Acsga Session1
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The document provides an overview of art and culture from Spain's Golden Age with examples including: - Flamenco dancing, paella, and bullfighting - Archaeological artifacts from 5th century BC to 1st century AD Rome - Architecture from Visigothic, Islamic, and Christian periods like the Alhambra palace - Paintings of royalty and writers from the 1500s-1600s including works by Velazquez, El Greco, and Zurbaran - Las Meninas by Velazquez, which is displayed at the Prado Museum in Madrid
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Pp Session13
This document lists various artworks from the Spanish Golden Age, many by Diego Velazquez, that depict themes of decadence, vanity, and mythology. It includes Velazquez's portraits of Spanish royalty like Philip IV and Prince Baltasar Carlos, as well as his famous painting Las Meninas. Other works mentioned are Antonio de Pereda's allegorical paintings, landscapes by Juan Martinez del Mazo, and portraits of royalty and dwarves by additional Spanish artists from the 1600s.
Pp Session13
This document lists various artworks from the Spanish Golden Age, many by Diego Velazquez, that depict themes of decadence, vanity, and mythology. It includes Velazquez's portraits of Spanish royalty like Philip IV and Prince Baltasar Carlos, as well as his famous painting Las Meninas. Other works mentioned are Antonio de Pereda's allegorical paintings, landscapes by Juan Martinez del Mazo, and portraits of royalty and dwarves by additional Spanish artists from the 1600s.
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This document provides an overview of portraiture during the Spanish Golden Age, listing many prominent artists and the royal and religious figures they portrayed. It includes portraits by Velázquez of King Philip IV at various stages of his life, as well as portraits of Charles V and Philip II by Titian. Portraits of other nobles and religious figures by artists like Murillo and Zurbarán are also mentioned.
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The document lists several notable sculptors from history and some of their most famous works, including:
- Antonio Corradini who worked from 1749-1752
- Antonio Casanova, known for his 1804-06 sculpture "Perseus with the Head of Medusa"
- Baccio Bandinelli, who was working in 1525
- Clodion, known for his 1784 sculpture "The Invention of the Balloon"
- The document provides dates of birth and death or years of work for each sculptor listed along with one of their major works. A variety of European sculptors from the 15th century through early 20th century are represented.
Attachment (1)
René Lalique was a French artist active in the late 19th and early 20th centuries. He began his career as a renowned jeweler in the Art Nouveau style. In the early 1900s, he transitioned to glassmaking and became highly influential in the Art Deco movement. Lalique helped popularize glass arts by developing new techniques to mass produce decorative glass objects for the home. He is renowned for his ornate and organic designs depicting nature and the female form. The document provides examples of his renowned jewelry, glasswork, and influence on glass arts through both his unique creations and industrial production methods.
The Art of El Greco
El Greco (\"The Greek\" 1541 – April 7, 1614) was a painter, sculptor, and architect of the Spanish Renaissance.
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This document contains images and information about various artworks from the Spanish Golden Age, focusing on representations of mythology, singular figures, and nudity. It includes over 50 images of works by Velázquez, Titian, Rubens, Caravaggio and others. Key artworks discussed are Velázquez's The Waterseller of Seville, Philip IV, The Feast of Bacchus, Venus at her Mirror and The Spinners. It also mentions Titian's paintings of mythological scenes like Danae and The Rape of Europa.
El Greco - the Greek painter in Spain
El Greco was a renowned Greek painter who lived and worked in Spain for most of his career. He was born in Crete in 1541 and received training as an icon painter before moving to Italy and Spain. In Spain, he settled in Toledo where he found success and patrons for his distinctive style. El Greco's paintings were characterized by elongated figures, dark colors, and mystical religious themes. His works had a significant influence on later artists, particularly Picasso. Some of El Greco's most famous paintings include The Burial of the Count of Orgaz and The Opening of the Fifth Seal.
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Pp Session13
This document lists various artworks from the Spanish Golden Age, many by Diego Velazquez, that depict themes of decadence, vanity, and mythology. It includes Velazquez's portraits of Spanish royalty like Philip IV and Prince Baltasar Carlos, as well as his famous painting Las Meninas. Other works mentioned are Antonio de Pereda's allegorical paintings, landscapes by Juan Martinez del Mazo, and portraits of royalty and dwarves by additional Spanish artists from the 1600s.
Pp Session13
This document lists various artworks from the Spanish Golden Age, many by Diego Velazquez, that depict themes of decadence, vanity, and mythology. It includes Velazquez's portraits of Spanish royalty like Philip IV and Prince Baltasar Carlos, as well as his famous painting Las Meninas. Other works mentioned are Antonio de Pereda's allegorical paintings, landscapes by Juan Martinez del Mazo, and portraits of royalty and dwarves by additional Spanish artists from the 1600s.
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This document provides an overview of portraiture during the Spanish Golden Age, listing many prominent artists and the royal and religious figures they portrayed. It includes portraits by Velázquez of King Philip IV at various stages of his life, as well as portraits of Charles V and Philip II by Titian. Portraits of other nobles and religious figures by artists like Murillo and Zurbarán are also mentioned.
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The document lists several notable sculptors from history and some of their most famous works, including:
- Antonio Corradini who worked from 1749-1752
- Antonio Casanova, known for his 1804-06 sculpture "Perseus with the Head of Medusa"
- Baccio Bandinelli, who was working in 1525
- Clodion, known for his 1784 sculpture "The Invention of the Balloon"
- The document provides dates of birth and death or years of work for each sculptor listed along with one of their major works. A variety of European sculptors from the 15th century through early 20th century are represented.
Attachment (1)
René Lalique was a French artist active in the late 19th and early 20th centuries. He began his career as a renowned jeweler in the Art Nouveau style. In the early 1900s, he transitioned to glassmaking and became highly influential in the Art Deco movement. Lalique helped popularize glass arts by developing new techniques to mass produce decorative glass objects for the home. He is renowned for his ornate and organic designs depicting nature and the female form. The document provides examples of his renowned jewelry, glasswork, and influence on glass arts through both his unique creations and industrial production methods.
The Art of El Greco
El Greco (\"The Greek\" 1541 – April 7, 1614) was a painter, sculptor, and architect of the Spanish Renaissance.
Pp Session10
This document contains images and information about various artworks from the Spanish Golden Age, focusing on representations of mythology, singular figures, and nudity. It includes over 50 images of works by Velázquez, Titian, Rubens, Caravaggio and others. Key artworks discussed are Velázquez's The Waterseller of Seville, Philip IV, The Feast of Bacchus, Venus at her Mirror and The Spinners. It also mentions Titian's paintings of mythological scenes like Danae and The Rape of Europa.
El Greco - the Greek painter in Spain
El Greco was a renowned Greek painter who lived and worked in Spain for most of his career. He was born in Crete in 1541 and received training as an icon painter before moving to Italy and Spain. In Spain, he settled in Toledo where he found success and patrons for his distinctive style. El Greco's paintings were characterized by elongated figures, dark colors, and mystical religious themes. His works had a significant influence on later artists, particularly Picasso. Some of El Greco's most famous paintings include The Burial of the Count of Orgaz and The Opening of the Fifth Seal.
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This document provides an overview of Western Europe during the Reformation period around 1560. It features several key figures and events such as Martin Luther posting his 95 theses in 1517, triggering the Protestant Reformation. It also highlights important architectural works like St. Peter's Basilica in Rome and artists such as Michelangelo, Bernini, Caravaggio, Rembrandt, Vermeer, and developments in Baroque and Renaissance styles across Europe in the 16th-17th centuries.
History of ballet
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Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
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El Greco was a renowned Greek painter, sculptor and architect who lived from 1541 to 1614. He was born in Crete but spent most of his career in Spain, where he settled in Toledo in 1577. El Greco is known for his distinctive style which features elongated figures and dramatic use of color. He produced mostly religious works for churches and private patrons in Spain and is considered one of the greatest artists of the Spanish Renaissance.
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Doménikos Theotokópoulos, known as El Greco, was a renowned Greek painter, sculptor and architect who worked during the Spanish Renaissance. He was born in 1541 in Crete which was then part of Venice, and received early training there before moving to Venice in 1566. In Venice, he worked under Titian and was influenced by Tintoretto. He then spent time in Rome before relocating to Toledo, Spain in 1577, where he produced his most famous works and developed his highly individual artistic style, blending elements of Renaissance and Mannerist styles with a mystical and spiritual Eastern Orthodox vision. El Greco spent the rest of his life in Toledo
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The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
A brief history of ballet
Ballet originated in 15th century Italian Renaissance courts, where dancing and music were featured in lavish events. It was introduced to the French court in the 16th century by Catherine de Medici. The first ballet was created in 1581. Ballet flourished in the 17th century under Louis XIV, who opened the first ballet school. In the 18th-19th centuries, ballet evolved further with the creation of pointe shoes and tutus, and the rise of prominent choreographers and ballet companies in France and Russia. Modern ballet has spread globally and incorporates both classical and contemporary styles.
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The document discusses the Baroque style of art and architecture between 1600-1750. It describes Baroque as dramatic, emotional, with brighter colors and darker shadows. Baroque art was meant to appeal to emotions rather than intellect in church contexts. Examples mentioned include the Trevi Fountain in Rome, St. Peter's Basilica, and Chateaus in France such as Fontainebleau, Blois, and Chambord. The document also briefly mentions examples from other parts of Europe, Asia, and the Americas during this period.
Class 3 Review
1. The document discusses key mannerist painters such as Pontormo, Rosso Fiorentino, Bronzino, and Parmigianino who rejected Renaissance ideals in favor of a more complex and anti-naturalistic style.
2. It also covers Spanish painters like El Mudo who worked at the royal monastery El Escorial following the Council of Trent's calls for clearer, more instructive religious art during the Counter-Reformation.
3. El Greco is discussed, from his origins as an icon painter in Crete to his later works in Spain like The Burial of Count Orgaz which blended heavenly and earthly realms.
Baroque 6: Art and Absolutism
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
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This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
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Review exam 2
This document provides an overview of Western Europe during the Reformation period around 1560. It features several key figures and events such as Martin Luther posting his 95 theses in 1517, triggering the Protestant Reformation. It also highlights important architectural works like St. Peter's Basilica in Rome and artists such as Michelangelo, Bernini, Caravaggio, Rembrandt, Vermeer, and developments in Baroque and Renaissance styles across Europe in the 16th-17th centuries.
History of ballet
Ballet originated in 15th century Italian royal courts as a dance interpretation of fencing, and was further developed in France under King Louis XIV, who founded the Royal Dance Academy in 1661. Key developments included the codification of ballet positions, the emergence of ballet as an independent art form through the emotional storytelling of Jean-Georges Noverre's "ballet d'action", and the creation of pointework which allowed ballerinas like Marie Taglioni to dance en pointe. Ballet flourished internationally in the 19th century, especially in Russia where Marius Petipa collaborated with composers on famous classical ballets like The Nutcracker and Swan Lake.
Spain and Northern Baroque Art
The document discusses Baroque art in Spain and Northern Europe between 1600-1750. It provides examples of major works by Spanish artist Diego Velazquez and Flemish artists Peter Paul Rubens, Anthony van Dyck, and others. It prompts the reader to analyze how paintings depicting groupings communicate social, political, and historical concerns.
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Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
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This presentation gives an overview of art and architecture outside of Italy. It include artists such as Velázquez and Poussin, as well as the Palace of Versailles.
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Ballet originated in 15th century Italian courts and developed into a concert dance form in France and Russia. There are several styles of ballet including classical ballet, which is based on precise movements performed gracefully to tell romantic stories; neoclassical ballet, which is faster and more complex than classical; and contemporary ballet, which is influenced by both ballet and modern dance. The main costumes of ballet include a skin-tight bodysuit, tutu skirt, tights, and soft shoes.
Who Was El Greco
El Greco was a renowned Greek painter, sculptor and architect who lived from 1541 to 1614. He was born in Crete but spent most of his career in Spain, where he settled in Toledo in 1577. El Greco is known for his distinctive style which features elongated figures and dramatic use of color. He produced mostly religious works for churches and private patrons in Spain and is considered one of the greatest artists of the Spanish Renaissance.
El greco final2
Doménikos Theotokópoulos, known as El Greco, was a renowned Greek painter, sculptor and architect who worked during the Spanish Renaissance. He was born in 1541 in Crete which was then part of Venice, and received early training there before moving to Venice in 1566. In Venice, he worked under Titian and was influenced by Tintoretto. He then spent time in Rome before relocating to Toledo, Spain in 1577, where he produced his most famous works and developed his highly individual artistic style, blending elements of Renaissance and Mannerist styles with a mystical and spiritual Eastern Orthodox vision. El Greco spent the rest of his life in Toledo
Chapter20, Northern Europe 1600-1700
This document provides an overview of art in Northern Europe from 1600 to 1700. It discusses the key characteristics of the Baroque style that emerged in this region, including in Holland, France, and England. Representative artists of this period are highlighted, such as Rubens, Van Dyck, Rembrandt, and Vermeer. Architectural works in the Baroque and Rococo styles are also examined, with a focus on structures built under the rule of King Louis XIV in France like the palace of Versailles.
Early modern italy
Johannes Gutenberg invented the printing press in 1450. The Ottomans took Constantinople in 1453. Christopher Columbus set sail in 1492, bringing new ingredients like tomatoes to Europe. By the late 16th century, Murano had become renowned for its glassmaking, with three thousand of its seven thousand inhabitants working in the industry and developing techniques still used today. Machiavelli published The Prince in 1513 and Martin Luther began the Protestant Reformation in 1517, two events that marked major changes in politics and religion.
The ruff in painting
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
A brief history of ballet
Ballet originated in 15th century Italian Renaissance courts, where dancing and music were featured in lavish events. It was introduced to the French court in the 16th century by Catherine de Medici. The first ballet was created in 1581. Ballet flourished in the 17th century under Louis XIV, who opened the first ballet school. In the 18th-19th centuries, ballet evolved further with the creation of pointe shoes and tutus, and the rise of prominent choreographers and ballet companies in France and Russia. Modern ballet has spread globally and incorporates both classical and contemporary styles.
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The document discusses the Baroque style of art and architecture between 1600-1750. It describes Baroque as dramatic, emotional, with brighter colors and darker shadows. Baroque art was meant to appeal to emotions rather than intellect in church contexts. Examples mentioned include the Trevi Fountain in Rome, St. Peter's Basilica, and Chateaus in France such as Fontainebleau, Blois, and Chambord. The document also briefly mentions examples from other parts of Europe, Asia, and the Americas during this period.
Class 3 Review
1. The document discusses key mannerist painters such as Pontormo, Rosso Fiorentino, Bronzino, and Parmigianino who rejected Renaissance ideals in favor of a more complex and anti-naturalistic style.
2. It also covers Spanish painters like El Mudo who worked at the royal monastery El Escorial following the Council of Trent's calls for clearer, more instructive religious art during the Counter-Reformation.
3. El Greco is discussed, from his origins as an icon painter in Crete to his later works in Spain like The Burial of Count Orgaz which blended heavenly and earthly realms.
Baroque 6: Art and Absolutism
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
Art in Detail_Michelangelo, Leonardo da Vinci, Raphael. Giants of the Renaiss...
the masterpieces created at the end of the 15th and start of the 16th century in Florence, Milan and Rome
the ceiling of the Sistine Chapel and The Last Judgement by Michelangelo
The Annunciation, The Mona Lisa, The Last Supper by Leonardo da Vinci
The Lady and the Unicorn, The Sistine Madonna, The School of Athens by Raphael
Rubens and van Dyck. Portraits
The document profiles Peter Paul Rubens and Anthony van Dyck, the two greatest Flemish artists of the 17th century. As international figures, they painted religious works, myths, history and portraits for the Catholic Church and European royal courts. While Rubens had a broader impact as a painter, van Dyck was a highly influential portraitist, especially in England where he spent the 1630s. Both were skilled in religious themes and landscapes, though Rubens' landscapes were more accomplished. The document pays tribute to their friendship through a portrait of van Dyck painted by Rubens.
Kp Velazquez Presentation
This document provides details on various works of art including Michelangelo's ceiling of the Sistine Chapel, Caravaggio's Entombment of Christ and Doubting Thomas, Velazquez's Water Carrier of Seville and Les Meninas, and works by Picasso, Dali, Goya, Bacon, and others that were inspired by or referenced the works of previous artists. The document examines multiple pieces from prominent Renaissance and Baroque era artists spanning the 16th through 20th centuries.
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This document provides an overview of art in Northern Europe and Spain during the 16th century. It discusses the impact of the Protestant Reformation and Catholic Counter-Reformation on art. Key artists mentioned include Matthias Grünewald, Albrecht Dürer, Lucas Cranach the Elder, Hans Holbein the Younger, Hieronymus Bosch, and El Greco. The document also provides learning objectives and includes images and descriptions of works by these artists to illustrate 16th century artistic styles in different regions.
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Comida fin de curso 2014-2015
La carta invita a una comida de socios para celebrar el fin de curso en La Nau Gran de la Universitat de València el 10 de junio de 2015. Firman la invitación la directora de La Nau Gran, el vicerrector de Cultura de la Universitat de València y el presidente de la Asociación Amigos de La Nau Gran.
BIENVENIDOS A LA GLORIA
GRUPO DE TEATRO AMICS DE LA NAU GRAN
BIENVENIDOS A LA GLORIA
Adaptación y dirección Clemente Carrasco
(sobre una obra de Victor Ruiz Iriarte)
Rostock (Alemania)
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Velázquez was a Spanish painter active in the 1600s who is considered one of the most important artists of the Baroque period. He began his career in Seville, painting religious scenes and portraits in a tenebrist style with strong contrasts of light and shadow. After moving to Madrid in 1623 to work for King Philip IV, his style evolved to include elements of Italian Renaissance painting, becoming softer and more coloristic. Some of his most famous works from this late period include Las Meninas, The Surrender of Breda, and Rokeby Venus. Velázquez was highly influential and helped establish the standards of 17th century portraiture.
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baroqueart.pptx
The Baroque period saw a shift from the calm rationality of the Renaissance to dramatic, emotional art meant to evoke passion. Baroque painting was characterized by deep colors, rich drama, and intense light and dark shadows. Some of the greatest Baroque painters included Caravaggio, known for his realistic depictions and use of lighting; Rembrandt, a master of emotion and lighting; Rubens, who emphasized movement, color and sensuality; Velázquez, a leading artist at the Spanish court and model for realist painting; and Poussin, known for clarity, logic and order who favored line over color. Their works demonstrate the emergence of emotional, dramatic Baroque styles.
A walk around Madrid
This document provides a summary of sights to see on a walk around Madrid, Spain. It describes several prominent landmarks in the city center, including the Royal Palace from the 18th century, Almudena Cathedral from the late 19th/20th centuries, and Plaza Mayor square. It also mentions popular parks like El Retiro, iconic structures like the Cibeles Fountain, and world-renowned art museums such as the Prado, Reina Sofia, and Thyssen Museum.
Neoclassicism, Romanticism, Goya
Neoclassicism and Romanticism were two major artistic movements that emerged in the late 18th and early 19th centuries. Neoclassicism was a return to classical Greco-Roman styles and emphasized order, logic and morality. Romanticism valued emotion, individualism and nature, and was a reaction against Neoclassicism and the rationalism of the Enlightenment. Francisco Goya was a Spanish painter who worked during this period and bridged the styles, producing both Neoclassical court portraits as well as Romantic works reflecting the turmoil of his times through dark and imaginative subjects.
Madrid, a visit
The document provides a historical overview of Madrid, Spain from prehistoric times to the present. It details how Madrid became the capital of Spain in the 16th century under King Felipe II and experienced significant growth and development during the 18th century under King Carlos III. It discusses the War of Independence against Napoleon in the early 19th century and further improvements to the city during the reign of Isabel II, including new buildings and infrastructure. The document concludes with brief descriptions of some prominent neighborhoods, landmarks, and sites around contemporary Madrid like the Royal Palace, Plaza Mayor, and Paseo del Prado.
Art in Detail: Most Important Spanish Artist and Their Masterpieces
Download: http://www.authorstream.com/Presentation/guimera-3257294-art-detail-important-spanish-artist-masterpieces/
Presentación pequeño cicerone
Proyecto sobre una Ruta Turística diseñada y realizada por alumnado de entre 9 y 10 años en su papel de pequeños cicerones o guías, dando las explicaciones de plazas representativas de su ciudad, Córdoba, en inglés para un grupo de turistas. Todo ello enmarcado dentro del Programa Andalucía Profundiza 2014.
Week9 17thand18th C
Martin Luther emphasized that the Bible, not the Pope, was the sole religious authority. He believed that faith alone, not good works, was necessary for salvation. Baroque art emerged during the Counter Reformation and was characterized by dramatic lighting, emotion, and theatricality. Neoclassical art drew from the balanced compositions and restraint of the Italian Renaissance.
Pp Session1
This document provides a list of 22 artworks from the Spanish Golden Age, including the title, artist, and approximate date for each work. The artworks span the 17th century and include paintings in various genres such as portraiture, still life, religious scenes, and allegory by major Spanish artists of the period such as Velázquez, Zurbarán, Ribera, and Murillo.
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...
Questo ciclo di lezioni in lingua inglese, prende il titolo “Un viaggio nell’arte tra l’amore sacro e profano”. In pratica viene messo a confronto il tema iconografico della Madonna con il Bambino e quello di Venere con Cupido attraverso le opere d’arte più rappresentative esposte in quattro tra i più rappresentativi musei d’Europa: The State Hermitage Museum di SanPietroburgo, il Victoria and Albert Museum di Londra, il Museo di Capodimonte di Napoli e il Museo del Prado di Madrid.
Prima di passare alla visione le singole opere d’arte, il progetto prevede un conciso cenno storico circa l’origine e la struttura dei suddetti musei. Le opere che saranno analizzate sono soprattutto dipinti, oscillanti cronologicamente tra l’XI e il XIX secolo, ma non mancherà la descrizione anche di oggetti d’arte di diversa tipologia (sculture, bronzi, arti applicate, etc.). Per ogni opera esaminata, prima della sua descrizione si procederà con una breve introduzione biografica dell’autore.
Baroque, Rococo and New-Classicism in the 19th Century.
It's a powerpoint about three of the main artistic movements of the 19th century. Baroque,Rococo and New-Classicism.
It has many examples which are very famous but people don't know about their origins and what artistic style they belong to.
Baroque Art in the Hispanic Monarchy
The Baroque style flourished in the Hispanic Monarchy during the 17th century. Architecture was characterized by decorative exuberance both inside and out, with churches and squares being the main works. Sculpture focused on religious themes and depicted realistic, often dramatic, images of pain and suffering. Painting was at its Golden Age, with renowned artists like Ribera, Murillo, Zurbarán, and Velázquez producing oil paintings on religious and royal commissions that used techniques like chiaroscuro and complex compositions. Velázquez in particular was a genius known for his portraits, still lifes, and scenes of everyday life.
Comenius Spanish culture throughout its history. ppt
A history of the Spanish culture presented in the 2nd meeting of a Comenius Partnership hold in Sardoal, Portugal in March 2014
Toledo english
Toledo, Spain is known as the city of three cultures due to the long coexistence of Christians, Muslims, and Jews in the city. It is situated on a hill above the Tagus River, about 55 km from Madrid. The old city contains architectural remnants of its Islamic, Christian, and Jewish historical influences, including the Gate of Bisagra entrance and synagogues. A prominent landmark is the Toledo Cathedral, which reflects the city's Gothic, Islamic, Baroque, and Neoclassical artistic periods over time.
Art in the 18th century
The document summarizes art styles in 18th century Europe, including Baroque, Rococo, and Neoclassicism. Rococo originated in Paris in the early 1700s, characterized by bright colors, nature/mythology themes, and gallant/love subjects. It spread to countries like Spain, Germany, and Austria. Neoclassicism emerged in the late 1700s influenced by Enlightenment ideas and archaeological discoveries, drawing inspiration from ancient Greek/Roman art and ideals of order and perfection. The document provides examples of prominent artists and works for each style.
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Art in Detail: Most Important Spanish Artist and Their Masterpieces
Art in Detail: Most Important Spanish Artist and Their Masterpieces
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...
Baroque, Rococo and New-Classicism in the 19th Century.
Baroque, Rococo and New-Classicism in the 19th Century.
Comenius Spanish culture throughout its history. ppt
Comenius Spanish culture throughout its history. ppt
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The document discusses the struggles of artists during the Spanish Golden Age through images of self-portraits by prominent painters like Titian, Rubens, Vicente Carducho, Diego Velazquez, Jose Antolinez, Francisco Zurbaran, and Bartolome Murillo. It also features Zurbaran's paintings of religious scenes and Velazquez's renowned work "Las Meninas".
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This document provides descriptions and images of various artworks from the Spanish Golden Age that depict genre scenes and themes from picaresque literature. The artworks include paintings by major artists such as Velázquez, Murillo, and Ribera showing scenes of everyday life like kitchen maids, musicians, beggars, children, and taverns. They also include engravings from books illustrating the adventures of picaros, or roguish tricksters, that were popular during this time period.
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This document provides an overview of art and culture from the Spanish Golden Age, focusing on still life paintings and depictions of daily life. It lists over 50 artists and artworks from the period, including many still life paintings of fruit, vegetables, flowers and kitchen scenes by artists like Juan Sánchez Cotán, Francisco Zurbarán, and Juan Van der Hamen y León. It also mentions some paintings of religious subjects by artists like Velázquez and images depicting life in Spanish cities and documents like cookbooks from the time.
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The document provides an overview of artworks related to religion and propaganda during the Spanish Golden Age, listing over 30 artists and artworks from the 16th-18th centuries depicting subjects such as the Immaculate Conception, the Holy Family, saints, and religious figures. Key artists mentioned include Velázquez, Murillo, Zurbarán, Ribera, and El Greco. The artworks served religious and propagandistic purposes by promoting Catholic doctrine and the monarchy.
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This document provides an overview of artworks from the Spanish Golden Age that depict visionary religious experiences and processional sculptures. It lists several paintings from the early 17th century by artists like Alonso Cano, Juan Ribalta, and Diego Velázquez that illustrate saints having visions of God or Jesus. It also mentions processional sculptures from the late 16th to early 18th centuries depicting figures like the Virgin Mary and Christ that were featured in Holy Week parades.
Session2
This document provides an overview of religious art from the Spanish Golden Age, including works by major artists like Velázquez, El Greco, Ribera, Caravaggio, Zurbarán, Murillo and others. It features illustrations of paintings depicting biblical scenes like the Crucifixion, Adoration of the Magi, scenes from the life of Christ, and the martyrdom of saints. The works show Spanish artists were highly influenced by Italian masters in their realistic style and dramatic use of light and shadow.
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Acsga Session1
- 1. Art and Culture of the Spanish Golden Age Session 1: Introduction ARTH 299 SPAN 301
- 3. Paella
- 4. Running of the Bulls in San Fermin, Pamplona, Spain
- 5. Tapas
- 8. La Dama de Elche , between 5 th and 2 nd cent. B.C., Museo Arqueológico, Madrid
- 9. Greek ruins in Ampurias, Catalonia, Spain
- 10. Aqueduct of Segovia, 1 st cent. A.D., Segovia, Spain
- 11. Roman Theater of Mérida, 18 B.C., Merida, Spain
- 12. Visigothic votive crown, 649-72, Madrid, Museo Arqueológico
- 13. Interior of the Great Mosque at Córdoba, 8 th cent.-9 th cent., Córdoba, Spain
- 14. Two views of the Alhambra Palace , 13 th cent.-14 th cent., Granada, Spain
- 16. Spain in 1492
- 17. The Catholic Kings , Façade of the University of Salamanca, 1520s, Salamanca, Spain
- 18. Artist unknown, Christopher Columbus landing on Hispaniola , Spanish engraving, 1728.
- 19. Titian, Charles V on Horseback , 1548
- 20. Spanish dominions in the times of Charles V
- 22. Pierre Perret, Philip II, Religion and the Escorial , engraved frontispiece to Luis Cabrera de Córdoba, Felipe II Rey de España , Madrid, 1619
- 23. Juan de Herrera, El Escorial , 1567-1584, San Lorenzo de El Escorial, Madrid, Spain
- 25. Bird’s eye view of the Plaza Mayor, Madrid, Spain
- 26. Juan de la Corte, View of the Plaza Mayor of Madrid in 1623, 1630s Plaza Mayor, Madrid, Municipal building in the southern range
- 27. Juan Pantoja de la Cruz, Philip III , 1606
- 28. Diego Velázquez, Philip IV , 1623-27 Diego Velázquez, The Count-Duke of Olivares on Horseback , 1638
- 29. Juan de Jáuregui, Miguel de Cervantes , 1600 Lisbon edition of El ingenioso hidalgo Don Quixote de la Mancha , 1605
- 30. Artist unknown , Portrait of Francisco de Quevedo , c. 1625-30 Diego Velázquez, Portrait of Luis de Góngora
- 31. Anonymous, Portrait of Lope de Vega , 17 th cent. Juan Alfaro, Portrait of Calderón de la Barca , 17 th cent.
- 32. El Greco, The Fifth Seal of the Apocalypse , 1608-1614
- 33. Bartolomé Esteban Murillo, Urchin Hunting Fleas , c. 1648
- 34. Juan Van der Hamen y León, Still Life ,
- 35. Jusepe Ribera, Martyrdom of Saint Andrew , 1628
- 36. Francisco Zurbarán, The Young Virgin Praying , c. 1632-33
- 37. Diego Velázquez, Las Meninas , 1656
- 38. Sculpture of Velázquez at the entrance of the Prado Museum
- 39. Las Meninas at the Prado Museum
- 40. Paper-mache figures in Madrid store’s balcony
- 41. Pablo Picasso, Detail from Las Meninas after Velázquez , 1957 Equipo Crónica, Las Meninas , or La Salita , 1970