6. Eugène Delacroix, The Lion Hunt, 1861.
Oil on canvas, 30-1⁄8 × 38-3⁄4”
The Art Institute of Chicago. [Fig. 01-08]
7. Théodore Géricault, Cheval Devoré par un Lion (Horse Devoured by a Lion),
1820–21. Lithograph; black lithographic ink on prepared “stone” paper,
10-13⁄16 × 14-9⁄16”
British Museum, London. [Fig. 01-04]
8. Francisco de Goya y Lucientes, “This Is Worse,” Plate 37 from The
Disasters of War, 1810–11. Etching, 1863 edition, image 5 × 6-1⁄8”
The Metropolitan Museum of Art, New York. [Fig. 01-07]
9. John Constable
The Hay Wain
1819–21
Oil on canvas
51-1⁄4 × 73”
The National Gallery
London
[Fig. 01-10]
10. Jean-François Millet, The Angelus, 1857–59.
Oil on canvas, 21-1⁄2 × 25-7⁄8”
Musée d’Orsay, Paris. [Fig. 01-13]
11. Joseph Mallord William Turner, The Burning of the Houses of Parliament,
1834–35.
Oil on canvas, 36-1⁄2 × 48-1⁄2” The Cleveland Museum of Art. Bequest of
John L. Severance. 1942.647. [Fig. 01-11]
20. Honoré Daumier, Rue Transnonain, April 15, 1834, published in
L’Association Mensuelle, July 1834.
Lithograph, 11-1⁄2 × 17-1⁄2”
Graphische Sammlung Albertina, Vienna. [Fig. 02-13]
21. Gustave Courbet, A Burial at Ornans,
1849–50.
Oil on canvas, 10’ 3-1⁄2” × 21’ 9”
Musée d’Orsay, Paris.
[Fig. 02-14]
22. Rosa Bonheur, Plowing in the Nivernais
1849
Oil on canvas
70-7⁄8 × 102-3⁄8”
Musée d’Orsay, Paris. [Fig. 02-16]
Editor's Notes
James McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, c. 1875. Oil on panel, 23 × 18” (60.3 × 46.4 cm). Detroit Institute of Arts, Detroit. [Fig. 01-01]
Jacques-Louis David, The Oath of the Horatii, 1784. Oil on canvas, 10’ 10” × 14’ (3.4 × 4.3 m). Musée du Louvre, Paris. [Fig. 01-02]
Jean-Auguste-Dominique Ingres, Grande Odalisque, 1814. Oil on canvas, 36 × 64” (91 × 162 cm). Louvre, Paris. [Fig. 01-05]
Eugène Delacroix, The Lion Hunt, 1861. Oil on canvas, 30-1⁄8 × 38-3⁄4” (76.5 × 98.4 cm). The Art Institute of Chicago. [Fig. 01-08]
Théodore Géricault, Cheval Devoré par un Lion (Horse Devoured by a Lion), 1820–21. Lithograph; black lithographic ink on prepared “stone” paper, 10-13⁄16 × 14-9⁄16” (27.4 × 37 cm). British Museum, London. [Fig. 01-04]
Francisco de Goya y Lucientes, “This Is Worse,” Plate 37 from The Disasters of War, 1810–11. Etching, 1863 edition, image 5 × 6-1⁄8” (12.8 × 15.5 cm). The Metropolitan Museum of Art, New York. [Fig. 01-07]
John Constable, The Hay Wain, 1819–21. Oil on canvas, 51-1⁄4 × 73” (130.2 × 190 cm). The National Gallery, London. [Fig. 01-10]
Jean-François Millet, The Angelus, 1857–59. Oil on canvas, 21-1⁄2 × 25-7⁄8” (55 × 66 cm). Musée d’Orsay, Paris. [Fig. 01-13]
Joseph Mallord William Turner, The Burning of the Houses of Parliament, 1834–35. Oil on canvas, 36-1⁄2 × 48-1⁄2” (92.7 × 123.2 cm). The Cleveland Museum of Art. Bequest of John L. Severance. 1942.647. [Fig. 01-11]
Louis-Jacques-Mandé Daguerre, Boulevard du Temple, Paris, c. 1838. Daguerreotype. Bayerisches Nationalmuseum, Munich. [Fig. 02-06]
Julia Margaret Cameron, Mrs Herbert Duckworth, c. 1867. Albumen print, 13-3⁄8 × 9-5⁄8” (34 × 24.4 cm). International Museum of Photography at George Eastman House, Rochester, New York. [Fig. 02-09]
Julia Margaret Cameron, Unknown Girl, Ceylon, 1875–79. Albumen print. J. Paul Getty Museum, Los Angeles. [Fig. 02-10]
Mathew Brady, Dead Soldier, Civil War, c.1863. Gelatin-silver print. Library of Congress, Washington, D.C. [Fig. 02-11]
Honoré Daumier, Rue Transnonain, April 15, 1834, published in L’Association Mensuelle, July 1834. Lithograph, 11-1⁄2 × 17-1⁄2” (29.2 × 44.5 cm). Graphische Sammlung Albertina, Vienna. [Fig. 02-13]
Gustave Courbet, A Burial at Ornans, 1849–50. Oil on canvas, 10’ 3-1⁄2” × 21’ 9” (3.1 × 6.6 m). Musée d’Orsay, Paris. [Fig. 02-14]
Rosa Bonheur, Plowing in the Nivernais, 1849. Oil on canvas, 70-7⁄8 × 102-3⁄8” (180 × 260 cm). Musée d’Orsay, Paris. [Fig. 02-16]
![James McNeill Whistler
Nocturne in Black and
Gold: The Falling Rocket
c. 1875
Oil on panel
23 × 18”
Detroit Institute of Arts,
Detroit
[Fig. 01-01]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)