This document describes Benjamin Birney's process for creating an audio experiment. It discusses how he wrote a script with color-coded character lines to avoid confusion for voice actors. He then recorded voice lines from friends and added sound effects and music tracks in Premiere Pro. Tools like the razor and audio transitions helped edit the audio files together smoothly. Birney focused the story on 1950s Chicago and kept the tone serious for the crime genre. He reflected on including scripts and audio editing in his final major project to help voice actors and create good pacing/storytelling through sound.