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Principle Filming
A2 Media Music Video
Lip Syncing Scenes
• First we began by filming the lip-
syncing scenes in the TV Studio using
the green screen. I set up one camera
to film straight on and had the actor
move into various positions for each
take. Using the program TriCaster I
added a white background which I’m
then going to overlay clips onto.
During filming we have a screen inside
the studio with a preview of what was
being filmed so the actor could make
sure they were always in frame. We
also had the music playing in the
studio which made the lip-syncing to
the track easier.
Powder Paint Scenes
• We then set up the background for the
powder paint scenes which was a white
sheet hung up and taped in front of the
green screen and plastic covering a
large area of the floor and lighting
equipment. I used three cameras for
this scene to capture the action from
various angles that I would later cut
together in editing. I then made sure I
was out of shot and threw multi-
coloured powder paints at the actor
from different positions. I also made
sure to that it went on the sheet and
floor to create a colourful setting
around her. When I come to edit these
I’ll most likely adjust the lighting as I
think it may have been too bright during
filming.
Paint Pouring Scenes
• For the last scene in the TV Studio we
cleared away the sheets and white
background and replaced it with a black
curtain and a chair for the actor to sit
on. I thought the black would contrast
nicely with the pastel colours of her
hair and clothing. I then stood on a
stool next to the chair and poured a pot
of blue paint mixed with water over her
head. I used two cameras for this shot,
one facing directly forwards and a close
up angle from the side. I think overall
the principle filming went well and I got
some effective shots that I’m going to
use in my final music video.

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Principle Filming

  • 2. Lip Syncing Scenes • First we began by filming the lip- syncing scenes in the TV Studio using the green screen. I set up one camera to film straight on and had the actor move into various positions for each take. Using the program TriCaster I added a white background which I’m then going to overlay clips onto. During filming we have a screen inside the studio with a preview of what was being filmed so the actor could make sure they were always in frame. We also had the music playing in the studio which made the lip-syncing to the track easier.
  • 3. Powder Paint Scenes • We then set up the background for the powder paint scenes which was a white sheet hung up and taped in front of the green screen and plastic covering a large area of the floor and lighting equipment. I used three cameras for this scene to capture the action from various angles that I would later cut together in editing. I then made sure I was out of shot and threw multi- coloured powder paints at the actor from different positions. I also made sure to that it went on the sheet and floor to create a colourful setting around her. When I come to edit these I’ll most likely adjust the lighting as I think it may have been too bright during filming.
  • 4. Paint Pouring Scenes • For the last scene in the TV Studio we cleared away the sheets and white background and replaced it with a black curtain and a chair for the actor to sit on. I thought the black would contrast nicely with the pastel colours of her hair and clothing. I then stood on a stool next to the chair and poured a pot of blue paint mixed with water over her head. I used two cameras for this shot, one facing directly forwards and a close up angle from the side. I think overall the principle filming went well and I got some effective shots that I’m going to use in my final music video.