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Prospects by Matthew “Kyrri” Watkins/Thomas Begley/ Juan Vivas
Parasite
Prospectus
Table of Contents
1.TITLE

2.TABLE OF CONTENTS

3.- 13.TREATMENT

14.TALENT

15.AHTQ

16.Director

17.Producer

18.DP

19.MARKETING

20.Infographic

21.LOGISTICS

22.Production Schedule

23.- 26. AV Script

27.Cast List

28. Location List

29.Prop List

30.-38. Breakdown Sheets

39.Production Shot Schedule

40.Team Members

41.Delegated Duties

42.Workflow

43.REFERENCES

2
Treatment by Matthew “Kyrri” Watkins/Thomas Begley/ Juan Vivas
TREATMENT
Parasite
3
This song keeps you on
the edge of your seat.
We envision a horror style film to accompany the vivid
lyrics of the song.
4
The camera moves in slowly as
the music builds until the guitar
hits, then the camera pans
around to a couple (Guy &
Cassie) camping in the forest.
As the first verse starts “Guy”
appears to wake up and begins
doing creepy things to
“Cassie”, I.E. Smelling her hair
and/or skin, mouths the words
“I want your life.” As soon as he
does this, “Cassie’s” eyes open
and she looks worried.
We open in a forest
Late at night.
5
The transition will occur right
after the line “Now I can see.” As
the music declines slightly and
then ramps back up quickly for
the chorus. During the chorus
the shots should feel energizing
around the band. There will be 3
transitions between the band
playing and “Guy” being more
creepy, following “Cassie”,
Grabbing onto her (directly after
the line “you latched onto me”).
“Cassie” tries to push “Guy”
away during line “You’re too
close to me”
The scene
transitions during
the chorus to the
band playing.
6
The camera zooms in on the
couple and gets close enough
to see “Guy” cynically smiling
and breathing down her neck as
“Cassie” grows more
uncomfortable . “Cassie’s” eyes
widen in horror (During line
“Fully awake now I see” ) as
“Guy” appears to bite her neck
drawing blood (during the line,
“It was like you wanted to taste
my blood.”) “Cassie” then
breaks free of “Guy’s” grip and
starts running frantically through
the forest trying to escape.
We transition back to
the “Guy” holding
“Cassie” from behind
comforting her.
7
“Guy” begins chasing “Cassie”
through the forest with blood
dripping down his face and
blood running down the side of
“Cassie’s” neck. As the chorus
runs, the camera transitions
from the band playing again to
the chase 3 times. When the
bagpipe solo hits during the
song the chase gets terrifying
with “Guy” catching “Cassie” 2
times, each time his nails dig
into her arm drawing blood.
The following scene
grows more intense as
a chase begins.
8
A police woman and her K9 unit
are walking by and see the
bloody girl in terror, the dog
begins barking and the
psychotic “Guy” runs away. The
officer helps the “Cassie” while
calling for backup.
On the second to last scene
(During the last Chorus) we see
“Cassie” run out of the forest
onto a sidewalk or road.
9
The scene then fades back to the starting point of the video (I.E. camp site, sleeping
bags, tent, etc.) to see a dead poisonous looking insect, that resembles a hornet, in
the BF’s sleeping area.
As the officer is calling for backup,
10
• We are looking to get almost a documentary feel to this
video, similar to “The Blaire Witch Project.” So no still
shots, constant movement. 

• Forrest chase scene -will be done with tracking shots.

• The song is 4:25 length.

• For more in depth description of scenes please refer to AV
Script further in this Prospectus.
ALL SCENES WILL BE FILMED ON HANDHELDS.
11
12
Looking forward to your thoughts!
Matthew “Kyrri” Watkins/Thomas Begley/Juan Vivas
13
TALENT
14
TALENT
This video will appeal to All Hail the
Queen for multiple reasons. One is
that this will be their very first music
video. Two will be that the story
behind their song and the story
thought out through the treatment will
flow together well. Their fans will love
this video due to the fact that it will
be a short film mixed in with AHTQ’s
amazing music!
15
Director
James Wan

Biography: James Wan is a Malaysian born producer, screenwriter
and film director. He is most known for producing and directing well
made horror films.

As a director, he has done projects ranging from: Saw, Insidious,
and The Conjuring 1 & 2. When it comes to making horror, James
Wan is best known for creating suspense while also focusing on
making a great story.

We chose him because we believe he is best qualified in putting this
video together. For example, when looking at the scene where the
BF goes insane and starts attacking the GF, James Wan has film
similar moments within movies like The Conjuring. In the Conjuring,
James Wan has film a scene where the protagonist Mom ends up
getting possess and starts trying to attack her daughter. 

16
Producer
Jason Ferus Blum

Biography: Jason Blum is an American film producer and founder and CEO
of Blumhouse Productions. They are mostly known for producing low
budget horror movies. 

His production company is responsible for producing low budget horror/
suspense movies such as Insidious, Ouija & Paranormal Activity. He has
also received two nominations for Academy Award for Best Picture for
producing films like Whiplash and Get Out.

One of the primary reasons why we chose Jason Blum is because he is best
known for producing quality projects with a very low budget. With his
company, Blumhouse Production, not only do create content that is cost
efficient, but also projects that have a sense of originality to them. For
example, he has recently helped produce the hit thriller/psychological horror
film “Split” (2017). The movie was produce at a budget $9 million, and made
back $278.5 million. This is why we think Jason Blum is most qualified to
produce our video.



17
DP
Andrew Lesnie

Biography: Andrew Lesnie is an Australian cinematographer. He
has been active within the industry since 1978.

Our director of photography will be Andrew Lesnie. Lesnie is
mostly known by his incredibly work in “The Lord of the Rings: The
Fellowship of the Ring (2001), (with which he won an Oscar) “King
Kong” (2005) and “The Lord of the Rings: The Return of the
King” (2003). Due to his work on those films, he’s managed to give
the world a sense of realism and awe never before seen.

One of the primary reasons we chose him is because of his
understanding of color and how he manages to engross the
audience within his works. He is also an known member of the
Australian Cinematographers Society. We firmly believe that the
vision of great and mystical nature that Lesnie has managed to
input in ALL of his movies will mark the difference in this video and
it will make it memorable. 

18
MARKETING
19
INFOGRAPHIC
20
LOGISTICS
21
22
Matthew "Kyrri" Watkins/Thomas Begley/Juan Vivas
Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat
Pre-Production 31-Jan 1-Feb 2-Feb 3-Feb 4-Feb 5-Feb 6-Feb 7-Feb 8-Feb 9-Feb 10-Feb 11-Feb 12-Feb 13-Feb 14-Feb 15-Feb 16-Feb 17-Feb 18-Feb 19-Feb 20-Feb 21-Feb 22-Feb 23-Feb 24-Feb
Treatment
Story Board
Shooting Schedule
Budget Plan
Location/Permits
Hire Crew/ Casting
Shot List
Equipment
Prop List
Call Sheet
Production
Full Sail Back Lot
Forestry near UCF
Post-Production
Color Correcting Gap
Visual Effects
Director's Cut
Delivery Gap Gap Gap Gap Release
Pre-Production
Treatment
Story Board
Location/Permits
Shot List
Equipment
Prop List
Budget Plan
Shooting Schedule
Hire Crew
Call Sheet
Rough Cut
Expected Del Time
Gap
Sound Editing
All Hail the Queen - Parasite
Music Video Production Schedule
Visual Effects
Shoot
Weeks
Week 1 Week 2 Week 3 Week 4
Legend
Production
Full Sail Back Lot
Forestry near UCF
Post-Production
Color Correcting Release
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
Group Members
Name E-mail
Phone
Number
Matthew “Kyrri” Watkins (Team Captain) kyrriharoldsen@kyrricorp.com 786-704-0703
Thomas Begley tobegley@student.fullsail.edu
Juan Vivas jmvivascarbo@student.fullsail.edu
40
Delegated Duties
Individual Contributions
Our method of communication was through phone calls and text
messages.

Juan and Thomas were required to choose the Director, Producer, and
DP for the Prospectus by Feb. 10th. Kyrri was to design the Budget,
Treatment, Prospectus, and Schedule by Feb. 9th. Thomas and Juan
were to give feedback and help finalize the Budget, Treatment,
Prospectus, and Schedule by Feb. 10th (Budget by Feb. 13th)

41
Work Flow
42
References
• IMDB. (2018). Andrew Lesnie. Retrieved from http://www.imdb.com/name/nm0504226/?
ref_=nv_sr_1
• IMDB. (2018). James Wan. Retrieved from http://www.imdb.com/name/nm1490123/?ref_=nv_sr_1
• IMDB. (2018). Jason Blum. Retrieved from http://www.imdb.com/name/nm0089658/?ref_=nv_sr_1
• Kilday, G. (2014, July 20). NBCUniversal Signs Producer Jason Blum to 10-Year Multiplatform
Deal. Retrieved from https://www.hollywoodreporter.com/news/nbcuniversal-signs-producer-
jason-blum-719860
• Mike Fleming Jr. (2014, October 21). James Wan Back At New Line For ‘The Conjuring 2’ And
Overall Producing Deal. Retrieved from http://deadline.com/2014/10/the-conjuring-sequel-james-
wan-director-new-line-annabelle-856896/
• Westbrook, C. (2015, May 14). Lord Of The Rings' cinematographer Andrew Lesnie dies. Retrieved
from http://metro.co.uk/2015/04/28/lord-of-the-rings-oscar-winning-cinematographer-andrew-
lesnie-has-died-aged-59-5170489/
43

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All Hail The Queen prospectus

  • 1. Prospects by Matthew “Kyrri” Watkins/Thomas Begley/ Juan Vivas Parasite Prospectus
  • 2. Table of Contents 1.TITLE 2.TABLE OF CONTENTS 3.- 13.TREATMENT 14.TALENT 15.AHTQ 16.Director 17.Producer 18.DP 19.MARKETING 20.Infographic 21.LOGISTICS 22.Production Schedule 23.- 26. AV Script 27.Cast List 28. Location List 29.Prop List 30.-38. Breakdown Sheets 39.Production Shot Schedule 40.Team Members 41.Delegated Duties 42.Workflow 43.REFERENCES 2
  • 3. Treatment by Matthew “Kyrri” Watkins/Thomas Begley/ Juan Vivas TREATMENT Parasite 3
  • 4. This song keeps you on the edge of your seat. We envision a horror style film to accompany the vivid lyrics of the song. 4
  • 5. The camera moves in slowly as the music builds until the guitar hits, then the camera pans around to a couple (Guy & Cassie) camping in the forest. As the first verse starts “Guy” appears to wake up and begins doing creepy things to “Cassie”, I.E. Smelling her hair and/or skin, mouths the words “I want your life.” As soon as he does this, “Cassie’s” eyes open and she looks worried. We open in a forest Late at night. 5
  • 6. The transition will occur right after the line “Now I can see.” As the music declines slightly and then ramps back up quickly for the chorus. During the chorus the shots should feel energizing around the band. There will be 3 transitions between the band playing and “Guy” being more creepy, following “Cassie”, Grabbing onto her (directly after the line “you latched onto me”). “Cassie” tries to push “Guy” away during line “You’re too close to me” The scene transitions during the chorus to the band playing. 6
  • 7. The camera zooms in on the couple and gets close enough to see “Guy” cynically smiling and breathing down her neck as “Cassie” grows more uncomfortable . “Cassie’s” eyes widen in horror (During line “Fully awake now I see” ) as “Guy” appears to bite her neck drawing blood (during the line, “It was like you wanted to taste my blood.”) “Cassie” then breaks free of “Guy’s” grip and starts running frantically through the forest trying to escape. We transition back to the “Guy” holding “Cassie” from behind comforting her. 7
  • 8. “Guy” begins chasing “Cassie” through the forest with blood dripping down his face and blood running down the side of “Cassie’s” neck. As the chorus runs, the camera transitions from the band playing again to the chase 3 times. When the bagpipe solo hits during the song the chase gets terrifying with “Guy” catching “Cassie” 2 times, each time his nails dig into her arm drawing blood. The following scene grows more intense as a chase begins. 8
  • 9. A police woman and her K9 unit are walking by and see the bloody girl in terror, the dog begins barking and the psychotic “Guy” runs away. The officer helps the “Cassie” while calling for backup. On the second to last scene (During the last Chorus) we see “Cassie” run out of the forest onto a sidewalk or road. 9
  • 10. The scene then fades back to the starting point of the video (I.E. camp site, sleeping bags, tent, etc.) to see a dead poisonous looking insect, that resembles a hornet, in the BF’s sleeping area. As the officer is calling for backup, 10
  • 11. • We are looking to get almost a documentary feel to this video, similar to “The Blaire Witch Project.” So no still shots, constant movement. • Forrest chase scene -will be done with tracking shots. • The song is 4:25 length. • For more in depth description of scenes please refer to AV Script further in this Prospectus. ALL SCENES WILL BE FILMED ON HANDHELDS. 11
  • 12. 12
  • 13. Looking forward to your thoughts! Matthew “Kyrri” Watkins/Thomas Begley/Juan Vivas 13
  • 15. TALENT This video will appeal to All Hail the Queen for multiple reasons. One is that this will be their very first music video. Two will be that the story behind their song and the story thought out through the treatment will flow together well. Their fans will love this video due to the fact that it will be a short film mixed in with AHTQ’s amazing music! 15
  • 16. Director James Wan Biography: James Wan is a Malaysian born producer, screenwriter and film director. He is most known for producing and directing well made horror films. As a director, he has done projects ranging from: Saw, Insidious, and The Conjuring 1 & 2. When it comes to making horror, James Wan is best known for creating suspense while also focusing on making a great story. We chose him because we believe he is best qualified in putting this video together. For example, when looking at the scene where the BF goes insane and starts attacking the GF, James Wan has film similar moments within movies like The Conjuring. In the Conjuring, James Wan has film a scene where the protagonist Mom ends up getting possess and starts trying to attack her daughter. 16
  • 17. Producer Jason Ferus Blum Biography: Jason Blum is an American film producer and founder and CEO of Blumhouse Productions. They are mostly known for producing low budget horror movies. His production company is responsible for producing low budget horror/ suspense movies such as Insidious, Ouija & Paranormal Activity. He has also received two nominations for Academy Award for Best Picture for producing films like Whiplash and Get Out. One of the primary reasons why we chose Jason Blum is because he is best known for producing quality projects with a very low budget. With his company, Blumhouse Production, not only do create content that is cost efficient, but also projects that have a sense of originality to them. For example, he has recently helped produce the hit thriller/psychological horror film “Split” (2017). The movie was produce at a budget $9 million, and made back $278.5 million. This is why we think Jason Blum is most qualified to produce our video. 17
  • 18. DP Andrew Lesnie Biography: Andrew Lesnie is an Australian cinematographer. He has been active within the industry since 1978. Our director of photography will be Andrew Lesnie. Lesnie is mostly known by his incredibly work in “The Lord of the Rings: The Fellowship of the Ring (2001), (with which he won an Oscar) “King Kong” (2005) and “The Lord of the Rings: The Return of the King” (2003). Due to his work on those films, he’s managed to give the world a sense of realism and awe never before seen. One of the primary reasons we chose him is because of his understanding of color and how he manages to engross the audience within his works. He is also an known member of the Australian Cinematographers Society. We firmly believe that the vision of great and mystical nature that Lesnie has managed to input in ALL of his movies will mark the difference in this video and it will make it memorable. 18
  • 22. 22 Matthew "Kyrri" Watkins/Thomas Begley/Juan Vivas Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Sun Mon Tue Wed Thu Fri Sat Pre-Production 31-Jan 1-Feb 2-Feb 3-Feb 4-Feb 5-Feb 6-Feb 7-Feb 8-Feb 9-Feb 10-Feb 11-Feb 12-Feb 13-Feb 14-Feb 15-Feb 16-Feb 17-Feb 18-Feb 19-Feb 20-Feb 21-Feb 22-Feb 23-Feb 24-Feb Treatment Story Board Shooting Schedule Budget Plan Location/Permits Hire Crew/ Casting Shot List Equipment Prop List Call Sheet Production Full Sail Back Lot Forestry near UCF Post-Production Color Correcting Gap Visual Effects Director's Cut Delivery Gap Gap Gap Gap Release Pre-Production Treatment Story Board Location/Permits Shot List Equipment Prop List Budget Plan Shooting Schedule Hire Crew Call Sheet Rough Cut Expected Del Time Gap Sound Editing All Hail the Queen - Parasite Music Video Production Schedule Visual Effects Shoot Weeks Week 1 Week 2 Week 3 Week 4 Legend Production Full Sail Back Lot Forestry near UCF Post-Production Color Correcting Release
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  • 40. Group Members Name E-mail Phone Number Matthew “Kyrri” Watkins (Team Captain) kyrriharoldsen@kyrricorp.com 786-704-0703 Thomas Begley tobegley@student.fullsail.edu Juan Vivas jmvivascarbo@student.fullsail.edu 40
  • 41. Delegated Duties Individual Contributions Our method of communication was through phone calls and text messages. Juan and Thomas were required to choose the Director, Producer, and DP for the Prospectus by Feb. 10th. Kyrri was to design the Budget, Treatment, Prospectus, and Schedule by Feb. 9th. Thomas and Juan were to give feedback and help finalize the Budget, Treatment, Prospectus, and Schedule by Feb. 10th (Budget by Feb. 13th) 41
  • 43. References • IMDB. (2018). Andrew Lesnie. Retrieved from http://www.imdb.com/name/nm0504226/? ref_=nv_sr_1 • IMDB. (2018). James Wan. Retrieved from http://www.imdb.com/name/nm1490123/?ref_=nv_sr_1 • IMDB. (2018). Jason Blum. Retrieved from http://www.imdb.com/name/nm0089658/?ref_=nv_sr_1 • Kilday, G. (2014, July 20). NBCUniversal Signs Producer Jason Blum to 10-Year Multiplatform Deal. Retrieved from https://www.hollywoodreporter.com/news/nbcuniversal-signs-producer- jason-blum-719860 • Mike Fleming Jr. (2014, October 21). James Wan Back At New Line For ‘The Conjuring 2’ And Overall Producing Deal. Retrieved from http://deadline.com/2014/10/the-conjuring-sequel-james- wan-director-new-line-annabelle-856896/ • Westbrook, C. (2015, May 14). Lord Of The Rings' cinematographer Andrew Lesnie dies. Retrieved from http://metro.co.uk/2015/04/28/lord-of-the-rings-oscar-winning-cinematographer-andrew- lesnie-has-died-aged-59-5170489/ 43