4. Will Shakespeare
Whoever hath her wish, thou hast thy Will,
And Will to boot, and Will in overplus.
…………………………………………………….
Wilt thou, whose will is large and spacious,
Not once vouchsafe to hide my will in thine?
Shall will in others seem right gracious,
And in my will no fair acceptance shine?
16. Male/Female Interactions cont.
ANNE. And thou unfit for
any place but hell.
RICHARD. Yes, one place
else, if you will hear me
name it.
ANNE. Some dungeon.
RICHARD. Your
bedchamber.
17. Works Cited
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Bradbrook, M. C. The Growth and Structure of Elizabethan Comedy. London: Peregrine, 1963. Print.
Bray, Alan. "Homosexuality and the Signs of Male Friendship in Elizabethan England."Queering the Renaissance. Ed. Jonathan Goldberg. Durham:
Duke UP, 1994. 40-61. Print.
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Edelman, Charles. Brawl Ridiculous: Swordfighting in Shakespeare's Plays. Manchester: Manchester UP, 1992. Print.
Ghanooni, Ali Reza. "Sexual Pun: A Case Study of Shakespeare's Romeo And Juliet." Cross-Cultural Communication 8.2 (2012): 91-100. Academic
Search Complete. Web. 03 Feb. 2013.
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Harbage, Alfred. Shakespeare's Audience. New York: Columbia UP, 1941. Print.
Mahood, M. M. Shakespeare's Wordplay. London: Methuen, 1957. Print.
Morreall, John. The Philosophy of Laughter and Humor. Albany: State University of New York Press, 1987. Print.
Nagler, A. M. Shakespeare's Stage. New Haven: Yale UP, 1958. Print.
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Papp, Joseph, and Elizabeth Kirkland. Shakespeare Alive! Toronto: Bantam, 1988. Print.
Partridge, Eric. Shakespeare's Bawdy. London: Routledge, 1968. Print.
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18. Pictures Sourced
Bearbaiting. Digital image. Wikipedia. N.p., Feb. 2008. Web. 30 June 2013.
De Wit, Fredericus. Nova Et Accurata Totius Europæ Descriptio. Digital image.Wikipedia. N.p., 5 June 2013. Web. 30 June 2013.
Hamlet. Dir. Laurence Olivier. Perf. Laurence Olivier. 1948. Image.
http://ringreview.net/diamond-ring/sell-my-diamond-ring
Olsen, Harald. Reed Warbler feeding a Common Cuckoo chick in a nest. Brood parasitism. Digital image. Wikimedia. N.p., 3 Apr. 2007. Web. 1 July
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Selous, H. C. Beatrice and Benedick (Act II, scene iii). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Bottom (Act I, scene ii). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Gregory, Sampson and Abraham (Act 1, scene 1). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Malvolio (Act 2, scene 5). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Petruchio and Katharina (Act 2, scene 1). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Richard and Anne (Act 1, scene 2). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
Selous, H. C. Roderigo (Act 1, Scene 1). Digital image. Internet Shakespeare. University of Victoria, n.d. Web. 1 July 2013.
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the nobles and gentlemen were the highest class; next were the citizens and burgesses (politician); after them came the yeoman, or rural landholders; and finally, the artisans and laborers
Shakespeare’s audience was rowdy because they were used to bairbaiting, cockfights, and public executions
First three ‘Will’s are his name. Second will is vagina. Third is penis. Last two are the want of sex.
Cuckoo birds stole eggs out of other birds’ nest
Horns are symbol of JoveFoot is a length, not an actual foot.
Explain Superiority Theory: laughter is a glorious feeling that arises from knowing that we are better than others.Titania loving Bottom as an ass.
Swords are penises. Shields are vaginas
Rings as symbols for marriage, owning a wife, and vaginas.