5. script
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The podcast discusses upcoming sci-fi films like Morbius, Venom 2, and Ghostbusters: Afterlife. For Venom 2, leaked images from the set show references to Spider-Man, fueling speculation that Tobey Maguire's Spider-Man may appear. While Morbius connects to either the Tom Holland or Tobey Maguire Spider-Man franchises, Easter eggs point to a potential live-action Spider-verse movie connecting all three. A new Ghostbusters film will be a third installment focused on the original male characters, rather than a sequel to the female-led reboot.
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Fmp audit march 2018 william young
The document describes a proposed student film project for a documentary about animator Monty Oum. The student would create a trailer featuring clips of Oum set to music from his popular web series RWBY. The trailer would end with the title "Indomitable" and a 2019-2020 release date. Additionally, the student proposes creating posters, including one featuring half of Oum's face and half of the main RWBY character's face, to depict Oum and the series he created. Inspiration comes from documentaries about real people and events like Dunkirk, Downfall, and Bohemian Rhapsody.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
Shaun of the Dead Analysis
Shaun of the Dead is a British comedy horror film set in London that draws on multiple genres including romance, horror, and comedy. It follows Shaun and his friends as they deal with a zombie outbreak. The film uses fast editing, quick cuts, and pans to keep the story moving at a fast pace for entertainment. It features British stars like Simon Pegg and was directed, written, and crewed primarily by British talent to accurately portray British life. The film incorporates various music, both for comedy and tension, including Queen songs and the iconic theme "The Blue Wrath."
Evaluation Question Three: Audience Feedback
The feedback on the trailer was mostly positive, with some constructive criticism. Viewers enjoyed the characters and music selection. However, some felt the fight scenes dragged on making the trailer too long, and could have been more snappy. The filmmaker was glad subtle elements were noticed but agrees the fights could have been shortened to improve pacing. Overall the length was acceptable based on inspiration, but could be trimmed in the future.
Pulp fiction postmodernism
Pulp Fiction exhibits several characteristics of postmodern film. It contains many intertextual references to other films and cultural icons from the 1950s. For example, a scene set in a 1950s-themed restaurant features Marylyn Monroe and Buddy Holly serving the protagonists. The film also has a fragmented narrative structure and hybrid elements. These postmodern traits create a disorienting experience for audiences. Additionally, Tarantino stated that he wanted different viewers to take away different meanings from the film. This aligns with postmodern thinking that there is no single truth or absolute meaning.
From Hell - Opening Sequence Analysis
The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.
Comparison essay
The document compares the animated films Hunchback of Notre Dame and its sequel Hunchback of Notre Dame II. While both are set in the same location of Notre Dame, the sequel features weaker characters, storylines, animation quality, and soundtrack compared to the original beloved film. Specifically, the main character Quasimodo is less fearful and conflicted, the villains are less powerful, the animation lacks detail, and the soundtrack fails to use music to enhance emotions as effectively as the first movie. Overall, the analysis concludes that sequels do not always live up to the original work and it's best to leave a good movie as is rather than risk a subpar follow up.
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Fmp audit march 2018 william young
The document describes a proposed student film project for a documentary about animator Monty Oum. The student would create a trailer featuring clips of Oum set to music from his popular web series RWBY. The trailer would end with the title "Indomitable" and a 2019-2020 release date. Additionally, the student proposes creating posters, including one featuring half of Oum's face and half of the main RWBY character's face, to depict Oum and the series he created. Inspiration comes from documentaries about real people and events like Dunkirk, Downfall, and Bohemian Rhapsody.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
Shaun of the Dead Analysis
Shaun of the Dead is a British comedy horror film set in London that draws on multiple genres including romance, horror, and comedy. It follows Shaun and his friends as they deal with a zombie outbreak. The film uses fast editing, quick cuts, and pans to keep the story moving at a fast pace for entertainment. It features British stars like Simon Pegg and was directed, written, and crewed primarily by British talent to accurately portray British life. The film incorporates various music, both for comedy and tension, including Queen songs and the iconic theme "The Blue Wrath."
Evaluation Question Three: Audience Feedback
The feedback on the trailer was mostly positive, with some constructive criticism. Viewers enjoyed the characters and music selection. However, some felt the fight scenes dragged on making the trailer too long, and could have been more snappy. The filmmaker was glad subtle elements were noticed but agrees the fights could have been shortened to improve pacing. Overall the length was acceptable based on inspiration, but could be trimmed in the future.
Pulp fiction postmodernism
Pulp Fiction exhibits several characteristics of postmodern film. It contains many intertextual references to other films and cultural icons from the 1950s. For example, a scene set in a 1950s-themed restaurant features Marylyn Monroe and Buddy Holly serving the protagonists. The film also has a fragmented narrative structure and hybrid elements. These postmodern traits create a disorienting experience for audiences. Additionally, Tarantino stated that he wanted different viewers to take away different meanings from the film. This aligns with postmodern thinking that there is no single truth or absolute meaning.
From Hell - Opening Sequence Analysis
The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.
Comparison essay
The document compares the animated films Hunchback of Notre Dame and its sequel Hunchback of Notre Dame II. While both are set in the same location of Notre Dame, the sequel features weaker characters, storylines, animation quality, and soundtrack compared to the original beloved film. Specifically, the main character Quasimodo is less fearful and conflicted, the villains are less powerful, the animation lacks detail, and the soundtrack fails to use music to enhance emotions as effectively as the first movie. Overall, the analysis concludes that sequels do not always live up to the original work and it's best to leave a good movie as is rather than risk a subpar follow up.
Pulp fiction
Pulp Fiction exhibits several postmodern features including intertextuality, pastiche, hybridity, and a disjointed narrative structure. First, it incorporates references to other films and genres. Second, it is composed of different storylines and genres borrowed from other works. Third, it mixes different tones and levels of feeling in a disorienting way. Finally, its narrative constantly changes perspective and is fragmented in terms of time and space. These postmodern elements come together to create a film that feels like many films in one.
Pulp fiction post modernism
Pulp Fiction can be considered a postmodern film for several reasons:
1) It has a non-linear narrative structure that is split into three separate stories and requires the viewer to pay attention to piece together the timeline of events.
2) It incorporates intertextuality by including references to other works, such as characters quoting from the Bible or hairstyles mirroring those in other films.
3) It flattens effects by juxtaposing casual discussions of drugs, crime, and sex with normal conversations, which decreases the dramatic effect and deviates from film norms.
Jackie brown film analysis
The film begins by following an airline hostess named Jackie Brown through LAX airport. As she walks to her gate, the song "Across 110th Street" plays, referencing the lives of criminals in the streets. When we see Jackie Brown's face, we realize she is played by Pam Grier, hinting at the criminal activities to come in the film. The document then analyzes how the film portrays racial stereotypes and their influence on how different races are treated and perceived in society. It argues the film suggests blacks cannot succeed legally in America due to these stereotypes and racial inequalities.
Intertextuality in Music Videos
This includes a description of what intertextuality is and how it relates to music videos, it also has examples of intertextuality in music videos and includes my own ideas on intertextuality for my music video, which i'm creating for a2 media studies.
Zombieland analysis
The title sequence of Zombieland establishes that the film is set in a post-apocalyptic America overrun by zombies through imagery of American icons like prisons, money, and firefighters. It also establishes the film's genre as a horror comedy through its use of gory and graphic zombie attacks shown in a slow motion, humorous way, with conventions of both genres represented. The sequence does not introduce any main human characters but establishes the zombies as antagonists and sets expectations that society has collapsed with no one safe from the zombies.
World war z analysis
The opening scene of World War Z establishes a sense of normalcy and tranquility in the world. It then juxtaposes this with reports of various problems in modern society, such as environmental and medical issues. This unsettling information foreshadows a coming disruption, arousing the audience's curiosity about what event will upset the status quo. Camera work uses a variety of shots and angles to convey information while building a sense of tension through the pacing of the music and overlapping news stories.
World War Z Analysis
The document provides an analysis of the opening sequence of the film "World War Z". It summarizes the techniques used in the opening, including establishing shots showing modern society's problems, the use of music and camera work to build tension, and text that leaves the audience wondering what is causing strange animal behavior as a foreshadowing of the disruption to come. The analysis discusses several film theories and how they apply or don't fully apply to the opening sequence of "World War Z".
Opening credit analysis of world war z
The opening credits of World War Z use a combination of shots, sounds, editing, and imagery to set the tone for the film. Wide shots show large groups of people going about their morning routines, suggesting normalcy. As the credits continue, the music becomes darker and news reports mention issues like pollution and terrorism. Close-up shots of ants working together are followed by ants eating a dead animal, possibly foreshadowing human conflict. Through gradual changes in these elements, the opening credits build a sense of tension by transforming an initially calm atmosphere into one that is unsettled and ominous.
28 days later and shaun of the dead. hifsa hussain
This document compares the structuralism and post-structuralism qualities of the films 28 Days Later and Shaun of the Dead. In 28 Days Later, characters try to escape a spreading infection and use typical horror weapons, while in Shaun of the Dead characters avoid fighting and use everyday items as weapons for comedy. Both films feature male heroes trying to save groups, though a post-structuralist idea is the females survive alone in the end. While the settings are both London, 28 Days Later takes place in haunted locations and Shaun of the Dead in ordinary streets, making the threat seem more realistic.
Analysis of zombieland- Cheyenne
The document analyzes the opening title sequence of the film Zombieland. It discusses how editing techniques like continuity shots and slow motion create tension. Iconography like gore establishes the horror/comedy genre. The titles reflect themes of danger and the apocalypse through their design. Unanswered questions in the sequence create intrigue for viewers. The main character is introduced through his narration about surviving the zombie apocalypse. Cinematography uses point-of-view shots and angled shots to generate an abnormal feel.
Horror movie poster research
The document analyzes and summarizes horror movie posters for the films Wrong Turn 3: Left for Dead, Texas Chainsaw 3D, and A Nightmare on Elm Street. For each poster, it describes the main visual elements including antagonist characters, weapons, settings, colors, text style and size. It also summarizes any additional text on the posters that provides context about the films' plots or their place in their respective franchises.
Thriller opening scenes
The document discusses the opening sequences of three thriller films:
Memento (2000) features interesting camera work and reversing the scene. Its ending with a gunshot and Teddy shouting was incorporated into the group's script.
Shoot the Pianist (1960) starts with a character escaping gangsters and stopping to talk to a stranger, challenging conventions. Its quick cutting and tracking shots informed the group's script.
The Silence of the Lambs (1991) shows Jodie Foster on an assault course, establishing her strength. The group took the feeling of being watched conveyed through tracking shots for their opening.
World War Z Trailer Analysis
A detailed break down of the codes and conventions displayed within the official World War Z Trailer
Question 1
The document discusses how the filmmaker used music, visual style, characters, and violence to follow conventions of mobster genre films and portray the historical figure Meyer Lansky. Specifically:
1) A Jay-Z song was used during a boxing scene to synchronize punches with the beat and portray the character's strength and intelligence.
2) Elements like the use of jazz music, black and white filming style, and focusing on a Jewish immigrant rising to power followed conventions of films like "Once Upon a Time in America" and "The Godfather".
3) Costumes like suits and hats from the 1930s/40s era and use of guns and violence in scenes also replicated visual conventions of typical
Film opening - Scream
The document provides an analysis of the opening scenes of the horror movie Scream. It summarizes that Drew Barrymore's character is introduced on the phone while handling knives, foreshadowing her death. Shots of the misty backyard and a stabbed boyfriend in the pool bring in the murderer. The camera then suddenly shows this killer in a mask and cloak representing death, as he chases the girl with a knife through the misty yard, indicating she will meet a similar fate.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. Some examples of codes in films include establishing shots at the beginning of scenes to set the context, and production logos used by studios to brand their content. Examples of conventions include flashback scenes that interrupt the present narrative to show the past, and narration that can be used to tell the story.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. The document provides examples of films that demonstrate various codes and conventions.
Postmodernism & Genre Theory
The document discusses postmodernism and genre theory. It provides definitions of genre as a style or category of art and discusses how genres have become more flexible with new hybrid genres emerging. It notes that negotiations now occur between producers and audiences. Steve Neale is cited saying genres involve repetition and difference, and Hollywood uses genres to guarantee meaning, pleasure, and offset economic risks. Horkheimer's critical theory is mentioned as embracing future societal possibilities through critiquing and changing society as a whole.
Conventions of genre
The document discusses conventions of the post-apocalyptic genre in film. It notes that the genre depicts the end of the world through disasters that destroy modern civilization. Common conventions include survivors banding together, abandoned and dangerous settings with limited resources, and a focus on survival against deadly threats. The target audience is typically older teens and young adults who find themes of darkness and violence appealing. While many post-apocalyptic films follow conventions like community, isolation, and death, the author proposes a film with only two scientist survivors living in fear and accepting their new reality, with one eventually dying to the virus.
Zombieland cinem tography
The document analyzes the opening title sequence of the film Zombieland. It summarizes that the sequence establishes the post-apocalyptic American setting through icons like currency and institutions. It also conveys the film's themes of horror and comedy through scenes like a zombie attacking a bride and groom. The cinematography utilizes long shots to depict widespread chaos and destruction across multiple locations as zombies overrun society.
LO1
The document discusses different ways to analyze films, including genre analysis and auteur theory. Genre analysis examines elements like codes/conventions, setting, narrative, characters, themes, and ideology in the context of a film's genre. Auteur theory focuses on a director's personal vision and style. Key elements of genre analysis are also defined, such as how technical, symbolic, and audio/written codes help establish a film's genre through techniques like camerawork, colors, clothing, and music. Examples are provided of how these elements are used differently in action films like Quantum of Solace versus romantic comedies like Friends with Benefits.
Emma calder
The document discusses three case studies that exemplify postmodern characteristics: Lady Gaga's music video for "Paparazzi", the British TV show "The Mighty Boosh" episode "The Legend of Old Gregg", and the film "Kick Ass 2". Each case study demonstrates multiple postmodern traits such as intertextuality, self-awareness, genre hybridity, and simulacra. Lady Gaga's video references other works and celebrities and explores fame through dark themes. "The Mighty Boosh" bends time/space, uses references for humor, and is surreal/unpredictable. "Kick Ass 2" merges genres, uses black humor around violence, and copies other superhero works without original
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Pulp fiction
Pulp Fiction exhibits several postmodern features including intertextuality, pastiche, hybridity, and a disjointed narrative structure. First, it incorporates references to other films and genres. Second, it is composed of different storylines and genres borrowed from other works. Third, it mixes different tones and levels of feeling in a disorienting way. Finally, its narrative constantly changes perspective and is fragmented in terms of time and space. These postmodern elements come together to create a film that feels like many films in one.
Pulp fiction post modernism
Pulp Fiction can be considered a postmodern film for several reasons:
1) It has a non-linear narrative structure that is split into three separate stories and requires the viewer to pay attention to piece together the timeline of events.
2) It incorporates intertextuality by including references to other works, such as characters quoting from the Bible or hairstyles mirroring those in other films.
3) It flattens effects by juxtaposing casual discussions of drugs, crime, and sex with normal conversations, which decreases the dramatic effect and deviates from film norms.
Jackie brown film analysis
The film begins by following an airline hostess named Jackie Brown through LAX airport. As she walks to her gate, the song "Across 110th Street" plays, referencing the lives of criminals in the streets. When we see Jackie Brown's face, we realize she is played by Pam Grier, hinting at the criminal activities to come in the film. The document then analyzes how the film portrays racial stereotypes and their influence on how different races are treated and perceived in society. It argues the film suggests blacks cannot succeed legally in America due to these stereotypes and racial inequalities.
Intertextuality in Music Videos
This includes a description of what intertextuality is and how it relates to music videos, it also has examples of intertextuality in music videos and includes my own ideas on intertextuality for my music video, which i'm creating for a2 media studies.
Zombieland analysis
The title sequence of Zombieland establishes that the film is set in a post-apocalyptic America overrun by zombies through imagery of American icons like prisons, money, and firefighters. It also establishes the film's genre as a horror comedy through its use of gory and graphic zombie attacks shown in a slow motion, humorous way, with conventions of both genres represented. The sequence does not introduce any main human characters but establishes the zombies as antagonists and sets expectations that society has collapsed with no one safe from the zombies.
World war z analysis
The opening scene of World War Z establishes a sense of normalcy and tranquility in the world. It then juxtaposes this with reports of various problems in modern society, such as environmental and medical issues. This unsettling information foreshadows a coming disruption, arousing the audience's curiosity about what event will upset the status quo. Camera work uses a variety of shots and angles to convey information while building a sense of tension through the pacing of the music and overlapping news stories.
World War Z Analysis
The document provides an analysis of the opening sequence of the film "World War Z". It summarizes the techniques used in the opening, including establishing shots showing modern society's problems, the use of music and camera work to build tension, and text that leaves the audience wondering what is causing strange animal behavior as a foreshadowing of the disruption to come. The analysis discusses several film theories and how they apply or don't fully apply to the opening sequence of "World War Z".
Opening credit analysis of world war z
The opening credits of World War Z use a combination of shots, sounds, editing, and imagery to set the tone for the film. Wide shots show large groups of people going about their morning routines, suggesting normalcy. As the credits continue, the music becomes darker and news reports mention issues like pollution and terrorism. Close-up shots of ants working together are followed by ants eating a dead animal, possibly foreshadowing human conflict. Through gradual changes in these elements, the opening credits build a sense of tension by transforming an initially calm atmosphere into one that is unsettled and ominous.
28 days later and shaun of the dead. hifsa hussain
This document compares the structuralism and post-structuralism qualities of the films 28 Days Later and Shaun of the Dead. In 28 Days Later, characters try to escape a spreading infection and use typical horror weapons, while in Shaun of the Dead characters avoid fighting and use everyday items as weapons for comedy. Both films feature male heroes trying to save groups, though a post-structuralist idea is the females survive alone in the end. While the settings are both London, 28 Days Later takes place in haunted locations and Shaun of the Dead in ordinary streets, making the threat seem more realistic.
Analysis of zombieland- Cheyenne
The document analyzes the opening title sequence of the film Zombieland. It discusses how editing techniques like continuity shots and slow motion create tension. Iconography like gore establishes the horror/comedy genre. The titles reflect themes of danger and the apocalypse through their design. Unanswered questions in the sequence create intrigue for viewers. The main character is introduced through his narration about surviving the zombie apocalypse. Cinematography uses point-of-view shots and angled shots to generate an abnormal feel.
Horror movie poster research
The document analyzes and summarizes horror movie posters for the films Wrong Turn 3: Left for Dead, Texas Chainsaw 3D, and A Nightmare on Elm Street. For each poster, it describes the main visual elements including antagonist characters, weapons, settings, colors, text style and size. It also summarizes any additional text on the posters that provides context about the films' plots or their place in their respective franchises.
Thriller opening scenes
The document discusses the opening sequences of three thriller films:
Memento (2000) features interesting camera work and reversing the scene. Its ending with a gunshot and Teddy shouting was incorporated into the group's script.
Shoot the Pianist (1960) starts with a character escaping gangsters and stopping to talk to a stranger, challenging conventions. Its quick cutting and tracking shots informed the group's script.
The Silence of the Lambs (1991) shows Jodie Foster on an assault course, establishing her strength. The group took the feeling of being watched conveyed through tracking shots for their opening.
World War Z Trailer Analysis
A detailed break down of the codes and conventions displayed within the official World War Z Trailer
Question 1
The document discusses how the filmmaker used music, visual style, characters, and violence to follow conventions of mobster genre films and portray the historical figure Meyer Lansky. Specifically:
1) A Jay-Z song was used during a boxing scene to synchronize punches with the beat and portray the character's strength and intelligence.
2) Elements like the use of jazz music, black and white filming style, and focusing on a Jewish immigrant rising to power followed conventions of films like "Once Upon a Time in America" and "The Godfather".
3) Costumes like suits and hats from the 1930s/40s era and use of guns and violence in scenes also replicated visual conventions of typical
Film opening - Scream
The document provides an analysis of the opening scenes of the horror movie Scream. It summarizes that Drew Barrymore's character is introduced on the phone while handling knives, foreshadowing her death. Shots of the misty backyard and a stabbed boyfriend in the pool bring in the murderer. The camera then suddenly shows this killer in a mask and cloak representing death, as he chases the girl with a knife through the misty yard, indicating she will meet a similar fate.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. Some examples of codes in films include establishing shots at the beginning of scenes to set the context, and production logos used by studios to brand their content. Examples of conventions include flashback scenes that interrupt the present narrative to show the past, and narration that can be used to tell the story.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. The document provides examples of films that demonstrate various codes and conventions.
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28 days later and shaun of the dead. hifsa hussain
28 days later and shaun of the dead. hifsa hussain
Similar to 5. script
Postmodernism & Genre Theory
The document discusses postmodernism and genre theory. It provides definitions of genre as a style or category of art and discusses how genres have become more flexible with new hybrid genres emerging. It notes that negotiations now occur between producers and audiences. Steve Neale is cited saying genres involve repetition and difference, and Hollywood uses genres to guarantee meaning, pleasure, and offset economic risks. Horkheimer's critical theory is mentioned as embracing future societal possibilities through critiquing and changing society as a whole.
Conventions of genre
The document discusses conventions of the post-apocalyptic genre in film. It notes that the genre depicts the end of the world through disasters that destroy modern civilization. Common conventions include survivors banding together, abandoned and dangerous settings with limited resources, and a focus on survival against deadly threats. The target audience is typically older teens and young adults who find themes of darkness and violence appealing. While many post-apocalyptic films follow conventions like community, isolation, and death, the author proposes a film with only two scientist survivors living in fear and accepting their new reality, with one eventually dying to the virus.
Zombieland cinem tography
The document analyzes the opening title sequence of the film Zombieland. It summarizes that the sequence establishes the post-apocalyptic American setting through icons like currency and institutions. It also conveys the film's themes of horror and comedy through scenes like a zombie attacking a bride and groom. The cinematography utilizes long shots to depict widespread chaos and destruction across multiple locations as zombies overrun society.
LO1
The document discusses different ways to analyze films, including genre analysis and auteur theory. Genre analysis examines elements like codes/conventions, setting, narrative, characters, themes, and ideology in the context of a film's genre. Auteur theory focuses on a director's personal vision and style. Key elements of genre analysis are also defined, such as how technical, symbolic, and audio/written codes help establish a film's genre through techniques like camerawork, colors, clothing, and music. Examples are provided of how these elements are used differently in action films like Quantum of Solace versus romantic comedies like Friends with Benefits.
Emma calder
The document discusses three case studies that exemplify postmodern characteristics: Lady Gaga's music video for "Paparazzi", the British TV show "The Mighty Boosh" episode "The Legend of Old Gregg", and the film "Kick Ass 2". Each case study demonstrates multiple postmodern traits such as intertextuality, self-awareness, genre hybridity, and simulacra. Lady Gaga's video references other works and celebrities and explores fame through dark themes. "The Mighty Boosh" bends time/space, uses references for humor, and is surreal/unpredictable. "Kick Ass 2" merges genres, uses black humor around violence, and copies other superhero works without original
28 days later and shaun of the dead
- The document compares the zombie films 28 Days Later and Shaun of the Dead and analyzes whether they follow structuralist or post-structuralist approaches.
- 28 Days Later is described as following more structuralist conventions, such as having determined human heroes trying to stop the zombie infection, while Shaun of the Dead subverts some conventions for comedic effect.
- Some examples given include the way the zombie infection spreads and how zombies behave in each film, the types of weapons used against zombies, and the settings of the two films.
Post Modernist Essay
- The document compares the zombie films 28 Days Later and Shaun of the Dead and analyzes whether they exhibit structuralist or post-structuralist qualities.
- 28 Days Later follows more structuralist conventions, such as portraying men as heroes leading others to survival, a faster-spreading infection, and gory zombie killings.
- Shaun of the Dead incorporates some post-structuralist elements, like the characters ignoring initial warnings and pretending to be zombies, and finds humor in its slower-moving zombies and improvised weapons.
Zombieland cinematography
The document provides an analysis of the cinematography, mise-en-scene, iconography, and sound design in the opening sequence of the zombie film Zombieland. The opening sequence uses handheld camera shots and angled shots to put the viewer in the perspective of characters under attack. It shows various destroyed locations across America to convey that there is no safe place left. Iconography features gore and a zombie chasing a man to establish the horror and comedy elements. The sound design uses loud jump scares and an unsettling soundtrack to build tension and create an atmosphere of unease.
Conventions of genre
This document discusses the conventions of the post-apocalyptic genre in film. It defines the genre as depicting the end of the world through disasters that destroy modern civilization. Common conventions include survivors banding together, abandoned settings with limited resources, and dangerous environments/antagonists. Narrative theories like Todorov's equilibrium model and Propp's character archetypes apply. Films typically target 16-30 year old audiences with dark themes and violence appealing more to males. Common elements involve survival, death, fear, and isolated protagonist communities struggling to maintain order.
28 Days Later and Shawn Of The Dead essay
This document compares and contrasts the films 28 Days Later and Shaun of the Dead in terms of their structuralist and post-structuralist qualities. 28 Days Later adheres more closely to structuralist paradigms through its use of typical horror weapons, settings, and zombie tropes. Shaun of the Dead challenges structuralist conventions through the use of unconventional weapons, comedic elements, and daytime settings. Both films incorporate diegetic and non-diegetic sounds, but 28 Days Later uses them in a more traditional horror film style.
Genre Analysis/Auteur Theory
This document discusses genre analysis, auteur theory, and provides examples of directors considered auteurs such as Alfred Hitchcock, Francis Ford Coppola, and Quentin Tarantino. It analyzes how these directors broke conventions of their genres through elements like editing, music, casting, and plot devices. The document also considers whether Rian Johnson can be considered an auteur for his film Looper, but concludes he has not yet directed enough critically acclaimed, unconventional films to earn that label.
Zombieland analysis
The title sequence of Zombieland establishes it as both a horror and comedy film through various indicators. It shows iconic horror elements like gore and the colors red and black. However, it also depicts comedic conventions, such as a zombie interrupting a wedding. While the sequence exposes viewers to many scenes and characters, it does not clearly convey the narrative or main protagonists. The slow-motion cinematography adds humor and offsets the gore.
28 days later and shaun of the dead
The document compares and contrasts the films 28 Days Later and Shaun of the Dead in terms of their structuralist and post-structuralist qualities. 28 Days Later follows structuralist conventions through its use of villains, weapons, and settings/locations. In contrast, Shaun of the Dead challenges horror genre paradigms by combining horror and comedy elements, through the use of unconventional weapons, daytime settings, and diegetic music. Overall, the document analyzes how the two films approach and subvert structuralist horror film tropes and conventions differently.
28 days later and shaun of the dead
The document compares and contrasts the films 28 Days Later and Shaun of the Dead in terms of their structuralist and post-structuralist qualities. 28 Days Later follows structuralist conventions through its use of villains, weapons, and settings/locations. In contrast, Shaun of the Dead challenges horror genre paradigms by combining horror and comedy elements, through the use of unconventional weapons, daytime settings, and diegetic music. Overall, the document analyzes how the two films approach and subvert structuralist horror film tropes and conventions differently.
Genre Analysis/Auteur Theory
This document discusses genre analysis and auteur theory in film. Genre analysis examines codes and conventions within a genre, while auteur theory focuses on directors who break these conventions with their personal creative vision. The document provides examples of directors like Alfred Hitchcock, Quentin Tarantino, and Francis Ford Coppola who are considered auteurs for innovating within genres through elements like editing, casting, and storytelling techniques. Specifically, Coppola's film Apocalypse Now is analyzed for breaking war film conventions through its depiction of the US bombing of a Vietnamese village.
Critical Response Brief 2 : Superhero Movies
The document discusses the evolution of superhero movies from 1966 to 2013. It analyzes and compares the trailers for the 1966 Batman movie starring Adam West and the 2008 Dark Knight movie starring Christian Bale. While the 1966 Batman trailer has a campy, comic book style aimed at children, the Dark Knight trailer has a darker, realistic tone inspired by changes in comics from the 1970s onward. The document examines how the trailers use different conventions, themes, and styles to appeal to different audiences based on the era. It also discusses how the Dark Knight trailer set a new standard that influenced many later superhero films to adopt a similar realistic, character-driven approach.
Comparison essay
This document provides a comparison of the horror film Zombieland (2009) and the musical film Sing Street (2016). It discusses the narratives, genres, audience expectations, and use of cinematic techniques in both films. Zombieland is a horror-comedy that follows characters trying to survive a zombie apocalypse. Sing Street is a backstage musical that tells the story of a boy who creates a band to impress a girl. Both films follow typical narrative structures for their genres and include conventions that their target audiences would expect.
28 days later and Shaun of the dead
The document compares and contrasts the films 28 Days Later and Shaun of the Dead in terms of their structuralist and post-structuralist qualities. 28 Days Later adheres to structuralist paradigms through its depiction of zombies, weapons used, and settings. Shaun of the Dead challenges structuralist conventions by combining horror and comedy genres and using unconventional weapons, settings during daylight, and diegetic music. While both films use day and night scenes, 28 Days Later maintains a darker and more ominous tone through its use of lighting and location filming.
Factual research 2
The document analyzes different documentary styles and conventions:
- Poetic documentaries eschew narrative for mood and imagery. Cinematographers capture striking visuals without context.
- Expository documentaries make an argument through voiceover. Footage supports the spoken perspective.
- Participatory documentaries involve interaction between filmmakers and subjects. Cinematographers capture both interviewers and interviewees.
- Observational documentaries act as "fly-on-the-wall" to observe subjects without interrupting in a raw, unguarded state.
- Reflexive documentaries focus on the relationship between filmmaker and audience by documenting the filmmaking process.
- Performative documentaries explore politics/history
The holy demon opening sequence evaluation
The document discusses the use of mise-en-scene, sound, cinematography, and editing techniques in the opening sequence of a film. It examines how certain conventions of the superhero genre and British films are challenged or reinforced through these elements. For example, the protagonist wears a full-face mask to hide his identity, challenging some superhero conventions. Low-key lighting and colors create a realistic atmosphere. Hoodies worn by bank robbers reference typical costumes in British crime films. Fast cuts during a car chase scene excite audiences as in other action films.
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More from ThomasBond14
7. fmp evaluation
The document provides an evaluation of Thomas Bond's film magazine project. It summarizes the strengths and weaknesses of the planning, research, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback aspects of the project. For research, Thomas looked at existing film magazines, posters, and t-shirts to get design ideas. For planning, he created mind maps and style sheets. Peer feedback suggested adding more text to the magazine cover and changing the character design on the poster. Overall, the evaluation assessed both positive elements and opportunities for improvement in the different stages of the project.
5. fmp pre production
The document outlines the pre-production process for creating a magazine, poster, and t-shirt promoting sci-fi films. It discusses the style and layout, including using a film reel graphic and comic book fonts. Colors and graphics are chosen to attract the target audience. Contingency plans are included in case of technical issues like computer crashes. Health and safety precautions are also considered, such as taking breaks to prevent eye strain. An 8-day schedule is provided to find images, create assets, add text, and finalize the designs.
4. fmp proposal
This proposal is for three products - a t-shirt, magazine, and poster - relating to a new science fiction/superhero movie. The products will inform people about the film through images and information like the release date. Specifically, the magazine cover and poster will feature similar imagery to existing movies, while the t-shirt will display the film's logo or text with a related image. The products target males and females aged 15-34 as they appeal to those wanting to appear successful. Dark colors with accents of red, grey, white, and black will be used, along with bold capital text fonts inspired by research. Offensive content will be avoided and characters slightly edited to prevent copyright issues while still interesting people across classes
3. fmp production experiments
Thomas Bond describes experiments with layout and design elements for a magazine cover and t-shirt. He used tools in Photoshop like the move, text, free transform, and shape tools to place movie posters in a film reel, add layered text with 3D effects, and combine text and images on a t-shirt. For his final product, he will include the film reel design and 3D text style to make his magazine stand out and attract audiences.
2. fmp research
Here are the key observations from Interview 1:
- The person would be willing to wear a t-shirt with their favorite superhero logo or face on it.
- They would buy a poster from their favorite sci-fi film if they had room for it.
- They prefer dark colored t-shirts over colorful ones.
- They would spend up to £15 on a t-shirt.
- They would spend £10 on a poster.
- They prefer short sleeve t-shirts.
The answers were brief but provided clear insights into their preferences and willingness to purchase sci-fi and superhero merchandise like t-shirts and posters. This helps validate that products featuring superheroes and sci
1. fmp initial plans
The document outlines Thomas Bond's initial plans for a project involving a mood board and informal proposal for creating promotional materials for a sci-fi film. The mood board analyzes repeated colors, images, styles and moods to influence the final products. The proposal discusses plans to create a poster, magazine, and t-shirt with the same sci-fi/action style and genre. The intended audience is those interested in sci-fi, superhero and action films between ages 16-35. Discounted ideas include a band and game project due to lack of interest or difficulty with the topics.
7. evaluation(3)
The document summarizes the visual evaluation of a film magazine production project. It covers research done on existing magazines, planning with style sheets and mind maps, time management during the creation process, and peer feedback on the final product. Research involved examining magazines' layouts, fonts, and cover content. Planning helped visualize the magazine's design. Creation took time, particularly for cover elements. Peer feedback noted the color scheme but suggested improving the offer text and making the title easier to read. The producer agreed changes were needed to the title text style and readability.
6. production reflection(3)
Thomas Bond reflects on the process of creating a production cover. He experimented with different background designs before deciding to enlarge the original. Various fonts, colors, and effects were tested for the master header before selecting black text with a red glow. A barcode and offer shape were added in different locations before deciding on a placement. Photos were sized and positioned, with one replaced for not fitting well. Text boxes and borders were added then removed. The final cover was laid out within bleed lines to prevent anything bleeding off the page edge. Overall, Thomas feels the minor tweaks led to a well-executed final product.
5. pre production(3)
The document outlines the pre-production, layout, software and hardware resources, contingency planning, health and safety considerations, and schedule for a magazine project. Software like Photoshop and PowerPoint will be used. Potential issues include computer crashes or lack of access to technology, which will be addressed by saving work in multiple locations and finding alternate workspaces. A schedule is provided that includes collecting images, designing assets, creating the cover, inside pages, and evaluation presentation.
4. proposal(3)
The magazine proposal is for a film magazine called "Movie Times" aimed at an audience aged 15-45. The purpose is to both entertain and educate readers about upcoming and past films through images, behind-the-scenes photos, word searches, interviews, reviews and film analysis. Content will include information on indie and mainstream films from 2020 as well as TV shows related to movies. To avoid legal issues, any offensive images will be excluded and copyrighted content will be sufficiently altered so as not to infringe on intellectual property rights.
2. research(3)
The document summarizes research on magazine covers promoting films. It analyzes covers for films like The Hobbit, Iron Man 3, and Avengers: Infinity War. Common features identified include bold capital master headers and part of a character's head overlapping the header. Aspects to include are using these overlapping character/header effects and centering the main character. An audience profile targets ages 15-24, with mostly male interest in film-related content, at a middle-upper class social status.
3. production experiments
The document describes Thomas Bond's process for creating a magazine cover design. He began by pasting an image into Photoshop and adding a barcode. Text was then added using layers for an outline effect. The lasso tool was used to cut out a fish from the image and place it over the text for a 3D layered effect. Additional text was added in a different font and color arranged closer together. Brackets were drawn around the text using the shape tool and erased slightly. The text was rearranged on the page for visual appeal and impact. Elements that will be included in the final product are use of layers for depth, gradient effects, varied text colors and styles, and a limited color palette.
7. evaluation(4)
The student created an audio podcast evaluating films such as Ghostbusters and Venom. For research, the student listened to other film podcasts to understand common elements. Planning included a mind map of the target audience, genre, and audio elements. Recording took place in a quiet room to ensure clear audio quality. The podcast included introductions, film discussions, and music clips. Peer feedback praised the clear audio and detail but suggested adding release dates and improving audio quality. The student agreed improvements could be made to address audio issues.
6. production reflection(4)
Thomas Bond reflected on the production process. He cut the timeline sequence with a razer tool to get the right succession of music and sound effects without unwanted sounds or silent space. He used crossfades to smoothly transition between audio clips. He arranged the order of audio and sound effects to make sense and ensure smooth transitions between topics.
5. pre production(4)
The document outlines the pre-production plan for a podcast. It includes lists of potential sound effects and music to be used, required props and locations, contingency plans for technical issues, health and safety considerations, and a schedule laying out the key tasks over 8 days. Sound effects include laughter, clapping and a projector sound. Music includes tracks from Jurassic World and The Avengers. Recording space and guests are needed. Plans are in place for issues like computer or software crashes. The schedule involves scripting, casting, recording, editing and final tweaks across one week.
4. proposal(4)
The audio product is a film podcast aimed at entertaining listeners ages 15+ by discussing and providing commentary on past and upcoming movies. It will discuss movie genres and stories to appeal to both male and female listeners. Care will be taken to ensure all content is suitable and non-offensive so as not to exclude any social or religious groups. Original characters and storylines will be created to avoid copyright issues.
3. production experiments(4)
Thomas Bond conducted an experiment documenting his morning routine through sound effects. He recorded the process of waking up, getting ready, making breakfast, and taking the bus to college. Bond then organized the sound effect assets into a folder for easy access. He imported the sounds of water, closing, frying pans, and buses into video editing software. Bond used a razor tool to cut the sound clips to the proper length and arrange them in the correct order to match the routine. He plans to include similar sound effects and editing techniques in his final project to make the audio more engaging.
2. research(4)
The document summarizes three existing podcasts about films and movies. The first podcast discusses a popular film clip for 1hr 36mins on Spotify. The second is high quality, on Spotify, and uses movie theme jingles. The third has two hosts, is 51 minutes, on the Apple podcast app, and discusses Marvel films to entertain listeners. The research will include discussing Marvel/DC films and movies in the final product. The target audience is males and females aged 15-18 from middle/upper class backgrounds. Content will include relatable film quotes and conversations of interest to both genders.
1. initial plans(4)
The document outlines initial plans that include Thomas Bond and a mind map. It appears to be about creating an initial plan or outline using a mind mapping technique involving Thomas Bond. The mind map is used to layout and organize the initial plans.
7. evaluation(3)
The document summarizes the production process for a film magazine cover design project. It discusses research conducted on existing magazines, planning elements like target audience and layout, time management in completing tasks, technical qualities of the design like fonts and colors, how the design appeals to the target audience, and feedback received from peers. The feedback noted that the color scheme and contrast worked well but the title text could stand out more on the cover. The designer agreed the title needed adjusting to be more noticeable.
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5. script
- 1. Name:ThomasBond Script Me: welcome back to movie time. In today’s podcast, willbe talking about this year’s upcoming sci-fifilm, like the Mobius, venom 2 and Ghostbusters afterlife these will some of the movies that will be talking about in this podcast. There’s been leaked images from the set of the venom, the image was of a questing mark over a spider web over the earth with writing saying “where is spider-man” which is for the daily bugle, this was on the sideof a New York bus. The daily bugle logo it the same one as the one in the Tobey Maguire spider man movies, this has got some people are saying that the Tobey Maguire spider man will appear in the second venom movie. Q1: Haveyou seen the morbius trailer if so whatdid you thing about it? Me: Morbius in the comics does relate to Spider-man, but in the movie, fans are questioning whosefranchiseit will connect to, Tom Holland or Toby Maguire? In the Morbius trailer, there is a painting on one of the walls that he passes that looks a lot like Toby Maguire’s Spider-man, but near to the end of the trailer there’s a villain who was in Tom Hollands firstspider-man movie. With the Venom and Morbius ester eggs this could all together bring us a live action Spider-versemovie. Q2: haveyou heard that they’redoing a third male Ghostbuster movieand that it has the original cast? They are doing a new Ghostbusters moviewhich will be the related to the male ghostbuster moviewhich will be the third movie not the second female That’s the end of todays podcast join back next week for moremovie talk.