Analyse of two soundtracks
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The document analyzes and compares the soundtracks of the films Shutter Island and Along Came a Spider. For Shutter Island, the soundtrack at the beginning is tense, slow, and builds anticipation for the action. As the title appears, the music intensifies. For Along Came a Spider, the beginning soundtrack also features deep, eerie sounds to set a supernatural mood, as well as distant and muffled dialogue to further enhance the creepy atmosphere. Both soundtracks effectively signal to the audience that the films will have dark, unsettling tones that may disturb or confuse the viewer.
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The document describes a sound sequence created to depict a street battle with gunfire, baby cries to represent the surprise nature of the attack, rain to set the atmosphere, and ending with applause and fireworks to celebrate victory. The creator believes the sequence well captures the feel of a battle and aftermath including torture of captives and celebration.
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My photographed story board
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Analysing a film opening sequence.pptx elle and chels 3
The opening sequence of Sweeney Todd establishes the dark, gloomy setting through its use of color, lighting, and props. Dark colors like black and red are prominently featured. The old, run-down building shown appears dark and ominous. Unsettling images like blood and implied violence further a sense of danger and mystery. The tense, ominous music builds a feeling of impending threat. All of these elements combine to strongly suggest to the audience that this will be a horror film.
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Sound can be used in several ways in films. Ambient sound creates the atmosphere of a place, while synchronous sound emphasizes key audio elements. Sound bridges help transition smoothly between scenes. Sound effects add realism or psychological impact, while diegetic sounds come from visible or implied sources in the story. Non-diegetic sounds do not have a visible source. Contrapuntal sound contrasts with visuals to create new meaning. Voice overs and theme music are also used to convey meaning and set the tone.
Analysis of film opening
The film opening of Star Wars: The Phantom Menace establishes the time period by displaying the words "A long time ago in a galaxy far, far away." These words fade out and back in with the title "STAR WARS" accompanied by adventurous music. The opening credits are printed against a black background and fade into the distance as unsettling violin music plays, creating intrigue and hinting that the movie may begin with danger or mystery.
Woman in black storyboard template 15 frames 2
1. The document analyzes 15 scenes from a horror movie trailer through descriptions of camerawork, dialogue/sounds, editing/timing, and evaluations.
2. The opening scenes establish a peaceful setting of children playing with toys, but ominous music and lighting foreshadow something sinister.
3. The children then suddenly become distracted, drop their toys, and march ominously to open windows, implying they are possessed. They then jump from the windows to their deaths.
4. The trailer aims to shock and disorient viewers through abrupt changes in tone, mysterious music, and disturbing images, which are common techniques in horror genre trailers to create unease.
Task 3 storyboard
This summary provides an overview of 3 scenes from the opening of the film Sweeney Todd.
In the first scene, the camera uses a fixed frame to show a boat appearing through fog, establishing a mysterious atmosphere. Non-diegetic music and diegetic sounds of waves set the tone. Low-key lighting and fog create a spooky effect.
The second scene pans right to show London from the boat. Non-diegetic music and diegetic seagull sounds play as the character sings an introductory song. Fog and low-key lighting maintain the mysterious tone.
The third scene uses handheld camera movement to show the character from a low angle. Another character abruptly enters with a
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The document discusses sound design ideas for a movie trailer called "The Basement". It describes how non-diegetic sounds will be used to set an unsettling atmosphere in the first 30 seconds, including discordant stabs and knocking sounds. As the characters enter the house, diegetic dialogue will be used. For the next 30 seconds, all non-diegetic sounds will stop as tension builds towards the discovery of the basement. Strange sounds will then accompany haunting scenes, including a child's singing and a heartbeat rhythm. Throughout the final minute, the sounds will build in intensity to a climax with a scream and distorted growling before cutting to silence for the title reveal.
Thriller Movie Openings
The opening scene of Casino Royale is in black and white with wind sounds to set a mysterious tone. We see a prim man at night in Prague through snowy surroundings. James Bond is then introduced fighting someone in a tense, fast-cut scene with dramatic music.
In Quantum of Solace, an aerial shot over water with tense music introduces a dramatic car chase with quick editing between vehicles. James Bond is shown desperately escaping as the police intervene.
I, Robot begins underwater with eerie music, bubbles and a man panicking. It's unclear if this is a flashback or dream, intriguing the audience. A man wakes relieved but tense in his apartment as strange events seem to be happening.
The
Thriller Movie Openings
The opening scene of Casino Royale is in black and white with wind sounds to set a mysterious tone. We see a prim man at night in Prague through snowy surroundings. James Bond is then introduced fighting someone in a tense, fast-cut scene with dramatic music.
In Quantum of Solace, an aerial shot over water with tense music introduces a dramatic car chase with quick editing between vehicles. James Bond is shown desperately escaping as the police intervene.
I, Robot begins underwater with eerie music, bubbles and a close-up of Will Smith panicking. It's unclear if this is a dream or flashback, intriguing the audience.
The Day After Tomorrow starts with music over captions of a cold sea
Movie openings
The opening scene of Casino Royale is in black and white with wind sounds to set a mysterious tone. We see a prim upper class man at night, then James Bond who is calm and focused. There is then a tense fight scene with fast editing and music.
In Quantum of Solace, an aerial shot over water with tense music sets an exotic location. There is a dramatic car chase with quick editing, music, and diegetic sounds of screeching and gunfire. James Bond is introduced as he tries to escape.
I, Robot's opening has eerie music and bubbles, revealing an underwater setting in blue light. A man is shown panicking in his apartment, leaving it unclear if earlier events were
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Naufrago'
The film "Naufrago" tells the story of an unhappy man who arrives at a deserted island after a shipwreck. There is a telephone booth on the island, but when he finds his last coin, a seagull steals it. This leads the man to engage in a comedic fight with the seagull to recover the coin so he can use the telephone booth. Non-diegetic music is used to emphasize the man's emotions as he succeeds and fails to retrieve the coin from the seagull. Wide shots are used to set the scene of the island, and mid-shots show the stranded man wearing tattered clothes to indicate he has been there for some time. While aimed at a
Treatment for ‘tamam shud’ 07
The document proposes an opening film sequence based on the unsolved case of the "Tamam Shud" man found dead on a beach. The sequence will feature close-up shots of the man's ambiguously dressed body and objects on the isolated beach, creating mystery. Filming at a black sand beach in New Zealand will set a moody, overcast tone influenced by films like "The Piano" and "Shutter Island." Through low-key lighting, unusual camera angles, and eerie music, the sequence aims to build suspense around the unknown origins and meaning of the body and note found reading "Tamam Shud."
Insidious title analysis - Jushna
The opening titles of the film Insidious use techniques like unsettling music, low lighting, and moving objects in the background of each title to draw the audience into the world of the haunted house film. The titles cut between shots of different rooms of a house with strange activity, implying it is haunted. When the last title ends and the music cuts out, the audience knows the film is beginning as it cuts to the protagonist sleeping on a couch in the house. Though few plot details are given, the titles effectively set up the supernatural horror premise and location within the first few minutes.
Media work xx
The opening of Insidious introduces the family at the center of the story and establishes the haunted house setting. Shots slowly pan around the empty house at night, with glimpses of shadows and ghostly figures. Uneasy music and black and white filming create a mysterious atmosphere as the film sets up the horror to come.
Horror film analysis
The document analyzes two horror film trailers, The Ring Two and House at the End of the Street. For The Ring Two trailer, it notes the dark color palette and ominous music set the tone. Shots and music speed up to increase tension. Strange sounds and illuminated effects are used. For House at the End of the Street, it starts with ending shots then explains the plot, unlike normal trailers. Writing between shots and sound effects instead of music build tension. Both trailers use quick cuts and changing brightness to set a fast, suspenseful pace.
Genre research. Analysis of 3 trailers.
The document provides an in-depth analysis of the trailer for the horror film "The Conjuring". It examines the conventions of the horror genre used in the trailer, including the narrative, characters, locations, sound, editing, camera work, and mise-en-scene. Specifically, it notes the trailer's use of screams, darkness, whispers and slow pace to set a chilling atmosphere. The analysis also discusses how the editing, camera movements, and lighting are employed to build tension and unease in the viewer.
Diegetic Sound Production
1. Foley artists create authentic-sounding sound effects during post-production to enhance films. Some classic foley effects include a thunderclap from "Frankenstein" known as "Castle Thunder" and a distinctive telephone ring used in Universal films.
2. Iconic sound designer Ben Burtt created many unique sounds for Star Wars, such as the TIE fighter noise from an elephant bellow and R2-D2's voice from water pipes and whistles.
3. Foley artists use creative techniques to generate realistic sound effects, like breaking carrots and celery for bone cracks or kissing their arm for passionate kissing sounds.
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Analyse of two soundtracks
- 1. ANALYSE OF THE SOUNDTRACK BY ALEX CRAVEN
- 2. SHUTTER ISLAND I could instantly recognise at the beginning of this film the genre of which is it. There are lots of key signifiers. The start of Shutter island is very tense and straight into the action. The non diegetic music at the beginning of this film is very tense and slow, it is building up to when the action will start coming onto the screen. The music is quite sinister and fits the dark and unknown mood very well. At about 30 seconds into the clip the soundtrack develops and becomes louder and more powerful. As the title of `Shutter Island` comes up onto the screen the soundtrack intensifies a little bit more. Then as the film opens up the soundtrack stops and the sound is filled with the sea. From the soundtrack at the beginning of the film I could tell straight away what sort of film it was going to be and the genre that it is. I think that the soundtrack helps the audience understand that the film is going to be quite creepy at times and that it may mess with your head.
- 3. ALONG CAME A SPIDER At the beginning of the film `Along Came A Spider` the soundtrack is very similar to the beginning of the film `Shutter Island` due to the fact that they share the same genre. At the beginning of this film there is just deep quite sincere sort of supernatural sounds. As the opening credits come up and the film is about 20 seconds in there is some sort of un-natural noise that sounds like some sort of alienated noise. This is followed by two people having a distant conversation. The two people talking sound very distant and not close to one other. There speech is very loud and clear over the spooky back noises. It is then muffled as the back noise intensifies. The sound track is very similar to the sound of there speech, as the people sound like they are talking through a broken microphone or they are in space or something. As the credits continue along with the spooky, intense music, the camera changes to an Ariel view of a moving car. This camera shot backs up the background so-real music as it shows what they are doing as they are talking to each other through the microphones, maybe in a helicopter.