments are common in both genres, but were replaced with lip syncing due to practical constraints. The projection features surreal and ambiguous clips to convey the song's atmosphere. Representations of relationships reference genres like depicting passion alongside violence controversially. Clothing styles stuck to typical indie casual wear of shirts and jumpers.
The music video tells a narrative of a woman chasing her ex-lover through digital discos across the world. It uses conventions like flashy lights, dancing, and vibrant colors typical of pop music videos. While conforming to the genre, the video also draws intertextual references to films like Tron through its depiction of a digital world and motorbike-style vehicles. Overall, the video visually represents the song's lyrics of searching for love through discos globally.
The album artwork for Nothing Personal by All Time Low depicts a playful, colorful scene underneath a formal background. This juxtaposition represents the fun personalities underneath people's serious exteriors. The mixture of bright colors also symbolizes the different personalities within the band. Handwritten text and a childlike doodle style suggest someone casually drew on paper that was later covered up but remains partially exposed.
The document provides analysis of songs by The Slits, Kraftwerk, and Le Tigre including lyrics, album information, and consideration of how they relate to punk ideals. It discusses how The Slits incorporates reggae influences while still being considered punk, notes how Kraftwerk was making post-punk music before the genre existed, and analyzes the feminist message in Le Tigre's "Decepticon" which responds to a song by NOFX. Quotations on ideology and performance are also included for reference.
The document discusses various conventions used in music videos and ancillary products for the acoustic/singer-songwriter genre. It provides examples of how the artist's costume, location, props, and performer presentation follow conventions of appearing natural and authentic. In contrast, it analyzes how women are often objectified in pop and hip hop videos. The document also discusses conventions used in the layout and design of the artist's digipak and magazine advertisement ancillary products.
Bobby Bandiera: The Last Man Standing Bobby Bandiera Joins Bon Jovi By Jenn...Jennifer Pricci
This document provides an overview of Bobby Bandiera, a guitarist who has performed with many famous musicians. It discusses his friendship with Jon Bon Jovi over 15 years and how Bandiera and another musician, Jeff Kazee, have joined Bon Jovi's upcoming tour. Bandiera is described as an underrated musician who stayed true to his style rather than changing it for record executives. The document also includes quotes from Jon Bon Jovi about the challenges facing the music industry today.
This document provides summaries of several albums from 2004 that did not receive significant commercial attention or sales but were considered quality releases across various musical genres. It highlights albums from Zap Mama blending Afro-funk and beats, Madvillain combining jazz-inspired hip hop, Theo Parish and Rotating Assembly creating soulful house music, Van Hunt skillfully blending blues, soul and R&B, Pete Rock producing classic hip hop styles, and RJD2 producing sample-based music akin to DJ Shadow. The writer recommends these albums for their artistic merits and encourages readers to support artists creating interesting music outside the mainstream.
Kaltblut Magazine - Collection 5 > http://www.kaltblut-magazine.com/collection-5/
Print order > http://www.kaltblut-magazine.com/product/collection-5-printoder/
Where to find us > http://www.kaltblut-magazine.com/stocklist/
This document provides an overview and analysis of the 1988 film "The Legend of 1900". It begins with a 3 paragraph summary of the film's plotline, which follows the story of a virtuoso pianist named Danny Boodman T.D. Lemons 1900 aboard an ocean liner in the early 20th century. The document then provides background information on the film's director Giuseppe Tornatore and features for the main character 1900, Tim Roth. The remainder of the document analyzes the film's music, providing musical excerpts and discussion of how the score enhances the emotional elements of various scenes. It also includes review questions to test the reader's understanding.
The document provides information on four music videos:
1. The Streets - Hip hop music video that tells a narrative story through photos from a holiday. The lyrics and visuals are closely linked.
2. Green Day - Punk rock video that follows the character Jimmy and ties closely to the lyrics through scenes that illustrate the words. Includes close-ups and fast editing.
3. Gotye - Indie pop video that depicts the singer and another artist naked as their bodies are painted into the background through stop motion. The visuals have little connection to the lyrics.
4. The Prodigy - Electronic dance video that features nightclub scenes and women as typical for the genre.
The video has no strong narrative like the other two analyzed videos. It focuses more on emotion and Beyonce's image and representation. Scenes show her alone or with her love interest in soft lighting to portray purity and power. Her clothing, gentle dancing, and intimacy with her partner are meant to portray her as a strong yet controlled woman, appealing to other women and girls. Camera work and lighting emphasize her "halo" and angelic appearance to promote the song's theme and her iconic image.
The group proposes a media studies project analyzing three pop songs and their music videos: Kelly Rowland's "Stolen", Carly Rae Jepsen's "Call Me Maybe", and Taylor Swift's "We Are Never Ever Getting Back Together". They chose the songs because they send powerful messages, appeal to teenage girls, and have memorable, narrative-driven videos. The group will produce their own music video for Taylor Swift's song exploring the storyline of a breakup and an ex turning into an animal. They provide treatments outlining locations, costumes, characters, and the use of camera angles to tell the story.
The document provides reviews of several music albums spanning various genres including jazz, pop, and classical. It summarizes Jeff Parker's jazz album "The Relatives" which features his unique guitar style blending elements of jazz, minimalism, and dub reggae. It also reviews a box set of Jimmy Webb's pop hits performed by Webb himself which transforms the familiar songs. And it praises Leif Ove Andsnes' performance of Mozart piano concertos for its stylish and high quality playing.
The document discusses casting and character decisions for the music video of the song "Black Hearted Deal" by the band "Band member ♯1". It introduces the three band members - Calum Knight, Joey Bergin, and James Butterworth - and describes their roles, ages, music tastes, and favorite bands. It also summarizes their styles of dress and how their clothing reflects the retro rock and indie genres to portray the band members' personalities and musical influences. Lastly, it details some late changes to the music video where each band member will wear a "V for Vendetta" mask at different points to represent the subject of the song and add mystery.
The document is an interview transcript between The Drones band members and The Gin Club's Ben Salter. Some key discussion points included:
- The Drones discussed their new album "Havilah" and working with producer Burke Reid on the subtle production.
- They talked about the challenges of being a less commercially viable band in Australia and constantly trying to figure out how to survive financially.
- The band members also discussed their influences, including many iconic Australian guitar bands, and how living in the country has impacted their work.
Eminem represents the working class of all races through his style of dress and lyrical content that discusses struggles with drugs and poverty, though some criticize him as appropriating black music. Politicians and other critics have labeled him as offensive due to his controversial lyrics that touch on topics like homophobia and misogyny. He feels typecast by fans and the media as his alter ego "Slim Shady" rather than as his true self of Marshall Mathers, which has led to feelings of being underappreciated as a person beyond his persona as an entertainer.
The document provides an analysis of the music video for the song "Feed the Dada" by Dada Life. It summarizes the various camera techniques used in the video including unconventional shots, close-ups of facial expressions, and shots that correspond to the rhythm of the music. It also analyzes elements of mise-en-scene such as the costumes worn by the artists and the use of an iPod and speakers to set up the party atmosphere. Overall, the document analyzes how the camera work and visual elements are used to illustrate the lyrics and genre of house music.
Noah Lennox, known by his stage name Panda Bear, is an American musician and founding member of Animal Collective. He is known for his experimental and psychedelic pop music. Some of his most acclaimed solo albums include Young Prayer (2004), Person Pitch (2007), and Tomboy (2011). As a solo artist and with Animal Collective, Panda Bear cites many influences including Brian Wilson, Aphex Twin, and psychedelic bands like Spacemen 3. He is also known for his prolific and diverse body of work that incorporates elements of electronic, ambient, and experimental music.
The document analyzes music video conventions across different genres. It discusses how dance songs often have repetitive visuals that may not correspond to lyrics. Dance/electro videos focus on music over material things and rarely promote substances or sex. Hip hop/rap videos often take place in clubs or mansions and feature flashy branding and aggressive artists. Indie/rock videos use close-ups, dark locations, and special effects. Pop videos have upbeat songs and tell stories or feature dancing for younger audiences. R&B videos highlight artists' physical appearances and brands and reference relationships.
This document discusses the nature of love from a Catholic perspective. It begins by explaining that God freely created humans to share in his blessed life of love, truth, beauty, and joy. Just as people enjoy a good movie and invite others to see it, God wants to invite people to share in his abundant life. It then contrasts love, defined as willing the good of another, with lust, which is a disordered desire for sexual pleasure. Love requires fully giving of oneself for another's ultimate good, while lust is selfish. The document provides many quotes on the demanding but joyful nature of true love and gives daily examples of loving others.
The document lists the names of 20 students and their impressions of Vincent Van Gogh's painting "Starry Night". Each student's name is listed followed by "'Starry Night'" and "impression".
Noah Lennox (aka Panda Bear) Secondary Research (improved)cloestead
Noah Lennox, known by his stage name Panda Bear, is an American musician and songwriter. He is best known as a founding member of the experimental pop band Animal Collective. This document provides an overview of Panda Bear's personal life, musical career and discography. It discusses his early life in Maryland, influences including Aphex Twin and Black Dice, and solo albums such as Young Prayer, Person Pitch and Tomboy. The document also includes reviews of his albums and quotes from interviews where Panda Bear discusses his musical influences, songwriting process, and life as a musician.
The song chosen combines indie and electronic styles. While the main concept of projecting images over performers isn't genre-specific, conventions from both genres were included. Typical indie music video elements like band performance shots and narratives were incorporated, though not conventionally. Performance shots and close-ups of instruments are common in both genres, but were replaced with lip syncing due to practical constraints. The projection features surreal and ambiguous clips to convey the song's atmosphere. Representations of relationships reference genres like depicting passion alongside violence controversially. Clothing styles stuck to typical indie casual wear of shirts and jumpers.
The music video tells a narrative of a woman chasing her ex-lover through digital discos across the world. It uses conventions like flashy lights, dancing, and vibrant colors typical of pop music videos. While conforming to the genre, the video also draws intertextual references to films like Tron through its depiction of a digital world and motorbike-style vehicles. Overall, the video visually represents the song's lyrics of searching for love through discos globally.
The album artwork for Nothing Personal by All Time Low depicts a playful, colorful scene underneath a formal background. This juxtaposition represents the fun personalities underneath people's serious exteriors. The mixture of bright colors also symbolizes the different personalities within the band. Handwritten text and a childlike doodle style suggest someone casually drew on paper that was later covered up but remains partially exposed.
The document provides analysis of songs by The Slits, Kraftwerk, and Le Tigre including lyrics, album information, and consideration of how they relate to punk ideals. It discusses how The Slits incorporates reggae influences while still being considered punk, notes how Kraftwerk was making post-punk music before the genre existed, and analyzes the feminist message in Le Tigre's "Decepticon" which responds to a song by NOFX. Quotations on ideology and performance are also included for reference.
The document discusses various conventions used in music videos and ancillary products for the acoustic/singer-songwriter genre. It provides examples of how the artist's costume, location, props, and performer presentation follow conventions of appearing natural and authentic. In contrast, it analyzes how women are often objectified in pop and hip hop videos. The document also discusses conventions used in the layout and design of the artist's digipak and magazine advertisement ancillary products.
Bobby Bandiera: The Last Man Standing Bobby Bandiera Joins Bon Jovi By Jenn...Jennifer Pricci
This document provides an overview of Bobby Bandiera, a guitarist who has performed with many famous musicians. It discusses his friendship with Jon Bon Jovi over 15 years and how Bandiera and another musician, Jeff Kazee, have joined Bon Jovi's upcoming tour. Bandiera is described as an underrated musician who stayed true to his style rather than changing it for record executives. The document also includes quotes from Jon Bon Jovi about the challenges facing the music industry today.
This document provides summaries of several albums from 2004 that did not receive significant commercial attention or sales but were considered quality releases across various musical genres. It highlights albums from Zap Mama blending Afro-funk and beats, Madvillain combining jazz-inspired hip hop, Theo Parish and Rotating Assembly creating soulful house music, Van Hunt skillfully blending blues, soul and R&B, Pete Rock producing classic hip hop styles, and RJD2 producing sample-based music akin to DJ Shadow. The writer recommends these albums for their artistic merits and encourages readers to support artists creating interesting music outside the mainstream.
Kaltblut Magazine - Collection 5 > http://www.kaltblut-magazine.com/collection-5/
Print order > http://www.kaltblut-magazine.com/product/collection-5-printoder/
Where to find us > http://www.kaltblut-magazine.com/stocklist/
This document provides an overview and analysis of the 1988 film "The Legend of 1900". It begins with a 3 paragraph summary of the film's plotline, which follows the story of a virtuoso pianist named Danny Boodman T.D. Lemons 1900 aboard an ocean liner in the early 20th century. The document then provides background information on the film's director Giuseppe Tornatore and features for the main character 1900, Tim Roth. The remainder of the document analyzes the film's music, providing musical excerpts and discussion of how the score enhances the emotional elements of various scenes. It also includes review questions to test the reader's understanding.
The document provides information on four music videos:
1. The Streets - Hip hop music video that tells a narrative story through photos from a holiday. The lyrics and visuals are closely linked.
2. Green Day - Punk rock video that follows the character Jimmy and ties closely to the lyrics through scenes that illustrate the words. Includes close-ups and fast editing.
3. Gotye - Indie pop video that depicts the singer and another artist naked as their bodies are painted into the background through stop motion. The visuals have little connection to the lyrics.
4. The Prodigy - Electronic dance video that features nightclub scenes and women as typical for the genre.
The video has no strong narrative like the other two analyzed videos. It focuses more on emotion and Beyonce's image and representation. Scenes show her alone or with her love interest in soft lighting to portray purity and power. Her clothing, gentle dancing, and intimacy with her partner are meant to portray her as a strong yet controlled woman, appealing to other women and girls. Camera work and lighting emphasize her "halo" and angelic appearance to promote the song's theme and her iconic image.
The group proposes a media studies project analyzing three pop songs and their music videos: Kelly Rowland's "Stolen", Carly Rae Jepsen's "Call Me Maybe", and Taylor Swift's "We Are Never Ever Getting Back Together". They chose the songs because they send powerful messages, appeal to teenage girls, and have memorable, narrative-driven videos. The group will produce their own music video for Taylor Swift's song exploring the storyline of a breakup and an ex turning into an animal. They provide treatments outlining locations, costumes, characters, and the use of camera angles to tell the story.
The document provides reviews of several music albums spanning various genres including jazz, pop, and classical. It summarizes Jeff Parker's jazz album "The Relatives" which features his unique guitar style blending elements of jazz, minimalism, and dub reggae. It also reviews a box set of Jimmy Webb's pop hits performed by Webb himself which transforms the familiar songs. And it praises Leif Ove Andsnes' performance of Mozart piano concertos for its stylish and high quality playing.
The document discusses casting and character decisions for the music video of the song "Black Hearted Deal" by the band "Band member ♯1". It introduces the three band members - Calum Knight, Joey Bergin, and James Butterworth - and describes their roles, ages, music tastes, and favorite bands. It also summarizes their styles of dress and how their clothing reflects the retro rock and indie genres to portray the band members' personalities and musical influences. Lastly, it details some late changes to the music video where each band member will wear a "V for Vendetta" mask at different points to represent the subject of the song and add mystery.
The document is an interview transcript between The Drones band members and The Gin Club's Ben Salter. Some key discussion points included:
- The Drones discussed their new album "Havilah" and working with producer Burke Reid on the subtle production.
- They talked about the challenges of being a less commercially viable band in Australia and constantly trying to figure out how to survive financially.
- The band members also discussed their influences, including many iconic Australian guitar bands, and how living in the country has impacted their work.
Eminem represents the working class of all races through his style of dress and lyrical content that discusses struggles with drugs and poverty, though some criticize him as appropriating black music. Politicians and other critics have labeled him as offensive due to his controversial lyrics that touch on topics like homophobia and misogyny. He feels typecast by fans and the media as his alter ego "Slim Shady" rather than as his true self of Marshall Mathers, which has led to feelings of being underappreciated as a person beyond his persona as an entertainer.
The document provides an analysis of the music video for the song "Feed the Dada" by Dada Life. It summarizes the various camera techniques used in the video including unconventional shots, close-ups of facial expressions, and shots that correspond to the rhythm of the music. It also analyzes elements of mise-en-scene such as the costumes worn by the artists and the use of an iPod and speakers to set up the party atmosphere. Overall, the document analyzes how the camera work and visual elements are used to illustrate the lyrics and genre of house music.
Noah Lennox, known by his stage name Panda Bear, is an American musician and founding member of Animal Collective. He is known for his experimental and psychedelic pop music. Some of his most acclaimed solo albums include Young Prayer (2004), Person Pitch (2007), and Tomboy (2011). As a solo artist and with Animal Collective, Panda Bear cites many influences including Brian Wilson, Aphex Twin, and psychedelic bands like Spacemen 3. He is also known for his prolific and diverse body of work that incorporates elements of electronic, ambient, and experimental music.
The document analyzes music video conventions across different genres. It discusses how dance songs often have repetitive visuals that may not correspond to lyrics. Dance/electro videos focus on music over material things and rarely promote substances or sex. Hip hop/rap videos often take place in clubs or mansions and feature flashy branding and aggressive artists. Indie/rock videos use close-ups, dark locations, and special effects. Pop videos have upbeat songs and tell stories or feature dancing for younger audiences. R&B videos highlight artists' physical appearances and brands and reference relationships.
This document discusses the nature of love from a Catholic perspective. It begins by explaining that God freely created humans to share in his blessed life of love, truth, beauty, and joy. Just as people enjoy a good movie and invite others to see it, God wants to invite people to share in his abundant life. It then contrasts love, defined as willing the good of another, with lust, which is a disordered desire for sexual pleasure. Love requires fully giving of oneself for another's ultimate good, while lust is selfish. The document provides many quotes on the demanding but joyful nature of true love and gives daily examples of loving others.
The document lists the names of 20 students and their impressions of Vincent Van Gogh's painting "Starry Night". Each student's name is listed followed by "'Starry Night'" and "impression".
Kaltblut Magazine - Collection 5 > http://www.kaltblut-magazine.com/collection-5/
Print order > http://www.kaltblut-magazine.com/product/collection-5-printoder/
Where to find us > http://www.kaltblut-magazine.com/stocklist/
Mr. Wilson is the deputy principal and oversees four Year 5 teachers - Mrs. Rogers, Mr. Worrall, Miss Yee, and Mrs. Johnston. Students receive specialist teaching in areas like art, music, and extension math. They will cover topics like creating a positive classroom, outdoor education, and energy through integrated landscape learning units. Year 5 will go on trips to Totara Park and Eastern Beach. Homework is assigned on Fridays and due Thursdays. Parent discussions will be held in March and PAT testing occurs in weeks 3-4. Outdoor education requires parent helpers.
Christine and The Queens: the interview (Collection 3)Bénédicte Lelong
Interview avec Christine and The Queens (http://www.christineandthequeens.com/) pour Kaltblut Magazine - Collection 3 > http://www.kaltblut-magazine.com/collection-3/
Where to find us > http://www.kaltblut-magazine.com/stocklist/
If you're a researcher interested in Cancer Council NSW grant funding, this presentation will guide you through the application process, as well as how and why we ask you to get consumers involved.
The students in an art class made masks out of clay which they painted before firing in a kiln, drawing inspiration from cultural masks to help design their own original masks. Several pairs of students are pictured holding up their completed clay masks.
The Filipino music industry is currently dominated by foreign music. The top 20 songs on the MYX Hit Chart from April 2012 only featured 4 Filipino artists. Filipino youth also prefer the works of international artists, with 3-4 of their top 5 favorite artists usually being foreign. Based on 2011 sales data, the top-selling albums in the Philippines were also predominantly from international artists such as Justin Bieber, Bruno Mars, and Taylor Swift rather than Filipino artists. There is a call to revive the "glory days" of original Philippine music (OPM) by promoting more local artists.
Pendulum is an Australian electronic rock band formed in Perth. They aimed to create a new sound combining elements of dance music and rock that they felt was missing. They gained popularity internationally due to their unique blend of genres. Their website and live shows reflect their distinctive style through mystical graphics and use of lights and lasers. The band members cite influences from hard rock, metal, drum and bass, and electronic artists like Skrillex. Two members later formed the successful electronic duo Knife Party, allowing for a more flexible live performance format. Pendulum is known for their experimental blending of genres and abstract visual style.
1) The review summarizes a concert featuring the punk band Alkaline Trio along with opening acts Broadway Calls and The Audition.
2) The reviewer describes the energetic performances by both opening bands but finds The Audition to be disjointed and not as polished as Broadway Calls.
3) Alkaline Trio then performs an intense set featuring fan favorites from their catalog to an enthusiastic crowd, interacting well with fans and playing an encore to end the night on a high note. The reviewer gives Alkaline Trio an 8/10 for their solid performance.
The document is a list of the top 20 songs on CKUW radio for the week of September 28 to October 4, 2015. It provides the ranking, artist, song, album, and record label for each song on the list. Local and Canadian content is indicated. The list includes songs by artists such as M&M Meats, Hearing Trees, Rastamills, Claire Bestland, Lindi Ortega, and others.
The document contains Kiara Tsui's playlist of 5 songs, including "Le Fil - Camille" by Camille, "Cher Mon Amoureux" by Mondialito, "Bad Romance" by Lady Gaga, "Getting Over You" by David Guetta and others. The playlist notes include comments on when and why Kiara listens to each song, such as using Mavis Fan's music to express angry feelings towards her boss. The songs cover a range of genres including acoustic, electronic, and pop music.
The document proposes a digipak design for an Ellie Goulding greatest hits album. It suggests using a natural forest setting for the front cover photo of the artist. The background of the interior spread would be a panoramic forest landscape without the artist. A close-up photo of the artist could appear next to the track listing. Additional interior pages would include album details, a possible close-up photo style, and descriptions of the target audience and possible concepts for the music videos.
This is a list for my blog, https://bensmusicreviews250819854.wordpress.com, which covers the best albums of 2019, there has been some great music this year and this list is my personal favourites.
1) Overexposed is Maroon 5's fourth studio album from 2012 that the band described as their "poppiest album" featuring pop, pop rock, dance-pop, disco, and reggae sounds.
2) The album received mixed reviews from critics, with some praising it as the band's "strongest album" while others called it too mainstream.
3) While praising some songs for their catchiness and vocals, the reviewer critiques many tracks for relying too heavily on electronic sounds and production instead of the band's usual rock and instrumental elements.
MindsEye by Benjamin Teacher (2013) ALBUM REVIEWJason Quinn
This summarizes a review of Benjamin Teacher's debut studio album "MindsEye". The album has a spacey, cosmic theme inspired by humanity's smallness in the vast universe. It features many guitar-driven instrumentals and hard rock songs. The reviewer praises Teacher's guitar skills and versatility as a musician, while noting some vocals are overpowered. Favorite tracks include the dramatic "Final Revolution" and upbeat "Between Earth, Neptune And Mars".
The document proposes ideas for a music video for the song "Down the Road" featuring a smoky bar setting. It suggests the singer would have a husky voice fitting for a bar and an old fashioned microphone. Scenes in the bar would show the band playing in smoke. The narrative would involve a flashback of the singer having a fight with his girlfriend in a stark room before leaving her and returning to the bar where they see each other again. Stylistic elements would include shots of people in the smoky bar and laughing around haystacks to set the scene.
The document discusses plans for creating a music video for the song "A Song for the Dead" by Queens of the Stone Age. The group decided on a horror theme where two people are chased through a forest by zombie-like characters. They selected costumes, locations, and props, and assigned roles for the band members and actors. Shots include close-ups of the singer and drummer, wide shots of the forest chase, and alternating performance clips to match the song and narrative.
The Year in Review: The 50 Best Albums of 2014webdesignjhb9
This document provides a summary and review of 50 albums from 2014. It discusses trends in music that year, with synth-pop rising and rock/R&B declining in popularity. The reviewer aims to introduce readers to both well-known and lesser-known great albums. Individual albums are then reviewed over multiple paragraphs with details about the artist, music style, favorite tracks, and comparisons to other artists. The reviewer expresses that they hope the list will encourage people to explore new music.
This document provides a brief timeline of the boy band One Direction. It details how the members initially auditioned as solo artists on The X Factor in 2010 but were grouped together into a band during the competition. Though they finished third, their popularity grew quickly in the UK. The timeline notes key events like releasing their first album in 2011 and Zayn Malik leaving the band in 2015.
Daft Punk is known for sampling and referencing other artists' works in a respectful manner that brings overlooked styles to new audiences. They frequently employ techniques like borrowing from different genres and time periods ("bricolage") and referencing other songs visually, melodically and stylistically ("intertextual references"). As performers, Daft Punk maintains fictional robot personas and is never seen without their iconic helmets, playing with ideas of image and identity. Their music videos also feature considered concepts and storylines.
Robert Symons is a renowned steel pan soloist and recording artist from Bermuda. He has released three volumes of instrumental covers of popular songs performed on steel pan. The recordings showcase Symons' eclectic style and arrangements of well-known tunes that create imagery of a tropical beach vacation. Listeners familiar with the original songs will enjoy hearing new interpretations that still stir memories and emotions through Symons' mastery of the steel pan instrument. The albums provide relaxing and feel-good music recommended for melting away stress.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfoliogreendigital
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Future of Independent Filmmaking Trends and Job OpportunitiesLetsFAME
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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2. 90
MUSIC
Album preview by Bénédicte Lelong
Iconic American guru of pop Dick Clark once said „Music is the soundtrack of our lives“.
Music IS everywhere. We eat it for breakfast, breathe it on the dance floors and live it 24/7,
MP3 players firmly glued to our ears.
An eclectic listener‘s paradise, our Musik Laden‘s motto is simple: „Open ears, open mind“.
Satisfaction guaranteed.
Interpret: Breakbot Breakbot aka Thibaut Berland has announced his debut
Album: By Your Side album ‘‘By Your Side‘‘ in September 2012. For us this album
is a little master piece. Breakbot takes you on a journey back
Genre: Synthpop in time.
Label: Warner Bros By Your Side is crammed with soulful, robo-disco and
Origin: France emotive ballads. Retro/future funk at its best.
Released: September 2012 I can´t stop listening to the full album. By Your Side is
an album you can play from the first to the last song without
Members: Thibaut Berland getting bored.
“I do everything myself except the vocals. I just fiddle
about, I couldn’t play a classical part, I do
what I can.
There are pieces of guitar samples, friends
drop-in and play over my instrumentals.
I love pop and funk, so I try to take that
direction. That’s where that hybrid sound
comes from. Breakbot is a dude in a base-
ment looking for
melodies”, says Thibaut.
First impressions: I feel like in a 70´s
porn movie or in front of the TV and wat-
ching some classic 1970´s shows. LOVE
IT.
If you are a fan of Michael Jackson,
Prince, Stevie Wonder, Air and Daft Punk,
you should get this album. The track
„Why“ sounds like Michael Jackson is
sending us his love from heaven.
The track „Fantasy“ features the vocals
of L.A. based vocalist Ruckazoid - an asto-
nishing discovery whose honied pipes are
a dead ringer for the late, lamented King
Of Pop.
The perfect sound for the winter time.
The perfect sound for a long night with
your lovers. The perfect sound to forget
reality.
Must-hear tracks: Fantasy, Why, Baby
I´m Yours
3. 91
I will confess that I was kind of new to Dragonette prior
to listening to Bodyparts, their new album.
As a matter of fact I had only heard and downloaded one
of their songs (“Okay Dolore”) many years ago just because
it featured one half of my favorite indie rock band, name-
ly Sara Quin of Tegan & Sara. Needless to say that I was
ready for some more.
If you wanted additional proof, stop right there: Cana-
dians do indeed do it better. Metric, Peaches, Lights, The
Organ… need I go on?
What can I say, I happen to be a real sucker for good old
electro-infused pop. Like many children of the eighties, I
wish I was born a decade earlier: your ears might bleed the
second you hear a synthesizer, I for one get an eargasm.
I do need my regular fix of New Wave / synthpop. And
as it happens, Bodyparts does the trick with its contagious
beats and catchy lyrics, especially on songs like “Run Run
Run”, “Let It Go”, “My Legs” or “Rocket Ship”.
Martina Sorbara’s voice does sound a bit like Metric’s
Emily Haines at times, and “Right Woman” reminds me,
Interpret: The XX for some strange reason, of Kylie Minogue. Go figure.
Album: Coexist In the end Dragonette is Dragonette, 100% original, and
Genre: Indie pop if you’re looking to start a riot on the dance floor, look no
further. Bodyparts will make you wanna tap your feet. Mis-
Label: Young Turks sion accomplished.
Origin: UK Must-hear tracks: Right Woman, My Legs, Rocket Ship.
Released: September 2012
Members: Romy Madley Croft, Oliver Sim,
Jamie Smith
It took them three years (some might say an eternity!)
but The XX are finally back with their sophomore album,
making our music-hungry hearts and ears more than just Interpret: Dragonette
satisfied.
Coexist is about entangled relationships, raw emotions
Album: Bodyparts
dripping from its every pore. Genre: Electropop, synthpop
The dark, atmospheric beats, the spellbinding guitars, the Label: Universal
soulful and sultry voices of its leading duo: it all falls per- Origin: Canada
fectly into place.
Yet the success of this second album wasn’t evident from Released: September 2012
the get-go. Members: Martina Sorbara, Dan Kurtz, Joel
First impressions, even though they might not always be Stouffer
correct, are oftentimes lasting ones, especially in the music
industry.
When the band’s first album came out in 2009 it was
groundbreaking because it was unlike anything else we had
ever heard at the time.
It sounded different, bold and new, so of course the natu-
ral reaction after three years of absence was “how the hell
are they going to be able to live up to their debut album?”
Easier said than done, right?
A bare, introductory track like “Intro” had set the tone
forever and will remain one of the most beautiful songs of
the past couple of years. Needless to say that the bar had
been set very high.
But in the end the trademark guitar and ambient house
beat on “Swept Away” for instance achieve to remind us
why we fell in love with these Londoners in the first place.
So lie down, close your eyes and let yourself be trans-
ported by the British trio’s latest musical effort. You won’t
regret it.
Must-hear tracks: Try, Tides, Swept Away
4. 92
Let’s be honest: you can always count on P!nk for cal-
ling a spade a spade. And her sincerity is refreshing in an
industry that has taken a tendency to manufacturing artists
and hits en masse.
She tells it like it is. Ladies, have you ever wondered
why when a guy sleeps around he’s just a guy, and when a
girl does she’s a slut? We’ve got news for you gentlemen! If
you sleep around and I do too, I’m a “Slut Like You”.
Some will say that P!nk’s nothing but an obnoxious loud
mouth … the truth is, she’s one of the most consistent
artists in the biz and her new album is definitely testament
to that.
The Truth About Love is solid, pop rock goodness that
will seriously make your ears beg for more. Turn it up loud.
Real loud.
And yet it could have gone either way. Why? She’s got
a baby now, haven’t you heard? Ask around, it changes a
woman. Alanis Morissette just released what might be the
most boring album of the decade. Apparently that’s what
becoming a mom can do to you. Unless you’re P!nk. Phew.
So welcome to Love / Relationship 101 courtesy of the
Interpret: Carly Rae Jepsen absolute Queen of Badassery herself. It hurts SO good.
Who else was gonna have the balls to tell you “The
Album: Kiss (whole) Truth About Love”? It’s “the smelling of armpits”.
Genre: Disco pop There. You’ve been warned.
Label: 604, Schoolboy, Interscope This album’s a killer that makes us pine for her Euro-
Origin: Canada pean Tour. Hurry. Please?
Must-hear tracks: Are We All We Are, Slut Like You,
Released: September 2012 Where Did The Beat Go?
First off, let me answer THE burning question that’s
on everyone’s minds: does the album live up to Call Me
Maybe? Interpret: P!nk
Does it live up to that (annoyingly catchy) song that’s Album: The Truth About Love
been pursuing us all summer, the song that’s been played to Genre: Pop rock, dance rock
no end over and over again on radios everywhere, the song Label:RCA
that you’d have to be living on Mars not to have heard?
Short answer? Yes, it sure does. Origin: USA
The saying “third time’s the charm” never rang quite so Released: September 2012
true than in Carly Rae Jepsen’s case. After releasing her
first full-length Tug Of War in 2008 and an EP earlier this
year mainly to announce her album, Kiss does hit the spot.
I confess I approached this album with open ears and an
open-mind. I didn’t know what to expect. Britney? Katy?
Miley?
As it turns out, she’s a bit different.
True, her sound is polished with simple lyrics and teen
sensibilities. Nothing new here. It’s about bows and arrows,
crushes and heart strings (but then isn’t every album?)
The thing with Kiss is that it’s girly bubblegum pop but
with a little twist called “electro”.
Indeed adding a bit of electro to that mix really tickled
my inner Guetta fan, especially on songs like “Tonight I’m
Getting Over You” that’s most assuredly dance floor anthem
material.
We should keep an ear out for Carly Rae Jepsen. I can
totally picture her in a couple of years, doing featurings for
big shots like Tiesto or Guetta. She’s got the pipes for it.
Must-hear tracks: Tiny Little Bows, Beautiful, Tonight
I’m getting Over You
5. 93
If you’re feeling a wee bit depressed or blue, I wouldn’t
recommend this EP… unless of course sad songs are a
catharsis for you. Which, come to think of it, is probably
what End Of Daze is all about.
This being said one (obvious) question remains once
you’ve listened to the 5 tracks that comprise the 4th EP
of this California noise pop band: End of Daze or End of
Days?
I won’t lie to you, this here is a pretty depressing album.
No bows and arrows. It’s about numbness, emptiness, tears,
and hell. There’s even talk of a eulogy.
It’s humanly impossible not to feel the deep sadness be-
hind lyrics like “There’s nothing left, there is no light / Pull
me out to the other side” or “What can I do, now without
you / I feel nothing”. We’ve all felt that low at one point or
another.
And so if you’ve suffered a break up or have been hurt in
the name of love recently, you’ll feel (rightfully so) that End
Of Daze hits close to home.
Crying guitar, slow, burning, insistent rhythm reminis-
cent of the shooting pain you might feel when the blade of
deception penetrates your lovesick soul. It hurts. But in a Interpret: Michael Jackson
good way.
The magic of this EP is that you’re completely hanging
Album: Bad 25th anniversary edition
on Dee Dee Penny, the lead singer’s every word. Something Genre: Pop, dance, rock
about her voice really draws you in. Label: Sony Legacy
Not surprisingly, the band’s cover of Strawberry Origin: USA
Switchblade’s “Trees and Flowers” sounds less cheesy than
the original (released almost 30 years ago), but also a lot Released: September 2012
more heartfelt and yes, painful, like the rest of this very
good EP.
Must-hear tracks: Mine Tonight, I Got Nothing, Lord
Knows
Writing this review, I promised myself one thing: that
I would stay the hell away from clichéd superlatives like
Interpret: Dum Dum Girls “legend” and “classic”.
Album: End of Daze But hey, you know something? Michael Jackson IS a
Genre: Indie rock, shoegaze freaking’ legend and “Bad” is an all-time classic. So there.
Label: Sub Pop My bad (pun intended).
They sure went all out on this release, with no less than
Origin: USA 3 CD’s (40 songs total), shock full of Michael Jackson
Released: September 2012 gems, AND a Deluxe version that includes a DVD.
Members: Dee Dee, Jules, Sandy, Malia On CD 1 you’ll find 11 newly remastered tracks. I guess
the die-hard fans will hear the difference, I will admit that
I really didn’t, but it’s always a good excuse to listen to MJ
for the thousandth time, am I right? I, for one, can never
get enough of songs like “Dirty Diana”.
CD 2 comprises 13 tracks, most of which you’ve pro-
bably never heard before, including one song about abor-
tion that’s bound to be talked about for years to come and
“Je Ne Veux Pas La Fin De Nous” (the French version
of “I Just Can’t Stop Loving You”), which by the way for
the French-speaking music fans among us, is a pretty
awkward-sounding title. Whatever. It’s Michael singing in
French. Did you say sexy?
As for the third CD, it’s Michael’s 1988 live show at
Wembley (16 songs). Those were the good times, when he
was at the height of his fame. Before things went a little
south.
If you’re a self-proclaimed “true” fan, you’ll want the
Deluxe box set which includes a 40-track DVD of his
Wembley performance. You know what they say, go big or
go home.
Must-hear tracks: Song Groove, Je Ne Veux Pas La Fin
De Nous, Dirty Diana (Live at Wembley).