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I. The weakening of the tie between
Monarchy and Bourgeoisie
II. The clashes between the King and
Parliament
III. The outburst of the English
Revolution
Civil Unrest in England
Influences of the English Revolution
1. Sometimes called the
Puritan Revolution.
2. Puritanism was the religious
doctrine of the revolutionary
bourgeoisie.
3. Preached
thrift, sobriety, hard work
and unceasing labor.
4. Worldly pleasures were
condemned as harmful. The
Puritans opposed the old
church.
5. Closed down the London
theatres in 1642.
Literature of the Revolution Period
The spirit of unity and patriotism ends
English literature of this period was
very much concerned with the
tremendous social upheavals of the
time.
Milton and Bunyan defended the
English Commonwealth with their
pens.
 The name is given to a diverse group of
17th century English poets whose work is
notable for the use of:
 intellectual and theological concepts in surprising
conceits
 strange paradoxes
 far-fetched imagery.
 Metaphysics refers to the philosophy of
knowledge and existence.
Metaphysical poets
Metaphysical Conceits
 Generally associated with the 17th century
metaphysical poets
 A more elaborate, formal, and ingenious metaphor
 Can often form the framework for an entire poem
 An example of a metaphysical conceit is the metaphor
from John Donne's "The Flea", in which a flea that bites
both the speaker and his lover becomes a conceit
arguing that his lover has no reason to deny him
sexually, although they are not married:
Oh stay! three lives in one flea spare
Where we almost, yea more than married are.
This flea is you and I, and this
Our marriage-bed and marriage-temple is.
 (1572-1631)
 the founder of the Metaphysical school of poetry,
 lived and wrote during the reigns of Elizabeth
I, James 1 and Charles I.
 He was a trouble maker in his early life but later
became the Dean of St. Paul’s Cathedral
 His poems can be divided into two categories: “the
youthful love lyrics, published after his death as
"Songs and Sonnets" in 1633, and the later sacred
verses”, published in 1624 as "Devotions upon
Emergent Occasions”
John Donne
John Bunyan
the son of a poor tinker
born in the little village of Elstow in 1628.
was sent to school, where he learned to read
and write, but was soon busy in his father’s
shop
began day-dreaming of a more religious life
after the Restoration was sent to prison for
conducting religious meetings
read his Bible in prison and wrote The
Pilgrim’s Progress
The Pilgrim’s Progress
 published in 1678, after he was released from
prison.
is a religious allegory.
It tells of the spiritual pilgrimage of Christian
Social significances
 its characters impress the reader like real persons
 the places are English scenes
 the conversations which repeat the language of his
time.
Bunyan describes the spiritual sufferance of the
poor people at a time of great change
the Celestial City in "The Pilgrim’s Progress" is the
vision of an ideal happy society
Question:
 What are the different aspects between the literature of
Elizabethan period and the literature of the Revolution
period?
The different aspects between the literature of
Elizabethan period and that of the Revolution period are
as follows:
Elizabethan literature had a marked unity and the feeling
of patriotism and devotion to the Queen, but in the
revolution period, the king became the open enemies of
the people, and the country was divided by the struggle
for political and religious liberty, so was the literature.
Elizabethan literature was inspiring. It was filled with
youth, hope and vitality. Literature in the revolution period
was colored with gloom and pessimism, age and
sadness.
Elizabethan literature was intensely romantic, but the
puritan literature was not at all.

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17th century literature

  • 1.
  • 2. I. The weakening of the tie between Monarchy and Bourgeoisie II. The clashes between the King and Parliament III. The outburst of the English Revolution Civil Unrest in England
  • 3. Influences of the English Revolution 1. Sometimes called the Puritan Revolution. 2. Puritanism was the religious doctrine of the revolutionary bourgeoisie. 3. Preached thrift, sobriety, hard work and unceasing labor. 4. Worldly pleasures were condemned as harmful. The Puritans opposed the old church. 5. Closed down the London theatres in 1642.
  • 4. Literature of the Revolution Period The spirit of unity and patriotism ends English literature of this period was very much concerned with the tremendous social upheavals of the time. Milton and Bunyan defended the English Commonwealth with their pens.
  • 5.  The name is given to a diverse group of 17th century English poets whose work is notable for the use of:  intellectual and theological concepts in surprising conceits  strange paradoxes  far-fetched imagery.  Metaphysics refers to the philosophy of knowledge and existence. Metaphysical poets
  • 6. Metaphysical Conceits  Generally associated with the 17th century metaphysical poets  A more elaborate, formal, and ingenious metaphor  Can often form the framework for an entire poem  An example of a metaphysical conceit is the metaphor from John Donne's "The Flea", in which a flea that bites both the speaker and his lover becomes a conceit arguing that his lover has no reason to deny him sexually, although they are not married: Oh stay! three lives in one flea spare Where we almost, yea more than married are. This flea is you and I, and this Our marriage-bed and marriage-temple is.
  • 7.  (1572-1631)  the founder of the Metaphysical school of poetry,  lived and wrote during the reigns of Elizabeth I, James 1 and Charles I.  He was a trouble maker in his early life but later became the Dean of St. Paul’s Cathedral  His poems can be divided into two categories: “the youthful love lyrics, published after his death as "Songs and Sonnets" in 1633, and the later sacred verses”, published in 1624 as "Devotions upon Emergent Occasions” John Donne
  • 8. John Bunyan the son of a poor tinker born in the little village of Elstow in 1628. was sent to school, where he learned to read and write, but was soon busy in his father’s shop began day-dreaming of a more religious life after the Restoration was sent to prison for conducting religious meetings read his Bible in prison and wrote The Pilgrim’s Progress
  • 9. The Pilgrim’s Progress  published in 1678, after he was released from prison. is a religious allegory. It tells of the spiritual pilgrimage of Christian Social significances  its characters impress the reader like real persons  the places are English scenes  the conversations which repeat the language of his time. Bunyan describes the spiritual sufferance of the poor people at a time of great change the Celestial City in "The Pilgrim’s Progress" is the vision of an ideal happy society
  • 10. Question:  What are the different aspects between the literature of Elizabethan period and the literature of the Revolution period?
  • 11. The different aspects between the literature of Elizabethan period and that of the Revolution period are as follows: Elizabethan literature had a marked unity and the feeling of patriotism and devotion to the Queen, but in the revolution period, the king became the open enemies of the people, and the country was divided by the struggle for political and religious liberty, so was the literature. Elizabethan literature was inspiring. It was filled with youth, hope and vitality. Literature in the revolution period was colored with gloom and pessimism, age and sadness. Elizabethan literature was intensely romantic, but the puritan literature was not at all.

Editor's Notes

  1. I. Until about 1590, the bourgeoisie had many interests in common with those of the monarchy in the struggles against Spain, against the Roman Catholic Church, against noble houses ruining the country with their civil wars. But when all its internal and external foes had been crushed, the bourgeoisie ceased to depend upon the protection of the monarchy. At the same time the Crown strove to consolidate its position before it was too late. II. 1.The major parliamentary clashes of the early 17th century were over monopolies. The king granted monopolies on such and such merchandises to his favourites. This caused grave inconvenience to merchants and a sharp rise in prices. And monopolies were extended in the reigns of James I and Charles I.2. the Parliament declared that monopolies without its consent were illegal. 3. Charles I dissolved it in 1629. For eleven years Charles ruled the country with an absolute government. He relied upon the prerogative Courts ( the Star Chamber, etc.) as the instruments of his policy. Severe persecutions hit the capitalist class as a whole. 4.Thus arose the demand for a new government on the part of the English bourgeoisie.III. A civil war broke out in 1642 and lasted till 1649.Oliver Cromwell (1599-1658), the famous opposition leader, reorganized the Parliamentary forces into the New Model Army. the Army advanced rapidly to victory and the Royalists were decisively routed in Naseby in 1645. The war soon ended and Charles was captured. But he escaped from captivity, and civil war broke out again until the King was re-captured and executed in 1649.Monarchy was abolished. England was declared a commonwealth, i.e., a republic.
  2. The spirit of unity, and the feeling of patriotism ended with the reign of Elizabeth and England was then convulsed with the conflict between the two antagonistic camps, the Royalists and the Puritans. English literature of this revolution and restoration period was very much concerned with the tremendous social upheavals of the time. Milton, one of the greatest poets of England, defended the English Commonwealth with his pen. Even after the Restoration in 1660, Milton and Bunyan, the poor tinker-writer, continued to defend in their works the ideals of the Revolution, "the good old cause", and expose the reactionary forces.
  3. In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison. Extended conceits in English are part of the poetic idiom of Mannerism, during the later sixteenth and early seventeenth century.
  4. In English literature the term is generally associated with the 17th century metaphysical poets, an extension of contemporary usage. In the metaphysical conceit, metaphors have a much more purely conceptual, and thus tenuous, relationship between the things being compared. Helen Gardner[2] observed that "a conceit is a comparison whose ingenuity is more striking than its justness" and that "a comparison becomes a conceit when we are made to concede likeness while being strongly conscious of unlikeness." An example of the latter would be George Herbert's "Praise (3)," in which the generosity of god is compared to a bottle which ("As we have boxes for the poor") will take in an infinite amount of the speaker's tears.An often-cited example of the metaphysical conceit is the metaphor from John Donne's "The Flea", in which a flea that bites both the speaker and his lover becomes a conceit arguing that his lover has no reason to deny him sexually, although they are not married: Oh stay! three lives in one flea spareWhere we almost, yea more than married are. This flea is you and I, and thisOur marriage-bed and marriage-temple is.When Sir Philip Sidney begins a sonnet with the conventional idiomatic expression "My true-love hath my heart and I have his", but then takes the metaphor literally and teases out a number of literal possibilities and extravagantly playful conceptions in the exchange of hearts, the result is a fully formed conceit.
  5. (1572-1631)the founder of the Metaphysical school of poetry, lived and wrote during the reigns of Elizabeth I, James 1 and Charles I. His early life was passed in dissipation and roguery, much occupied with secret love-making, elopement, imprisonment, and lawsuit over his marriage, but he later turned a saintly divine and ended as the illustrious Dean of St. Paul’s Cathedral, London. His poems can be divided into two categories: “the youthful love lyrics, published after his death as "Songs and Sonnets" in 1633, and the later sacred verses”, published in 1624 as "Devotions upon Emergent Occasions ", which show "the intense interest Donne took in the spectacle of mortality under the shadow of death, a vision that haunted him perpetually, and inspired the highest flights of his eloquence."
  6. John Bunyan, the son of a poor tinker, was born in the little village of Elstow, near Bedford, in 1628. For a little while he was sent to school, where he learned to read and write. But he was soon busy in his father’s shop, amid the glowing pots and the fire and smoke. Bunyan’s miserable life as a despised, wandering tinker and his religious fervour drove him to terrible day—dreams. In his outburst of religious gloom we hear the cry of the lowest classes before and since the English Revolution After the Restoration, he was flung into Bedford prison in 1660, for refusing to obey the law prohibiting religious meetings. He was told that, if he gave up preaching, he would be instantly set free. His answer was, "If you let me out today, I will preach again tomorrow." they kept Bunyan in prison for 12 years. Year after year he lay patiently in a dungeon. his exclusive reading of the Bible in prison, furnished his sensitive imagination with profound-impressions, and vivid images. He wrote them down. The result is his book, "The Pilgrim’s Progress".
  7. Social significances: Though an allegory, its characters impress the reader like real persons. The places that Bunyan paints in words are English scenes, and the conversations which enliven his narratives vividly repeat the language of his time. Bunyan describes, in the people’s homely yet powerful language, the spiritual sufferances of the poor People at a time of great changes, and their aspiration for " the land that floweth with milk and honey”, where "they have no want of corn and wine.”" In reality, the Celestial City in "The Pilgrim’s Progress" is the vision of an ideal happy society dreamed by a poor tinker in the 17th century, through a veil of religious mist.