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From Prints to Pixels: Looking and Living in
the Age of Digital Aesthetics
Palmer Museum of Art
Penn State University
April 7, 2015
Patrick McGrady
Charles V. Hallman Curator, Palmer Museum of Art, Penn State University
Henry Pisciotta | @HenryPisciotta
Art and Humanities Librarian, Penn State University Libraries, Penn State University
Andrew Schulz | @aps235
Professor of Art History and Associate Dean for Research, College of Arts and
Architecture, Penn State University
Neal Stimler | @nealstimler
Digital Asset Specialist, The Metropolitan Museum of Art
Patrick McGrady
“As with all digital images, digital images of
prints will no doubt play an increasingly
important role in digital culture; however, it's
critical to keep in mind that a digital image of a
print is not a print.”
Henry Pisciotta | @HenryPisciotta
“Reproductive media (printing, photography,
cinema, computing, etc.) have always
transmitted and broadened culture and each
fosters some form of literacy.”
Andrew Schulz | @aps235
"Although William Ivins taught us to think about
prints as 'exactly repeatable pictorial
statements,' I am interested in the ways that
impressions taken from the same plate often
function as unique images, and in the resulting
complications in what it means to reproduce a
print in digital form."
Neal Stimler | @nealstimler
“Graphic arts, from prints to GIFs, acutely trace the
essences of human expression. Multiple impressions of
‘trace’ are considered: an open process of wondrous
discovery; a practice of sketching ever emerging
knowledge towards enlightenment; formal, intellectual
and emotional elements used to create compositions; an
awareness of the flux nature of existence as the
perpetual in-between state of having been, being and
becoming.”
Zotero Group Library
The group library contains a variety of
references to articles, books, websites and
audiovisual assets related to workshop themes.
Link: https://www.zotero.
org/groups/palmerprintspixels
Thank You
?s
#palmerprintspixels
Share This!
This work is licensed under a Creative Commons
International license “CC BY-NC-ND 4.0.”
Disclaimer
The remarks herein are the personal views of the
presenters and do not necessarily reflect the views of The
Metropolitan Museum of Art or any institution.

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From Prints to Pixels: Looking and Living in the Age of Digital Aesthetics Lightning Talks

  • 1. #palmerprintspixels From Prints to Pixels: Looking and Living in the Age of Digital Aesthetics Palmer Museum of Art Penn State University April 7, 2015
  • 2. Patrick McGrady Charles V. Hallman Curator, Palmer Museum of Art, Penn State University Henry Pisciotta | @HenryPisciotta Art and Humanities Librarian, Penn State University Libraries, Penn State University Andrew Schulz | @aps235 Professor of Art History and Associate Dean for Research, College of Arts and Architecture, Penn State University Neal Stimler | @nealstimler Digital Asset Specialist, The Metropolitan Museum of Art
  • 3. Patrick McGrady “As with all digital images, digital images of prints will no doubt play an increasingly important role in digital culture; however, it's critical to keep in mind that a digital image of a print is not a print.”
  • 4. Henry Pisciotta | @HenryPisciotta “Reproductive media (printing, photography, cinema, computing, etc.) have always transmitted and broadened culture and each fosters some form of literacy.”
  • 5. Andrew Schulz | @aps235 "Although William Ivins taught us to think about prints as 'exactly repeatable pictorial statements,' I am interested in the ways that impressions taken from the same plate often function as unique images, and in the resulting complications in what it means to reproduce a print in digital form."
  • 6. Neal Stimler | @nealstimler “Graphic arts, from prints to GIFs, acutely trace the essences of human expression. Multiple impressions of ‘trace’ are considered: an open process of wondrous discovery; a practice of sketching ever emerging knowledge towards enlightenment; formal, intellectual and emotional elements used to create compositions; an awareness of the flux nature of existence as the perpetual in-between state of having been, being and becoming.”
  • 7. Zotero Group Library The group library contains a variety of references to articles, books, websites and audiovisual assets related to workshop themes. Link: https://www.zotero. org/groups/palmerprintspixels
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  • 10. Disclaimer The remarks herein are the personal views of the presenters and do not necessarily reflect the views of The Metropolitan Museum of Art or any institution.