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Art History 2: Class 2

Names and terms: “Northern Renaissance,” Flanders, van Eyck, diptych, triptych, van der
Weyden, Grunewald, Bosch, Bruegel, Germany, printing/printmaking, woodcut, relief
printing, engraving, intaglio printing, Martin Schongauer (Germany), Albrecht Dürer
Nuremberg, Apocalypse, "The Master Engravings:" Knight, Death, and the Devil; St.
Jerome; Melancholia I), Protestant Reformation/Martin Luther, Wittenberg, Lucas
Cranach (the Elder), “Danube School,” Protestant propaganda, Passional Christi und
Antichristi, Philip Melancthon, The Law and the Gospel, etching, Rembrandt (Holland;
"states"), England, Holbein, Henry VIII

Possible essay questions:

--Differentiate between relief methods (i.e., woodcut) and intaglio methods (i.e.,
engraving) of printing images. Discuss the importance and impact of the introduction of
printmaking. Who was Albrecht Dürer, and how was he influential in the history of
printed images?

--Discuss the Protestant use of propaganda during the Reformation. Who was Lucas
Cranach, and what was the Passional Christi und Antichristi?—discuss its illustrations,
and how they served to promote Protestantism over Catholicism.

Images:
The Ghent Altarpiece by Jan van Eyck, 1432, page 292
The Arnolfini Wedding Portrait by Jan van Eyck, 1434, page 293
Descent from the Cross (Deposition) by Rogier van der Weyden, 1435, page 295
The Garden of Earthly Delights by Hieronymus Bosch, c.1500, page 297
The Four Horsemen of the Apocalypse by Albrecht Dürer, 1498, page 371
Adam and Eve by Albrecht Dürer, 1504, page 372




     Page from the Passional Christi und Antichristi (illustration by Lucas Cranach)

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Ah 2 Class 2 Done

  • 1. Art History 2: Class 2 Names and terms: “Northern Renaissance,” Flanders, van Eyck, diptych, triptych, van der Weyden, Grunewald, Bosch, Bruegel, Germany, printing/printmaking, woodcut, relief printing, engraving, intaglio printing, Martin Schongauer (Germany), Albrecht Dürer Nuremberg, Apocalypse, "The Master Engravings:" Knight, Death, and the Devil; St. Jerome; Melancholia I), Protestant Reformation/Martin Luther, Wittenberg, Lucas Cranach (the Elder), “Danube School,” Protestant propaganda, Passional Christi und Antichristi, Philip Melancthon, The Law and the Gospel, etching, Rembrandt (Holland; "states"), England, Holbein, Henry VIII Possible essay questions: --Differentiate between relief methods (i.e., woodcut) and intaglio methods (i.e., engraving) of printing images. Discuss the importance and impact of the introduction of printmaking. Who was Albrecht Dürer, and how was he influential in the history of printed images? --Discuss the Protestant use of propaganda during the Reformation. Who was Lucas Cranach, and what was the Passional Christi und Antichristi?—discuss its illustrations, and how they served to promote Protestantism over Catholicism. Images: The Ghent Altarpiece by Jan van Eyck, 1432, page 292 The Arnolfini Wedding Portrait by Jan van Eyck, 1434, page 293 Descent from the Cross (Deposition) by Rogier van der Weyden, 1435, page 295 The Garden of Earthly Delights by Hieronymus Bosch, c.1500, page 297 The Four Horsemen of the Apocalypse by Albrecht Dürer, 1498, page 371 Adam and Eve by Albrecht Dürer, 1504, page 372 Page from the Passional Christi und Antichristi (illustration by Lucas Cranach)