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Editing
Conventions and techniques
In- camera editing
Continuity
Following the action
Jump- cutting
Parallel Editing
Diegetic time
180 degree rule
Wipe
Transitions
Withholding information
Cut away
Lesson Aims:
• All of you will be able to explain
how editing works within a
scene.
• Most of you will develop your
editing terminology use.
• Some of you will be able to give
examples of how the
terminology works within an
editing scene.
Learning Outcomes:
• MUST be able to analyse transitions and
sound editing in video examples.
• SHOULD be able to question why
transitions and sound editing has been
used in examples.
• COULD compare transitions and sound
editing techniques using examples.
Providing and withholding
information
• Editors can choose whether to include or leave out
information for the audience.
• They do this by putting in shots to show some of the story
content or purposefully leaving them out.
https://www.youtube.com/watch?v=0xG5hSOMGn0
• Why would you choose to provide the audience with
information as an editor?
• When might you withhold information in the storyline
and why?
Motivated Editing
• Motivated editing is where shots are
carefully chosen to push a story along
and make the audience believe what
they are seeing.
• For instance if there is a shot of
someone walking into a room and
looking around, it is best to then cut
to a shot of that actors point of view.
• This way the audience get to see
exactly what that actor sees and it
engrosses them in the story even
more.
Motivated Editing
Motivated editing is when a cut pushes the action
forwards.
It is used when something off screen alludes that
something is happening and then the cuts reveal what
that is.
Shot reverse shot is a technique used in conversation
that pushes the action forwards.
https://www.youtube.com/watch?v=h0xiCIMIwLY
What would happen if we didn’t use motivated editing?
Shot reverse shot
• Shot reverse shot (or
shot/counter shot) is a
technique where one character
is shown looking at another
character (often off-screen),
and then the other character is
shown looking back at the first
character.
• Since the characters are shown
facing in opposite directions,
the viewer assumes that they
are looking at each other.
Manipulation of time
• In film there are lots of ways that time can
be altered or played with.
• For instance using a montage, flashbacks/
flash forwards, slowing down/ speeding
up, time lapse, jump cuts and in some
cases special effects can all show a
difference in time.
• https://www.youtube.com/watch?v=KNrS
NcaYiZg
Manipulation of diegetic time and
space
• Time and space can be cleverly
altered through an edit.
• There are many ways of doing
this such as;
- Slowing down/ speeding up
footage
- Using Jump cuts
- Creating a montage
- Time-lapse
- Special effects
- Parallel editing
Splicing
• Splicing is another
term for cutting
which derives from
film rather than
digital film methods.
This involves cutting
and sticking pieces of
film together, to
create a sequence.
Task: In pairs-10 mins
• Lesson 6- analyse a scene
on Moodle
• Look at the film scene and
analyse the areas you have
been given. 1-4
• Answer the question that
follows
• Explain why you think this.
Task & Homework
• Start writing your report.
• Research and use
examples of editing to
explain your points.
• Refer to the assignment
brief and lesson resources
for guidance.
Task: Find out what your editing term
means and give an example.
• Use the glossary on
Moodle to explain
what you think the
term means.
• Give an example or
add a link to illustrate
your point.

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Editing wk6

  • 13. Lesson Aims: • All of you will be able to explain how editing works within a scene. • Most of you will develop your editing terminology use. • Some of you will be able to give examples of how the terminology works within an editing scene.
  • 14. Learning Outcomes: • MUST be able to analyse transitions and sound editing in video examples. • SHOULD be able to question why transitions and sound editing has been used in examples. • COULD compare transitions and sound editing techniques using examples.
  • 15. Providing and withholding information • Editors can choose whether to include or leave out information for the audience. • They do this by putting in shots to show some of the story content or purposefully leaving them out. https://www.youtube.com/watch?v=0xG5hSOMGn0 • Why would you choose to provide the audience with information as an editor? • When might you withhold information in the storyline and why?
  • 16. Motivated Editing • Motivated editing is where shots are carefully chosen to push a story along and make the audience believe what they are seeing. • For instance if there is a shot of someone walking into a room and looking around, it is best to then cut to a shot of that actors point of view. • This way the audience get to see exactly what that actor sees and it engrosses them in the story even more.
  • 17. Motivated Editing Motivated editing is when a cut pushes the action forwards. It is used when something off screen alludes that something is happening and then the cuts reveal what that is. Shot reverse shot is a technique used in conversation that pushes the action forwards. https://www.youtube.com/watch?v=h0xiCIMIwLY What would happen if we didn’t use motivated editing?
  • 18. Shot reverse shot • Shot reverse shot (or shot/counter shot) is a technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character. • Since the characters are shown facing in opposite directions, the viewer assumes that they are looking at each other.
  • 19. Manipulation of time • In film there are lots of ways that time can be altered or played with. • For instance using a montage, flashbacks/ flash forwards, slowing down/ speeding up, time lapse, jump cuts and in some cases special effects can all show a difference in time. • https://www.youtube.com/watch?v=KNrS NcaYiZg
  • 20. Manipulation of diegetic time and space • Time and space can be cleverly altered through an edit. • There are many ways of doing this such as; - Slowing down/ speeding up footage - Using Jump cuts - Creating a montage - Time-lapse - Special effects - Parallel editing
  • 21. Splicing • Splicing is another term for cutting which derives from film rather than digital film methods. This involves cutting and sticking pieces of film together, to create a sequence.
  • 22. Task: In pairs-10 mins • Lesson 6- analyse a scene on Moodle • Look at the film scene and analyse the areas you have been given. 1-4 • Answer the question that follows • Explain why you think this.
  • 23. Task & Homework • Start writing your report. • Research and use examples of editing to explain your points. • Refer to the assignment brief and lesson resources for guidance.
  • 24. Task: Find out what your editing term means and give an example. • Use the glossary on Moodle to explain what you think the term means. • Give an example or add a link to illustrate your point.