![Amedeo
Modigliani
Nude
1917
Oil on canvas
28-3⁄4 × 45-
3⁄4”
Guggenheim
Museum
New York
[Fig. 11-01]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Art in France after WWI
- 1. Art in France after WWI right side
- 2. Amedeo Modigliani Nude 1917 Oil on canvas 28-3⁄4 × 45- 3⁄4” Guggenheim Museum New York [Fig. 11-01]
- 3. Chaim Soutine Woman in Red c. 1924–25 Oil on canvas 36 × 25” Private collection [Fig. 11-02]
- 4. Maurice Utrillo La rue du Mont-Cenis 1915 Oil on canvas 19-3⁄4 × 24” Musée National d’Art Moderne Pompidou, Paris [Fig. 11-05]
- 5. Henri Matisse Piano Lesson, late summer 1916 Oil on canvas 8’ 1⁄2” × 6’ 11-3⁄4” The Museum of Modern Art, New York [Fig. 11-06]
- 6. Henri Matisse Decorative Figure Against an Ornamental Background 1925–26 Oil on canvas 51-1⁄8 × 38-1⁄2” Musée National d’Art Moderne Pompidou, Paris [Fig. 11-09]
- 7. Henri Matisse Merion Dance Mural 1932–33 The Barnes Foundation Merion Pennsylvania [Fig. 11-12]
- 8. Pablo Picasso Olga Seated in an Armchair 1917 Oil on canvas 51-1⁄6 × 35” Musée Picasso, Paris [Fig. 11-15]
- 9. Pablo Picasso The American Manager 1917 Reconstruction Realized by Kermit Love for The Museum of Modern Art 1979. Paint on cardboard, fabric, paper, wood, leather, and metal 11’ 2-1⁄4” × 8’ × 3’ 8-1⁄2” The Museum of Modern Art, New York [Fig. 11-16]
- 10. Pablo Picasso Guernica 1937 Oil on canvas 11’ 6” × 25’ 8” Museo Nacional Centro de Arte Reina Sofía, Madrid
- 11. Georges Braque Café Bar 1919 Oil on Canvas 63 ¼” x 31 7/8 “ Ofentliche Kunstsammlung Kunstmuseum Basel [Fig. 11.23]
- 12. Fernand Léger Three Women (Le Grand Déjeuner) 1921 Oil on canvas 6’ 1⁄4” × 8’ 3” The Museum of Modern Art New York [Fig. 11-25]
- 13. Le Corbusier (Charles- Édouard Jeanneret) Still Life 1920 Oil on canvas 31-7⁄8 × 39- 1⁄4” The Museum of Modern Art New York [Fig. 11-28]
- 15. Piet Mondrian Tableau, No. II with Red, Blue, Black,, Yellow, and grey 1921-25 Oil on canvas 29 5/8 “ x 25 5/8” Private Collection, Zurich [Fig. 12.3]
- 16. Theo van Doesburg Composition IX (Card Players) 1917 Oil on canvas 45-5⁄8 × 41-3⁄4” Gemeentemuseum The Hague the Netherlands [Fig. 12-06]
- 17. J. J. P. Oud Café de Unie 1925 Destroyed 1940 Rotterdam, the Netherlands [Fig. 12-11]
- 18. Gerrit Rietveld View of exterior of Schröder House 1924 [Fig. 12-13]
- 19. Gerrit Rietveld Red and Blue Chair 1917 (painted 1923) Painted wood height 34-1⁄2” The Museum of Modern Art New York [Fig. 12-15]
- 20. Bauhaus
- 21. Walter Gropius and Adolph Meyer, Model Factory at the Werkbund Exhibition, 1914. Cologne. [Fig. 13-02]
- 22. Walter Gropius, Workshop wing, Bauhaus, 1925–26. Dessau, Germany. [Fig. 13-04]
- 23. László Moholy-Nagy, Untitled, c. 1940. Photogram, silver bromide print, 20 × 16” (50 × 40 cm). The Art Institute of Chicago. Gift of George and Ruth Barford. [Fig. 13-06]
- 24. Josef Albers, City, 1928. Sand-blasted colored glass, 11 × 21-5⁄8” (27.9 × 54.9 cm). Kunsthaus, Zurich. [Fig. 13-08]
- 25. Paul Klee, In der Strömung sechs Schwellen (In the Current Six Weirs), 1929. Oil and tempera on canvas; original frame, 16-3⁄5 × 16-3⁄5” (42.2 × 42.2 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-10]
- 26. Paul Klee, Tod und Feuer (Death and Fire), 1940. Oil and colored paste on burlap; original frame, 18-2⁄5 × 17-1⁄2” (46.7 × 44.6 cm). Zentrum Paul Klee, Bern. [Fig. 13-12]
- 27. Vasily Kandinsky, Several Circles, No. 323, 1926. Oil on canvas, 55-1⁄8 × 55-1⁄8” (140 × 140 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-14]
- 28. Oskar Schlemmer, Abstract Figure, 1923. Bronze (cast 1962 from original plaster), 42-1⁄8 × 26-3⁄8” (107 × 67 cm). Museum Moderner Kunst, Vienna. [Fig. 13-16]
- 29. Marcel Breuer, Armchair, Model B3, Dessau, Germany. Late 1927 or early 1928. Chrome-plated tubular steel with canvas slings, 28-1⁄8 × 30-1⁄4 × 27-3⁄4” (71.4 × 76.8 × 70.5 cm). The Museum of Modern Art, New York. [Fig. 13-18]
- 30. Paul Citroën, Metropolis, 1923. Collage, printed matter, and postcards, 30 × 23” (76.5 × 58.5 cm). Printroom of the University of Leiden, the Netherlands. [Fig. 13-20]
- 31. Naum Gabo, Construction for the Bijenkorf department store, 1956–57. Pre-stressed concrete, steel ribs, stainless steel, bronze wire, and marble, height 85’ (25.9 m). Rotterdam, the Netherlands. [Fig. 13-22]
- 32. Willi Baumeister, Wall Picture with Circle II, 1923. Oil and wood on wood panel, 46-1⁄2 × 27-1⁄8” (118 × 69 cm). Kunsthalle, Hamburg. [Fig. 13-24]
- 33. Ludwig Mies van der Rohe, Elevation for brick country house, 1923. [Fig. 13-26]
- 34. Ludwig Mies van der Rohe, German Pavilion, International Exposition, Barcelona, Spain. Floor plan, 1929 [Fig. 13-28]
- 35. Josef Albers, Homage to the Square: Apparition, 1959. Oil on board, 47-1⁄2 × 47-1⁄2” (120.7 × 120.7 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-30]
Editor's Notes
- Amedeo Modigliani, Nude, 1917. Oil on canvas, 28-3⁄4 × 45-3⁄4” (73 × 116.2 cm). Solomon R. Guggenheim Museum, New York. [Fig. 11-01]
- Chaim Soutine, Woman in Red, c. 1924–25. Oil on canvas, 36 × 25” (91.4 × 63.5 cm). Private collection. [Fig. 11-02]
- Maurice Utrillo, La rue du Mont-Cenis, 1915. Oil on canvas, 19-3⁄4 × 24” (50 × 61 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 11-05]
- Henri Matisse, Piano Lesson, late summer 1916. Oil on canvas, 8’ 1⁄2” × 6’ 11-3⁄4” (2.45 × 2.13 m). The Museum of Modern Art, New York. [Fig. 11-06]
- Henri Matisse, Decorative Figure Against an Ornamental Background, 1925–26. Oil on canvas, 51-1⁄8 × 38-1⁄2” (129.9 × 97.8 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 11-09]
- Henri Matisse, Merion Dance Mural, 1932–33. Oil on canvas: left 11’ 1-3⁄4” × 14’ 5-3⁄4” (3.4 × 4.4 m), center 11’ 8-1⁄8” × 16’ 6-1⁄8” (3.6 × 5 m), right 11’ 1-3⁄4” × 14’ 5-3⁄4” (3.4 × 4.4 m). The Barnes Foundation, Merion, Pennsylvania. [Fig. 11-12]
- Pablo Picasso, Olga Seated in an Armchair, 1917. Oil on canvas, 51-1⁄6 × 35” (130 × 88.8 cm). Musée Picasso, Paris. [Fig. 11-15]
- Pablo Picasso, The American Manager, 1917. Reconstruction. Realized by Kermit Love for The Museum of Modern Art, 1979. Paint on cardboard, fabric, paper, wood, leather, and metal, 11’ 2-1⁄4” × 8’ × 3’ 8-1⁄2” (3.4 × 2.4 × 1.1 m). The Museum of Modern Art, New York. [Fig. 11-16]
- Pablo Picasso, Guernica, 1937. Oil on canvas, 11’ 6” × 25’ 8” (3.5 × 7.8 m). Museo Nacional Centro de Arte Reina Sofía, Madrid. [Fig. 11-21]
- Fernand Léger, Three Women (Le Grand Déjeuner), 1921. Oil on canvas, 6’ 1⁄4” × 8’ 3” (1.8 × 2.5 m). The Museum of Modern Art, New York. [Fig. 11-25]
- Theo van Doesburg, Composition IX (Card Players), 1917. Oil on canvas, 45-5⁄8 × 41-3⁄4” (115.9 × 106 cm). Gemeentemuseum, The Hague, the Netherlands. [Fig. 12-06]
- J. J. P. Oud, Café de Unie, 1925. Destroyed 1940. Rotterdam, the Netherlands. [Fig. 12-11]
- View of exterior of Schröder House, 1924. [Fig. 12-13]
- Gerrit Rietveld, Red and Blue Chair, 1917 (painted 1923). Painted wood, height 34-1⁄2” (87.6 cm). The Museum of Modern Art, New York. [Fig. 12-15]
- Walter Gropius and Adolph Meyer, Model Factory at the Werkbund Exhibition, 1914. Cologne. [Fig. 13-02]
- Walter Gropius, Workshop wing, Bauhaus, 1925–26. Dessau, Germany. [Fig. 13-04]
- László Moholy-Nagy, Untitled, c. 1940. Photogram, silver bromide print, 20 × 16” (50 × 40 cm). The Art Institute of Chicago. Gift of George and Ruth Barford. [Fig. 13-06]
- Josef Albers, City, 1928. Sand-blasted colored glass, 11 × 21-5⁄8” (27.9 × 54.9 cm). Kunsthaus, Zurich. [Fig. 13-08]
- Paul Klee, In der Strömung sechs Schwellen (In the Current Six Weirs), 1929. Oil and tempera on canvas; original frame, 16-3⁄5 × 16-3⁄5” (42.2 × 42.2 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-10]
- Paul Klee, Tod und Feuer (Death and Fire), 1940. Oil and colored paste on burlap; original frame, 18-2⁄5 × 17-1⁄2” (46.7 × 44.6 cm). Zentrum Paul Klee, Bern. [Fig. 13-12]
- Vasily Kandinsky, Several Circles, No. 323, 1926. Oil on canvas, 55-1⁄8 × 55-1⁄8” (140 × 140 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-14]
- Oskar Schlemmer, Abstract Figure, 1923. Bronze (cast 1962 from original plaster), 42-1⁄8 × 26-3⁄8” (107 × 67 cm). Museum Moderner Kunst, Vienna. [Fig. 13-16]
- Marcel Breuer, Armchair, Model B3, Dessau, Germany. Late 1927 or early 1928. Chrome-plated tubular steel with canvas slings, 28-1⁄8 × 30-1⁄4 × 27-3⁄4” (71.4 × 76.8 × 70.5 cm). The Museum of Modern Art, New York. [Fig. 13-18]
- Paul Citroën, Metropolis, 1923. Collage, printed matter, and postcards, 30 × 23” (76.5 × 58.5 cm). Printroom of the University of Leiden, the Netherlands. [Fig. 13-20]
- Naum Gabo, Construction for the Bijenkorf department store, 1956–57. Pre-stressed concrete, steel ribs, stainless steel, bronze wire, and marble, height 85’ (25.9 m). Rotterdam, the Netherlands. [Fig. 13-22]
- Willi Baumeister, Wall Picture with Circle II, 1923. Oil and wood on wood panel, 46-1⁄2 × 27-1⁄8” (118 × 69 cm). Kunsthalle, Hamburg. [Fig. 13-24]
- Ludwig Mies van der Rohe, Elevation for brick country house, 1923. [Fig. 13-26]
- Ludwig Mies van der Rohe, German Pavilion, International Exposition, Barcelona, Spain. Floor plan, 1929 [Fig. 13-28]
- Josef Albers, Homage to the Square: Apparition, 1959. Oil on board, 47-1⁄2 × 47-1⁄2” (120.7 × 120.7 cm). Solomon R. Guggenheim Museum, New York. [Fig. 13-30]