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AUTHORSHIP
FILMOGRAPHY – TAKASHI SHIMIZU
7500 (completed)
2014 Kiki's Delivery Service
2011 Tormented
2010 Soil (TV Series)
2009 The Ancient Dogoo Girl (TV Series) (1 episode)
- Yôkai: Kani kôsen (2009)
2009 The Shock Labyrinth 3D
2009 Ju-on: The Grudge (Video Game)
2009 Hijoshi zukan
2007 Ghost vs. Alien 03 (story "Rokku hantâ Iemon")
2007 Kaiki Daisakusen - Second File (TV Mini-Series)
2006 Ten Nights of Dreams
2006 The Grudge 2
2005 Rinne
2004 The Great Horror Family (TV Series) (2 episodes)
- A Bizarre! ...and Great Family (2004)
- Bizarre! ...the Original Great Family (2004)
2004 The Grudge
2004 Suiyô puremia: sekai saikyô J horâ SP Nihon no kowai yoru (TV Movie) (story "Kinpatsu kaidan")
2004 Marebito
2003 Ju-on: The Grudge 2
2003 Kaidan Shin Mimibukuro (TV Series short) (3 episodes)
- Dai nanajû ni wa: Machi jikan (2003)
- Dai nijû nana wa: Satori (2003)
- Dai nana wa: Erebêtâ (2003)
2002 Ju-on: The Grudge
2001 Tomie: Re-birth
2000 Shin rei bideo V: Honto ni atta kowai hanashi - kyôfushin rei shashin-kan (Video documentary)
2000 Shin rei bideo VI: Honto ni atta kowai hanashi - kyôfu tarento taikendan (Video documentary)
2000 Ju-on: The Curse 2
2000 Ju-on: The Curse (Video)
1998 Gakkô no kaidan G (TV Movie)
BIOGRAPHY – TAKASHI SHIMIZU
Takashi Shimizu is a director, know for his films The Grudge (2004)
and The Grudge 2 (2006).
He is also a writer, he wrote the screenplay for his films The Grudge
and The Grudge 2.
FILMOGRAPHY – ANDRES MUSCHIETTI
2013 Mama (as Andy Muschietti)
2008 Mamá (Short) (as Andy Muschietti)
1999 Nostalgia en la mesa 8 (Short)
BIOGRAPHY – ANDRES MUSCHIETTI
Andres Muschietti is a director, most known for his film Mama
(2013). He has previously released a Spanish film also called Mama
in 2008. His 2013 film Mama was released in places such as the USA
and the UK.
He is also a write and wrote the screenplay for both of his Mama
films.
Neither of the directors for the films that I have analysed are auteurs. However, there are different types of shots
used in their films that I have also used whilst filming my film. In Takashi Shimizu’s film The Grudge, he uses a
subjective shot for the scene with the old woman and the young nurse. In this scene, the shot starts as a medium
close up. The camera then starts moving around the old woman and the shot then ends up as an over the
shoulder shot and we can see what the old woman is looking at in the corner of the ceiling. For my film, I did a
similar shot to this. My shot started as an over the shoulder tracking shot of my character walking through
through the woods. Some asynchronous sound can be heard whilst he is walking and he stops walking to turn
and see what the sound was. When he turns around, the camera follows this movement and the camera ends up
looking at what the character is looking at. The shot framing and camera movement is similar to that of the ones
Takashi Shimizu uses.
Because neither of the directors are auteurs, I decided to look at the work of a director who is considered an
auteur, David Lynch. On YouTube, I watched a small clip by David Lynch called Fire Walk With Me. In this I saw his
style of editing. His editing style inspired me to edit the clips in my film the same way he did. This included very
quick edits of different types of shots. For example, in the clip of Fire Walk With Me, there was a shot of a woman
laying in bed which lasted for about a second and then it was quickly followed by an extreme close up of a
different woman’s eyes creating confusion but also making the audience scared as to what is going on with all the
fast paced edits and the close ups. I also did this for my film as I included a number of extreme close ups of my
actress’s eyes, then quickly followed it by showing a number of full shots of her standing in the forest from
different angles. All these short shots put together one after another giving the audience an overwhelmed feeling
like there is too much going on and it is scaring them and they are confused.

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Film Authorship

  • 2. FILMOGRAPHY – TAKASHI SHIMIZU 7500 (completed) 2014 Kiki's Delivery Service 2011 Tormented 2010 Soil (TV Series) 2009 The Ancient Dogoo Girl (TV Series) (1 episode) - Yôkai: Kani kôsen (2009) 2009 The Shock Labyrinth 3D 2009 Ju-on: The Grudge (Video Game) 2009 Hijoshi zukan 2007 Ghost vs. Alien 03 (story "Rokku hantâ Iemon") 2007 Kaiki Daisakusen - Second File (TV Mini-Series) 2006 Ten Nights of Dreams 2006 The Grudge 2 2005 Rinne 2004 The Great Horror Family (TV Series) (2 episodes) - A Bizarre! ...and Great Family (2004) - Bizarre! ...the Original Great Family (2004) 2004 The Grudge 2004 Suiyô puremia: sekai saikyô J horâ SP Nihon no kowai yoru (TV Movie) (story "Kinpatsu kaidan") 2004 Marebito 2003 Ju-on: The Grudge 2 2003 Kaidan Shin Mimibukuro (TV Series short) (3 episodes) - Dai nanajû ni wa: Machi jikan (2003) - Dai nijû nana wa: Satori (2003) - Dai nana wa: Erebêtâ (2003) 2002 Ju-on: The Grudge 2001 Tomie: Re-birth 2000 Shin rei bideo V: Honto ni atta kowai hanashi - kyôfushin rei shashin-kan (Video documentary) 2000 Shin rei bideo VI: Honto ni atta kowai hanashi - kyôfu tarento taikendan (Video documentary) 2000 Ju-on: The Curse 2 2000 Ju-on: The Curse (Video) 1998 Gakkô no kaidan G (TV Movie)
  • 3. BIOGRAPHY – TAKASHI SHIMIZU Takashi Shimizu is a director, know for his films The Grudge (2004) and The Grudge 2 (2006). He is also a writer, he wrote the screenplay for his films The Grudge and The Grudge 2.
  • 4. FILMOGRAPHY – ANDRES MUSCHIETTI 2013 Mama (as Andy Muschietti) 2008 Mamá (Short) (as Andy Muschietti) 1999 Nostalgia en la mesa 8 (Short)
  • 5. BIOGRAPHY – ANDRES MUSCHIETTI Andres Muschietti is a director, most known for his film Mama (2013). He has previously released a Spanish film also called Mama in 2008. His 2013 film Mama was released in places such as the USA and the UK. He is also a write and wrote the screenplay for both of his Mama films.
  • 6. Neither of the directors for the films that I have analysed are auteurs. However, there are different types of shots used in their films that I have also used whilst filming my film. In Takashi Shimizu’s film The Grudge, he uses a subjective shot for the scene with the old woman and the young nurse. In this scene, the shot starts as a medium close up. The camera then starts moving around the old woman and the shot then ends up as an over the shoulder shot and we can see what the old woman is looking at in the corner of the ceiling. For my film, I did a similar shot to this. My shot started as an over the shoulder tracking shot of my character walking through through the woods. Some asynchronous sound can be heard whilst he is walking and he stops walking to turn and see what the sound was. When he turns around, the camera follows this movement and the camera ends up looking at what the character is looking at. The shot framing and camera movement is similar to that of the ones Takashi Shimizu uses. Because neither of the directors are auteurs, I decided to look at the work of a director who is considered an auteur, David Lynch. On YouTube, I watched a small clip by David Lynch called Fire Walk With Me. In this I saw his style of editing. His editing style inspired me to edit the clips in my film the same way he did. This included very quick edits of different types of shots. For example, in the clip of Fire Walk With Me, there was a shot of a woman laying in bed which lasted for about a second and then it was quickly followed by an extreme close up of a different woman’s eyes creating confusion but also making the audience scared as to what is going on with all the fast paced edits and the close ups. I also did this for my film as I included a number of extreme close ups of my actress’s eyes, then quickly followed it by showing a number of full shots of her standing in the forest from different angles. All these short shots put together one after another giving the audience an overwhelmed feeling like there is too much going on and it is scaring them and they are confused.