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Mr. VINODKUMAR ASHOK PRADHAN
Assistant Professor,
Department of English,
Sadashivrao Mandlik Mahavidyalaya, Murgud
Tal. Kagal, Dist. Kolhapur – 416 219.
pradhanvinod99@yahoo.com
9960733174
1
Periods of English Literature
 450-1066 Old English (or Anglo-Saxon) Period
 1066-1500 Middle English Period
 1500-1660 The Renaissance (or Early Modern)
 1558-1603 Elizabethan Age
 1603-1625 Jacobean Age
 1625-1649 Caroline Age
 1649-1660 Commonwealth Period (or Puritan Interregnum)
 1660-1785 The Neoclassical Period
 1660-1700 The Restoration
 1700-1745 The Augustan Age (or Age of Pope)
 1745-1785 The Age of Sensibility (or Age of Johnson)
 1785-1830 The Romantic Period
 1832-1901 The Victorian Period
 1848-1860 The Pre-Raphaelites
 1880-1901 Aestheticism and Decadence
 1901-1914 The Edwardian Period
 1910-1936 The Georgian Period
 1914- The Modern Period
 1945- Postmodernism 2
3
ROMANTIC POETRY (1798 – 1832)
 What is mean by Romantic?
• Someone who is not practical and has ideas that are
not related to real life
 What is Romanticism?
• Describing things in a way that makes them sound
more exciting and mysterious than they really are
 OR
 A style of art, music and literature popular in
Europe in the late 18th and early 19th centuries,
that deals with the beauty of nature and human
emotions
- Cambridge Advanced Learner’s Dictionary
4
ROMANTIC POETRY (1798 – 1832)
 Some other definitions…
 The addition of strangeness to beauty – Pater
 The desire of beauty being a fixed element in
every artistic organization, it is the addition of
curiosity to this desire of beauty that constitute
the romantic temper
 Key-words to remind
 Curiosity and beauty – important elements
in romantic poetry
 First intellectual, other emotional
5
ROMANTIC POETRY (1798 – 1832)
◦ Other qualities…
 Romantic Poetry is considered as ‘Liberalism in
Literature’.
 It’s a subtle sense of mystery, an exuberant
intellectual curiosity and an instinct for the
elemental simplicities of life.
 Free from rules and regulations, leaves its
pursuers free for their romantic fancy
 Paves the way for wonder, delight, a new way of
looking at life
 The way of exuberance and emotional
enthusiasm
6
ROMANTIC POETRY (1798 – 1832)
◦ Characteristics…
 Break from set rules
 Interest in country-life
 Presentation of common life
 Love of liberty and freedom
 Escape to the Middle Ages
 Predominance of imagination and emotion
 Supernaturalism
 Note of subjectivity
 Endless variety in romantic poetry
 Lyricism
 Simplicity in style
7
ROMANTIC POETRY (1798 – 1832)
◦ Characteristics…
 Break from set rules: (unlike 18th cent. poetry,) “The
romantic movement was marked &is always marked by
a strong reaction and protest against the bondage of rule
and custom, which, in science and theology, as well as in
literature, generally tend to fetter the free human spirit.” –
W. J. LONG
 Interest in Country-life: Instead of clubs, coffee houses,
drawing rooms & social- political life of London i.e. town
life, Romantic poets interested in natural physical and
spiritual beauty, loveliness; charm in the wild flowers,
green fields, chirping birds e.g. Wordsworth
 Presentation of common life: the poets were interested
in common life, the shepherds, the cottages – had
intense human sympathy & understanding of the human
heart e.g. Wordsworth, Shelley & Byron 8
Characteristics…
 Love of liberty & Freedom: Emphasis on liberty & freedom
of the individual – poets were rebels against tyranny &
brutality by the tyrants and despots over human beings
suffering from poverty and inhuman laws.
 escape to the Middle Ages: Escape from the sorrows &
sufferings of the time to the Middle Age of enough beauty &
joy as it satisfy their emotional & intellectual sense
 Predominance of imagination & emotion: In this poetry,
reason & intellect was replaced by imagination, emotion &
passion – hence many poets exhibit heightened emotional
sensibilities & imaginative flights of genius
 Supernaturalism: A sense of wonder & mystery imparted
by Coleridge & Scott – it gave an atmosphere of wonder &
mystery, uncanniness & eerie (mysteriously frightening)
feeling,
ROMANTIC POETRY (1798 – 1832)
9
ROMANTIC POETRY (1798 – 1832)
Characteristics…
 Note of Subjectivity: the poets were giving subjective
interpretation of objective realities of life i.e. individualistic in
outlook – “The romantic movement was the expression of
individual genius rather than of established rules.” – W.J.LONG
– “Romantic movement was in expression of ‘id’”. – LUCAS
 Endless variety in romantic poetry: Endless variety because
the character & moods of different writers – “When we read
Pope, for instance, we have a general impression of sameness
but in the work of the best romanticists there is endless variety.
To read them is like passing through a new village, meeting a
score of different human types, and finding in each one
something to love or to remember.” – W.J. LONG
 Lyricism: In romantic poetry lyricism predominates with heroic
couplet of classical age in melody & sweetness of tone.
 Simplicity of style: Instead of inflated & artificial mode like the
classical poets, romantic poets have a more natural diction &
spontaneous way of expressing thoughts.
10
 Auguries of Innocence
 A Cradle Song
 A Dream
 Holy Thursday
 Infant Joy
 Laughing Song
 Night
 Nurse’s Song
 The Four Zoas (Tyger)
 The innvocation
 The Little Lamb
 Longdon
11
 All Is Vanity, Saieth the Preacher
 Prometheus
 She Walks in Beauty
 The Eve of Waterloo
 When We Two Parted
12
 A Thing of Beauty
 Bright Star
 Fancy
 Happy Insensibility
 La Belle Dame Sans Mercy
 Ode on a Grecian Urn
 Ode on Indolence
 Ode on Melancholy
 Ode to a Nightingale
 Ode to Psyche
 One Fame
 Robin Hood, to a Friend
 The Human Seasons
 This Living Hand
 To Autumn
 To Hope
 To Sleep When I Have Fears That I
May Cease To Be
 The Seven Sisters
 The Tables
 Turned
 To a Butterfly
 To The Cuckoo
 The Solitary Reaper
 The World is Too Much
With Us
 To A Skylark
 The Simplon Pass
13
 Human Life
 Lines
 The Rime of the Ancient
Mariner
 To William Wordsworth
 Kubla Khan
 Song
 To Nature
 What is Life?
 Ode to A Skylark
 Adonais: An Elegy on the
Death of John Keats
 Song
 To Night
 Mutability
 Ode To The West Wind
 Ozymandias
 When the Lamp is
Shattered
 The Cloud
 Queen Mab
14
 A Wish
 Dover Beach
 Growing Old
 Philomela
 The Future
 The Pagan World
 The Voice
 Consolation
 East London
 Hayeswater
 Shakespeare
 The Last Word
 The Scholar Gypsy
 To Marguerite
 First Love
 I am
 I Hid My Love
 Remembrances
 Evening Primrose
 The Instinct of Hope
Let’s have a Recap Now…
15
16

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A presentation on romantic poetry by asst. prof. vinodkumar pradhan

  • 1. Mr. VINODKUMAR ASHOK PRADHAN Assistant Professor, Department of English, Sadashivrao Mandlik Mahavidyalaya, Murgud Tal. Kagal, Dist. Kolhapur – 416 219. pradhanvinod99@yahoo.com 9960733174 1
  • 2. Periods of English Literature  450-1066 Old English (or Anglo-Saxon) Period  1066-1500 Middle English Period  1500-1660 The Renaissance (or Early Modern)  1558-1603 Elizabethan Age  1603-1625 Jacobean Age  1625-1649 Caroline Age  1649-1660 Commonwealth Period (or Puritan Interregnum)  1660-1785 The Neoclassical Period  1660-1700 The Restoration  1700-1745 The Augustan Age (or Age of Pope)  1745-1785 The Age of Sensibility (or Age of Johnson)  1785-1830 The Romantic Period  1832-1901 The Victorian Period  1848-1860 The Pre-Raphaelites  1880-1901 Aestheticism and Decadence  1901-1914 The Edwardian Period  1910-1936 The Georgian Period  1914- The Modern Period  1945- Postmodernism 2
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  • 4. ROMANTIC POETRY (1798 – 1832)  What is mean by Romantic? • Someone who is not practical and has ideas that are not related to real life  What is Romanticism? • Describing things in a way that makes them sound more exciting and mysterious than they really are  OR  A style of art, music and literature popular in Europe in the late 18th and early 19th centuries, that deals with the beauty of nature and human emotions - Cambridge Advanced Learner’s Dictionary 4
  • 5. ROMANTIC POETRY (1798 – 1832)  Some other definitions…  The addition of strangeness to beauty – Pater  The desire of beauty being a fixed element in every artistic organization, it is the addition of curiosity to this desire of beauty that constitute the romantic temper  Key-words to remind  Curiosity and beauty – important elements in romantic poetry  First intellectual, other emotional 5
  • 6. ROMANTIC POETRY (1798 – 1832) ◦ Other qualities…  Romantic Poetry is considered as ‘Liberalism in Literature’.  It’s a subtle sense of mystery, an exuberant intellectual curiosity and an instinct for the elemental simplicities of life.  Free from rules and regulations, leaves its pursuers free for their romantic fancy  Paves the way for wonder, delight, a new way of looking at life  The way of exuberance and emotional enthusiasm 6
  • 7. ROMANTIC POETRY (1798 – 1832) ◦ Characteristics…  Break from set rules  Interest in country-life  Presentation of common life  Love of liberty and freedom  Escape to the Middle Ages  Predominance of imagination and emotion  Supernaturalism  Note of subjectivity  Endless variety in romantic poetry  Lyricism  Simplicity in style 7
  • 8. ROMANTIC POETRY (1798 – 1832) ◦ Characteristics…  Break from set rules: (unlike 18th cent. poetry,) “The romantic movement was marked &is always marked by a strong reaction and protest against the bondage of rule and custom, which, in science and theology, as well as in literature, generally tend to fetter the free human spirit.” – W. J. LONG  Interest in Country-life: Instead of clubs, coffee houses, drawing rooms & social- political life of London i.e. town life, Romantic poets interested in natural physical and spiritual beauty, loveliness; charm in the wild flowers, green fields, chirping birds e.g. Wordsworth  Presentation of common life: the poets were interested in common life, the shepherds, the cottages – had intense human sympathy & understanding of the human heart e.g. Wordsworth, Shelley & Byron 8
  • 9. Characteristics…  Love of liberty & Freedom: Emphasis on liberty & freedom of the individual – poets were rebels against tyranny & brutality by the tyrants and despots over human beings suffering from poverty and inhuman laws.  escape to the Middle Ages: Escape from the sorrows & sufferings of the time to the Middle Age of enough beauty & joy as it satisfy their emotional & intellectual sense  Predominance of imagination & emotion: In this poetry, reason & intellect was replaced by imagination, emotion & passion – hence many poets exhibit heightened emotional sensibilities & imaginative flights of genius  Supernaturalism: A sense of wonder & mystery imparted by Coleridge & Scott – it gave an atmosphere of wonder & mystery, uncanniness & eerie (mysteriously frightening) feeling, ROMANTIC POETRY (1798 – 1832) 9
  • 10. ROMANTIC POETRY (1798 – 1832) Characteristics…  Note of Subjectivity: the poets were giving subjective interpretation of objective realities of life i.e. individualistic in outlook – “The romantic movement was the expression of individual genius rather than of established rules.” – W.J.LONG – “Romantic movement was in expression of ‘id’”. – LUCAS  Endless variety in romantic poetry: Endless variety because the character & moods of different writers – “When we read Pope, for instance, we have a general impression of sameness but in the work of the best romanticists there is endless variety. To read them is like passing through a new village, meeting a score of different human types, and finding in each one something to love or to remember.” – W.J. LONG  Lyricism: In romantic poetry lyricism predominates with heroic couplet of classical age in melody & sweetness of tone.  Simplicity of style: Instead of inflated & artificial mode like the classical poets, romantic poets have a more natural diction & spontaneous way of expressing thoughts. 10
  • 11.  Auguries of Innocence  A Cradle Song  A Dream  Holy Thursday  Infant Joy  Laughing Song  Night  Nurse’s Song  The Four Zoas (Tyger)  The innvocation  The Little Lamb  Longdon 11  All Is Vanity, Saieth the Preacher  Prometheus  She Walks in Beauty  The Eve of Waterloo  When We Two Parted
  • 12. 12  A Thing of Beauty  Bright Star  Fancy  Happy Insensibility  La Belle Dame Sans Mercy  Ode on a Grecian Urn  Ode on Indolence  Ode on Melancholy  Ode to a Nightingale  Ode to Psyche  One Fame  Robin Hood, to a Friend  The Human Seasons  This Living Hand  To Autumn  To Hope  To Sleep When I Have Fears That I May Cease To Be  The Seven Sisters  The Tables  Turned  To a Butterfly  To The Cuckoo  The Solitary Reaper  The World is Too Much With Us  To A Skylark  The Simplon Pass
  • 13. 13  Human Life  Lines  The Rime of the Ancient Mariner  To William Wordsworth  Kubla Khan  Song  To Nature  What is Life?  Ode to A Skylark  Adonais: An Elegy on the Death of John Keats  Song  To Night  Mutability  Ode To The West Wind  Ozymandias  When the Lamp is Shattered  The Cloud  Queen Mab
  • 14. 14  A Wish  Dover Beach  Growing Old  Philomela  The Future  The Pagan World  The Voice  Consolation  East London  Hayeswater  Shakespeare  The Last Word  The Scholar Gypsy  To Marguerite  First Love  I am  I Hid My Love  Remembrances  Evening Primrose  The Instinct of Hope
  • 15. Let’s have a Recap Now… 15
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