Rubens and van Dyck: Portraits of 17th Century Masters
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... the splendor of Rubens and the elegance of Van Dyck
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Rubens and van Dyck: Portraits of 17th Century Masters
- 3. Rubens and van Dyck Portraits
- 4. Rubens et van Dyck Portraits
- 5. ... the splendor of Rubens and the elegance of Van Dyck ... la splendeur de Rubens et l'élégance de Van Dyck
- 9. RUBENS, Peter Paul Self-Portrait Autoportrait 1623 The Royal Collection, Picture Gallery, Buckingham Palace
- 13. DYCK, Sir Anthony van Sir Anthony van Dyck 1640 National Portrait Gallery, London the Last Self-Portrait le dernier autoportrait
- 14. DYCK, Sir Anthony van Self-Portrait Autoportrait 1621 Metropolitan Museum of Art, New York
- 17. RUBENS, Peter Paul Self portrait with Isabella Brandt, his first wife, in the honeysuckle bower Rubens et Isabella Brant, sa première épouse, sous la tonnelle de chèvrefeuille 1609-1610 Alte Pinakothek, Munich
- 20. DYCK, Sir Anthony van Mary, Lady Van Dyck Mary Ruthven, Lady van Dyck 1640 Museo del Prado, Madrid
- 23. RUBENS, Peter Paul Helene Fourment, second wife of Rubens Hélène Fourment, deuxième épouse de Rubens 1630-1632 Alte Pinakothek, Munich
- 26. RUBENS, Peter Paul Portrait of a Woman. Probably Susanna Fourment, a sister of Helena Fourment, Rubens’s second wife Portrait de femme, probablement Suzanne Fourment 1625-1627 Metropolitan Museum of Art, New York City
- 29. DYCK, Sir Anthony van King Charles I of England, three-quarter portrait Charles Ier , roi d'Angleterre, portrait de trois quarts 1632 Kunsthistorisches Museum Wien, Gemäldegalerie
- 32. RUBENS, Peter Paul Charles the Bold. Portrait of Charles 'the Bold' van Bourgondië Charles le Téméraire. Portrait de Charles le Téméraire, dernier duc de Bourgogne 1618 Kunsthistorisches Museum, Vienna
- 35. RUBENS, Peter Paul Emperor Maximilian I. Portrait de l'Empereur Maximilien Ier 1618 Kunsthistorisches Museum, Vienna
- 38. DYCK, Sir Anthony van Philip, Lord Wharton Portrait de Philip, Lord Wharton 1632 National Gallery of Art, Washington
- 41. DYCK, Sir Anthony van Portrait of Cardinal Guido Bentivoglio Portrait du cardinal Guido Bentivoglio 1623 Galleria Palatina (Palazzo Pitti), Florence
- 44. RUBENS, Peter Paul Anne of Austria Anne d'Autriche, reine de France 1622 Museo Nacional del Prado, Madrid
- 47. DYCK, Sir Anthony van Henrietta Maria of France with Jeffery Hudson Portrait d'Henriette-Marie de France avec Sir Jeffrey Hudson 1633 National Gallery of Art, Washington
- 50. RUBENS, Peter Paul Portrait of Marchesa Brigida Spinola Doria Portrait de Brigida Spinola Doria 1606 National Gallery of Art, Washington
- 53. RUBENS, Peter Paul Marchesa Maria Grimaldi and her Dwarf La Marquise Maria Grimaldi, et son nain 1606 National Trust, Kingston Lacy
- 56. DYCK, Sir Anthony van Marchesa Elena Grimaldi Cattaneo Portrait de la marquise Elena Grimaldi Cattaneo épouse du marquis Nicola Cattaneo 1623 National Gallery of Art, Washington
- 59. DYCK, Sir Anthony van Maria de’ Medici Portrait de Marie de Médicis 1631 Musée des Beaux-Arts, Bordeaux
- 62. RUBENS, Peter Paul Marie de Médici, Queen of France Marie de Médicis, reine de France 1622 Museo del Prado, Madrid
- 64. olga_oes Rubens and van Dyck. Portraits images and text credit www. Music hePianoGuys Beethoven's 5 Secrets created olga.e. thanks for watching
- 65. RUBENS, Peter Paul Anthony Van Dyck 1627-1628 The Royal Collection, Picture Gallery, Buckingham Palace this portrait is a testament to the friendship of the two greatest masters of Flemish seventeenth-century painting ce portrait témoigne l'amitié des deux plus grands maîtres de la peinture flamande du XVIIe siècle
- 66. Pierre Paul Rubens et Antoine van Dyck, les plus grands artistes flamands du XVIIe siècle, étaient des personnalités sur la scène internationale, à savoir celle de l'église catholique et les cours royales et les centres commerciaux de l'Europe. Peintre de tableaux religieux, de scènes mythologiques, d’histoire classique et moderne et de portraits, Rubens a eu un impact plus large que van Dyck. Mais en tant que portraitiste, van Dyck était beaucoup plus influent, surtout en Angleterre, où il a passé la plupart des années 1630 et ses œuvres d'artistes inspirés pour les 150 prochaines années. Van Dyck était aussi un peintre très expressif des thèmes religieux et, en tant que dessinateur, un sensible paysagiste, bien que dans ce dernier domaine Rubens a dépassé tous les autres peintre flamand.
- 67. Peter Paul Rubens and Anthony van Dyck, the greatest Flemish artists of the seventeenth century, were prominent figures on an international stage, namely that of the Catholic church and the royal courts and commercial centers of Europe. As a painter of religious pictures, mythological scenes, classical and modern history, and portraits, Rubens had a broader impact than van Dyck. But as a portraitist, van Dyck was far more influential, especially in England, where he spent most of the 1630s and his works inspired artists for the next 150 years. Van Dyck was also a highly expressive painter of religious themes and, as a draftsman, a sensitive landscapist, although in the latter field Rubens surpassed every other Flemish painter.