14. Agnes Martin
Untitled Number 5
1975
Synthetic polymer paint and
pencil on synthetic polymer
gesso on canvas
71-7⁄8 × 72-1⁄4”
The Museum of Modern Art
[Fig. 20-51]
Sam Francis, Untitled, No. 11, 1973. Acrylic on canvas, 8 × 10’ (2.4 × 3 m). Jonathan Novak Contemporary Art, Los Angeles. [Fig. 20-02]
Helen Frankenthaler, Mountains and Sea, 1952. Oil and charcoal on canvas, 86 × 117” (218.4 × 297 cm). Collection of the artist, on loan to National Gallery of Art, Washington, D.C. [Fig. 20-04]
Ellsworth Kelly, Orange and Green, 1966. Liquitex (mat varnish) on canvas, 7’ 4” × 5’ 5” (2.2 × 1.65 m). Collection Robert and Jane Meyerhoff, Phoenix, Maryland. [Fig. 20-15]
Victor Vasarely, Vega Per, 1969. Oil on canvas, 64 × 64” (162.6 × 162.6 cm). Honolulu Academy of Arts. [Fig. 20-23]
Alexander Calder, La Grande Vitesse, 1969. Sheet metal, bolts, and paint, 43 × 55 × 25’ (13.1 × 16.8 × 7.7 m). Calder Plaza, Vandenberg Center, Grand Rapids, Michigan. [Fig. 20-26]
Jesus Rafaël Soto, Triptico negro y blanco, 1973. Paint on wood, metal, and nylon, 84-1⁄4 × 79-1⁄2” (214 × 202 cm). Private collection. [Fig. 20-27]
Frank Stella, Die Fahne Hoch! (Raise the Flag!), 1959. Enamel on canvas, 10’ 1-1⁄2” × 6’ 1” (3.09 × 1.85 m). Whitney Museum of American Art, New York. [Fig. 20-35]
Sol LeWitt, Sculpture Series “A,” 1967. Installation view, Dwan Gallery, Los Angeles. [Fig. 20-44]
Robert Ryman, Classico III, 1968. Polymer on paper, 7’ 9” × 7’ 5” (2.4 × 2.3 m). Stedelijk Museum, Amsterdam. [Fig. 20-53]
Agnes Martin, Untitled Number 5, 1975. Synthetic polymer paint and pencil on synthetic polymer gesso on canvas, 71-7⁄8 × 72-1⁄4” (182.6 × 183.2 cm). The Museum of Modern Art, New York. Gift of the American Art Foundation. [Fig. 20-51]
![Sam Francis
Untitled, No.
11
1973
Acrylic on
canvas
8 × 10’
Jonathan
Novak
Contemporary
Art, Los
Angeles
[Fig. 20-02]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)