The document discusses the concept and process of draping African cloth. It describes how Africans use bright colors and artwork on cloth to denote age, marital status, and identity. The draping can take on different forms depending on how the layers are arranged but are typically held in place by a central tie. The inspiration for the concept comes from the work of British-Nigerian artist Yinka Shonibare, who explores themes of cultural identity, colonialism, and globalization.
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Slides only (sadly no script but see http://tinyurl.com/ccstalk2
for article) about public art in the city.
Second in a series of talks/discussions about the aesthetics of city life - more details on cardiffcivicsociety.org.
Peter D Cox can be followed on twitter @peterdcox
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"Essex Coda" is a slidecast created for the Essex University PhD seminar September 26-27th, 2013 in Colchester. It concerns a number of artists' collectives, mainly from NYC and USA. Some are mainly involved with the art market, others with institutions. Collectivity is also part of art education.
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1. DRAPE
Concept :
African Cloth
Africans are famous for using lots of
clothes to cover their body, most
important they use bright colors and
make artwork of the cloth on their
head; different twists define different
age and marital status, it is used to
describe who you are, for protection,
expression, made from multiple
layers.The concept is driven by the
FUNCTION of that cloth; it's so FREE
to the point that every time you drape
it down it gives you a DIFFERENT
FORMS with various set of layers(
applied on the ceilings), more
important is what holds it still is the
TIE which is the focal point in the
kitchen
PROCESS
Inspiration
A bi-racial Artist:Yinka Shonibare
is a British-Nigerian artist living in
London. His work explores cultural
identity, colonialism and post-
colonialism within the contemporary
context of globalization
165 CHARLES ST,NY,NY
TALA JAZZY
RESIDINTIAL
SCKETCHES
LIGHTING
Materials
Furniture
RUSTIC METAL USED CLOTH’S PAINTINGS