The document discusses three existing media products/podcasts. It notes that they all involve unconventional bodies of communication without sensory or linear contexts. Content overlaps diegetic conversations with characters' inner thoughts. Links between topics form habitual but flat and ungrowing connections. Common features are non-linear communication patterns and interplay compounds. Aspects to include are patterns of feature diagrams and general recognition of interplay. The target audience is socially conscious younger males from lower social classes who are open to new habits due to changing environments.
2. Existing Products
• Uncensored bodies of communication; non-sensory; interplay dynamic.
• Subjects of converse are formed in flux; disconnection between pure forms of bodily forms.
• The constant relay of structural mutations transgresses linear-contexts.
• Content: the diegetic conversation overlaps with the ultimate intra-diegetic -- inside the character's minds. Propelled into altered states by drugs and other such psychosis-inducements,
telepathy becomes eerily indistinguishable from common verbal communication.
• Appeal: intrigue
• Formal
Link to the podcast/documentary; https://youtu.be/7NhNeniXCM4
3. Existing Products
• Contextual blends of reference is productive in “feeling.”
• The formal communicative speech relays with the harsh aura of dynamic strokes.
• The audience attach themselves via the density of the “passion” as a relation.
• Content: age
• Appeal through narrative
• Language is predated
Link to the podcast/documentary; https://youtu.be/XAKKoQUsXXM
4. Existing Products
• the format of subject is broadened in “breaks’ and hence the format is a flat productive.
• The speech is a normality of singular converse; topics take no physical “growth.”
• The direct play in links forms a habitual link, somewhat.
• Mature audience, formed in 1982
• Rhythm and timing to carry the listener
• Informal
• Appeals through the message
• Content: absence of living
Link to the podcast/documentary; https://youtu.be/KnHBSW_4VE8
5. Research Analysis
• What common features do the researched products have? All bear the underbelly of communicative forces in a non-linear syntax routes.
• What aspects of the research will you include within your on work? Patterns of feature diagrams in general recognition of interplay compounds.
7. Audience Profile
Category Demographic Content to appeal to this audience
Age Range
16-24 • Contents of moulds can still be a synthetic movements in connective areas.
Gender
Male • Affirmation of generative elements is more open to the male character and hence the route can be
specified in understanding directly.
Psychographic
Socially conscious • Full up less social space and thus more “open”
Social Status
Lower class • Much more adjusted to new habits because of their constantly changing environment.
Editor's Notes
Choose a product similar to your own and discuss it
Use of audio- what do they include and to what effect- sound effects, music, voice over.
Content of voice over- what do they talk about, language used (formal/informal), etc
Audience appeal- how does it make its audience want to buy/watch/play it?
Choose a product similar to your own and discuss it
Use of audio- what do they include and to what effect- sound effects, music, voice over.
Content of voice over- what do they talk about, language used (formal/informal), etc
Audience appeal- how does it make its audience want to buy/watch/play it?
Choose a product similar to your own and discuss it
Use of audio- what do they include and to what effect- sound effects, music, voice over.
Content of voice over- what do they talk about, language used (formal/informal), etc
Audience appeal- how does it make its audience want to buy/watch/play it?