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The Achilles Painter White text: p.71 Black text: p.87-89
The Achilles Painter ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dimensions Height: 38.4cm
Inscriptions ,[object Object],[object Object],[object Object]
[object Object],Around the base of the neck there is a “schematic” palmette decoration painted in black slip The shoulder of the vase has been bordered with crude meanders and saltires Decoration Overview The scenes on these funerary lekythoi often had nothing to do with death, but almost all were calm in mood.  On this vase, there is a simple scene showing a woman and her maidservant.
Behind the maidservant, a lekythos and a mantle hang from the wall.  This indicates that the scene is taking place indoors. The young maidservant carries a grey painted casket, which she is offering to her mistress. The glaze paint has worn off the tunic, leaving it transparent. Her hair is coiled on top of her head with a few curls left loose at the front Her body (including the eye) is realistically in profile with her left foot slightly forward of her right.
The mistress’ hair is also coiled up on her head, with a few curls left loose at the front. The brow to the tip of the nose is a straight line.  This is an elegant face. She stands in a realistic position, with her feet frontal.  She turns to look at the servant girl while gesturing with her right hand. She wears a yellow chiton with a red/brown himation over the top. Overall scene is calm and serene with little attention paid to musculature detailing
Painting Technique ,[object Object],[object Object]
[object Object],[object Object],[object Object]
Painting Style ,[object Object],Sculpted figures were made to look god-like, that is non-human, and totally removed from the human world.
Figures appear sculpted rather than painted, and are realistic in profile.  They have long necks. Faces are cool and aloof.  They almost look severe, or god-like. Unlike earlier vases, there is little attempt to make figures look as though they are moving – they make few gestures.
The profile eye is much more realistic with an almost invisible pupil and a single curved line for the eyelashes.

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Achilles Painter

  • 1. The Achilles Painter White text: p.71 Black text: p.87-89
  • 2.
  • 3.
  • 5.
  • 6.
  • 7. Behind the maidservant, a lekythos and a mantle hang from the wall. This indicates that the scene is taking place indoors. The young maidservant carries a grey painted casket, which she is offering to her mistress. The glaze paint has worn off the tunic, leaving it transparent. Her hair is coiled on top of her head with a few curls left loose at the front Her body (including the eye) is realistically in profile with her left foot slightly forward of her right.
  • 8. The mistress’ hair is also coiled up on her head, with a few curls left loose at the front. The brow to the tip of the nose is a straight line. This is an elegant face. She stands in a realistic position, with her feet frontal. She turns to look at the servant girl while gesturing with her right hand. She wears a yellow chiton with a red/brown himation over the top. Overall scene is calm and serene with little attention paid to musculature detailing
  • 9.
  • 10.
  • 11.
  • 12. Figures appear sculpted rather than painted, and are realistic in profile. They have long necks. Faces are cool and aloof. They almost look severe, or god-like. Unlike earlier vases, there is little attempt to make figures look as though they are moving – they make few gestures.
  • 13. The profile eye is much more realistic with an almost invisible pupil and a single curved line for the eyelashes.

Editor's Notes

  1. Nevertheless, over ½ of the vases he painted were white-ground funerary lekythoi
  2. It has been argued that since the scenes are not to do with death, the vases could not have been funerary lekythoi. Not true. Most were recovered from tombs.