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LIP SYNC EVALUATION 
BY LASHAY BROWN
Through previously researching in-depth into music videos. I have developed my 
understanding of why music videos portray the artist(s) in a specific way and why there 
is an emphasis on media language such as camera, mise-en-scene and editing, in 
relation to Carol Vernallis’ theory. 
I have identified the most common shot types used in a music video are: 
- Extreme close up/ Close up 
- Medium shots 
- Wide shots 
- Long shots 
The practical lip syncing activity was aimed for my group & I, to successfully show our 
understanding of what shot types we would expect to see in a music video, as well as 
being able to edit the base tracks in a structured ordered. 
However, as a group we struggled to fulfill the task to our full potential due to the 
limited use of time and my other team members finding it difficult to produce a good 
performance. 
As I closely studied Carol Vernallis’ theory, which is specifically based around media 
language and how the 3 elements of mise-en-scene, camera and editing are used in 
great detail in a music video…
I specifically tried to reflect her theory when editing the video, as I attempted to 
produce edits in time with the tempo of the song and included all of the base tracks 
we captured (which was very minimal, as we only managed to film in one location due 
to limited amount of time.) 
I personally feel we successfully captured a range of close ups in particular, which all 
establish who the main performers were. My aim was to capture a vast range of close 
ups of the artists to reflect the promotion of the artists’ image as well as helping the 
audience to understand who is apart of the video, which would be commonly seen in 
an actual music video. 
The use of base tracks is defined to be a ‘master shot’ which clearly captures the artist 
in a variety of locations, helping the audience to establish who they are. Majority of 
music videos contain base tracks to satisfy the visual pleasure of the audience and 
create a sense of who the artist is. 
The process of editing the video, consisted of using final cut pro and placing markers 
on the timeline in order to correctly sync the video and the song in time. The use of 
markers, helped me drastically as wherever I wanted to place the base tracks in a certain 
place, I would flag a marker which would allow me to edit in time of the beat and 
place the lip syncing clip in the right place of the song.
In a conclusion, for our first group project I personally feel we produced a successful 
outcome especially with only capturing a minimal amount of footage. I would say one 
of my group members was more comfortable with the lip syncing task, which is where 
the difficulty began as the other group member was preventing us from completing the 
task. 
For future tense, I will be taking this into consideration for when we begin to create 
our official music video.

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Lip syn evaluation

  • 1. LIP SYNC EVALUATION BY LASHAY BROWN
  • 2. Through previously researching in-depth into music videos. I have developed my understanding of why music videos portray the artist(s) in a specific way and why there is an emphasis on media language such as camera, mise-en-scene and editing, in relation to Carol Vernallis’ theory. I have identified the most common shot types used in a music video are: - Extreme close up/ Close up - Medium shots - Wide shots - Long shots The practical lip syncing activity was aimed for my group & I, to successfully show our understanding of what shot types we would expect to see in a music video, as well as being able to edit the base tracks in a structured ordered. However, as a group we struggled to fulfill the task to our full potential due to the limited use of time and my other team members finding it difficult to produce a good performance. As I closely studied Carol Vernallis’ theory, which is specifically based around media language and how the 3 elements of mise-en-scene, camera and editing are used in great detail in a music video…
  • 3. I specifically tried to reflect her theory when editing the video, as I attempted to produce edits in time with the tempo of the song and included all of the base tracks we captured (which was very minimal, as we only managed to film in one location due to limited amount of time.) I personally feel we successfully captured a range of close ups in particular, which all establish who the main performers were. My aim was to capture a vast range of close ups of the artists to reflect the promotion of the artists’ image as well as helping the audience to understand who is apart of the video, which would be commonly seen in an actual music video. The use of base tracks is defined to be a ‘master shot’ which clearly captures the artist in a variety of locations, helping the audience to establish who they are. Majority of music videos contain base tracks to satisfy the visual pleasure of the audience and create a sense of who the artist is. The process of editing the video, consisted of using final cut pro and placing markers on the timeline in order to correctly sync the video and the song in time. The use of markers, helped me drastically as wherever I wanted to place the base tracks in a certain place, I would flag a marker which would allow me to edit in time of the beat and place the lip syncing clip in the right place of the song.
  • 4. In a conclusion, for our first group project I personally feel we produced a successful outcome especially with only capturing a minimal amount of footage. I would say one of my group members was more comfortable with the lip syncing task, which is where the difficulty began as the other group member was preventing us from completing the task. For future tense, I will be taking this into consideration for when we begin to create our official music video.