2. Marcel Janco
Mask
1919
Paper, cardboard, string,
gouache, and pastel
17-3⁄4 × 8-5⁄8 × 2”
Musée National d’Art Moderne,
Centre d’Art et de Culture
Georges Pompidou, Paris
[Fig. 10-01]
4. Jean (Hans) Arp
Fleur Marteau
(Hammer Flower)
1916
Oil on wood
24-3⁄8 × 19-5⁄8”
Fondation Arp
Clamart, France
[Fig. 10-06]
5. Marcel Duchamp
Bicycle Wheel
New York, 1951
(third version, after lost original of 1913)
Assemblage: metal wheel
25-1⁄2” diameter, mounted on painted
wooden stool
23-3⁄4” high;
overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8”
The Museum of Modern Art, New York
[Fig. 10-09]
6. Marcel Duchamp
The Passage from Virgin
to Bride
Munich
July–August 1912
Oil on canvas
23-3⁄8 × 21-1⁄4”
The Museum of Modern
Art, New York
[Fig. 10-07]
7. Marcel Duchamp
The Bride Stripped Bare by Her
Bachelor Even
or
The Large Glass
1915–23
Oil, lead wire, foil, dust, and
varnish on glass
8’ 11” × 5’ 7”
Philadelphia Museum of Art
[Fig. 10-12]
8. Man Ray
Seguidilla
1919
Airbrushed gouache,
pen and ink, pencil, and
colored pencil on paper
board
22 × 27-7⁄8”
Hirshhorn Museum &
Sculpture Garden
Smithsonian Institution
Washington, D.C.
[Fig. 10-16]
10. Hannah Höch
Cut with the Kitchen Knife
Dada Through the Last
Weimar Beer Belly Cultural
Epoch of Germany
1919–20
Photomontage
44-7⁄8 × 35-1⁄2”
Staatliche Museen zu Berlin,
Preussischer Kulturbesitz,
Nationalgalerie
[Fig. 10-20]
12. Käthe Kollwitz
Lamentation: In Memory
of Ernst Barlach (Grief)
1938
Bronze
height 10-1⁄4”
Hirshhorn Museum and
Sculpture Garden,
Smithsonian Institution,
Washington, D.C.
[Fig. 10-29]
13. George Grosz
Fit for Active Service
(The Faith Healers)
1916–17
Pen, brush, and India
ink, sheet
20 × 14-3⁄8”
The Museum of
Modern Art, New York.
Art
[Fig. 10-31]
14. Otto Dix
The Skat Players—Card
Playing War Invalids
1920
Oil and collage on canvas
43-5⁄16 × 34-1⁄4”
Staatliche Museen zu
Berlin, Preussischer
Kulturbesitz,
Nationalgalerie
[Fig. 10-33]
16. Max Beckmann
Self-Portrait in Tuxedo
1927
Oil on canvas
55-1⁄2 × 37-3⁄4”
Busch-Reisinger Museum,
Harvard University Art
Museums, Cambridge, MA
[Fig. 10-39]
Editor's Notes
Marcel Janco, Mask, 1919. Paper, cardboard, string, gouache, and pastel, 17-3⁄4 × 8-5⁄8 × 2” (45 × 22 × 5 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 10-01]
Sophie Taeuber, Rythmes Libres (Free Rhythms), 1919. Gouache and watercolor on vellum, 14-3⁄4 × 10-7⁄8” (37.6 × 27.5 cm). Kunsthaus, Zurich. [Fig. 10-04]
Jean (Hans) Arp, Fleur Marteau (Hammer Flower), 1916. Oil on wood, 24-3⁄8 × 19-5⁄8” (61.9 × 49.8 cm). Fondation Arp, Clamart, France. [Fig. 10-06]
Marcel Duchamp, Bicycle Wheel, New York, 1951 (third version, after lost original of 1913). Assemblage: metal wheel, 25-1⁄2” (63.8 cm) diameter, mounted on painted wooden stool, 23-3⁄4” (60.2 cm) high; overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8” (128.3 × 64.8 × 42.2 cm). The Museum of Modern Art, New York. [Fig. 10-09]
Marcel Duchamp, The Passage from Virgin to Bride, Munich, July–August 1912. Oil on canvas, 23-3⁄8 × 21-1⁄4” (59.4 × 54 cm). The Museum of Modern Art, New York. [Fig. 10-07]
Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even or The Large Glass, 1915–23. Oil, lead wire, foil, dust, and varnish on glass, 8’ 11” × 5’ 7” (2.7 × 1.7 m). Philadelphia Museum of Art. [Fig. 10-12]
Man Ray, Seguidilla, 1919. Airbrushed gouache, pen and ink, pencil, and colored pencil on paper board, 22 × 27-7⁄8” (55.9 × 70.8 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 10-16]
Man Ray, Untitled, 1922. Gelatin-silver print (Rayograph), 9-3⁄8 × 7” (23.8 × 17.78 cm). The Museum of Modern Art, New York. [Fig. 10-18]
Hannah Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919–20. Photomontage, 44-7⁄8 × 35-1⁄2” (114 × 90.2 cm). Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie. [Fig. 10-20]
Max Ernst, Celebes, 1921. Oil on canvas, 51-1⁄8 × 43-1⁄4” (129.9 × 109.9 cm). Tate, London. [Fig. 10-26]
Käthe Kollwitz, Lamentation: In Memory of Ernst Barlach (Grief), 1938. Bronze, height 10-1⁄4” (26 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 10-29]
Otto Dix, The Skat Players—Card Playing War Invalids, 1920. Oil and collage on canvas, 43-5⁄16 × 34-1⁄4” (110 × 87 cm). Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie. [Fig. 10-33]
Otto Dix, Dr. Mayer-Hermann, 1926. Oil and tempera on wood, 58-3⁄4 × 39” (149.2 × 99.1 cm). The Museum of Modern Art, New York [Fig. 10-35]
Max Beckmann, Self-Portrait in Tuxedo, 1927. Oil on canvas, 55-1⁄2 × 37-3⁄4” (141 × 96 cm). Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. [Fig. 10-39]
Max Beckmann, Departure, 1932–33. Oil on canvas, triptych, center panel 7’ 3⁄4” × 3’ 9-3⁄8” (2.2 × 1.15 m); side panels each 7’ 3⁄4” × 3’ 3-1⁄4” (2.2 × 1 m). The Museum of Modern Art, New York. [Fig. 10-41]
![Marcel Janco
Mask
1919
Paper, cardboard, string,
gouache, and pastel
17-3⁄4 × 8-5⁄8 × 2”
Musée National d’Art Moderne,
Centre d’Art et de Culture
Georges Pompidou, Paris
[Fig. 10-01]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)