The Berlin Painter Jse
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The document describes a volute krater painted by the Berlin Painter around 500-480 BC that depicts scenes from the Trojan War featuring Achilles. The vase uses a red-figure technique and has symmetrical scenes of Achilles fighting Memnon and Hector painted around its neck, with the body left black. Key details about the composition, figures, and painting technique are provided.
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The francois vase
The document summarizes the decoration and scenes depicted on the Francois Vase located in Florence, Italy. Dating to around 570 BCE, the vase depicts myths from Greek mythology painted in black figure technique across seven friezes. Major scenes include the wedding of Peleus and Thetis, the hunt for the Calydonian boar, Achilles' pursuit of Troilus, and the battle between the Lapiths and Centaurs. The vase provides important artistic and mythological details from the archaic period of ancient Greece.
1 Francois Vase
1. The Francois Vase is known as such because it was found by Alessandro Francois in 1845 at Chiusi by an Etruscan tomb.
2. Like many black-figure vases from 599-500 BC, it tells stories and myths through images rather than purely decorative designs seen on earlier vases.
3. It represents a development from earlier styles in that it has a main frieze that encircles the vase, and it replaces some animal figures with narrative scenes, techniques begun by earlier painters.
3. Exekias Belly Amphora
This belly amphora from 550-40 BC was painted by Exekias, one of the greatest artists of the black-figure technique. On side A it depicts Achilles and Ajax playing a board game. On side B it shows the return of Castor and Pollux to their parents Leda and Tyndareas. Exekias was skilled at using details and composition to create naturalistic scenes. He arranged the figures and spears in an inverted composition to balance the material and highlight the shape of the vase. The anatomical details and folds of clothing conveyed movement, narrative, and mood.
2 Lydos Column Krater
This krater from 550-40 BC depicts the return of Hephaistos from Mount Etna to Olympus, led by Dionysus. They are accompanied by satyrs and maenads. The krater was painted by Lydos, who was from Lydia but worked in Athens. His figures are larger than those of Kleitias but have a similar style. The krater shows developments from the Francois Vase, including a continuous theme around the vase and more lively gestures and movements to convey emotion.
7. Euphronios Calyx Krater
This passage summarizes information about an ancient Greek calyx krater painted by Euphronios between 510-500 BC. It describes the vase's dimensions, subject matter depicting Heracles and Antaeus on one side and a youth playing the flute on the other. Details are provided about Euphronios' painting style including anatomical features and use of brushwork. The summary highlights key differences in how Euphronios portrayed the myth of Heracles and Antaeus compared to other versions.
12. Berlin Volute Krater
This document summarizes a volute krater painted by the Berlin Painter dated between 500-480 BC. It depicts two scenes related to the Trojan War. Side A shows Achilles fighting Memnon of Ethiopia watched by their mothers Thetis and Eos. Side B shows Achilles fighting Hector the Trojan watched by Athena and Apollo. The figures are depicted in a linear style with an emphasis on anatomy and movement to convey the narrative.
8. Euthymides Belly Amphora
This document summarizes and analyzes a red-figure belly amphora painted by the ancient Greek artist Euthymides in the early 5th century BC. Some key details include:
- The amphora depicts the arming of Hector on one side and three drunken revelers on the other.
- Euthymides was part of the pioneering group of artists who developed the new red-figure technique, allowing for greater precision and realistic human figures.
- His style is characterized by thick, fleshy figures with an interest in foreshortening and showing the body in complex twisting poses in space.
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1 Francois Vase
1. The Francois Vase is known as such because it was found by Alessandro Francois in 1845 at Chiusi by an Etruscan tomb.
2. Like many black-figure vases from 599-500 BC, it tells stories and myths through images rather than purely decorative designs seen on earlier vases.
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7. Euphronios Calyx Krater
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This document summarizes and analyzes a red-figure belly amphora painted by the ancient Greek artist Euthymides in the early 5th century BC. Some key details include:
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- Euthymides was part of the pioneering group of artists who developed the new red-figure technique, allowing for greater precision and realistic human figures.
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1. This hydriai dates to 410 BC and was painted by the Meidias Painter.
2. The upper frieze depicts the abduction of the daughters of Leukippos by Castor and Pollux, while the lower frieze shows Heracles seeking the golden apples of the Hesperides.
3. The Meidias Painter demonstrates great skill in arranging the complex compositions to fit the shape of the vase, using different figure levels to suggest depth and space.
10. Kleophrades Pointed Amphora
This document provides a detailed description and analysis of a pointed amphora painted by Kleophrades Painter around 500-490 BC. The main scene depicts Dionysus surrounded by satyrs and maenads in ecstatic revelry. Additional details include the painter's background, style which shows influence from his teacher Euthymides, and use of anatomical precision and complex poses in his depictions of athletes on the neck of the vase.
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9. Makron Skyphos
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4. Exekias Eye Cup
This document summarizes an "eye-cup" painted by Exekias around 550-530 BC. The cup has large eyes painted on the outside, giving it its name. On the inside, the entire interior surface is painted rather than just a framed square, depicting Dionysus surrounded by dolphins and grapes. This cup represents innovations in its shape, larger interior scene, and apotropaic eyes painted on the outside.
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2) Explanations of the myths of Orpheus seeking the return of his wife Eurydice from the Underworld, and Persephone's annual return from the Underworld each spring.
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The document is a study guide for Greek mythology slides that includes summaries of various myths featuring prominent Greek gods such as Zeus, Artemis, Apollo, Poseidon, Athena, Ares, Aphrodite, Dionysus, Hermes, and Prometheus. The slides depict stories like the killing of Niobe's children by Artemis and Apollo, Aphrodite and Ares' relationship, Heracles' labors, Zeus' battles against the Titans and Giants, and Zeus' romances with Europa and Ganymede.
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The document provides background information on Homer's epic poem The Iliad, including its date, themes, and mythological context. It discusses important characters, events, and stories that are referenced in The Iliad, such as the Trojan War, the judgment of Paris, and the wedding of Peleus and Thetis. Key terms like "epic" and "oral tradition" are also explained. Students are instructed to analyze the opening of The Iliad and choose a passage to write a response on for the next class.
Homer’s iliad
The Iliad by Homer tells the story of the Trojan War. It focuses on the quarrel between Achilles and Agamemnon and its consequences. When Agamemnon takes Briseis, one of Achilles' war prizes, Achilles withdraws from battle in protest. Without Achilles, the Greeks are pushed back by the Trojans led by Hector. Patroclus wears Achilles' armor into battle, but is killed by Hector. In revenge, Achilles ends his feud and returns to the fighting, killing Hector. The epic concludes with Hector's funeral.
Kleophrades Painter Hydria Jse
1. The document describes a red-figure hydria painted by the Kleophrades Painter around 500-480 BC depicting scenes from the sack of Troy.
2. The scenes show the death of King Priam, the rape of Cassandra, and the escape of Aeneas carrying his father and son to found a new Troy.
3. The painter uses techniques like foreshortening and continuous narrative friezes to realistically portray the horrors of war and its impact on the defeated Trojans.
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The document provides details about an Attic red-figure krater painted by the Berlin Painter around 500-480 BC. The krater depicts scenes from the Trojan War featuring Achilles battling Memnon on one side and Hector on the other. Both scenes are framed by figures and composed symmetrically. The Berlin Painter was one of the most important red-figure artists of the period and was known for his skill in depicting delicate figures.
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The document summarizes the decoration on the Niobid Painter Calyx Krater located in the British Museum. On Side A, the scene possibly depicts Heracles leading Theseus, Peirithous, and other warriors. On Side B, the scene depicts Apollo and Artemis killing Niobe's children as punishment for Niobe's boasting about her superior status to Leto. The Niobid Painter was innovative in his use of multiple figures, groundlines, and shading to create a sense of depth and connection to Greek sculpture.
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- The Andokides Painter is considered one of the first innovators of red figure painting in the early 5th century BC, experimenting with painting figures on both sides of some vases in both black and red figure styles.
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2. The scenes show the death of King Priam, the rape of Cassandra, and the escape of Aeneas carrying his father and son to found a new Troy.
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The document provides details about an Euthymides belly amphora from around 510-500 BC. It describes that Euthymides was part of the pioneering group of vase painters along with Euphronios. His style is subtly different than Euphronios, with heavier figures and simpler details. The amphora depicts a scene of Hector saying goodbye to his parents on one side and three drunken revelers returning from a symposium on the other. It analyzes Euthymides' improvements to composition, drapery, poses and use of diluted glaze to show anatomical details more realistically compared to earlier works.
Euthymides Jse
The document provides details about an Euthymides belly amphora from around 510-500 BC. It describes that Euthymides was part of the pioneering group of vase painters along with Euphronios. His style is subtly different than Euphronios, with heavier figures and simpler details. The amphora depicts a scene of Hector saying goodbye to his parents on one side and three drunken revelers returning from a symposium on the other. It analyzes Euthymides' improvements to composition, drapery, poses and use of diluted glaze to show anatomical details more realistically compared to earlier works.
5. Amasis Lekythos (Weaving)
This document summarizes an Amasis Painter lekythos from 550-540 BC depicting a weaving scene. The Amasis Painter, who was possibly of Egyptian origin, was one of the earliest adopters of the sinuous drapery style. This early work of his shows a domestic scene of women at work at a loom in the center frieze, with additional women performing other tasks like spinning and folding clothes. A lower frieze depicts dancers and figures in symmetrical composition.
6 Makron skyphos.ppt
I do not have enough context to summarize this document. It appears to be detailed descriptions of images and text on an ancient Greek vase. Could you provide some additional context on what you would like the summary to focus on or what the key takeaways should be? Summarizing long, technical documents requires understanding the intended purpose or audience.
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The Berlin Painter Jse
- 1. The Berlin Painter White text: p.54-55 Black text: p.69-73
- 4. Dimensions Height: 65 cm
- 6. One of the artist’s favourite compositions was spotlighting a single figure against a black background with no framing panel. In this way they appear light and graceful, as if floating on the vase. There is no decoration on the body of the vase, except for a coating of shiny black glaze and a band of stylised rays at the base of the belly. Decoration Overview
- 9. Side A Achilles Fights Memnon Both figures are slender, athletic and well-muscled.
- 10. Memnon holds up his shield to block Achilles’ spear, while he prepares to lunge forward with his own weapon. Raised heels suggest he is rushing forward Achilles has his shield ready to block Memnon’s sword, and is also moving forward to thrust with his spear.
- 11. Here we can clearly see Thetis, mother of Achilles. She supports her son, raising her arms and urging him on to defeat Memnon This is Eos (Dawn). She stands behind her son, Memnon. She raises her hand, either in support or anguish. Her drapery hangs in zig-zag folds, and suggests she is moving away. The two mothers frame the warriors in the centre.
- 12. Side B Achilles Fights Hector
- 13. Again, Achilles has his shield ready to block, and, with his legs apart and his right heel raised, he is moving forward to deliver the fatal blow to the already wounded Hector. Achilles is in a very strong body position. Hector’s shield is behind him, leaving him unprotected. His spear is pointing at the ground – not a threatening position for Achilles. Perhaps Achilles has just fended off a spear-thrust with his shield. He is leaning backwards, and has a weak position, with left knee bent. He has two bleeding wounds already – one on his thigh, and one on his chest.
- 16. Above the scene is a lotus and palmette band. Below the scene is a band of stylised meanders .
- 17. There is no overlapping, but the positioning of Achilles’ shield helps to create depth and a three-dimensional effect.
- 18. Achilles’ ¾ view pose is mirrored on both sides. Side A Side B
- 19. Both sides are composed in a W-shape, and both sides are symmetrical. The two outer figures frame the central pair.
- 20. Painting Technique This is a Red-Figure vase, so the figures are first painted with a relief line, then the background is filled in with black slip. Next, extra details were added later in diluted slips.
- 21. Painting Technique Major muscles are painted with dark slip, while minor muscles are painted with dilute slip. Dilute slip is also used for detail on the inside of the shields, as well as Hector’s wounds. Dilute slip is also used for Achilles’ hair.
- 22. Achilles’ spear-arm is foreshortened.
Editor's Notes
- This is typical of his style – single figures against a totally black background.
- The krater is so large it would have taken 2 slaves to carry it!
- This has no mythical background – it is not a scene from the iliad
- The fight scene is frozen – emphasis is on the pose of the warriors as they prepare to strike, not on the clash itself. Both warriors are nude – customary way to show heroic status – also chance to show skill at depicting musculature
- Use of hand gestures here is a method of telling story
- Hector appears to be stumbling backwards – left hand behind as if to stop him falling backwards?