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Constructivisim
• No political focus
• Held to the concept artist as engineer
• Embraced Photomontage
• Abstraction can only communicate ideas in a limited
fashion
• It is often necessary to reference the real world in order
to convey beliefs
The Arbeistrat
• Visual Arts could play an instrumental role in
building a new society
• Architecture must assume a leadership role in
the art because it afforded the opportunity for
greatest aesthetic and social impact
• Tschichold’s accomplishements
• Text with examples that could serve as a foundational
reference for graphic designers both inside and outside
modern groups
• Gave examples of asymmetry which he believed was
preferable to symmetry
• Focused on the dynamic contrasts made by juxtaposing
photography with type and that it should be san serif type
• Entire book is lower case.
• Showed by example that san serif was mot the most
readable when used in long continuous passages
After World War II
After World War II
After World War II
After World War II
After World War II
After World War II
After World War II
After World War II
After World War II

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After World War II

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. Constructivisim • No political focus • Held to the concept artist as engineer • Embraced Photomontage • Abstraction can only communicate ideas in a limited fashion • It is often necessary to reference the real world in order to convey beliefs
  • 15.
  • 16.
  • 17.
  • 18.
  • 19. The Arbeistrat • Visual Arts could play an instrumental role in building a new society • Architecture must assume a leadership role in the art because it afforded the opportunity for greatest aesthetic and social impact
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46. • Tschichold’s accomplishements • Text with examples that could serve as a foundational reference for graphic designers both inside and outside modern groups • Gave examples of asymmetry which he believed was preferable to symmetry • Focused on the dynamic contrasts made by juxtaposing photography with type and that it should be san serif type • Entire book is lower case. • Showed by example that san serif was mot the most readable when used in long continuous passages

Editor's Notes

  1. Artist as engineer
  2. El Lissitzky published in Berlin, Poems by Mayakovsky, a Russian Poet
  3. El Lissitzky
  4. El Lissitzky
  5. El Lissitzky, Runner in the City (photomontage of image over Times Square
  6. El Lissitzky
  7. Machine Art of Tatlin
  8. German Expressonism
  9. Constructivist Congress in 1922
  10. The Cabinet of Dr. Caligari features dramatic lighting and oddly drawn letters
  11. Metropolis combines two themes: Fear of War and Fear of WomenBelieved Industrialization was souless, corrupt and alienating, opposite of constructivists
  12. Moholy-Nagy_Logofor Bauhaus
  13. Typophoto Laszlo Moholy Nagy
  14. Typophoto
  15. Herbert Bayer Banknotes
  16. Josef Albers Stencil
  17. Herbert Bayer Universal (Bauhaus)
  18. Jan schichold
  19. Jan Tschiochold
  20. Jan Tschichold
  21. Futura by Paul Renner