Comparing Menagerie And Paper

Comparing Menagerie And Paper
Not all speculative fiction authors approach alerting readers of the importance of their family
relations and action by clearly indicating that positive relationships breed a positive sense of self
and selfless actions, whereas negative familial actions breed selfishness and a lack of empathy, but
instead, discussing that negativity breeds positivity. While Paper Menagerie mainly focuses on
negative relationships influencing one negatively, it also speaks to the idea that negative
relationships can instead breed strength and greater empathy in an individual. Although Jack and his
mother endure a negative relationship, he is able to grow from the lessons that came out that
negativity by beginning to show empathy and love even after her death.
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Tell Tale Heart Genre Analysis
How does "Tell–Tale Heart" fit the horror genre? Chills run up and down your spine and you begin
to feel goosebumps on your arms. Quickly, the cold envelopes you and you feel frozen. What is
this? It is the effects of horror fiction. You might be wondering, what in fact is the horror genre? The
horror genre is not only the stories told at midnight about ghosts and ghouls. It is simply a story with
suspense and tensions. Other details could be added such as good versus evil and supernatural
versus natural. The setting might be very spooky and the descriptions probably alarm the reader's
senses. "The Tell–Tale Heart" fits the horror genre because of the plot and descriptive writing. The
plot is the sequence of events. It is how the story is organized. The plot in "The Tell–Tale Heart"
qualifies this story to the horror genre. In the beginning, the narrator is shown in his frustration
toward people claiming that he is mad. The narrator frantically begins to provide evidence of why
he is not mad and reveals the details of the murder. He describes his detestation toward the old
man's vulture–like eye. Later on, the narrator gives a perfect and detailed description of his
preparations and the act of murdering the old man. Every night for 8 nights, he would go to the old
man's room and watch him. Then, when he was filled with confidence, the narrator murder the old
man and hid the body perfectly. In the end, the guilt of murdering the old man haunts him up to the
point that he

Elements Of Lovecraftian Horror In Stephen King
Introduction In the world, there are hundreds of thousands of writers, yet there are less than a third
of that in different genres. Knowing that there are fewer genres than writers, it makes since that
authors would know each other and share their ideas. Authors like Stephen King, whose stories are
popular enough to produce as movies, admit to being inspired by other authors, such as H.P.
Lovecraft. It's not just Stephen King who says he's inspired by H.P. Lovecraft, scholars and fans of
Stephen King agree with him, saying there are trace elements of Lovecraftian horror in Stephen
King's stories. Lovecraftian horror was named after H.P. Lovecraft, and is defined by Daniel Harms
in his article "The Encyclopedia Cthulhiana: A guide to Lovecraftian Horror," published in
Chaosium in 1998, as "a subgenre of horror fiction that emphasizes the cosmic horror of the
unknown and unknowable more than gore or other elements of shock, though these may still be
present." The thought of authors sharing ideas and being inspired by each other, especially Stephen
King and H.P. Lovecraft, led me to my research question. How is Stephen King's literature
lovecraftian in nature? The purpose of this question is to show readers that, although they may read
one author and understand their ideas and writing styles, that it is not uncommon to find a second
author with very similar writing styles and ideas as the first author. Sharing ideas and writing styles
between authors, within and outside of a

Justice In The Odyssey
Fiction isn't real. So why do people link it to their own lives? Fictional stories are the best way to
depict universal themes that connect ideas like justice and courage; these ideas are presented in real
life and allow the audience to learn about themselves through the characters.
An idea that is present in fictional stories to which the audience relates to, is justice. In The
Odyssey, Helios demands for justice to prevail for his cattle. In the text it states, '"Father Zeus, and
you other everlasting and blessed gods, punish the companions of Odysseus, son of Laertes; for they
outrageously killed my cattle, in whom I always delighted, on my way up into the starry heaven, or
when I turned back again from heaven toward earth. Unless these ... Show more content on
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In the Odyssey, Odysseus reminds his crew of the bold obstacles they've faced in order to inspire
them. In the text it states, "'Dear friends, surely we are not unlearned in evils. This is no greater evil
now than it was when the Cyclops had us cooped in his hollow cave by force and violence, but even
there, by my courage and counsel and my intelligence, we escaped away. I think that all this will be
remembered some day too. Then do as I say, let us all be won over.'" (Homer 12.208–213). This
reveals the depth of their wounds and instigates the audience because they're able to find some
strong words of encouragement to contend with their own problems. Correspondingly, the novel To
Kill a Mockingbird also has its own example of courage. In the text it says, "I wanted you to see
what real courage is... It's when you know you're licked before you begin but you begin anyway and
you see it through no matter what" (Lee 149). In this scene Atticus is comforting Jem by explaining
the death of Mrs. Dubose and how his actions were appreciated. This piece of advice can be retained
by the audience because they can understand the meaning of real courage and apply it to their own
lives. In a nutshell, the audience can apply courage to their own lives by reading these pieces of

Fiction Or Reality : All Too Familiar World Of The...
Fiction or Reality Hailey Patton Block 2 Mrs. Schiller April 10, 2015 In an all too familiar world of
the speculative fiction novels of Margret Atwood best known for The Handmaids Tale and Oryx and
Crake ,Which lead to the discovery that these tales of a dystopian world and one of love and
adventure seem to hit a little too close to home and bring out emotions that may have been dormant.
There is no doubt that she is a brilliant writer, but the question that runs through my mind is, which
one is superior. Some say that The Handmaid's tale was all around controversial and that Oryx and
crake lacked depth in its characters, but in all the speculation and glorification one stands above the
rest The Handmaids Tale. Don't get me wrong Margret Atwood is no one hit wonder by any means
it's the fact that The Handmaids Tale is filled with adventure, advisories, and appropriation that out
shine Oryx and crake in ways using Characters, Setting, and Themes. Characters reveal a lot about a
work some are symbols and some are just there to help complete the story line, when it comes to
The Handmaids Tale by Margret Atwood There is no shortage of great characters. The depth
surrounding the characters is so grand even their Names are perfectly picked, which show that the
women are owned without their digression this can be seen in this quote "This woman has been my
partner for two weeks. I don 't know what happened to the one before. On a certain day she simply
wasn 't there anymore, and

Gothic Horror in Susan Hill's The Woman in Black and H.G....
Gothic Horror in Susan Hill's The Woman in Black and H.G. Wells' The Red Room As with all
things, the gothic horror genre of literature did not begin at one definable point, but evolved
gradually. Gothic horror evolved out of gothic fiction (as opposed to classical fiction, for example
the novels of Jane Austen), before establishing itself as a genre in its own right. However, many
literary scholars and critics would point to "The Castle of Otranto", written by Horace Walpole and
first published in 1764, as the first true gothic horror novel, containing as it does many of the clichs
prevalent throughout the genre. Gothic horror novels are typified by their dark, lachrymose
atmosphere of dread and fear. In fact, the key to ... Show more content on Helpwriting.net ...
These are very important to the "gothic" feel, and are sometimes augmented by hidden passages and
spiral staircases. In The Woman In Black, the main location is an old, isolated, haunted house in the
middle of a marsh, even supplemented with an abandoned graveyard for full gothic effect. The
castle setting of The Red Room is more traditional for the gothic horror genre, in fact it contains
many classic clichs of the genre, such as suits of amour, spiral staircases and underground tunnels.
These environments are designed to build up an oppressive atmosphere, and increase the tension
even in calm, natural parts of the story. This tension and sense of an oppressive atmosphere is one of
the key elements in gothic horror stories. Everything is done to add to this atmosphere. One of the
most common tricks is to create a sense of alienation and isolation. One definition of alienation is
"separation resulting from hostility," ant this is very pertinent to the gothic horror genre; in many
books and stories, the narrator feels that people aren't telling him everything, and are acting against
him (though they are often working to help him), for instance in The Woman in Black, when the
landlord at the Crythin Arms is evasive about the Drablow family, Arthur Kipps says "I was curious
and a little irritated by his manner," a sentiment repeated throughout the text. In The Red

The Subgenre Of Horror
What is horror? Many people enjoy a good book or film that sends a shiver down your spine and
makes you question reality. This may seem crazy to others, who do not see a single reason why you
would stay up watching a film that will make you unable to sleep for days, but to others it is a
hobby. The question is, what is horror really, and what makes it so good? Per definition, a horror
story would be a work of fiction with the intention and purpose of giving the reader a negative
feeling, such as fear, repulsion, or dread. It gives the work a frightening atmosphere. Whilst there
are many subgenres of horror, the largest amount of horror stories focus on topics like death, evil,
the supernatural and witchcraft. This is most likely the case because of its ancient origins, it even
has its roots in folklore and religion. Horror started out as something quite religious, as the majority
of people have been religious for a long while. Religious horror often contains Satan as the villain
who uses someone's body as a vessel, a child's for ... Show more content on Helpwriting.net ...
It tends to have romantic and supernatural aspects, with the purpose to both seduce and horrify the
audience. Even when they do not contain the paranormal or supernatural, they remain mysterious
due to the focus on a very dark atmosphere. There tends to be a lot of symbolism in gothic horror as
well. Fascinatingly enough, it is one of the oldest subgenres of horror and can even be considered to
be the mother of all modern genre fiction, as the first sci fi authors got inspiration from gothic
horror. The name "Gothic" originates from an architecture in the Middle Ages, which Brits from the
18th and 19th century were interested in because of its mysterious and creepy aura. Back then, there
were a lot of Gothic ruins scattered around in Great Britain that inspired British authors to write
horror set in the Middle Ages, often taking place in Catholic

Thomas Tryon The Other Analysis
Thomas Tryon's debut novel, The Other, tells a tale of harrowing macabre and psychosis that haunts
a New England family. The Other follows the life of a set of young twin boys and the horror that
follows. In The Other, Thomas Tryon crafts a story of delusion and insanity, one that preys on the
readers' fear because of the story's normalcy and familiarity. Thomas Tryon was born on January 14,
1926 in Hartford, Connecticut and is the son of Arthur Tryon, one of the owners of Stackpole,
Moore and Tryon– a distinguished in Hartford during the 1920s (He enlisted in the U.S. Navy when
seventeen and served during World War II. After being discharged in 1946, he attended Yale
University with a major in art. After graduating, he joined a theater ... Show more content on
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I was having nightmares and I couldn't sleep. I got very tight at various points in the book" (Daniels,
"The Other– Chilling First Effort". The novel delivers its fair share of macabre and horror, certainly
enough to evoke the same feelings in the reader that Tryon described himself having. As scenes of
domestic life unfurl, Tryon introduces mystery after mystery about the horrendous actions Holland
Perry (Moore, "At the End, the Baby Disappears"). Holland is seemingly introduced as the
psychopath in the story– "the other". Dan Chaon describes the central question throughout the
novel: "What is Holland" (254). In the conclusion of the second part– and climax– of the novel, we
find the answer to this question– Holland is dead, and has been for quite some time. Through this
shocking twist, the story is revealed to be about the Nile's madness and self–delusion (Chaon,
Afterword). Famous novelist Peter Straub once said that "Horror is the genre of literature most
closely concerned with loss: our fear of it, its approach, its inevitable triumph" (Chaon, Afterword).
This is the case with The Other– it has grand horrors of death and insanity, and then little horrors
concerning the loss of everyday life around the town (Chaon, Afterword). In the last chapter, Tryon
writes, "He was gone, I could no longer conjure him up as he had me", effectively revealing the loss
and subsequent insanity of

Fantasy Rhetoric Essay
Fantasy Rhetoric:
Summary and Analysis of Katherine Fowkes's Fantasy Films
A Rhetoric Analysis consists of a multitude of attributes some larger than others and some not
specifically require. Among those are certain attributes that are what provides the foundation of any
Rhetoric work, Logos, Pathos, and Ethos or persuasive appeal. My job is to show you the other
attributes consisting of the context of the argument, the authors' attitude, and the tone of the overall
work. So first I will have to fill you in to Katherine Fowkes's work.
Katherine A. Fowkes in Schirmer Encyclopedia of Film, Vol. 2 she explains the notion of fantasy in
traditional application of film through her chapter Fantasy Films. She defines its context in this ...
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By the 1950's science fiction began to take off as the current event of the day lend to new stories of
space travel, atomic energy mishaps and the monsters that ensued. With sound also came the advent
of musicals many of which were delightful fantasies by the likes of Disney and bring the fairy tales
and children's books to life on the screen. Now art also had a place to be expressed through the
outlet of fantasy films, by the likes of Dalí and Bruňuel disorienting pieces. During the 1970's and
beyond the science fiction reclaimed a spot in fantasy with the likes of E.T. and Star Wars and blend
though was involve of the fantasy and science fiction as there was no explanation of Yoda's magical
qualities or E.T.'s healing powers. When CGI came it was able to bring the audience to a new level
of fantasy pushing the bound of what the imagination could provide with the likes of The Matrix,
The Abyss or films made completely of CGI like Toy Story.
Fowkes thinks that though fantasy theory ideology is most commonly associated with literature, it
also can be applied to cinema. The modes of fantasy would be referenced as "uncanny", "fantastic",
and "marvelous." Uncanny is in reference to the idea of the "experience of feelings of awe and
hesitation provoked by strange, improbable events (Fowkes 192)." If this

The Elements Of The Genre Of Speculative Fiction
Next to being neo–slave narratives, Kindred and Beloved, as well as Who Fears Death, are
examples of the genre of Speculative Fiction. This type of literature features supernatural and/or
futuristic elements. Is serves as an umbrella term and includes science fiction, fantasy, literary
fiction, supernatural fiction, horror, dystopia, utopia, (post–)apocalyptic and superhero elements, as
well as their combinations (Jackson and Moody–Freeman, 127). Hence, "in Speculative Fiction the
action of the story can take place in a culture that never existed, a world we know nothing of, or an
earth that might have been or might be" (Shade, 2). In other words, speculative literature includes all
texts that take place "in a universe slightly different from our own" (Wyatt, 1–2). Language is "not
merely descriptive but also functions as a form of word building" (Burnett, 137), as neologisms can
be both metaphorical and literal in this genre.
Speculative Fiction ranges back to ancient history and has been pervading humanity from the
beginning. Furby and Hines state that the human has always been a "story–telling ape" (Furby and
Hines, 10), as we get access to the world through the narrative. So–called taproot texts, the very first
fictional texts, such as The Epic of Gilgamesh, still form the basis for modern authors to draw ...
Still, until recently, it has not given much attention to issues of race and ethnicity in the context of
imagined futures. Historically, the focus of the genre has been on social and political commentary,
as well as responses to social, cultural and technological changes. Mainstream speculative fictional
novels explored "issues of empire, [rather than] blacks, women and other culturally diverse peoples
within their narratives" (Jackson and Moody–Freeman, 128). In other

Writing A Young Adult Speculative Fiction
How to write a young adult speculative fiction short story
Intro
There are many different facets to writing a successful young adult speculative short story. There are
lots of different problems that can be faced when trying to write these stories such as not
understanding the genre completely, not being able to write interesting characterisation, figuring out
how to properly structure the story, putting just the right amount of detail into the setting, working
out an exciting plot line, getting the proper editing and drafting done, and finding inspiration to
begin writing and figure out where the story will go from there.
The world of speculative fiction
Speculative fiction is a broad term that encompasses science fiction and fantasy. Science fiction tells
stories relating to science and technology and has a basis in the principles of science. These stories
are often set in space, the future, in a different world, or in a different dimension of universe.
Fantasy, however, is not necessarily based on science but more on imagination and often includes
fantasy worlds and elements of the supernatural. Different people have varying ideas about the
parameters of genres and how many there are. For example some sub–genres of science fiction/
fantasy are apocalyptic, post–apocalyptic, cyberpunk, first contact, humorous and time travel.
Science fiction and Fantasy both ask the question, 'What if?' An example of a speculative fiction is
The Hunger Games trilogy.

Elements Of Horror Stories
Hattie Sparks
Sharon A. Russell explains to readers how to decipher horror stories by saying, "Some students
think that the best way to examine it is to deal with the way horror fiction is organized or structured.
Examining the organization of a horror story shows that it shared certain traits with other types of
fiction.". She says this in her article "What is a Horror Story". Horror fiction needs to be in a certain
order, structured, and have specific horror traits. Some essential traits to horror she later talks about,
are supernatural elements, eerie settings, and suspense. When these elements interact horror is
created. "The Monkey's Paw" by W.W. Jacobs is a horror story because, of the supernatural paw, the
setting, and suspense of the story. One important element of horror is a supernatural trait, which
"The Monkey's Paw" does indeed have. The main supernatural trait would be the paw itself. The
history of the paw is stated, by Sergeant–Major Morris, to have had a spell placed on it by a fakir.
Sergeant Morris, also told the readers how all the previous six wishes were answered. Multiple
wishes answered using the same process, could not be coincidence. Another reason that this story
fits into the supernatural trait is how Mr. White describes his experience using the paw. He states, "it
twisted in my hand like a snake"(pg 110). Only something supernatural would do this. Lastly, it is
not simply a coincidence that when Mr. White wishes for 200 pounds, that it

Speculative Fiction Vs. Realistic Fiction
Why speculative fiction offers more to readers than realistic fiction.
In this essay, I will discuss how speculative fiction offers more to readers than realistic fiction. I will
explain both genres and go on to explain what they are like in the time we live in now and how
writers use speculative fiction. For my manuscript, I am planning to write a short story collection
and the main genre will be speculative fiction. I am choosing this genre, because it is one that bring
together fantasy, supernatural, magical realism, and mystery themes that I am intending to write
about. With magical realism being a prominent theme out of these, I will discuss why it is an
important one within speculative fiction. Another reason as to why I am choosing this genre is
because I will be able to write using these themes as they occur in ordinary lives of ordinary
characters. The last reason I am choosing this genre is because of the curiosity that comes when
reading speculative fiction, which I will discuss before the conclusion.
Realistic fiction is a genre which covers topics and people readers would expect to see in the world
now. These stories that covers topics that everyday people go through like school, love, society.
Although the topics are broad about what a writer could write about under this genre, there are the
limits they face when confined to the realistic world. (http://study.com/academy/lesson/what–is–
realistic–fiction–definition–characteristics–examples.html) It is more

Pros And Conpects Of Horror
Many people enjoy a good book or film that sends a shiver down your spine and makes you
question reality. This may seem crazy to others, who do not see a single reason why you would stay
up watching a film that will make you unable to sleep for days, but to others it is a hobby. The
question is, what is horror really, and what makes it so good? Per definition, a horror story would be
a work of fiction with the intention and purpose of giving the reader a negative feeling, such as fear,
repulsion, or dread. It gives the work a frightening atmosphere. Whilst there are many subgenres of
horror, the largest amount of horror stories focus on topics like death, evil, the supernatural and
witchcraft. This is most likely the case because of its ancient ... Show more content on
Helpwriting.net ...
It tends to have romantic and supernatural aspects, with the purpose to both seduce and horrify the
audience. Even when they do not contain the paranormal or supernatural, they remain mysterious
due to the focus on a very dark atmosphere. There tends to be a lot of symbolism in gothic horror as
well. Fascinatingly enough, it is one of the oldest subgenres of horror and can even be considered to
be the mother of all modern genre fiction, as the first sci fi authors got inspiration from gothic
horror. The name "Gothic" originates from an architecture in the Middle Ages, which Brits from the
18th and 19th century were interested in because of its mysterious and creepy aura. Back then, there
were a lot of Gothic ruins scattered around in Great Britain that inspired british authors to write
horror set in the Middle Ages, often taking place in Catholic

Analysis Of Octavia Butler 's Series Of The Parables
I entered Butler University as an English major believing that what we choose to read changes the
way we think, and literature shapes the society we live in. I later changed my major to International
Studies, an interdisciplinary course of study, which allowed me to foster my understanding of the
global society, the complexities of intercultural interactions, and the ability to apply political
theories to interpret one situation from multiple perspectives. When choosing the topic for my senior
thesis, I was torn between delving into a political crisis or taking the opportunity to re–visit my love
of literature in an academic framework. Speculative fiction is the crossroads I have found between
my love of literature and my passion for ... Show more content on Helpwriting.net ...
Two prominent, but conflicting, interpretations are presented by Garrett Hardin and Elinor Ostrom.
Garrett Hardin first proposed in 1998 that the tragedy of the commons cannot be solved with a
technical solution, which he claims is the most socially acceptable type of solution. Hardin goes on
to point out and question social boundaries by challenging his reader to ask him or herself what is
"good" (Hardin 1244). He acknowledges that "good" is usually considered to be a varied concept
that is open to human interpretation and construction; however, "natural selection commensurates
the incommensurable" (1244). Hardin's proposal that freedom is the catalyst for ruin in a communal
society is one of his most controversial claims because he argues that autonomy leaves room for
selfish motivations that lead to the destruction of the overall good. For example, Hardin briefly
discusses world pollution. The atmosphere and oceans are shared resourced or "commons" for
which many people do not feel responsible, and thus, they are commons which have been damaged
and polluted, affecting both those culpable and inculpable of the created "cesspool" (1245). Hardin's
interpretation challenges traditional morals that stem

An Exploration of Gothic Horror Stories Essay
An Exploration of Gothic Horror Stories Gothic horror is a type of romantic, horror fiction based on
irrational fear that predominated in 18th century England. The term 'gothic' originated from the
architectural style of the middle ages, but came to describe the dark, terrifying tales that achieved
such popularity. Gothic horror can be determined by many things which exist in all gothic horror
stories, for example eerie settings such as gothic monasteries, bleak comfortless castles, grave yards
and cobwebbed rooms lit by guttering candles. It can also be determined by a unique character such
as a beast, monster, ghost, evil creature and innocent person. Usually the innocent person is killed ...
All three stories were written in the 19th century. They were all set at the same time when they were
written. This is a good effect because at the time when they were written, horror stories containing
superstition and the macabre were popular because the people at that time believed in witchcraft,
ghosts and demons. The location of the action is of great importance in the gothic novel because it
creates an atmosphere and feeling to the story. 'The Judges House' is located in the dining room of
an old, quiet and isolated house. An old, rambling, heavy built house, this creates a scary
atmosphere thus matching the typical setting of a gothic horror story. It goes on to describe the
dining room as a, room in darkness, this also creates a scary and terrifying atmosphere because you
cant see in the dark and you don't know what's in the dark, this also is an essential gothic horror
element because darkness creates a creepy and scary atmosphere. 'The Tell Tale Heart' is located in a
house that is probably old as a lantern is used by the narrator, this creates a scary atmosphere like
the 'Judges House' because you cant see in the dark and you don't know what is in the darkness so
the reader imagines things that create the scary atmosphere,

First Contact
Adding his on influence to the iconic science fiction magazine Astounding Science–Fiction, Murray
Leinster provided his own commentary on the changing world through his most iconic work, where
first contact can mean the difference between friendly communication and the annihilation of the
entire human race. Murray Leinster, the pseudonym for William Fitzgerald Jenkins, was quite the
prolific writer. Having lived through both world wars, Leinster wrote and published several science
fiction short stories in the key science fiction magazines of the day. Helping add to the "parallel
universe" motif, Leinster was leagues ahead of his time as he proposed the concept of the computer,
Internet, and servers in his fiction. Considered his best work, "First Contact" implemented the first
reference to a "universal translator" as he played around with the tropes and motifs that were still
being fashioned when the story was published. ... Show more content on Helpwriting.net ...
Murray Leinster's novelette "First Contact" builds upon several pieces of the "scientific furniture"
that decorates the foundations of science fiction. These pieces include the archetypes, tropes, and
motifs that have been imitated so frequently that it has been attributed less to the author and more to
the genre. With the use of such pieces like the alien, with its human–like form, and the use of
interstellar travel, allow for stories to use the trope of interstellar travel to create new tropes, like
Leinster's creation of the universal translator to communicate with aliens that allowed stories
following "First Contact" without having to spend time with the same linguistics that Leinster spent
time

Conventions Of Dystopian Fiction
What do we lose in the transition from old to new? This is the question we face in so many aspects
of our lives. Tradition, family, technology, and literature all asks this question. Is there any value of
the untried and possibly untrue elements that we see in our present–day? However, despite the doubt
sometimes expressed, we still see an influx of new and different customs, computers, and books.
Books often reflect the style and society of the time they were written in, creating a clear picture of
the audience targeted. They use specific literary techniques and plot points to appeal to their
audience, often finding new ways from their predecessors. Books allow us to look at an older
society and see their values and problems in a way ... Show more content on Helpwriting.net ...
Dystopian fiction is one such genre. In fact, it reflects the present perhaps more than other genres, as
it evaluates current times by creating a possible future. The first documented use of the word
dystopian was said in a speech by English politician John Stuart Mills in opposition of the Utopians
in 1868. He said that they would be better called dys–topians as "what is commonly called Utopian
is something too good to be practicable; but what they appear to favor is too bad to be practicable."
This set a precedent for all dystopian fiction, in which a fictional society is created that is in fact
"too bad to be practicable."1 Dystopian fiction originally functioned to critique problems found in
the present by looking at an exaggerated picture of what the world could be like if we continue of
the road we are. However, this genre has not been immune to change. In earlier dystopian fiction we
see a protagonist who becomes aware of the societal faults through the plot of the book, as well as a
seemingly functioning society all while being geared towards teens. Today that has changed. Within
the past few decades, we have seen a shift in the protagonist, and a shift in the society portrayed.
Though these two shifts have certainly changed the genre, they seem to stem from the shift in the
targeted audience. Teens tend to lack a focus on deeper themes while reading, and books geared
towards them often recognize this. With this is mind can this new, young adult dystopian fiction
really measure up to the older dystopian fiction? To answer this question we must ask whether
dystopian fiction still serves the function set in place by the original period. Without this purpose,
the dystopian novels of today becomes simply science fiction novels, perhaps with a purpose and
relevance to the audience, but no longer dystopian fiction. However, if they do fulfill this purpose,
these books give us

J.G. Ballard's Science Fiction Legacy
Ballard along with many other new wave science fiction writers believed that science fiction should
be taken seriously as a form of literature. In order to fulfill this belief the new wave science fiction
writers began experimenting with language and their style of writing, creating "cognitive
estrangement", indicating a kind of alienation or de–familiarization effect that they used to separate
postmodern/new wave science fiction from traditional/pulp science fiction. Ballard, amongst many
others, is considered one of the forefathers that helped develop the New wave movement to what we
know of it today. Ballard was born in Shanghai in 1930, where he spent the first fifteen years of his
profound life. At the age of sixteen, Ballard interned at a Japanese camp during World War II and,
was deported to England. He attended Cambridge University and obtained his degree in medicine,
and a few years later he sold his first story to New Worlds, a renowned science fiction magazine, in
1956. He is the author of numerous novels and short story collections, including Crash, Empire of
the Sun and The Atrocity Exhibition. Ballard stepped into the realm of the new wave movement,
early in his career with apocalyptic/post apocalyptic novels such as The Burning World (1964), The
Crystal World (1966) and many others. Ballard was a writer who challenges easy categorization:
even his most speculative books can't be fitted neatly with a genre label, and his more mainstream
works contain

The Horror Genre in Stories of Stevenson and Greene Essay
The Horror Genre in Stories of Stevenson and Greene
R.L Stevenson's 'The Body–Snatcher' and Graham Greene's 'The End Of The party' are both short
stories that are a part of the horror genre, despite differing in many ways. Throughout this essay, I
am going to compare the differences and the similarities between the two horror stories. I will assess
the way the writers use certain aspects that are part of the horror genre to make their story have an
impact on the reader and have the ability to captivate their reader and keep them engrossed in the
story. I will be focusing on specific areas within each story including, setting, structure, atmosphere,
suspense, endings and also the different types ... Show more content on Helpwriting.net ...
The use of isolated areas can be associated with sinister goings on and can add again to the reader's
uneasiness and fear. Also innocent victims can make the reader feel scared and more vulnerable, as
it demonstrates that bad things can happen to anyone. Twists in horror stories are very common and
both these horror stories contain different twists that can shock the reader.
'The Body–Snatcher' is a more typical horror story containing many of these things that I have
mentioned. On the other hand, 'The End Of The Party' differs to 'The Body–Snatcher', with it being
more to do with the mind and appearing quite everyday, and not containing as many of the typical
horror components. But both 'The Body–Snatcher' and 'The End Of The Party' can be placed in the
horror genre as they contain the vital components that make a good horror story.
'The Body–Snatcher' is quite self–explanatory in the title and is about body snatching. It begins "in
the small parlour of the George at Debenham" where we meet the main character, Fettes. Fettes has
an encounter with someone from his past – Macfarlane, who he is obviously not pleased to see for
reasons unknown to the reader at this stage. At the mention of Macfarlane's name "Fettes became
instantly sober", this immediately tells the reader of something that has gone on in the past that may
have been unpleasant to

Speculative Fiction In The Novel 'Unwind' By Neal Shusterman
Have you ever wondered what life would be like in the future? What if speculative fiction could
predict what our society would be like? Speculative fiction is a term used to describe any story that
is based in a world that is unlike reality. Examples of speculative fiction include: science fiction,
horror, fantasy, post apocalyptic, supernatural etc. Speculative fiction is vital in modern society as it
allows you to open a whole new world full of creativity and imagination. The novel "Unwind"
written by Neal Shusterman also gives us an insight into what our future might be like. It is a hugely
popular genre in our society and there are many reasons for that. Reasons such as: allows our
creativity and imagination to flourish, give hope to humanity, as well as offers a creative alternative
world that allows us to understand our better. Without speculative fiction could you imagine what
society would be like in 100 years, 1000, even 1,000,000?
Speculative Fiction ... Show more content on Helpwriting.net ...
Speculative fiction gives hope to humanity through humans being able to think of impossible things
that weren't possible many years ago. Speculative fiction allows our imagination to run free. As well
as knowing things will change in society through using creativity to visualise what the future might
be like. The novel "unwind" demonstrates hope for humanity because the society described is
harrowing and spine–chilling. Every piece of a child's body from their hands to their hearts is
wanted, up until they turn eighteen. In modern society this isn't a known or legal practise, but this
allows us to imagine what it would be like and to ensure it doesn't happen, to give hope to our
human race. For example: "There is nothing more to fight about. My parents signed the order – it's a
done deal, I'm gone." Meaning he is given up hope, although he is only a child he is going to be sent
to his death in a matter of days and he can't be bothered to fight

Nineteenth Century Short Stories and the Gothic Genre Essay
Nineteenth Century Short Stories and the Gothic Genre The three short stories that I have chosen to
compare and contrast are: The Signalman by Charles Dickens, An Arrest by Ambrose Bearcy and
Napoleon and the Spectre by Charlotte Brontë. All these stories were completed by the mid to late
eighteenth hundreds. The Signalman is set by a railway in Britain, along a lonely stretch of a railway
line in a steep cutting. An Arrest is set in America and for the most part in a forest. Napoleon and the
Spectre is set in Paris. Gothic genre was one of the leading and most used genres of the nineteenth
century and this genre is very prevalent in all three of the stories that I have chosen. The gothic
genre originated from South ... Show more content on Helpwriting.net ...
The darkness also gives a sense of mystery to the author's writing. 'In the glow of an angry sunset,'
the stranger re–visits the line to see the signalman. The word 'angry' is far from comfortable or
romantic. This line also gives an eerie feel to the fading light and gives a feel that suggests that
something is must and is about to happen that is dark and evil. An Arrest by Ambrose Bearcy is a
story of a murderer who was awaiting 'his trial,' escaped by 'knocking down his jailer with an iron
bar,' and went into the forest. It was night and the forest in to which, he entered was renowned for
being wild and unsafe. He goes for many a mile and some how manages to exit the forest and finds
an old road and on the road there stood 'the figure of a man, motionless in the gloom.' The gothic
style protrudes from this line of the novel very clearly and adds to the sense of suspense and fear
that is plaguing this scene. The fugitive is almost face to face with 'the figure of a man,' and feels he
cannot turn his back for fear of being 'filled with buckshot,' so he stood there like a tree. The
fugitive is hoping that if he stands still enough he will become a tree and escape this horror. Until
the moon 'sailed into a patch of unclouded sky,' 'the haunted man saw the visible embodiment of law
lift an arm and point significantly beyond him.' At which 'he

Isolation In The Pedestrian By Ray Bradbury
Atmosphere is used to induce an emotion or feeling in the audience; authors integrate mood into
their work using descriptions of the setting and dialogue between the characters. Ray Bradbury's
short speculative fiction "The Pedestrian" uses narration and imagery to portray the mood of
isolation. The protagonist, Leonard Mead, is known to take lengthy walks without any discernible
direction; he is depicted walking down a "silent and long and empty" street. The imagery of the
silence and length of the darkened street imply that Leonard is at a significant distance, whether
physically or mentally, away from the closest person. He cannot see another human being, which
further perpetuates the mood of isolation. As he passes a residential area, he

aristotle Essay
Aristotle
Politics
Aristotle in his book politics, argues that the political association is the highest form of
human association , and making all his conclusions based on the assumption that 'polis' is the
best and only sensible political system. He further adds that political association is the most
sovereign and aims at the highest good
Politics is largely an attempt to determine or rather prove that political association is the best
suited way for securing the happiness of its members or as called in 'politics' the citizens .The
interest of the polis and its citizens were seen to be the same since both the city and man aimed
for happiness as the ultimate goal. According to Aristotle, life has no existence outside the ... Show
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If those certain of rationality exist in
these slaves then they are not "natural slaves" and should not be enslaved .
Aristotle's belief that a man can become fully human if he engages in the political
association of the city , gives the state full authority over an individuals freedom.
According to his view an individual could not have any true rational needs or interest outside the
confines of the state, as the result it would be absurd to even desire any kind of individual
freedom in opposition to the state. Aristotle does not draw a line, which the state cannot cross
over an individuals privacy or freedom. A central question in modern day philosophy, is the

extent to which a state can impose itself on the freedom of an individual. As a result it would be
absurd to desire any kind of individual freedom in opposition to the state
A little further down in the book Aristotle argues and puts forward his idea that a new
system of government is required as all the proposed theories and existing governments were not
perfect. Before putting his theory on the table, Aristotle reviews and criticizes the existing
theories and government using there flaws and shortcomings as evidence supporting his case. His
second book concentrates on these flaws, discussing them in further details. He attacks all
theorists proposing abolishment of private property for individuals. Aristotle

The Boogeyman
The Boogeyman In Stephen King's short story 'The Boogeyman' we are introduced to Lester
Billings, a young man, who is visiting a psychiatrist for the simple reason of telling the story of how
he killed his three kids. Lester Billings explains that he didn't kill them himself, but that he was
responsible. His story begins with the marriage between his wife Rita and himself. He describes
their marriage as happy, but there is many examples indicating the contrary. The relationship
between Lester and Rita is very unequal and Rita is being quite repressed by Lester. He doesn't
think she has a right to decide things, because she is a woman and he describes himself as 'brighter'
than her. He also explains how he got 'the last word', whenever ... Show more content on
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The horror genre is the subsequent development of the gothic taking the evilness, which exists in
both genres, to the extreme grisly kind of

The Werewolf, By Angela Carter
Although there are many subgenres of horror fiction, including bizarro, fantasy, surrealism, and
magic realism, there are certain aspects that a story must encompass to be considered, "weird."
Magic realism is a branch of fiction that is often mistaken to be a work of the, "weird." What
differentiates the two genres explicitly include the authors concentration on setting and overall
atmosphere, and the embodiment of themes that disrupt the readers perception of time, space, and
their natural world. "The Werewolf," by Angela Carter exhibits strong characteristics of magic
realism, while H.F. Arnold's, "The Night Wire," is a genuine work of, "weird," fiction. William
Spindler, in an excerpt from his, "Forum for Modern Language Studies," ... Show more content on
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In her book, "Lies that Tell the Truth: Magic Realism Seen Through Contemporary Fiction from
Britain," Anne C. Hegerfeldt discusses modern authors who display elements of magic realism in
their work, Angela Carter being one of the predominant figures. "The Werewolf," by Carter, opens
with a description of the setting, familiarizing the readers of a world occupied by the supernatural. It
is described as an otherwise, "normal country... their houses built of logs, dark and smoky within,"
however, the people believe that, "the Devil is as real as you or I." It's not only the belief of the
Devil, but they fear his physical form, "the Devil holds picnics in the graveyards and invites the
witches." The introduction reveals the ordinary existence of the Devil, witches, vampires, and
werewolves. It has become so customary that the townspeople, "put out small votive offerings," to
please them. The narrative begins with a young girl being instructed to travel through the woods,
which is knowingly inhabited by dangerous creatures, to visit her sickly grandmother, equipped only
with a knife for protection. While travelling through the woods, the girl is confronted by a werewolf,
but manages to defend herself by cutting off its paw. After arriving at her grandmother's house, she
drops the paw on the floor, but it has turned into the hand of her grandmother, who is then exposed
of being a witch. After calling for help, nearby

Maxine Hong Kingston's No Name Woman Essay examples
Maxine Hong Kingston's No Name Woman
"A highly fictive text [whose non–fiction label gives] the appearance of being an actual
representation of Asian American experience in the broader public sphere."
(Gloria Chun, "The High Note")
Such a disparaging remark about the misleading nature of Maxine Hong Kingston's The Woman
Warrior has been readily refuted, notably by Leilani Nishime, who proposes in her essay
"Engendering Genre..." that it is a text that transcends genre confines; it challenges traditional
definitions of genre and demands redefinitions. Whatever the case, "No Name Woman" (NNW) is
remarkable in the way the reader is given a candid social commentary in the guise of an intriguing
tale of scandal and oppression. In a ... Show more content on Helpwriting.net ...
As mentioned earlier, the mother's version is tinged with conservative disapproval, possibly a result
of her direct involvement with the events and their unpleasant consequences. Despite her traditional
viewpoint (which might be seen as narrow and bigoted in a modern context), her version is
interestingly the most objective one of the three: her own opinions only make themselves felt at the
end of her otherwise purely narrative tale. In the next change of filter, the narrator then puts forth
her own speculative version of events, portraying her aunt as the proverbial victim of circumstances.
Adopting this filter of the passive aunt gives us an insightful look into her surroundings, proposing a
degree of identification with her, and inducing a temporary familiarity with the period's oppressive
attitudes for modern readers. In effect, this passage makes accessible two potentially alienating
elements: the social and temporal context of the setting, as well as the psyche of the character in
question. This level of personal identification is taken a step further when, later in the story, the
narrator indulges in wild speculation of her aunt playing a potentially active role in the events. The
conveying of a modern mindset upon her aunt may seem jarring in the context

A Christian Fiction In Skin, By Ted Dekker
In the psychological thriller, Skin by Ted Dekker, five people get thrown into a town being shaken
by a thunderstorm. Strange things keep happening around them and it doesn't take long for these
strangers to figure out they are being hunted by an estranged serial killer going by the name of
Sterling Red. These five people with no known connections to each other end up trapped in a library
being tortured by Red. The killer wants these five people to pick which one of them is the ugliest
and kill that person. But, his definition of ugly may not be the same as everyone else's. Ted Dekker
was born in Yahukimo Regency, Indonesia to his two missionary parents. Later, after Dekker left
Indonesia and graduated from high school, he went on to study Philosophy and Religion. After
many successful years in the corporate world, Dekker finally pursued writing. Over the course of
two years, he wrote two full novels then, completely started from scratch and rewrote them. Finally,
he sold his company and moved his family to the mountains in Colorado to fully pursue his writing
career. In this Christian fiction novel, Ted Dekker keeps the reader's on their toes with all of the
plot's twists and turns. But, what about this book makes it Christian fiction? When I think of a
Christian novel, I think of a book that explores and shows its readers a Christian world, something
sort of along the lines of the Bible. Skin is nowhere near that. So, what about this book classifies it
as "Christian"?

How Is Coraline Different From The Novel
Coraline
The novel Coraline written by Neil Gaiman is a great horror novel. The book was even to a film
directed by Henry Selick. Although there are a lot of differences between the book and the film,
there is one thing that is common. That is the gothic horror story style. The gothic style is a genre or
mode of literature and film that combines fiction and horror, death, and at times romance. As you
can see, the "Coraline" series are typical gothic horror. The gothic features in Coraline include the
environment, the characters, the special items and the emotions. So let us a have a close look at
those features and find out how they make the story terrifying and successful.
First of all, the environment is a very important part of the story. The novel and the film made the
old house a gloomy creepy haunted house successfully. In the novel, Neil wrote: "This is an old
house". And in the film, dark grey is the main colour of the house which made the setting a gothic
setting. The house was shown as a dusty place that is the lack of light and colour. As the
Doppelganger of the real house, the house made by the Other Mother is very interesting as well. The
house looked the same as the real one in the novel. But in the film, the ... Show more content on
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The creepy item in the story were the button eyes. The eyes are the window to one's soul. So the
button eyes being sewed in the novel and film probably means the soul being imprisoned. What will
happen is that the soul will have to stay with the other mother forever. This gives me chills just
thinking about it. Another item related to the button eyes is the doll in the film. Even though the doll
didn't appear in the novel, the doll did make the film scary. The meaning of the doll was probably
that she thinks the people who stepped into her house will be her toys. She will play with them
forever. That is really

Perfume Analysis Of Perfume
Perfume, by Suskind conforms to conventional standards of the horror genre. The author takes
advantage of this conformity by making Grenouille into the typical horror genre killer or monster to
produce a story with a chilling and dark atmosphere. The author effectively uses both
characterization and stylistic features to develop and shape Grenouille's character into such monster.
According to horror conventions a story must have a monster, whether it be a serial killer or
supernatural entity "There is usually an element involving death. For example, a murderer, a ghostly
presence." (Crouse 4). Grenouille's character can fit into the former of these two categories as a
murder. Throughout the book he develops into a monster by taking several lives in many different
settings. For instance his first kill involves the remorseless strangulation of a young girl in Paris
"She was so frozen with terror at the sight of him that he had plenty of time to put his hands on her
throat...keeping his eyes closed tight as he strangled her...When she laid dead he laid her on the
ground." (suskind 42–43). Notice the description of Grenouille's first murder and the language the
author uses to describe the agony the victim feels compared to the feelings of the main character.
The victim is 'frozen in terror' while Grenouille has 'plenty of time to put his hand on her throat.' the
victim dies 'she laid dead' and the way he handles the body 'laid her on the ground.'. The amount of
detail to

The Pros And Cons Of Horror Genre
"The only thing we have to fear is fear itself, " famous quote by Franklin D. Roosevelt. The single
human mind isn't always born with several outrageous fears, but they are incorporated in during the
journey of life. There are numerous ways to obtain fears, but a majority is acquired through the
horror genre. Unfortunately, as middle school students age, the horror genre is becoming more and
more popular for them, therefore, them wanting to participate in this trend and lead up to them
gaining certain mental health complications because of it. Some such as anxiety and phobias,
insomnia, and aggressive behavior.
In the first place, the horror genre can produce anxiety and phobias. Phobias, also known as a fear,
can prevent middle school students from doing certain things because of that fear. Examples such as
coulrophobia. Coulrophobia, also known as the fear of clowns, can prevent children from going to
their peer's birthday party in fear of detecting a clown near. They could get this fear by either
reading the book or watching the movie, "It" by Stephen King, a horror book/film written in 1986.
According to psychologist Emma Kenny, she states, "Fear is a natural response. And when you are
reading a scary story to a child, or they're reading to themselves, the child has got a level of control
– they can put it down, or ask you to stop. And the story can raise a discussion, in which they can
explore and explain the way they feel about a situation." This means that by reading

Evolution of Horror Essays
Joshua An
71811473
Writing 39B
18 April 2013
The Evolution of Horror For centuries, stories of monsters, demons and other unholy abominations
have brought fear to the hearts of audiences in commercially convenient doses. Noel Carroll, Ph.D.,
in his article "The Nature of Horror", argues that the existence of monsters and supernatural entities
alone do not define a horror novel or film "for monsters inhabit all sorts of stories, such as fairy
tales, myths, and odysseys, that we are not wont to identify as horror" (Carroll). One can therefore
infer that the absence of such creatures in either media can absolutely still yield a work in the Horror
fiction genre.
The genre of Horror draws its roots from many sources. It has, ... Show more content on
Helpwriting.net ...
"It is so cold, Eleanor thought childishly; I will never be able to sleep again with all this noise
coming from inside my head; how can these others hear the noise when it is coming from inside my
head? I am disappearing inch by inch into this house, I am going apart a little bit at a time because
all this noise is breaking me; why are the others frightened?" (Jackson 128). Eleanor is Hill House's
main victim; therefore, she can be seen as the women in distress who so often appears in many other
Gothic Horror novels. As the story progresses, one might detect hints of romance between Eleanor
and Theodora; Jackson leaves this facet of the story as vaguely as she does the others, however, and
never elaborates on it. Romance, in itself, is another key factor in establishing Gothic Horror
literature. Though eighteenth century Gothic Horror laid the foundation of Modern Horror, as we
know it today, much of what we are used can be attributed to influences by horror authors in the
nineteenth century. It was during this century when Gothic Horror transformed into the genre of
Horror. Horror exploded with popularity with the publication of "Frankenstein" (1818) by Mary
Shelley. It was during this time that Horror authors began to incorporate the five human senses to
help their audience to imagine the physical manifestation of fear itself. "The Strange Case of Dr.
Jekyll and Mr. Hyde" (1886) by Robert Louis Stevenson

Analysis Of Ghost In The Shell
The term cyborg was first created when researchers attempted to alter the human body for space
travel (Corbett, 2009). It is short for cybernetic organism, that is, a being with both organic and
biomechatronic components. The film Ghost in the Shell (1995) is an example of speculative fiction
and takes place in a futuristic Hong Kong inspired cityscape, where cyborgs and prosthetic bodies
are not unusual. Oshii Masamune's animated science fiction film is set in 2029, when people can
customise their bodies, replay memories and move from shell to shell. Susan Napier describes the
film as an "exploration of the possibilities of transcending individual and corporeal identity"
(Napier, 2001, as cited in Ashby, 2008, 2.4).
It is common practice to own a cyberbrain; an artificially augmented brain that allows connection to
the internet and other networks. Public security agency Section 9 is searching for a mysterious
hacker known as the 'Puppet Master'. The hacker is able to alter the memories of individuals with
cyberbrains, leaving the Section 9 investigator, Motoko, wondering if her memories and feelings are
real. It is later revealed that the hacker is a secret project created by Section 6.
So, what is the definition of a human in a society where the mind can be copied and the body
replaced? When humans live in artificial bodies and artificially intelligent androids learn to feel, are
they any different? Oshii uses the trans human as a theme to speculatively explore the

What Is The Theme Of The Canterville Ghost
What comes to your mind when you hear the word ghost– Something scary, something spooky? Not
when the author is Oscar Wilde and the story is The Canterville Ghost. First published in 1887 in a
magazine named Court and Society Review, when Victorian era was excelling in Horror genre, this
supernatural short story which is a parody of horror genre, written in third person narrative, is about
the most unconventional ghost of that time– Sir Simon de Canterville, "because, no ghost in history
had ever been treated in this manner". (Wilde 10) Though the story starts with the usual makings of
horror genre– sudden changes in sky, curious eerie stillness and peals of thunder, the story takes a
twist soon when our dear ghost feels insulted on not being ... Show more content on Helpwriting.net
...
The ghost never horrifies or frightens the family; instead, he appears to run from them. The narrator
says, "Never, in a brilliant and uninterrupted career of three hundred years, had he been so grossly
insulted." (Wilde, Oscar, 9) Their lack of understanding of his role renders him a pathetic character,
instead of the murderer he himself admits to being. The ghost's rather meager existence is
compounded by the narrator's close third–person narration (which is debatable after the interjection
of first person in section four), which brings the reader inside the supposed villain's mind; his wish
for death removes most ill feeling toward him. Wilde relies heavily on the conventions of Gothic
literature, including setting, stereotypical characters, and supernatural elements to transform his
ghostly story into a farce in which the villain becomes

Analysis of Speculative Fiction Poems 'in the New...
Speculative Fiction Essay Poems: In the new landscape– Bruce Dawe Your attention please– Peter
Porter Word count: 863 Both "In the new landscape" by Bruce Dawe and "Your Attention Please" by
Peter Porter are fine examples of Speculative Fiction worthy of being in a Year Nine anthology for
2012. The poems are in–depth hypotheses of what society will eventuate too, allowing the reader to
ponder the way of living in the future: a true example of speculating. The poetic structures display
careful imagery and strong senses of warning, illustrating a world full of dystopia and dread. In "In
the new landscape", the concept of a world ... Show more content on Helpwriting.net ...
It shows how a monster has been created and the people are now at its mercy. A sense of regulation
is felt through the choice of words and the approach they are presented in. Dawe's writing has an air
of specificity, using such phrases as "there will be" and "we will" leaving no room for
misinterpretation and making it clear to readers that this is the "future". It is clearly outlined that
through the evolution of cars, many small but significant things have been sacrificed including the
"sounds of acceleration instead of birdsong", "no trees/ unless as exotica" and any form of
neighbourhood qualities for example "no more streets begging hopscotch squares". Dawe is
showing how in his predicted future, any sense of natural beauty is trumped by society's
overwhelming need for commercial and overly eccentric goods. On the other hand "Your Attention
Please" is recalling a protocol message in the event of a nuclear attack. Porter is predicting that
through the development of technology, weaponry and war, human society has created an
environment where the main priority is the individual's survival: "Leave the old and bed–/ridden,
you can do nothing for them". The poem refers frequently to religion, making it clear to the
broadcast's audience

Features of Gothic Horror Displayed in "The Yellow...
The purpose of this essay is to discuss how three Victorian writers use the features of Gothic horror
to create an atmosphere of foreboding in their short stories.
The three stories I will be exploring are The Yellow Wallpaper, The Red Room and The Monkey's
Paw.
The red room uses the most traditional gothic horror features. It is exactly like gothic horror because
it is set in "Lorraine castle" which has been "abandoned for 18 months". This is scary because there
is old furniture, statues, lots of corridors and corners people could hide behind in a castle. This
makes us scared because humans fear of having someone jumping out at them something not alive
which moves. In the red room the narrator experiences supernatural events when the ... Show more
content on Helpwriting.net ...
The monkeys paw features supernatural events when the paw "moves" in Mr white's hand. "It
moved ... it twisted in my hands like a snake" this is scary because it's not normal. The paw is not
alive so how could it have moved. The sergeant majors warning "if you must wish...wish for
something sensible" means that the reader is expecting for something ghastly to happen. Once again
the story feature high emotion when Mrs. White remembers that the monkeys paw can grant her any
wish. She is described as speaking "wildly", "hysterically" and feverishly". These adverbs show that
she is starting to loose control and is gradually going crazy, which was shameful in the Victorian era
to even think off, with the big idea of bringing her son back to life after him being killed by
machinery, "dead for ten days" and buried under ground. We are made to feel afraid by her lack of
control and feel as if she might come and hurt the reader! The final short story I focused on was the
Yellow wallpaper. It is about a woman who moves to a "mansion" with her husband. She spends
most of her time in the attic which has this gruesome yellow wallpaper and she becomes obsessed
with it and eventually becomes mad. The setting in the yellow wallpaper is similar to the typical
castle of gothic horror genre, but not exact. The story is set in

Analysis Of My Best Friend By Weird Fiction
Analysis of My Best Friend
Weird fiction is a hot topic of debate in the world of genres. Some people feel like weird fiction
could be easily classified as a sub genre to horror or supernatural fiction; while others argue that the
conventions of weird fiction are so unique, that it's substantial enough to be classified as a genre of
its own. What 's unique about stories in weird fiction, according to the VanderMeers (editors of The
Weird: A Compendium of Strange and Dark Stories) is "Because The Weird is as much a sensation
as it is a mode of writing, the most keenly attuned amongst us will say 'I know it when I see it,' by
which they mean 'I know it when I feel it..." In regard to this, weird fiction is supposed to make its
audience question if the seemingly fixed laws of our universe are truly fixed. As a result, a key point
in weird fiction is to explore these unfixed laws, to go beyond what is ordinary to us, to understand
what is unknown. That 's where the chilling and uneasy aspect of weird fiction comes in. In
exploring this unknown realm, there are things that we may not want to understand–wish we didn't
understand. However, as audiences of these weird stories, we have complete freedom as to whether
or not we want to accept this unforsaken fate or turn a blind eye and carry on in our normal world.
In order to further push along weird fiction in its quest to becoming its own genre, as authors, my
group members and I wrote a story that we feel falls into this genre of

A Study On Block G
I woke to the loud buzzing and whirring coming directly from the contraption that lies next to my
mattress. It read 6 am, always the same. I tried finding an off–switch but then again all it seems to
be is a silver coloured cube, smooth around the edges, hard as a diamond. 'Block G Report to city
square at once' the voice appears from somewhere above me and I knew I must comply. Block G is
an apartment complex for the 16–25 year–olds of our population, we are at the 'precise age' for
testing. We aren't sure why they test us, they claim it's just a survey to allocate rations, however, we
know better. They take blood and bone marrow samples, attach electrodes to us and ask us to
perform systematic tasks. The apartments hum with cameras, ... Show more content on
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I gazed at the chrome tiles beneath my feet, this is where we wait with anticipation every day. We
arranged ourselves in a single file line as we are told. The tall black speakers boom aloud each
name, one at a time, to undergo daily testing. An increasing sense of dread grows from within my
stomach, it only grows deeper as my name approaches. The wait always makes me nervous because
I know one wrong move in the eyes of the elite means I could be exiled or executed. In the next few
moments, as if my body had become frozen in time, I heard my name read aloud. "Dahlia Martin".
Step, step, step, the sound of my own footsteps was nauseating. One of the elite pulled out a syringe
and aimed it at me, but then I heard a different sound. I winced at the realisation that it was a
gunshot. I expected it to be the elite slaughtering one of my neighbours, which isn't a rare
occurrence. In the space of seconds, I realised that this isn't the elite. My neighbours from block G
are revolting, standing up for what they believe in. I turn around and see the firing of bullets from
black pistols in the hands of my own people, against the elite. I wonder if this could be the start of
an uprising. I pray that it is. She awoke with a sense of dread in her stomach, there was a peculiar
chill in the air and by some means, and she knew something wasn't quite right. The wrens in the
bushes outside her window weren't chirping this morning, and the usually beautiful morning sun
was yet to

Comparing Menagerie And Paper

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Comparing Menagerie And Paper