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ISPI “San Bartolomé”

II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA
               ENSEÑANZA DEL INGLÉS
   Teaching Materials: Adoption, adaptation or creation

                    Rosario, 2004



TEACHING LITERATURE, TEACHING LANGUAGE: SAME
                DIFFERENCE?

                    Mariel R. Amez
                 ISPI “San Bartolomé”; IES “O. Cossettini”
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS
                Teaching Materials: Adoption, adaptation or creation
    TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
          Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




          She is ravishingly beautiful
          She is infinitely changeable
       She is the finest cook in the world
      She is always warm and welcoming
      She keeps the world’s finest cellar
              She is always young
              yet full of experience

                           FRANCE

She has countless lovers. And is faithful to the end.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS
                           Teaching Materials: Adoption, adaptation or creation
               TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                     Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




LITERATURE          =         TEXT                                             READER
                                                personal + aesthetic



                          Widdowson, H. G. (1979). Explorations in Applied Linguistics. Oxford: O.U.P.




                         REFERENTIAL                                     INFORMS
  LANGUAGE

                         REPRESENTATIONAL                                INVOLVES

                         McRae, J. (1991) Literature with a small “l”. London & Basingstroke: Macmillan




CRITERIA FOR SELECTING LITERARY TEXTS
 interest
 appeal
 relevance
 language difficulty
                 Collie, J. & S. Slater. (1987) Literature in the Language Classroom. Cambridge: C.U.P.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS
                        Teaching Materials: Adoption, adaptation or creation
             TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                   Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


CRITERIA FOR EXPLOITATION

♦ RELATING THE TEXT TO ONE’S LIFE

♦ DEVELOPING INFERENCE AND INTERPRETATION


♦ LEARNING TO APPRECIATE TEXT
  Plot
  Character
  Themes
  Language
  Imagery
  Sounds
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS             5
                           Teaching Materials: Adoption, adaptation or creation
                TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                      Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




TASK 3
    1-   Sid lived in six houses. (d)
    2-   He had six different names to remember. (f)                               1
                                                                            2
    3-   All this work sometimes wore Sid out. (c)                                     3
    4-   One cold damp day he caught a nasty cough. (e)
    5-   Sid didn’t have just one spoonful of medicine. (a)
    6-   Sid's owners were furious. (b)
                                                                                   4
                                                                           5
                                                                                       6




Opening situation(s)/ problem(s)
(the main problem(s) that confront(s) the
characters at the beginning of the story)

Key events
(the main things that happen: characters’
choices/ actions & their motives;
consequences of actions & events; events
outside the control of the characters)

Climax
(what happens to bring about the ending?)

Ending
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS           6
                        Teaching Materials: Adoption, adaptation or creation
            TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                  Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


TASK 4
          Scaramouche Bob                  Satan      Sally        Sooty       Schwartz

behaviour swanky airs          job         naughty silly       smooched rough
                                                                        and
                                                                        tough
food?     chicken              fish        lamb       mince    fish     beef and
                                                                        kidney
                                                                        stew
master?   sophisticated, working spoilt               obedient lonely   grumpy
          romantic lady class    boy                  girl     elderly  old man
                         family                                lady

                                       TASK 6
                  D      A      E      D      S      O      I       P
                  M      I      L      R      A      B      U       E
                  S      O      N      T      C      F      I       R
                  E      M      Z      N      H      Y      H       S
                  N      A      P      O      E      O      K       O
                  U      S      V      E      R      R      J       N
                  H      T      U      B      T      P      S       A
                  W      E      M      A      N      L      D       L
                  P      R      B      N      S      M      E       I
                  R      S      A      F      A      I      B       T
                  Y      O      H      G      V      M      A       I
                  S      E      B      Y      U      S      E       E
                  I      D      T      S      P      O      I       S
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS        7
               Teaching Materials: Adoption, adaptation or creation
   TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
         Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




                      universal appeal
                      inductive learning of wide range of lang. skills
 POETRY
                      leeway for experimentation
                      complete context for writing in a compact form




                      freedom to express ideas
                      fast writing
PATTERN               different patterns of interaction
POETRY                practice of different concepts
                      challenging
                      non-competitive




                                TASK 7
                                Catalogue poem
                                Eating
                                Sleeping
                                Playing
                                Chasing
                                Sniffing
                                Mewing
                                Purring
                                Catching a ball
                                Entangling wool
                                Sid, Sid, Sid.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS              8
                            Teaching Materials: Adoption, adaptation or creation
                 TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                       Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


TASK 9
                                   Narrator           D.B.           Mother         Father
Next time I catch you …                                                               X
Life’s super, man, super.                               X
Can’t complain, really. I’ll           X
soon be OK again.
You should know better                                                   X
than…



TASK 10
   ADJECTIVE                                       QUOTE

sensible           his intelligence and his feelings were clearly separate
cautious           wise judgment
contented          on working days …he was a man of good character
serious            a man of misty views
miserable??
dull??             thinking of what there would be for dinner



                                           TASK 10
                                      Eustacia Vye
                                   Beautiful, self-centred.
                               Dreaming, scheming, seething.
                                Wishing for more, committed
                                          Suicide.


TASK 11
On a dark (1) desert highway, cool (2) wind in my hair
Warm (3) smell of colitas rising (4) up through the air
Up ahead in the distance, I saw a shimmering (5) light
My head grew heavy (6) and my sight grew dim (7)
I had to stop (8) for the night.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS    9
              Teaching Materials: Adoption, adaptation or creation
  TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
        Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




                            TASK 14
                  ”Hotel” is black and red.
                  It tastes like alcohol and chocolate.
                  It sounds like the silence of the desert.
                  And smells like musky smoke.
                  It looks like your worst nightmare.
                  It makes you feel befuddled.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS    10
                       Teaching Materials: Adoption, adaptation or creation
           TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                 Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




 Representational language
 Reduced number of complementary, balanced activities
 Varied modes of presentation
 Main                              aim: foster enjoyment of reading


                                        Adopt
                                        Adapt
                                        Create
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS    11
               Teaching Materials: Adoption, adaptation or creation
   TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
         Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




ANIMALS           DON’T SMOKE
ANIMALS           DON’T DRIVE
ANIMALS           DON’T WEAR MAKE-UP
ANIMALS           DON’T USE PAINT
ANIMALS           DON’T DRINK ALCOHOL
ANIMALS           DON’T DROP BOMBS



BECAUSE YOU DO
WHY SHOULD THEY SUFFER?

                        AGAINST ALL ANIMAL EXPERIMENTS




       Join the Army; travel to
       exotic, distant lands;
       meet exciting
       unusual people
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS    12
                         Teaching Materials: Adoption, adaptation or creation
             TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                   Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




“In Extensive Reading the learner reads huge amounts of very
simple text so that she can read smoothly, confidently and
pleasurably.”

“Extensive reading usually refers to the kind of reading many
students already do in their own language, for example, reading
novels, non-fiction texts or reference books.”




Reading extensively will help students to:
 develop reading fluency and confidence in reading
 improve spelling, knowledge of grammar and vocabulary (a better
understanding of how the language is used)
 improve other language skills including writing, speaking and
listening
 develop a more positive attitude to the foreign language in general
 improve general knowledge
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS                        13
                               Teaching Materials: Adoption, adaptation or creation
                     TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                           Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


TASK 1                                                          TASK 2
       ACTIVITIES            language? literature?                 FEATURES         lit. text?   other text?
matching                                                   repetition of words or
                                                           phrases
completing a chart                                         parallelism
cloze                                                      multiple meaning of
                                                           words
pair work                                                  alliteration
discussion                                                 assonance
listening and note-taking                                  figurative language
role-playing
creative writing


TASK 3                                                                              The beginning
      7- Sid didn’t have just one spoonful of medicine.
      8- Sid's owners were furious.
      9- All this work sometimes wore Sid out.
      10- Sid lived in six houses.
      11- One cold damp day he caught a nasty cough.
      12- He had six different names to remember.

TASK 4
a- What do you think the neighbours were like?
Complete this chart to help you
                                                                                       The end
             Scaramouche Bob          Satan   Sally       Sooty Schwartz
behaviour
food?
master?

b- Choose one of the neighbours and role-play his conversation with the vet.
c- Imagine Sid’s life on Pythagoras Street. Fill in a similar chart. Tell your partners about it.


                                              TASK 6
 TASK 5
                                              What did Sid have six of?               TASK 7
 Choose the moral which you                   Find five words in this puzzle.         Write a “Catalogue
 think most appropriate. If none                                                      poem” describing
 seems suitable, write one of your               D    A    E   D   S   O   I P
                                                 M    I    L   R   A   B   U E        Sid.
 own. Be prepared to justify your
 choice.                                         S    O    N   T   C   F   I R
                                                 E    M    Z   N   H   Y   H S        1-One present
                                                 N    A    P   O   E   O   K O        2-participle
 1- Variety is the spice of life.
                                                                                      3-per line,
 2- Honesty is the best policy.                  U    S    V   E   R   R   J N
                                                                                      4-with each one
 3- Communication is essential to                H    T    U   B   T   P   S A
                                                                                      5-describing
 happiness.                                      W    E    M   A   N   L   D L
                                                                                      6-the nouns
 4- Lying never pays.                            P    R    B   N   S   M   E I        7-in the last
 5- Your own: ……….……….……                         R    S    A   F   A   I   B T        8-line of
                                                 Y    O    H   G   V   M   A I        9-the poem.
                                                 S    E    B   Y   U   S   E E        10-Noun, noun, noun.
                                                 I    D    T   S   P   O   I S
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS                  14
                             Teaching Materials: Adoption, adaptation or creation
                  TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                        Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




TASK 8
Write the names of the characters on the spiders’ bodies. On their legs write facts about
them, such as their age, sex, job, role in the story etc..




TASK 9
Who could have said the following?
                                  Narrator              D.B.            Mother           Father
Next time I catch you …
Life’s super, man, super.
Can’t complain, really. I’ll soon
be OK again.
You should know better than…

TASK 10
Choose adjectives from the box to describe Gabriel. Then write phrases from the text that
helped you decide.

ADJECTIVE                  QUOTE                               arrogant – humble – sensible
                                                               – rash – cautious – serious –
                                                               clever – passionate – funny –
                                                               dull –adventurous –
                                                               contented – miserable –

TASK 10
Write a poem following this Cinquain Pattern
Line 1: One word, both title and subject of the poem (noun)
Line 2: Two words that describe the subject (adjectives)
Line 3: Three words that express an action by the subject (participles ending in -ing)
Line 4: Four words that tell a feeling the writer has about the subject (verb phrase)
Line 5: One word that is a synonym for the subject or restates or sums it up (noun)

TASK 11
Fill in the blanks with one of the words suggested. There are no right or wrong answers.
On a __________(1) desert highway, __________(2) wind in my hair
__________(3) smell of colitas __________(4) up through the air
Up ahead in the distance, I saw a __________(5) light
My head grew __________(6) and my sight grew __________(7)
I had to __________(8) for the night.

   1-   scary – quiet – dark                              5-   twinkling – shimmering – glowing
   2-   icy – cool – cold                                 6-   gloomy – weary – heavy
   3-   lukewarm – warm – hot                             7-   dim – hazy
   4-   rising – wafting                                  8-   rest – stop
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS                          15
                            Teaching Materials: Adoption, adaptation or creation
                 TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                       Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”




TASK 12
Choose the most suitable meaning according to the text. More than one answer may be
possible.
1- Spirit                                      2- Beast
    a- a strong alcoholic drink such as whisky     a- an animal, especially a dangerous or
        or brandy                                     strange one
    b- an imaginary creature with special          b- the Antichrist, associated with the
        powers                                        number 666
    c- a dead person who comes back into the       c- heroin; LSD
        world

TASK 13
Work in groups. Discuss the different explanations for the phrases below. Decide which
options are P (possible), I (impossible), and U (unlikely). More than one answer may be
possible.
  1- 'This could be Heaven or this could be Hell'  3- bring your alibis
a-This hotel could be either extraordinary or a- You’re going to be charged with a crime
appalling                                         b- You’re going to commit a crime
b-This place could lead me either to salvation or c- It's a crime to have such a good time
to damnation
c-Here I can find either happiness or sorrow       4- Last thing I remember
                                                  a- He fainted on hearing the night man’s words
  2- Her mind is Tiffany-twisted, she’s got the b- He woke up on hearing the night man’s
   Mercedes bends                                 words
a- She is losing her mind                         c- He suffered a stroke on hearing the night
b- She has expensive tastes                       man’s words
c-She owns a renowned car

TASK 14
Listen to the song again. Try to “feel” it with your five senses. Can you write a poem to
convey your response? Follow this pattern.
Line 1: What colour the song is.
Line 2:. What the song sounds like
Line 3: What the song tastes like
Line 4: What the song smells like.
Line 5: What the song looks like.
Line 6: What the song makes you feel like

TASK 15
Write an epilogue for the story. You can do it in verse or in prose. The narrator could be the
protagonist, the woman, the night man, or somebody not mentioned in the song.



                                                            Texts:
                                                            1-“Six Dinner Sid”, in English Panorama 1,
                                                            C.U.P.
                                                            2- Catcher in the Rye (J. D. Salinger)
                                                            3- Far from the Madding Crowd.
                                                            Longman Simplified Series.
                                                            4-“Hotel California” (Eagles)
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS                  16
                             Teaching Materials: Adoption, adaptation or creation
                  TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                        Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”



 Some useful websites:
 http://uk.cambridge.org/elt/readers
 http://www.bbc.co.uk/arts/poetry
 http://www.macmillaneducation.com/resource.htm
 http://www.njcu.edu/cill/journal-index.html
 http://www.oupjapan.co.jp/jr/article.shtml
 http://www.penguinreaders.com/pr/resources/teachers.

     TEXT 1
Sid lived at number one, Aristotle Street.
He also lived at number two, number three, number four, number five and number six.
Sid lived in six houses so that he could have six dinners. Each night he would slip out of number
one, where he might have had chicken, into number two for fish, on to number three for lamb,
mince at number four, fish again at number five, rounding off at number six with beef and kidney
stew.
Since the neighbours did not talk to one another on Aristotle Street, they did not know what Sid
was up to. They all believed the cat they fed was theirs and theirs alone.
But Sid had to work hard for his dinners. It wasn't easy being six people’s pet. He had six different
names to remember and six different ways to behave.
When he was being Scaramouche, Sid put on swanky airs. As Bob he had a job.
He was naughty as Satan and silly as Sally.
As Sooty he smooched but as Schwartz he had to act rough and tough.
All this work sometimes wore Sid out. But he didn’t care, as long as he had his six dinners. And
besides he liked being scratched in six different places and sleeping in six different beds.
In fact, life in Aristotle Street was just about perfect for Sid until one cold damp day he caught a
nasty cough.
The next thing he knew he was being taken to the vet. Poor Sid, he was taken not once, not twice
but six times. He went with six different people in six different ways.
The vet said Sid's cough wasn't nearly as nasty as it sounded; but, to be on the safe side, he
should have a spoonful of medicine. Of course, Sid didn’t have just one spoonful of medicine. He
had six.
Now one black cat does look much like another, but nobody, not even a busy vet, could see the
same cat six times without becoming suspicious. Sure enough, when he checked in his
appointment book, the vet found six cats with a cough – all living in Aristotle Street!
So he rang the owners at once and, oh dear, Sid was found out! When they discovered what he
had been up to, Sid's owners were furious. They said he had no business eating so many dinners.
They said, in the future, he would have only one dinner a day. But Sid was a six-dinner-a-day cat.
So he went to live at number one, Pythagoras Place. He also went to live at numbers two, three,
four, five and six. Unlike Aristotle Street, the people who lived on Pythagoras Place talked to their
neighbours.
So, right from the start, everyone knew about Sid's six dinners. And, because everyone knew,
nobody minded.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS                       17
                              Teaching Materials: Adoption, adaptation or creation
                   TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                         Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


     TEXT 2
     If you really want to hear about it, the first thing you'll probably want to know is where I was
born, and what my lousy childhood was like, and how my parents were occupied and all before
they had me, and all that David Copperfield kind of crap, but I don't feel like going into it. In the first
place, that stuff bores me, and in the second place, my parents would have about two
hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about
anything like that, especially my father. They're nice and all - I'm not saying that - but they're also
touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I’ll
just tell you about this madman stuff that happened to me around last Christmas before I got pretty
run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's
my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over
and visits me practically every weekend. He's going to drive me home when I go home next month
maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles
an hour. It cost him damn near four thousand bucks. He's got a lot of dough now. He didn't use to.
He used to be just a regular writer, when he was home. He wrote this terrific book of short stories,
The Secret Goldfish, in case you never heard of him. The best one in it was ”The Secret Goldfish”.
It was about this little kid that wouldn't let anybody look at his goldfish because he'd bought it with
his own money. It killed me. Now he's out in Hollywood, D.B., being a prostitute. lf there's one thing
I hate, it's the movies. Don't even mention them to me.

     TEXT 3
     When Farmer Oak smiled, the corners of his mouth spread out towards his ears, his eyes
almost disappeared, and little lines appeared round them like the rays in a child's drawing of the
rising sun.
     His first name was Gabriel, and on working days he was a man of wise judgment and good
character. On Sundays he was a man of misty views, and uncomfortable in his best clothes; he
went to church, but often he was thinking of what there would be for dinner when he meant to be
listening to the parson's address. He was at the brightest period of a man's growth, for his
intelligence and his feelings were clearly separate, not yet united by the influence of a wife and
family. In short, he was twenty-eight, and unmarried.
II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS     18
                              Teaching Materials: Adoption, adaptation or creation
                   TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE?
                         Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”


    TEXT 4
On a dark desert highway, cool wind in my hair
Warm smell of colitas rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
'This could be Heaven or this could be Hell'
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say...

Welcome to the Hotel California
Such a lovely place (such a lovely face)
Plenty of room at the Hotel California
Any time of year, you can find it here

Her mind is Tiffany-twisted, she’s got the Mercedes bends
She’s got a lot of pretty, pretty boys, that she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget


So I called up the Captain,
'Please bring me my wine'
He said, 'We haven't had that spirit here since nineteen sixty nine'
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say...

Welcome to the Hotel California
Such a lovely place (such a lovely face)
They livin' it up at the Hotel California
What a nice surprise, bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said ‘'We are all just prisoners here, of our own device'
And in the master's chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can't kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
'Relax,' said the night man,
’We are programmed to receive.
You can check out any time you like,
but you can never leave!’

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Teaching Literature, Teaching Language: Same Difference?,

  • 1. ISPI “San Bartolomé” II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS Teaching Materials: Adoption, adaptation or creation Rosario, 2004 TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez ISPI “San Bartolomé”; IES “O. Cossettini”
  • 2. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” She is ravishingly beautiful She is infinitely changeable She is the finest cook in the world She is always warm and welcoming She keeps the world’s finest cellar She is always young yet full of experience FRANCE She has countless lovers. And is faithful to the end.
  • 3. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” LITERATURE = TEXT READER personal + aesthetic Widdowson, H. G. (1979). Explorations in Applied Linguistics. Oxford: O.U.P. REFERENTIAL INFORMS LANGUAGE REPRESENTATIONAL INVOLVES McRae, J. (1991) Literature with a small “l”. London & Basingstroke: Macmillan CRITERIA FOR SELECTING LITERARY TEXTS  interest  appeal  relevance  language difficulty Collie, J. & S. Slater. (1987) Literature in the Language Classroom. Cambridge: C.U.P.
  • 4. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” CRITERIA FOR EXPLOITATION ♦ RELATING THE TEXT TO ONE’S LIFE ♦ DEVELOPING INFERENCE AND INTERPRETATION ♦ LEARNING TO APPRECIATE TEXT  Plot  Character  Themes  Language  Imagery  Sounds
  • 5. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 5 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 3 1- Sid lived in six houses. (d) 2- He had six different names to remember. (f) 1 2 3- All this work sometimes wore Sid out. (c) 3 4- One cold damp day he caught a nasty cough. (e) 5- Sid didn’t have just one spoonful of medicine. (a) 6- Sid's owners were furious. (b) 4 5 6 Opening situation(s)/ problem(s) (the main problem(s) that confront(s) the characters at the beginning of the story) Key events (the main things that happen: characters’ choices/ actions & their motives; consequences of actions & events; events outside the control of the characters) Climax (what happens to bring about the ending?) Ending
  • 6. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 6 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 4 Scaramouche Bob Satan Sally Sooty Schwartz behaviour swanky airs job naughty silly smooched rough and tough food? chicken fish lamb mince fish beef and kidney stew master? sophisticated, working spoilt obedient lonely grumpy romantic lady class boy girl elderly old man family lady TASK 6 D A E D S O I P M I L R A B U E S O N T C F I R E M Z N H Y H S N A P O E O K O U S V E R R J N H T U B T P S A W E M A N L D L P R B N S M E I R S A F A I B T Y O H G V M A I S E B Y U S E E I D T S P O I S
  • 7. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 7 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”  universal appeal  inductive learning of wide range of lang. skills POETRY  leeway for experimentation  complete context for writing in a compact form  freedom to express ideas  fast writing PATTERN  different patterns of interaction POETRY  practice of different concepts  challenging  non-competitive TASK 7 Catalogue poem Eating Sleeping Playing Chasing Sniffing Mewing Purring Catching a ball Entangling wool Sid, Sid, Sid.
  • 8. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 8 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 9 Narrator D.B. Mother Father Next time I catch you … X Life’s super, man, super. X Can’t complain, really. I’ll X soon be OK again. You should know better X than… TASK 10 ADJECTIVE QUOTE sensible his intelligence and his feelings were clearly separate cautious wise judgment contented on working days …he was a man of good character serious a man of misty views miserable?? dull?? thinking of what there would be for dinner TASK 10 Eustacia Vye Beautiful, self-centred. Dreaming, scheming, seething. Wishing for more, committed Suicide. TASK 11 On a dark (1) desert highway, cool (2) wind in my hair Warm (3) smell of colitas rising (4) up through the air Up ahead in the distance, I saw a shimmering (5) light My head grew heavy (6) and my sight grew dim (7) I had to stop (8) for the night.
  • 9. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 9 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 14 ”Hotel” is black and red. It tastes like alcohol and chocolate. It sounds like the silence of the desert. And smells like musky smoke. It looks like your worst nightmare. It makes you feel befuddled.
  • 10. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 10 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini”  Representational language  Reduced number of complementary, balanced activities  Varied modes of presentation  Main aim: foster enjoyment of reading Adopt Adapt Create
  • 11. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 11 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” ANIMALS DON’T SMOKE ANIMALS DON’T DRIVE ANIMALS DON’T WEAR MAKE-UP ANIMALS DON’T USE PAINT ANIMALS DON’T DRINK ALCOHOL ANIMALS DON’T DROP BOMBS BECAUSE YOU DO WHY SHOULD THEY SUFFER? AGAINST ALL ANIMAL EXPERIMENTS Join the Army; travel to exotic, distant lands; meet exciting unusual people
  • 12. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 12 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” “In Extensive Reading the learner reads huge amounts of very simple text so that she can read smoothly, confidently and pleasurably.” “Extensive reading usually refers to the kind of reading many students already do in their own language, for example, reading novels, non-fiction texts or reference books.” Reading extensively will help students to:  develop reading fluency and confidence in reading  improve spelling, knowledge of grammar and vocabulary (a better understanding of how the language is used)  improve other language skills including writing, speaking and listening  develop a more positive attitude to the foreign language in general  improve general knowledge
  • 13. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 13 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 1 TASK 2 ACTIVITIES language? literature? FEATURES lit. text? other text? matching repetition of words or phrases completing a chart parallelism cloze multiple meaning of words pair work alliteration discussion assonance listening and note-taking figurative language role-playing creative writing TASK 3 The beginning 7- Sid didn’t have just one spoonful of medicine. 8- Sid's owners were furious. 9- All this work sometimes wore Sid out. 10- Sid lived in six houses. 11- One cold damp day he caught a nasty cough. 12- He had six different names to remember. TASK 4 a- What do you think the neighbours were like? Complete this chart to help you The end Scaramouche Bob Satan Sally Sooty Schwartz behaviour food? master? b- Choose one of the neighbours and role-play his conversation with the vet. c- Imagine Sid’s life on Pythagoras Street. Fill in a similar chart. Tell your partners about it. TASK 6 TASK 5 What did Sid have six of? TASK 7 Choose the moral which you Find five words in this puzzle. Write a “Catalogue think most appropriate. If none poem” describing seems suitable, write one of your D A E D S O I P M I L R A B U E Sid. own. Be prepared to justify your choice. S O N T C F I R E M Z N H Y H S 1-One present N A P O E O K O 2-participle 1- Variety is the spice of life. 3-per line, 2- Honesty is the best policy. U S V E R R J N 4-with each one 3- Communication is essential to H T U B T P S A 5-describing happiness. W E M A N L D L 6-the nouns 4- Lying never pays. P R B N S M E I 7-in the last 5- Your own: ……….……….…… R S A F A I B T 8-line of Y O H G V M A I 9-the poem. S E B Y U S E E 10-Noun, noun, noun. I D T S P O I S
  • 14. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 14 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 8 Write the names of the characters on the spiders’ bodies. On their legs write facts about them, such as their age, sex, job, role in the story etc.. TASK 9 Who could have said the following? Narrator D.B. Mother Father Next time I catch you … Life’s super, man, super. Can’t complain, really. I’ll soon be OK again. You should know better than… TASK 10 Choose adjectives from the box to describe Gabriel. Then write phrases from the text that helped you decide. ADJECTIVE QUOTE arrogant – humble – sensible – rash – cautious – serious – clever – passionate – funny – dull –adventurous – contented – miserable – TASK 10 Write a poem following this Cinquain Pattern Line 1: One word, both title and subject of the poem (noun) Line 2: Two words that describe the subject (adjectives) Line 3: Three words that express an action by the subject (participles ending in -ing) Line 4: Four words that tell a feeling the writer has about the subject (verb phrase) Line 5: One word that is a synonym for the subject or restates or sums it up (noun) TASK 11 Fill in the blanks with one of the words suggested. There are no right or wrong answers. On a __________(1) desert highway, __________(2) wind in my hair __________(3) smell of colitas __________(4) up through the air Up ahead in the distance, I saw a __________(5) light My head grew __________(6) and my sight grew __________(7) I had to __________(8) for the night. 1- scary – quiet – dark 5- twinkling – shimmering – glowing 2- icy – cool – cold 6- gloomy – weary – heavy 3- lukewarm – warm – hot 7- dim – hazy 4- rising – wafting 8- rest – stop
  • 15. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 15 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TASK 12 Choose the most suitable meaning according to the text. More than one answer may be possible. 1- Spirit 2- Beast a- a strong alcoholic drink such as whisky a- an animal, especially a dangerous or or brandy strange one b- an imaginary creature with special b- the Antichrist, associated with the powers number 666 c- a dead person who comes back into the c- heroin; LSD world TASK 13 Work in groups. Discuss the different explanations for the phrases below. Decide which options are P (possible), I (impossible), and U (unlikely). More than one answer may be possible. 1- 'This could be Heaven or this could be Hell' 3- bring your alibis a-This hotel could be either extraordinary or a- You’re going to be charged with a crime appalling b- You’re going to commit a crime b-This place could lead me either to salvation or c- It's a crime to have such a good time to damnation c-Here I can find either happiness or sorrow 4- Last thing I remember a- He fainted on hearing the night man’s words 2- Her mind is Tiffany-twisted, she’s got the b- He woke up on hearing the night man’s Mercedes bends words a- She is losing her mind c- He suffered a stroke on hearing the night b- She has expensive tastes man’s words c-She owns a renowned car TASK 14 Listen to the song again. Try to “feel” it with your five senses. Can you write a poem to convey your response? Follow this pattern. Line 1: What colour the song is. Line 2:. What the song sounds like Line 3: What the song tastes like Line 4: What the song smells like. Line 5: What the song looks like. Line 6: What the song makes you feel like TASK 15 Write an epilogue for the story. You can do it in verse or in prose. The narrator could be the protagonist, the woman, the night man, or somebody not mentioned in the song. Texts: 1-“Six Dinner Sid”, in English Panorama 1, C.U.P. 2- Catcher in the Rye (J. D. Salinger) 3- Far from the Madding Crowd. Longman Simplified Series. 4-“Hotel California” (Eagles)
  • 16. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 16 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” Some useful websites: http://uk.cambridge.org/elt/readers http://www.bbc.co.uk/arts/poetry http://www.macmillaneducation.com/resource.htm http://www.njcu.edu/cill/journal-index.html http://www.oupjapan.co.jp/jr/article.shtml http://www.penguinreaders.com/pr/resources/teachers. TEXT 1 Sid lived at number one, Aristotle Street. He also lived at number two, number three, number four, number five and number six. Sid lived in six houses so that he could have six dinners. Each night he would slip out of number one, where he might have had chicken, into number two for fish, on to number three for lamb, mince at number four, fish again at number five, rounding off at number six with beef and kidney stew. Since the neighbours did not talk to one another on Aristotle Street, they did not know what Sid was up to. They all believed the cat they fed was theirs and theirs alone. But Sid had to work hard for his dinners. It wasn't easy being six people’s pet. He had six different names to remember and six different ways to behave. When he was being Scaramouche, Sid put on swanky airs. As Bob he had a job. He was naughty as Satan and silly as Sally. As Sooty he smooched but as Schwartz he had to act rough and tough. All this work sometimes wore Sid out. But he didn’t care, as long as he had his six dinners. And besides he liked being scratched in six different places and sleeping in six different beds. In fact, life in Aristotle Street was just about perfect for Sid until one cold damp day he caught a nasty cough. The next thing he knew he was being taken to the vet. Poor Sid, he was taken not once, not twice but six times. He went with six different people in six different ways. The vet said Sid's cough wasn't nearly as nasty as it sounded; but, to be on the safe side, he should have a spoonful of medicine. Of course, Sid didn’t have just one spoonful of medicine. He had six. Now one black cat does look much like another, but nobody, not even a busy vet, could see the same cat six times without becoming suspicious. Sure enough, when he checked in his appointment book, the vet found six cats with a cough – all living in Aristotle Street! So he rang the owners at once and, oh dear, Sid was found out! When they discovered what he had been up to, Sid's owners were furious. They said he had no business eating so many dinners. They said, in the future, he would have only one dinner a day. But Sid was a six-dinner-a-day cat. So he went to live at number one, Pythagoras Place. He also went to live at numbers two, three, four, five and six. Unlike Aristotle Street, the people who lived on Pythagoras Place talked to their neighbours. So, right from the start, everyone knew about Sid's six dinners. And, because everyone knew, nobody minded.
  • 17. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 17 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TEXT 2 If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all - I'm not saying that - but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I’ll just tell you about this madman stuff that happened to me around last Christmas before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every weekend. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. It cost him damn near four thousand bucks. He's got a lot of dough now. He didn't use to. He used to be just a regular writer, when he was home. He wrote this terrific book of short stories, The Secret Goldfish, in case you never heard of him. The best one in it was ”The Secret Goldfish”. It was about this little kid that wouldn't let anybody look at his goldfish because he'd bought it with his own money. It killed me. Now he's out in Hollywood, D.B., being a prostitute. lf there's one thing I hate, it's the movies. Don't even mention them to me. TEXT 3 When Farmer Oak smiled, the corners of his mouth spread out towards his ears, his eyes almost disappeared, and little lines appeared round them like the rays in a child's drawing of the rising sun. His first name was Gabriel, and on working days he was a man of wise judgment and good character. On Sundays he was a man of misty views, and uncomfortable in his best clothes; he went to church, but often he was thinking of what there would be for dinner when he meant to be listening to the parson's address. He was at the brightest period of a man's growth, for his intelligence and his feelings were clearly separate, not yet united by the influence of a wife and family. In short, he was twenty-eight, and unmarried.
  • 18. II CONGRESO REGIONAL DE CAPACITACIÓN PARA LA ENSEÑANZA DEL INGLÉS 18 Teaching Materials: Adoption, adaptation or creation TEACHING LITERATURE, TEACHING LANGUAGE: SAME DIFFERENCE? Mariel R. Amez – ISPI “San Bartolomé”; IES “O. Cossettini” TEXT 4 On a dark desert highway, cool wind in my hair Warm smell of colitas rising up through the air Up ahead in the distance, I saw a shimmering light My head grew heavy and my sight grew dim I had to stop for the night There she stood in the doorway; I heard the mission bell And I was thinking to myself, 'This could be Heaven or this could be Hell' Then she lit up a candle and she showed me the way There were voices down the corridor, I thought I heard them say... Welcome to the Hotel California Such a lovely place (such a lovely face) Plenty of room at the Hotel California Any time of year, you can find it here Her mind is Tiffany-twisted, she’s got the Mercedes bends She’s got a lot of pretty, pretty boys, that she calls friends How they dance in the courtyard, sweet summer sweat. Some dance to remember, some dance to forget So I called up the Captain, 'Please bring me my wine' He said, 'We haven't had that spirit here since nineteen sixty nine' And still those voices are calling from far away, Wake you up in the middle of the night Just to hear them say... Welcome to the Hotel California Such a lovely place (such a lovely face) They livin' it up at the Hotel California What a nice surprise, bring your alibis Mirrors on the ceiling, The pink champagne on ice And she said ‘'We are all just prisoners here, of our own device' And in the master's chambers, They gathered for the feast They stab it with their steely knives, But they just can't kill the beast Last thing I remember, I was Running for the door I had to find the passage back To the place I was before 'Relax,' said the night man, ’We are programmed to receive. You can check out any time you like, but you can never leave!’