Abstract Expressionism
Left side
Hans Hofmann
Spring
1944–45
(dated 1940 on
reverse)
Oil on wood
11-1⁄4 × 14-1⁄8”
Museum of Modern Art
New York
[Fig. 16-02]
Jackson
Pollock
Guardians of
the Secret
1943
Oil on canvas
4’ 3⁄4”
× 6’ 3”
San Francisco
Museum of
Modern Art
[Fig. 16-07]
Lee Krasner
Milkweed
1955
Oil, paper and canvas collage on canvas
6’ 10-3⁄8” × 4’ 9-3⁄4”
Albright Knox Art Gallery, Buffalo,
New York
[Fig. 16-11]
Mark Tobey
Universal Field
1949
Pastel and
tempera on
cardboard
28 × 44”
Whitney Museum
of American Art
New York
[Fig. 16-14]
Elaine de Kooning
Harold Rosenberg #3
1956
Oil on canvas
6’ 8” × 4’ 10-7⁄8”
National Portrait Gallery
Smithsonian Institution
Washington, D.C.
[Fig. 16-16]
Mark Rothko
North,
Northeast, & East
Wall
Paintings in the
Rothko Chapel
1965–66
(opened in 1971)
Oil on canvas
Houston, Texas
[Fig. 16-20]
Barnett Newman
Genesis
—The Break
1946
Oil on canvas
24 × 27”
Collection DIA Center
for the Arts
New York
[Fig. 16-21]
Barnett Newman Vir Heroicus Sublimis
1950–51 Oil on canvas 7’ 11-3⁄8” × 17’ 9-1⁄4”
The Museum of Modern Art, New York [Fig. 16-23]
Robert Motherwell
Pancho Villa, Dead
and Alive
1943
Gouache and oil
with cut-and-pasted
papers on
cardboard
28 × 35-7⁄8”
Museum of Modern
Art, New York
[Fig. 16-28]
New American
Sculpture
David Smith
The Letter
1950
Welded steel
37-5⁄8 × 22-7⁄8 × 9-1⁄4”
Munson-Williams-Proctor Institute
Museum of Art, Utica, New York
[Fig. 16-31]
Louise Bourgeois
French American Artist
1911-2010
Louise Bourgeois
Quarantania I
1947–53
Painted wood on wooden base
62-3⁄8 × 11-3⁄4 × 12”
The Museum of Modern Art, New York
[Fig. 16-38]
Louise Nevelson
Dawn’s Wedding Chapel I
1959
Painted wood
7’ 6” × 4’ 3”
Private collection
[Fig. 16-41]
Aaron Siskind
Chicago
1949
Gelatin-silver
print
[Fig. 16-45]
Postwar European Art
Alberto Giacometti
Head of a Man on a Rod
1947
Bronze
height 21-3⁄4”
Private collection
[Fig. 17-02]
Germaine Richier
Ouragane (Hurricane Woman)
1948–49
Bronze, height
70-1⁄8”
Musée National d’Art Moderne
Centre d’Art et de Culture Georges Pompidou,
Paris
[Fig. 17-06]
Jean Dubuffet
Corps de Dame—Château d’Étoupe
1950
Oil on canvas
45-1⁄16 × 34-7⁄16”
Allen Memorial Art Museum
Oberlin College
Ohio
[Fig. 17-09]
Hans Hartung
T-1954-20
1954
Oil on canvas
57-1⁄2 × 38-3⁄8”
National Gallery of Australia
Canberra
[Fig. 17-14]
Georges Mathieu
Battle of the
Bouvines
1954
Oil on Canvas
8 ½” x 19’ ¼”
Nicolas de Staël
Agrigente
1954
Oil on canvas
34-3⁄4 × 50-1⁄2”
Museum of
Contemporary Art
Los Angeles
[Fig. 17-21]
Richard Paul Lohse
Serial Elements
Concentrated in Rhythmic
Groups
1949–56
Oil on canvas
35-3⁄8 × 35-3⁄8”
Kunsthaus Zurich
[Fig. 17-24]
Giacomo Manzù
Large Standing Cardinal
1954
Bronze
height 66-1⁄2”
Smithsonian Giacomo Institution
Washington, D.C.
[Fig. 17-27]
Lucio Fontana
Spatial Concept: The End of God
1963
Oil on canvas
70 × 48-1⁄2”
Gallerie dell’Ariete
Milan
[Fig. 17-30]
Lucio Fontana
Nature
1959–60
Bronze
24 × 28-3⁄4”
Tate, London
[Fig. 17-32]
Hundertwasser
House which was born in
Stockholm, died in Paris, and
myself mourning it
1966
Mixed media
32 × 23-2⁄3”
Private collection
[Fig. 17-39]
Henry Moore
Study for Tube Shelter
Perspective
1940–41
Pencil, wax crayon, colored
crayon, watercolor wash, pen
and ink
10-1⁄3 × 6-1⁄2”
Collection Mrs. Henry Moore
[Fig. 17-42]
Francis Bacon
Painting
1946
Oil on canvas
6’ 6” × 4’ 4”
The Museum of Modern Art
New York
[Fig. 17-44]
Diego Velázquez
Pope Innocent X
1650
Oil on canvas
45 × 47”
Galleria Doria Pamphilj
Rome
Fig. 17-45]
Lucian Freud
Girl with White
Dog
1951–52
Oil on canvas
30 × 40”
Tate, London
[Fig. 17-50]
Werner
Bischof
Cologne
1946
[Fig. 17-53]

Abstract expressionism left side

Editor's Notes

  • #3 Hans Hofmann, Spring, 1944–45 (dated 1940 on reverse). Oil on wood, 11-1⁄4 × 14-1⁄8” (28.5 × 35.7 cm). The Museum of Modern Art, New York. [Fig. 16-02]
  • #4 Willem de Kooning, Woman I, 1950–52. Oil on canvas, 6’ 3-7⁄8” × 4’ 10” (1.9 × 1.47 m). The Museum of Modern Art, New York. [Fig. 16-06]
  • #5 Jackson Pollock, Guardians of the Secret, 1943. Oil on canvas, 4’ 3⁄4” × 6’ 3” (1.2 × 1.9 m). San Francisco Museum of Modern Art. Albert M. Bender Bequest Fund. Purchase. [Fig. 16-07]
  • #7 Lee Krasner, Milkweed, 1955. Oil, paper and canvas collage on canvas, 6’ 10-3⁄8” × 4’ 9-3⁄4” (2.09 × 1.47 m). Albright Knox Art Gallery, Buffalo, New York. [Fig. 16-11]
  • #8 Mark Tobey, Universal Field, 1949. Pastel and tempera on cardboard, 28 × 44” (73.9 × 116.2 cm). Whitney Museum of American Art, New York. [Fig. 16-14]
  • #9 Elaine de Kooning, Harold Rosenberg #3, 1956. Oil on canvas, 6’ 8” × 4’ 10-7⁄8” (2 × 1.5 m). National Portrait Gallery, Smithsonian Institution, Washington, D.C. [Fig. 16-16]
  • #10 Mark Rothko, North, Northeast, and East wall paintings in the Rothko Chapel, 1965–66 (opened in 1971). Oil on canvas. Houston, Texas. [Fig. 16-20]
  • #11 Barnett Newman, Genesis—The Break, 1946. Oil on canvas, 24 × 27” (61 × 68.6 cm). Collection DIA Center for the Arts, New York. [Fig. 16-21]
  • #12 Barnett Newman, Vir Heroicus Sublimis, 1950–51. Oil on canvas, 7’ 11-3⁄8” × 17’ 9-1⁄4” (2.4 × 5.1 m). The Museum of Modern Art, New York. [Fig. 16-23]
  • #13 Robert Motherwell, Pancho Villa, Dead and Alive, 1943. Gouache and oil with cut-and-pasted papers on cardboard, 28 × 35-7⁄8” (71.7 × 91.1 cm). The Museum of Modern Art, New York. Art © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY. [Fig. 16-28]
  • #15 David Smith, The Letter, 1950. Welded steel, 37-5⁄8 × 22-7⁄8 × 9-1⁄4” (95.6 × 58.1 × 23.5 cm). Munson-Williams-Proctor Institute Museum of Art, Utica, New York. Art © Estate of David Smith/Licensed by VAGA, New York, NY. [Fig. 16-31]
  • #17 Louise Bourgeois, Quarantania I, 1947–53. Painted wood on wooden base, 62-3⁄8 × 11-3⁄4 × 12” (158.4 × 29.8 × 30.5 cm). The Museum of Modern Art, New York. Art © Louise Bourgeois Trust/Licensed by VAGA, New York, NY. [Fig. 16-38]
  • #18 Louise Nevelson, Dawn’s Wedding Chapel I, 1959. Painted wood, 7’ 6” × 4’ 3” (2.3 × 1.3 m). Private collection. [Fig. 16-41]
  • #19 Aaron Siskind, Chicago 1949. Gelatin-silver print [Fig. 16-45]
  • #21 Alberto Giacometti, Head of a Man on a Rod, 1947. Bronze, height 21-3⁄4” (55.2 cm). Private collection. [Fig. 17-02]
  • #22 Germaine Richier, Ouragane (Hurricane Woman), 1948–49. Bronze, height 70-1⁄8” (178.1 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 17-06]
  • #23 Jean Dubuffet, Corps de Dame—Château d’Étoupe, 1950. Oil on canvas, 45-1⁄16 × 34-7⁄16” (114.4 × 87.5 cm). Allen Memorial Art Museum, Oberlin College, Ohio. [Fig. 17-09]
  • #24 Hans Hartung, T-1954-20, 1954. Oil on canvas, 57-1⁄2 × 38-3⁄8” (145.9 × 97.5 cm). National Gallery of Australia, Canberra. [Fig. 17-14]
  • #26 Nicolas de Staël, Agrigente, 1954. Oil on canvas, 34-3⁄4 × 50-1⁄2” (88.3 × 128.3 cm). Museum of Contemporary Art, Los Angeles. [Fig. 17-21]
  • #27 Richard Paul Lohse, Serial Elements Concentrated in Rhythmic Groups, 1949–56. Oil on canvas, 35-3⁄8 × 35-3⁄8” (90 × 90 cm). Kunsthaus Zurich. [Fig. 17-24]
  • #28 Giacomo Manzù, Large Standing Cardinal, 1954. Bronze, height 66-1⁄2” (168.9 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 17-27]
  • #29 Lucio Fontana, Spatial Concept: The End of God, 1963. Oil on canvas, 70 × 48-1⁄2” (177.8 × 123.2 cm). Gallerie dell’Ariete, Milan. [Fig. 17-30]
  • #30 Lucio Fontana, Nature, 1959–60. Bronze, 24 × 28-3⁄4” (61 × 73 cm). Tate, London. [Fig. 17-32]
  • #31 Hundertwasser, House which was born in Stockholm, died in Paris, and myself mourning it, 1966. Mixed media, 32 × 23-2⁄3” (81.3 × 60.1 cm). Private collection. [Fig. 17-39]
  • #32 Henry Moore, Study for Tube Shelter Perspective, 1940–41. Pencil, wax crayon, colored crayon, watercolor wash, pen and ink, 10-1⁄3 × 6-1⁄2” (26.4 × 16.5 cm). Collection Mrs. Henry Moore, England. [Fig. 17-42]
  • #33 Francis Bacon, Painting, 1946. Oil on canvas, 6’ 6” × 4’ 4” (2 × 1.32 m). The Museum of Modern Art, New York. [Fig. 17-44]
  • #34 Diego Velázquez, Pope Innocent X, 1650. Oil on canvas, 45 × 47” (114 cm × 119 cm). Galleria Doria Pamphilj, Rome. [Fig. 17-45]
  • #36 Francis Bacon, Triptych—May–June 1973, 1973. Oil on canvas, each panel 6’ 6” × 4’ 10” (1.9 × 1.5 m). Private collection. [Fig. 17-48]
  • #37 Lucian Freud, Girl with White Dog, 1951–52. Oil on canvas, 30 × 40” (76.2 × 101.6 cm). Tate, London. [Fig. 17-50]
  • #38 Werner Bischof, Cologne, 1946. [Fig. 17-53]