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Choral and Rock Out - Ted Huggens - Set of Clarinets

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Choral and Rock Out - Ted Huggens - Set of Clarinets

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Choral and Rock-Out (Ted Huggens) From 1970 the composer Henk van Lijnschooten, wrote music under the pseudonym Ted Huggens. This light music has been melodically and harmonically based on classical principles, but there is almost always a driving beat more associated with rock music. Along with New Baroque Suite, Choral and Rock Out the most well known title from this genre. Soon after its publication it became the most popular and most played piece by Wind Bands in Central Europe.
                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Bass Clarinet           3 3 3           3 3 3                     Medium Slow ( )             3 3 3           3 3 3                             3 3 3 3             3 3 3 3                             3 3 3 3             3 3 3 3                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 5             3 3 3 3             3 3 3 3      5                       3 3 3 3             3 3 3 3                           3 3 3 3             3 3 3 3                              3 3        3 3             3 3             3    Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.           3 3 3           9              A                3 3 3                              3 3 3 3                                     3 3 3 3                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 13             3 3 3 3             13                        3 3 3 3                                    3 3 3 3                                      3 3 3        3                      3   2 Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.             3 3 3 3              3 3 3 3     17            B             3 3 3 3               3 3 3 3                             3 3             3 3         3 3                              3 3 3               3 3 3           3 3 3                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 21             3 3 3 3                3 3 3 3     21            3             3 3 3 3              3 3 3 3                   3 3 3 3              3 3 3 3                     3 3 3 3                 3 3 3 3                      3Choral and Rock-Out
                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 25           3 3 3               3 3 3         25                 3                                 C                                                            3 3                    3 3                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31             3 3 3 3               3 3 3 3  31                 3 3                3 3                     3 3 3                                       3 3 3                  4 Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 35             3 3 3 3               35                       3 3 3 3                                        3 3 3 3                                  3 3 3 3                   3 3 3 3                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 39             3 3 3 3                   3 3 3 3      39                       3 3 3 3               3 3 3 3                       3 3 3 3                 3 3 3 3             Rall....             3 3 3                         3 3 3                   5Choral and Rock-Out
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.         Medium Rock ()                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.       9      D                                                                                   6 Choral and Rock-Out Rock-Out
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.          17       E                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                  25     F                                                                                                                       7Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31                        31                                                          G                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 36               36                                                                                                                                 8 Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                       41           H                                                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 46                             46                                                                                                                  I                                  9Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 51                     51                                                                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 56                 56                       J                                                   10 Choral and Rock-Out
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 61                  61                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 66             66                                                                                                                                                                     K       11Choral and Rock-Out
                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 71                              71                                                                                                                                                    L               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 76                            76                                                                                                                                        12 Choral and Rock-Out
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 81                                 81                                      M                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 86        86                                                                               13Choral and Rock-Out
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                       91     N                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 96                            96                                                    molto rall......                                                 14 Choral and Rock-Out
       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 100               100       Largo                                              15Choral and Rock-Out
              3 3 3 Medium Slow ( )           3 3 3              3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3        3 3             3 3 3 A            3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3           3 3 3                3 3 3 3 B             3 3 3 3         3 3            3 3 3               3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3              3 3 3 C        3 3        3 3                3 3 3 3           3 3           3 3 3           3 3 3               3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3 Rall....             3 3 3 Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 1ºB
  Medium Rock () D      E                                F                              G                                      H                                                       I                     J                           K                                  L        2 Choral and Rock-Out Rock-Out
                                      M                                N                                             molto rall......             Largo     3 Choral and Rock-Out
              3 3 3 Medium Slow ( )            3 3 3              3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3        3 3         A                                B                                C                                        Rall....        Medium Rock () D E      F                       G              Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 2ºB Rock-Out
                 H                                                 I                J                           K                                  L                                             M   N                 molto rall......              2Choral and Rock-Out
       Medium Slow ( )                 A                 3                3 3 3 3 B             3 3 3 3         3 3            3 3 3               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3 3                3 3 3 C                                            Rall....        Medium Rock () D E        F                            Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 3ºB Rock-Out
                   G                           H                   I                           J                                                                             K                         L                       M    N                   molto rall......              2Choral and Rock-Out
      Medium Slow ( )                    A                       B            3 3            3 3 3                      C                             3 3 3 3           3 3                          3 3 3 3                3 3 3 3             3 3 3 3             3 3 3 3 Rall....             3 3 3   Medium Rock ()    D                                    E         Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 4ºB Rock-Out
          F                          G                              H                                                           I                   J                                                                K                      L                                    M         N                                              molto rall......                       2Choral and Rock-Out
     Medium Slow ( )                         3 3    A                        B                                   C                                                             Rall....         Medium Rock () D E  F                            G                                                  H    Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 5ºB Rock-Out
                         I                                                           J                                K                               L                                          M                                 N                             molto rall......                2Choral and Rock-Out
      Medium Slow ( )                       A                                  B                            C                                             Rall....         Medium Rock () D E   F                          G                                                       H  Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Choral Clarinet 6ºB Rock-Out
                                                                     I                                                           J                                      K                         L                   M                        N                             molto rall......                       2Choral and Rock-Out
            Medium Slow ( )                                                               3         A                                                                3         B                                   3                        3                C                                                                                           Rall....                  Medium Rock ()                      D                     E                 Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Choral Clarinet Bass Rock-Out
    F                         G                       H                          I                                                         J                                                        K                         L                    M                       N                        molto rall......                  2Choral and Rock-Out

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Choral and Rock Out - Ted Huggens - Set of Clarinets

  • 1. Choral and Rock-Out (Ted Huggens) From 1970 the composer Henk van Lijnschooten, wrote music under the pseudonym Ted Huggens. This light music has been melodically and harmonically based on classical principles, but there is almost always a driving beat more associated with rock music. Along with New Baroque Suite, Choral and Rock Out the most well known title from this genre. Soon after its publication it became the most popular and most played piece by Wind Bands in Central Europe.
  • 2.                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Bass Clarinet           3 3 3           3 3 3                     Medium Slow ( )             3 3 3           3 3 3                             3 3 3 3             3 3 3 3                             3 3 3 3             3 3 3 3                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 5             3 3 3 3             3 3 3 3      5                       3 3 3 3             3 3 3 3                           3 3 3 3             3 3 3 3                              3 3        3 3             3 3             3    Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral
  • 3.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.           3 3 3           9              A                3 3 3                              3 3 3 3                                     3 3 3 3                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 13             3 3 3 3             13                        3 3 3 3                                    3 3 3 3                                      3 3 3        3                      3   2 Choral and Rock-Out
  • 4.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.             3 3 3 3              3 3 3 3     17            B             3 3 3 3               3 3 3 3                             3 3             3 3         3 3                              3 3 3               3 3 3           3 3 3                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 21             3 3 3 3                3 3 3 3     21            3             3 3 3 3              3 3 3 3                   3 3 3 3              3 3 3 3                     3 3 3 3                 3 3 3 3                      3Choral and Rock-Out
  • 5.                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 25           3 3 3               3 3 3         25                 3                                 C                                                            3 3                    3 3                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31             3 3 3 3               3 3 3 3  31                 3 3                3 3                     3 3 3                                       3 3 3                  4 Choral and Rock-Out
  • 6.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 35             3 3 3 3               35                       3 3 3 3                                        3 3 3 3                                  3 3 3 3                   3 3 3 3                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 39             3 3 3 3                   3 3 3 3      39                       3 3 3 3               3 3 3 3                       3 3 3 3                 3 3 3 3             Rall....             3 3 3                         3 3 3                   5Choral and Rock-Out
  • 7.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.         Medium Rock ()                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.       9      D                                                                                   6 Choral and Rock-Out Rock-Out
  • 8.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.          17       E                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                  25     F                                                                                                                       7Choral and Rock-Out
  • 9.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 31                        31                                                          G                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 36               36                                                                                                                                 8 Choral and Rock-Out
  • 10.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                       41           H                                                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 46                             46                                                                                                                  I                                  9Choral and Rock-Out
  • 11.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 51                     51                                                                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 56                 56                       J                                                   10 Choral and Rock-Out
  • 12.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 61                  61                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 66             66                                                                                                                                                                     K       11Choral and Rock-Out
  • 13.                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 71                              71                                                                                                                                                    L               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 76                            76                                                                                                                                        12 Choral and Rock-Out
  • 14.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 81                                 81                                      M                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 86        86                                                                               13Choral and Rock-Out
  • 15.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl.                       91     N                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 96                            96                                                    molto rall......                                                 14 Choral and Rock-Out
  • 16.        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 B.Cl. 100               100       Largo                                              15Choral and Rock-Out
  • 17.               3 3 3 Medium Slow ( )           3 3 3              3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3        3 3             3 3 3 A            3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3           3 3 3                3 3 3 3 B             3 3 3 3         3 3            3 3 3               3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3              3 3 3 C        3 3        3 3                3 3 3 3           3 3           3 3 3           3 3 3               3 3 3 3             3 3 3 3             3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3 Rall....             3 3 3 Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 1ºB
  • 18.   Medium Rock () D      E                                F                              G                                      H                                                       I                     J                           K                                  L        2 Choral and Rock-Out Rock-Out
  • 19.                                       M                                N                                             molto rall......             Largo     3 Choral and Rock-Out
  • 20.               3 3 3 Medium Slow ( )            3 3 3              3 3 3 3             3 3 3 3               3 3 3 3             3 3 3 3             3 3 3 3        3 3         A                                B                                C                                        Rall....        Medium Rock () D E      F                       G              Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 2ºB Rock-Out
  • 21.                  H                                                 I                J                           K                                  L                                             M   N                 molto rall......              2Choral and Rock-Out
  • 22.        Medium Slow ( )                 A                 3                3 3 3 3 B             3 3 3 3         3 3            3 3 3               3 3 3 3             3 3 3 3             3 3 3 3              3 3 3 3                3 3 3 C                                            Rall....        Medium Rock () D E        F                            Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 3ºB Rock-Out
  • 23.                    G                           H                   I                           J                                                                             K                         L                       M    N                   molto rall......              2Choral and Rock-Out
  • 24.       Medium Slow ( )                    A                       B            3 3            3 3 3                      C                             3 3 3 3           3 3                          3 3 3 3                3 3 3 3             3 3 3 3             3 3 3 3 Rall....             3 3 3   Medium Rock ()    D                                    E         Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 4ºB Rock-Out
  • 25.           F                          G                              H                                                           I                   J                                                                K                      L                                    M         N                                              molto rall......                       2Choral and Rock-Out
  • 26.      Medium Slow ( )                         3 3    A                        B                                   C                                                             Rall....         Medium Rock () D E  F                            G                                                  H    Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino GonçalsChoral Clarinet 5ºB Rock-Out
  • 27.                          I                                                           J                                K                               L                                          M                                 N                             molto rall......                2Choral and Rock-Out
  • 28.       Medium Slow ( )                       A                                  B                            C                                             Rall....         Medium Rock () D E   F                          G                                                       H  Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Choral Clarinet 6ºB Rock-Out
  • 29.                                                                      I                                                           J                                      K                         L                   M                        N                             molto rall......                       2Choral and Rock-Out
  • 30.             Medium Slow ( )                                                               3         A                                                                3         B                                   3                        3                C                                                                                           Rall....                  Medium Rock ()                      D                     E                 Choral and Rock-Out Ted Huggens ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals Choral Clarinet Bass Rock-Out
  • 31.     F                         G                       H                          I                                                         J                                                        K                         L                    M                       N                        molto rall......                  2Choral and Rock-Out