11. Afrofuturism 2.0
“Between fantasy and exact knowledge,
between drama and technology, there is an
intermediate station: that of magic. It was in
magic that the general conquest of the
external environment was decisively instituted.
For the magicians not only believed in marvels
but audaciously sought to work them...
– Lewis Mumford via Dr. Reynaldo Anderson
12. How can algorithms be used to:
• Enhance the yellow brick road as the audience
moves to and from their seats (from the lobby)?
• Light up or pulse Dorothy's silver slippers when
anyone sees them or mentions them?
• Animate rolling signs and/or light them up with
different colored LEDs?
• Engage the audience in the story (in the lobby
before entering) using displays or interactive
technology?
Editor's Notes
„Subatomic Particles,“ an ImageQuilts data visualization by Edward Tufte & Adam Schwartz.
“The Quilts of Gee’s Bend,” an ImageQuilts data visualization by Edward Tufte & Adam Schwartz.
West African textile, Gee’s Bend Quilt and a Culturally Situated Design Tool (computer programming)
https://community.csdt.rpi.edu/cms/application-contexts/quilting/simulation-challenges
“’The Beautyful Ones Are Not Yet Born’ Might Not Hold True For Much Longer,” 2013 (acrylic and transfers on paper) by NJIDEKA AKUNYILI. | Courtesy Nasher Museum of Art
Ekua Holmes’ quilt inspired mural at Northeastern University near Ruggles Station
Michael Carnahan’s set design for “The Blood Quilt.”
The subject I’m here to talk about today is the cosmogram, which served as an emblematic representation of the Kongo people, and summarized a broad array of ideas and metaphoric messages that comprised their sense of identity within the cosmos.