My Experience While Watching The Oklahoma Festival Ballet...

My Experience While Watching The Oklahoma Festival Ballet...
In this paper I will describe my latest experience while watching the Oklahoma Festival Ballet. However, before starting this journey I feel that is
necessary to give a brief description of what Ballet is, in order to understand the feelings that it carried through its existence. Ballet is an ancient dance
that was popularized by Catherine de Medici and has its roots in France. At the beginning it was used as a way to get political power and was only
used by aristocrats; however, as the world evolved ballet evolved it spread out and covered a wider range of appreciators, that were enchanted by the
glamorous, vibrant and at the same time soft steps that this dance interprets. As it evolved, it lived different periods where the costumes, themes
and style of dance changed; but for the purpose of this paper I will focus in the Romantic Era. The Romantic era is known by themes that represent
mythological creatures, emphasis on feelings, delicate style, and dancing en pointe. With this brief description of the history of ballet, now I feel
comfortable to start talking of my experience during the Oklahoma Festival Ballet and let the show begin. The Oklahoma Festival Ballet had 4
dances: "Pas de Quatre", "Spectre de La Rose", "Bouquet for Yvonne" and "The Firebird". All this choreographies were created during the Romantic
Era. So I expected to see warm colors, such as red, which describes passion and love, and indeed it had, so I felt on track. The first dance was the "Pas
de
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The Influence Of The Pointe Shoes In The Romantic Era
Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the
gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe
shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead,
the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle.
Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once
we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the
Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.
In the early 19th century, during the Industrial Revolution, the Romantic era in ballet came alive throughout Western Europe. In dance, it is known that
the Romantic era came first, not the Classical era. During this time, pointe shoes, with a barely enforced box, made an appearance, allowing dancers to
briefly be lifted onto pointe, conveying a look of airiness. Also, emphasis was placed on feelings and emotions rather than reason and intellect, and
most story ballets during this time were

Ballet and Giselle
ART OF DANCE
NAZ OZBASATAK
Giselle
Giselle is considered one of the great Romantic ballets. Romantic era was late 18th and early 19th centuries. The period mainly does not follow
rational movements but rather Romantic ideas in art influence the ballets. Ballets in Romantic period focus on the conflict between man and nature
where as others try to bring difference to ballets from other nations. Ballerinas stand in the forefront compared to male dancers. Giselle is one of the
most popular ballerinas of the period and separate identity of the scenarist from the choreographers is distinguishing feature of Giselle as being a
Romantic ballet. Both the classical version of ... Show more content on Helpwriting.net ...
There are sharp and expressive gestures. Giselle shows her feelings very clearly and doesn't hide them. Her body movements reflect her happiness,
anger and love obviously. For instance, in the classical one Giselle is not dancing as close as in the contemporary one. They are more formal and
their dance is more elegant. In the contemporary one Giselle and Albrecht dance very close and they touch each other. In one part even Giselle hugs
her love as a woman. These clear expressions are not shown in the classical Giselle. Giselle is more like an adult. She doesn't bend down when she is
sad or she doesn't jump on Albrecht like a child. She reflects the classical period's formal characteristics. There aren't close relationships like touching
her love and jumping on him.
The music is discriminative between two versions of Giselle. Compared to classical one in contemporary ballet music is very modern. Ballerinas
dance figures are compatible with the music as well. Classical dancer Giselle dances at more extreme tempos and perform more technical feats.
However, in contemporary Giselle doesn't wear ballerina shoes and she dances barefoot. Her feats move more naturally. Also her hand gestures alter.
She doesn't bow her elbows and hands in classical dance. She dances in an order without extreme gestures. In the contemporary one she does man
gestures, which is different than her friends as well. Her personality differs since she behaves like a

The Birth And Evolution Of Ballet
Debbie Harrop
Professor Cavazzi
Dance 64 – History of Dance
22 Aug 2014
The Evolution of Ballet
The birth and evolution of ballet is indeed a fascinating study. Since its early origins in fifteenth century Italian court, ballet has undergone a succession
of changes and been influenced by gifted artists and choreographers alike, whose unique styles and innovative techniques left their indelible mark on
the classic art form. Beginning with the Renaissance and continuing through the Romantic Era, ballet evolved as each political and social movement
ushered in changes that impacted and shaped the dance, over time transforming it into the cherished art that it is today. Costumes, gender roles, themes,
styles, audiences, and content are among the many features of ballet that were impacted throughout this time period, the end result being costumes,
shoes and choreography that closely resemble those of contemporary ballet.
Perhaps the earliest notable patron of Renaissance ballet was sixteenth century Catherine de Medici, the wife of King Henry II. An Italian noblewoman
by birth, Catherine used her position and influence as queen of France to inspire and promote an interest in court ballet. Her passion for the arts,
coupled with her vision and ability to organize, resulted in lavish court events featuring spectacular ballet performances. One of her valets, Balthassar
de Beaujoyeulx, himself a talented musician and choreographer, became instrumental in staging these ballets. He is

Romantic Ballet Vs Classical Ballet
Dance critic ThГ©ophile Gautier states, "Nothing resembles a dream more than a ballet..." (Anderson 77). The effortless technique of the ballerina
paints most ballets as exactly this. Consequently, there is more to a ballet than technique and dancing. Different types of ballets and their structural
components separate one ballet from the next. It is important to understand the difference between the two main types of ballets: Romantic Ballet and
Classical Ballet. Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two
dance forms also vary in costumes and narrative. However, with all of those differences, they both use ballet technique for a specific purpose. Romantic
... Show more content on Helpwriting.net ...
Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also
use different types of costumes and different narrative strategies. Romanticism greatly impacted the world of art in the 19th century. Romantic ballet
emerged and allowed an escape for the dancers and audience from the distress due to the falling of the French Revolution. The following century
brought a deeper understanding of Classical ballet via the Ballet Russes. The Ballet Russes allowed a freer expression and an overall appreciation of
dance alongside other art forms. However, with all of those differences, they both use ballet technique for expression and

The impact of the French Revolution on Ballet
The impact of the French Revolution on Ballet
The French Revolution was a bloody civil war that lasted from the years 1789–1799. [1] The revolution arose out of hard economic times that had
befallen France. Widespread famine and hunger, due to a grain shortage, rampaged through sections of the country. The economic crisis led to an
increase in taxes on the lower classes, known as the third estate, to upkeep the lavish lifestyle of the nobility. [1] All of these are the known factors that
led to the rise of the French Revolution. The revolution emphasized the ideals of "Liberty, Equality, Fraternity" and was characterized by the strong
will of the French people who stood up for what they believed in. It was also an extremely ... Show more content on Helpwriting.net ...
[4] Costumes during the period immediately preceding the Revolution, commonly known as the Baroque period, were extremely showy. Dances were
typically cold and extremely stylized, they did not seek to connect with the audience but rather to astound them with extreme wealth. Watching aballet
from the time period would more likely leave the audience in awe at the scenery and intricacies rather than feeling raw emotion from a moving
storyline. Ballet's that were shown in the theaters leading up to the fall of the Bastille were always subject to scrutiny and censorship. Each ballet or
play that was shown on stage had to be consistent with the political and social views of the monarchy. Ballet was rooted in court life, and it was not
as widely available to the common people. As such, it had to adapt in order to survive this particularly deadly and brutal period in time. The ballet's
that the court was accustomed to seeing were disconnected from the lower class, just like the actual courtiers themselves. Ballet is just one example of
why exactly the French people rose up against their government. They spent massive amounts of money on an opulent lifestyle while the peasants
could not even afford bread. However, just because the style of dance that was established was out of touch with the revolutionaries does not mean that
dance did not thrive and adapt to the times. During the Revolution, ballet took on three distinct forms: ballet based in

L'Histoire de La Danse Classique/History of Ballet
History of Ballet
Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of the 15th and 16th centuries. It quickly spread to the French
court of Catherine de ' Medici where it was developed even further. In the 17th century at the time of Louis XIV,ballet was codified. The predominance
of French in the vocabulary of ballet reflects this history. It also became a form closely associated with the opera. Ballet then spread from the heart
of Europe to other nations. The Royal Danish Ballet and the Imperial Ballet of the Russian Empire were founded in the 1740s and began to flourish,
especially after about 1850. In 1907 the Russian ballet in turn moved back to France. Soon ballet spread around the world ... Show more content on
Helpwriting.net ...
Together, they took an Italian theatre style, the commedia dell 'arte, and adapted it into their work for a French audience, creating the
comГ©die–ballet. Among their greatest productions, with Beauchamp as the choreographer,[15] was Le Bourgeois Gentilhomme (1670).[19]
In 1669 Louis XIV, who had retired as a dancer, founded the AcadГ©mie d 'OpГ©ra with Pierre Perrin as director. Later, after Perrin went bankrupt,
the king reestablished the OpГ©ra as the AcadГ©mie royale de Musique and made Lully the director.
18th century
The 18th century was a period of advance in the technical standards of ballet and the period when ballet became a serious dramatic art form. At this
time, women played a secondary role as dancers, encumbered as they were with hoops, corsets, wigs and high heels.
Reforms were made in ballet composition by composers such as Christoph Gluck. Finally, ballet was divided into three formal techniques sГ©rieux,
demi–caractГЁre and comique.
19th–20th century
The 19th century was a period of great social change, which was reflected in ballet by a shift away from the aristocratic sensibilities that had dominated
earlier periods through romantic ballet. Ballerinas such as GeneviГЁve Gosselin, Marie Taglioni and Fanny Elssler experimented with new techniques
such as pointework that

History of Ballet Essay
Ballet is one of the most beautiful, graceful dances known to the dancing world. From the tutu to the pointe shoes the need to see the expression of
the steps given. Being able to see how the illusion of a flying princess is one of the most mysteries that come with a ballet show. The history of Ballet
has evolved into one of the most well–known type of dances in the world this is from only the men having roles in the ballet to women being able to
express emotion.
History Then:
Ballet started in the late 1400s during the Renaissance. When Catherine de Medici who married King Henry the second of France know for throwing
large parties. These parties would last for 8 hours straight of music, food, dancing and other entrainment. These ... Show more content on
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With ballet being going from all men to women, it has proven that this dance will continue to change.
History now:
Ballet has kept its classic and elegant movements the same but the way they see the female dancers has change the look of it. With ballet there are
little dark secrets that are hidden and with it. No matter how nice the dance is there is going to be women that want look better than the next girl
on the barre. The old look for dancers was to be short and have muscle because being on pointe is very hard. But now sense society wants girls to
be all skinny so ballet with that took it to the extend. And with this many higher schools require their girls to not be on diets so that their fat they
eat will be burned up by the end of practice. Having the thought many of the parents of young daughters are brought in to have a talk about how
they can portion out their kid and also talk about the training they need to make a career out of this. But ballet is not all bad it has become to know
with the more modern song, in which mean that ballet has became also fast beat and sassy when it came to the girls role. No matter what there is
there is a fence with ballet that many love it or hate it just depends what side you're on.
Play one Giselle:
Giselle is one of the few many famous ballets still know in the ballet world today. A little about this ballet is a peasant girl in a village

Ballet Research Paper
Chasse ! DГ©veloppe ! Coupe ! Ever head this terminology and wondered what on earth it means ? Well these our a few terms used in a type of style
of dance called ballet. Ballet originated from the Italian Renaissance in the 15th century and to this day It's one of he most popular performances in
both France and Russia. Ballet is absolutely one of my favorite types of dance style there is. I believe ballerinas or danseur (referred to as a male ballet
dancer) are absolutely strong, dedicated and hard driven performers in both the dancer and theatre world. They contribute to intensive years of training,
beautiful storyline that utilizes different types of ballet, and lastly the famous dancers that participated in the history of ballet.
As we begin, in ballet we see the dancer flow and gracefully dance all while being on the tips of her toes. To ever accomplish this, it requires
intensive years of training. Training to become a professional dancer it typically takes about 8– 10 years. Dancers begin to take classes at a young age,
more or less around the age of 5. Beginning ballet is a class where technique is taught by 1–2 classes a week. As the dancer becomes older, they begin
to attend more advanced classes. Around this time they already begun ... Show more content on Helpwriting.net ...
There are romantic, classical, neoclassical, and contemporary ballet. Romantic ballets often shows dancer's on Pointe with tutus... your stereotypical
ballerina. Classical ballet is sought to be more of traditional technique. Some examples of classical ballet are Swan Lake, The Nutcracker, and
Sleeping Beauty. Neoclassical ballet is a style that utilizes classical ballet technique. In this style of ballet there is no clear plot, costumes or scenery.
Finally, contemporary ballet allows for any style to influence a choreography, however still contributes ballet techniques. Contemporary ballet
incorporates modern, jazz, or ethnic forms as long as the roots of ballet are still

Giselle: A Classical Ballet
Giselle is a classical ballet performed by the Teatro Allo Scala Ballet Company and originally choreographed by Jean Coralli and Jules Perrot. The
ballet company was founded in 1813 as an academy of ballet in Milan, Italy. The choreographers were famous French ballet dancers known for their
choreographies in pinnacle performances such as Giselle and Childreich, King of the Franks. Giselle, a romantic ballet, was one of their most famous
pieces created in 1841. It is the story of a naive peasant girl, named Giselle, who fell in love with a man that was betrothed to another. After a
psychotic breakdown, she kills herself leaving her the man she loved feeling guilty about her death. After her death, Giselle was initiated into a
group of supernatural beings known as the Wilis. These supernatural beings would lure men to their deaths by wooing them with their dances.
Giselle finds it in her heart to forgive her guilty lover and does everything she can to save his life from the vengeful Wilis. The performance begins
in a small little German country side village. All of the characters dressed in vividly colored attire, frolic happily across the stage in trios. The bright
colors of the background and the calm music paying from the orchestra aided in depicting fairy tale–like scene around the dancers in order to show it is
a time of peace and joy. The main character Giselle, played by Svetlana Zakharova, and Albrecht, played by Roberto Bolle, meet anddance together, in
traditional

Elements Of Giselle
Raising the Barre As one of the few ballets that has been performed continuously for centuries, Giselle has become one of the most renowned ballets
of all time. Giselle was conceived in 1841 by Gautier specifically for the famous ballerina of the Paris Opera Ballet, Carlotta Grisi. This ballet was a
product of the thriving creativity of the 19th century. The classic story tells of a young girl, Giselle, who has caught the eye of two men. As theballet
progresses, Giselle falls in love with one of the men, only to have her heart broken. Because she is weak in health, Giselle dies of heart break and is
to become one of the Wilis, a clan of ghostly women who haunt men from beyond their graves. It is obvious that Giselle is from the Romantic era
because of the many identifying elements that connect it to Romanticism as well as the historical influences and gender roles that are reflected in the
ballet's story. Many elements most commonly associated with Giselle include white romantic tutus, the daunting Wilis, or light, captivating
gracefulness of the dancing. This particular ballet has always been easy to identify because of the specific qualities it possesses. Watching Giselle,
audiences are always drawn to the charming, gentle nature of Giselle, despite how technically difficult the steps are. In her famous variation from the
first act, Giselle completes thirty ballonnГ©s en pointe with great ease. Furthermore, the eery synchronicity and solemn countenance of the Wilis is

The Evolution Of Ballet And The Human Body
Emma Weber
Instructor Miller
Speech 96–111
April 7, 2015
Influential philosopher Ludwig Wittgenstein, stated that "the human body is the best picture of the human soul." A great example of the human body
portraying the soul is through the art of ballet. From the Cambridge Dictionary Online, ballet can be defined as "a type of dancing in which controlled
movements of the body are designed to express the beauty of physical motion, often while telling a story, or a piece of music for such dancing." With
ballet's long history, it has shifted through various eras of time, including Ballet de Cour, Opera Ballet, Romanticism, Classical, Russian Imperialism,
and the current modern era. All of which are characterized by particular ballets, prominent people, and various other theatrical elements. However, as
the art of ballet evolved through the different eras, the emotions, messages, and nonverbal cues of each ballet changed to fit the societal norms and
standards.
BALLET DE COUR Ballet de Cour originated in the 1400s in Italy during the Italian Renaissance. Eventually, ballet moved to the country of France
when Catherine de MГ©dicis, who belonged to one of the ruling families of Florence, married King Henry II in 1547. Catherine then began to
introduce curt ballet to her new French court. She strikes me as the overall instigator of the ballet movement that allowed ballet to become as big as it
has. A major ballet during this time was the Ballet Comique de

Different Styles Of Ballet Between Baroque And Romantic...
To compare and contrast, the different style of ballet between the Baroque and Romantic periods is that the Kind dance lonely for the Baroque but
Giselle, the main a couple dance and many girls are including at the dance. In my opinion, the Kind is dancing for Proving, showing, and he proud of
his dance but Giselle dance is expression about sad, heart breaking, and showing the audience about how much a couple is in love each other but
they cannot together because of the difference of life in rich and poor. In my opinion, when the King is start to dance the light are start from dark and
bright but Giselle a couple dance is full of the cloudy and dark because of the sad story. In addition, the King is wearing heavy clothes, hat, and shoes. I
think that these stuffs are making ... Show more content on Helpwriting.net ...
We can see that when the King is come out to dance the women are showing him respect even though the King is coming to dance and entertain at
the banquet halls. Furthermore, the King is using his head, hand foot, and leg to move front, back, and side by side very clearly with music flow. I
also paying attention is that the music sound is almost similarly to the dress that the King is wearing because the music sound is kind of steel
shaking sound. On the other hand, as soon as I hear the music from Giselle, it makes me feel very sad I don't know why. Maybe, because of the music
or the couple that their face expression or the movement dancing of their body. First, when I watch the performance is start, I saw that two women and
one man is dancing together but only a couple are continuing to dance in the end of the performance. It makes me almost think that one of

Evolution Of Ballet Research Paper
How has ballet evolved since popularized during the Italian Renaissance? Going back to preschool, I have loved to dance. Ballet was the first style I
learned, and it made me fall in love with dance. My instructor this year often talks about what ballet was like when he danced (in the 1970s,) and also
before then. One day, he explained to my class how girls used to dance on their toes before pointe shoes were invented. I found it fascinating, so I
decided to research more about it after class. As I was looking up the history of the pointe shoe, I came across some websites that explained the history
of ballet and where it originated. Even after having danced for eleven years, I realized there is so much that I do not know about it. There is more to
ballet than going to class and doing performances. Just as in any sport or hobby, it helps to know how it first started and how it has evolved. To
improve at anything, one must understand the fundamentals. By doing this research, I can gain ... Show more content on Helpwriting.net ...
Any artist would agree with me in saying that experiencing art is of value to, and almost necessary to achieve, a well cultured life. This research
should give a non–dancer a great idea of why dancers love what they do.
This research is basic and qualitative. Its primary goal is to explore the evolution of ballet. No data had to be collected, and the research involved no
experiment.
Catherine de Medici was born in Italy during the Italian Renaissance. Her family was a patron of the arts, which is how she became acquainted with
ballet. The ballet at this time was called Ballet de Cour, or court ballet. During this time only boys danced, but Medici still loved to watch. When she
moved to France to marry King Henry II, she brought her love of dance with her. In 1581 the first ballet, Ballet Royal de la Reine, was performed in
the Medici

Evolution Of Ballet Essay
Ballet is one of the first branches of artistic dance that originated several centuries ago. Since its introduction, ballet has been influenced by many
cultures and performers; moreover, because of cultural and individual influences, ballet technique has been modified by different periods and styles,
such as the Renaissance period, the Romantic period and classic, as well as contemporary styles. While dance has existed since almost the beginning
human life, ballet was not introduced until the fourteenth century in France. Ballet has spread to countries all around the world and each country has
contributed to ballet's development. Today, ballet continues to be a thriving performance art enjoyed by many.
In the fourteenth century, during the Renaissance, Italian and French court dancers performed dances of celebration to entertain the king. It was
customary for those ... Show more content on Helpwriting.net ...
Women dancers were rapidly stealing the spotlight and men began to solely serve as lifters and partners for the women. In the Romantic period,
women shortened the lengths of their skirts to be above their ankles, which at the time, was scandalous (Sydnor, Clayton, and Michelle Martin 4). It
was during this period that Marie Taglioni became the first ballerina to dance en pointe – on her toes. Marie was rejected by a Persian dance teacher
because of her looks. As a result, Marie's father, Filippo Taglioni, who came from a dancing family, became her instructor (Sanderson, Lisa
–Anne).
Filippo was the choreographer of La Sylphide, a famous classic ballet of the Romantic period, which was made to feature Marie (Marie Taglioni: The
Instant Ballerina). The romantic period of ballet was defined by its light and airy dance style, along with soft, floating costumes to emphasize the
dancer's body and movements (Sydnor, Clayton, and Michelle Martin 5). This period was mostly remembered for the advancements in women's roles as

King Louis XIV And The Decline Of Ballet In Western Europe
Classical ballet has been a major part of society especially in France and Italy before it spread to other parts of the world such as Russia and it
developed from the court dances which date back to as far back as the 16th century. This essay will discuss and focus on the way in which dance
contributed to court balls during the 16th and 17th century, the role King Louis XIV had onballet and his influence in the art of ballet and lastly it will
discuss the decline of ballet in Western Europe and the reason as to why this decline had taken place.
"Dancing was a favourite pastime in the Renaissance period." (Sonny Watson, 2015) There are many who describe this period as a revival or rebirth of
culture and learning in Europe from the 14th century ... Show more content on Helpwriting.net ...
Louis chose only the best to be a part of the ballets at the time. In 1661, he established the Academie Royal de Danse (Royal Academy of Dance)
which was significant as it was the world's first ballet school in the Western world. This academie was given to teachers who were given quarters in
the Louvre. Not only that, but it was a sign that ballet was officially being recognized. Louis XIV had a mission for this particular company– he
wanted ballet to continue for as long as possible, he wanted ballet to improve and he also wanted it to be restored to how it used to be once it first
started and people started taking an interest in it. It was in 1680 when Beauchamp became the school's director until 1687. In 1669, Louis XIV
established Academie d'Opera which was directed by Pierre Perrin and the first ballet master was Beauchamp. Also in 1669, King Louis XIV
founded the Royale Academie de Musique (Royal Academy of Music) better known today as the Paris Opera which is the world's oldest running
ballet company and one of the best. Lully had the opportunity to run this company and Beauchamp became a principle choreographer. Louis XIV
stopped dancing in 1670, at the age of 31, however he still loved ballet. However, once he retired, more talented and professional dancers were able to
take lead roles in

Compare and Contrast of Classical Ballet and Modern Dance...
Compare and Contrast of Classical Ballet and Modern Dance
Dance is one of the most beautiful, expressive forms of art known to mankind. It expresses joy, love, sorrow, anger, and the list truly goes on for all
the possible emotions that it can convey. Dance not only can express how one feels, but it can tell a story or even be used to praise a higher power.
Dance has intricately played an important role to every culture over the course of time. Two forms of dance that have not only stood against the test of
time but have influenced the development of other various styles of dance is none other than Classical Ballet and Modern Dance. Classical Ballet is the
epitome of class and sophistication, it is known for its meticulous techniques ... Show more content on Helpwriting.net ...
Petipa's production of Swan Lake is a beautiful example of the structure movements that dancers must perform; in the clip titled Odile entrance &
Black Swan pas de deux, you see "The Black Swan" perfect posture and balance, dancing on en Pointe all the while managing to gracefully seduce the
prince through her seductive movements and entrancing expressions. In contrast Modern dance focus is on the dancer expressing their inner most
emotions and feelings through free flowing movements. The modern dancer uses their whole body more naturally and fluidly to convey what their
current emotional state is, unlike classical ballet where the ballerina at all times keeps an upright posture, and performs with structured, angular lines.
Martha Graham's "Frontier" is a great example of the free movements of Modern dance; In this performance Martha Graham uses her whole body to
move to the rhythmic sounds of the drums and music, you can clearly see that there is no confined structure in this performance, she is completely
moving organically to how she is feeling and what she is trying to convey through her movements. Classical ballet took a step forward and revived
prominent roles for men; whom previously the Romantic era had solely focused on the art of the

Marie Taglioni Research Paper
Taglioni In accordance with today's standards, every serious ballet dancer should have 'dancing en pointe' in their repertoire. Yet there was a time
when dancing en pointe was a mysterious and mystical practice that one young woman brought on stage for the entirety of a ballet, changing the dance
world forever. Marie Taglioni was a trailblazer in many aspects ofdance, including technique, style, and costume. Her legacy lives on in the romantic
ballets of yesteryear, still performed today for thousands of audiences worldwide. At a young age, Marie Taglioni was constantly exposed to dance.
She was born in 1804 to her father, Filippo Taglioni, and her mother Sophie Karsten, both dancers. Several other relatives, including her brother, also
danced in the family (Editors at Encyclopedia Britannica). Taglioni's father moved both her and her brother Paul to Paris, to be trained under the best
instructors of the time. However, she was not an instant star–in fact, her instructor reportedly called her a 'little hunchback' and wondered if she'd ...
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To perform this style of dance like Taglioni, one would have to put on a regular satinballet shoe and stuff "the toes of their soft shoes with starch and
other materials", using all of the strength in the toes to hold all of the body's weight ("The Point of Pointe Shoes"). Nowadays, dancing en pointe is
something common for professional female dancers. While notably a painful experience, with several possibilities of injury, a dancer who manages to
use pointe shoes proves to everyone that her technique is excellent and that she is capable of performing such a feat (Rader). By stepping on stage that
night on the tips of her toes, Taglioni showed the world that ballet reached the next level.

The Romantic Era
The Romantic Era was one of the most artistically influential eras in recent history. Artists were fueled by their inner romantic and creative emotions
rather than the more sinister tormented geniuses of the past. Their works were full of drama, love and death. The performing arts in particular were
flourishing; ballet was truly taking off. The first pointe shoes were introduced in a performance of La Sylphides, shorter tutus and partnering were
becoming the norm. But in particular, it was the era that brought about one of the most well known ballets of all time, 'Giselle.'
There are few eras with as distinct an artistic evolution as that of the Romantic Era. The style of this time developed between 1775 and 1850. "
Romanticism," as it was called, first came to be in England and Germany: then it spread into post revolutionary France and North America. The
romantics preferred sentimental feelings to more somber reasons for creative genius. Although they were exceptionally conservative in that era, the
artists of the Romantic era created pieces that have never been rivaled. The Romantic Era was a time of artistic abundance.
The invention of pointe work lead to dancers shortening their skirts, so as to better display the footwork, and be more easily lifted by partners. This
dress could have been considered scandalous for the time, but it was accepted by the art form, as it truly allowed the dancers to develop. Although the
dancers of the Romantic Era were not as technically

What Is The Theme Of Romanticism In Giselle Ou Les Willise
The ballet Giselle ou Les Willis was premiered at the Paris Opera on the 28th of June, 1841. The ballet follows the protagonist Giselle an innocent
peasant who falls in love with Albrecht the Duke of Silesia, passing as a villager. When Giselle uncovers the truth behind Albrecht deceits she dies of
a broken heart and is transformed into a Willi, a supernatural being that has been left at the alter. Giselle was created in the period known as the
Romantic Era, which was named due to the influence of romanticism throughout Europe in the 1800s. The development of modern Europe begun
between the 1780s and 1849 which was an economic transformation that set the first stages of the great Industrial Revolution. This period created
changes that can be seen throughout the ballet Giselle with alterations to costuming and theatrical innovations, which changed how the public
perceived dance. Themes symbolic of the time were generated and brought depth and emotion to previous one–dimensional storylines, as well as the
development of how the roles of men and women in dance went against the way of society.
Throughout the Romantic period the ideas of Romanticism in art and literature influenced the creation of ballets. During this period ballets explored
similar key themes of betrayal, love and a spiritual connection between the living and dead, in which these themes reflected society at the time.
Throughout the romantic period society were facing hardship in which they looked to the

Basic Concept Of Ballet
The Basic Concepts
A. Definition of a Classical Ballet Company based on the History of Ballet.
To define what in this research is considered as a classical ballet company, first the terms ballet and classical ballet have to be determined. As classical
ballet encompasses a wide range of ballet genres wherein the classical technique is applied, a definition of romantic ballet, white ballet, neoclassical'
and contemporary ballet is appropriate. To come to a clear definition and classification of the different genres, mentioning their historical evolution is
inevitable.
To distinguish classical ballet from contemporary or modern dance, the latest will briefly be described in this chapter as well.
The word ballet comes from the Italian balletti, a term used in the 15th century for the figure dances presented at the Italian Court. It is a diminutive of
... Show more content on Helpwriting.net ...
Already the dances from the sixteenth and early seventeenth century were denominated as ballet, the ballets de cour, performed by the nobility inside
the royal palaces during the High Renaissance in Italy. At the time distinction was made between different narrative styles: ballet–comique; a dance
performance with emphasis on a unifying theme of which the most famous 'Le Ballet Comique de la Reine' is considered the very first ballet,
ballet–masquГ©rade; a form of music and dance without a story performed by beautifully masked and dressed courtiers, ballet–mГ©lodramatique;
almost the same as the ballet–comique but with emphasis on the songs, ballet Г entrГ©e; court dances presented between meals or during
intermissions of other performances, ballet burlesque; a dance form with parodic characters. Actually these dance forms are referred to as pre–ballet
(Copeland Roger & Cohen Marshall, 1983: 339, Utrecht Luuk, 1988:

A Leader Is The Wonderful World Of Ballet
Leading a group to business success is not an easy task to overtake. Therefore, it isn't a surprise to encounter countless articles and studies examining
the abilities and qualities successful leaders hold. The focus is often not only on accomplished business leaders, but also on auspicious individuals in
other sectors.
One surprising industry that could hold the key to turning you into a better leader is the wonderful world of ballet. It is time to explore the origins of
ballet and examine the leadership qualities as well as the abilities this dance can teach a leader.
The origins of ballet
Before we examine the qualities and abilities ballet can provide to leadership, it's auspicious to take a moment to understand the history of ballet.
Indeed, once you look into the origins of this dance, you can see it has been attractive to many famous leaders of the past.
The dance took its first steps during the Renaissance in Italy around 1500. The word 'ballet' has its origins in the Italian word 'ballare', which means
'to dance'. The first dancers wore masks and restrictive and sumptuous clothing. The difficulties dancers had carrying these heavy and decorative cloths
led to the dance developing as a form of small hops, slides and gentle turns.
From Italy, ballet was brought to France when Catherine de Medici married the King of France, Henry II. The dance developed greatly in the French
ballrooms and it was especially favoured under the reign of Louis XIV. According to

Ballet Research Paper
Ballet originated in the Italian Renaissance courts of the 15th Century. At large events and especially weddings, noblemen and women were entertained
with dancing and music, which created a detailed performance. Ballet began as a way to fill in time between courses at banquets. This way of
entertaining guests became a fashion. For the royalty it became an elegant hobby that showed off their talent and their wealth.
In the 16th century, Catherine De Medici, the wife of King Henry II of France, began to fund ballet in the French court. In the 16th century Catherine
produced what is being named as the first court ballet, Ballet Comique de la Louise. Unlike the ballet of this time with a series of different dances this
ballet was based on the ... Show more content on Helpwriting.net ...
King Louis was a very talented performer and performed many roles including the Sun King in Ballet de la Nuit. King Louis' love of ballet
encouraged the development of the transition from Ballet as a hobby to a professional endeavour. Pierre Beauchamp, who was the kings Ballet Master
at the time, was the person who created the principle that states each leg must be turned out, and the feet must move to and from the 5 feet positions of
classical ballet.
In 1670 ballet moved from the courts to the theatre. Just like Shakespeare's plays, the first and only performers on stage were men. Female roles
were also played men in costumes, wigs and masks. In 1681, Mademoiselle de Lafontaine appeared in Le Triomphe de l'Amore. This was the first
female professional performance in a theatre.
By the 18th century both male and female ballet dancers were professionally dancing on stage. But both sexes were constrained by masks, wigs, or
large headdresses and layers of brocaded costuming. Whiles these costumes are very constricting the dance steps were composed of small hops, slides,
curtsies, and gentle turns. Towards the end of the 18th century Jean George Noverre had a huge influence on the costumes of ballet dancers,
highlighting removing the masks, as he believed that all movements should be natural and easy to understand, this is portrayed through facial

The 19th Century
1. The 19th century was a time of change with the Industrial Revolution affecting the economy, society and politics. The steam engine expanded
industries. Western Europe saw many inventions during this period as well as the notion of developing national identities. Russia was emerging
from feudalism during this time and did not embrace industrialization. Russia had become one of the most powerful countries in the world and was
able to play a role in European affairs after especially after the defeat of Napoleon in 1814. The English society in the 19th century was called the
Victorian era because of the long and peaceful reign of Queen Victoria. This time appeared to be dignified and restrained but there was child labor,
prostitution, and... Show more content on Helpwriting.net ...
Joined the La Scala Ballet in 1829 and became the pupil of Perrot in 1833. In 1841, she joined the Paris Opera Ballet and danced the lead in Giselle. She
became a prominent romantic era ballerina. She retired in 1853 and she was known to wear the first blocked slipper to dance on pointe. Pas de Quatre
dancer. The third dancer of this time was Lucille Grahn (1819– 1907) Danish dancer that studied with August Bournonville and danced the title role in
his first production of La Sylphide. In 1839, she joined the Paris Opera ballet for three years. She often danced the sylph roles which she excelled in.
She moved from Russia, to London, to Germany where she retired in 1856. She was known as the "Danish Taglioni". She also danced in the Pas de
Quatre. (page 131)
4. Flippo Taglioni a (1777– 1871) An Italian dancer, choreographer, and ballet master of the Romantic era, also father of Marie Taglioni. In 1822, he
created the balled La Reception d 'une jeune nymphe a la cour de Terpischore for Marie. He also choreographed Le Dieu et la Bayadere in 1830 and La
Fille du Danube in 1836. Created the 1st ever romantic ballet, La Sylphide. Another Romantic era choreographer Jules Perrot (1810– 1892) French
Dancer and French Opera dancer. Left t the opera in 1884 and started choreographing in 1886. He choreographed and created Pas de Quatre and
Giselle. He was the greatest male dancer of the romantic era.
5. The Pas de Quatre (1845) a significant ballet of the time as it was a

Giselle And The Romantic Era
Giselle and the Romantic Era
The Romantic Era was one of the most artistically influential era in recent history. Artists were fueled by their inner romantic, or creative emotions,
rather than the more sinister tormented geniuses of the past. Their works were full of drama, love, death. The performing arts in particular were
flourishing. Ballet was truly taking off. The first pointe shoes were introduced in a performance of Le Sylphides, shorter tutus, and partnering were
becoming the norm. But in particular, it was the era that brought about one of the most well known ballets of all time, 'Giselle.'
There are few eras with as distinct an artistic evolution as that of the Romantic Era. The style of this time developed between 1775 and 1850.
'Romanticism,' as it was called, first came to be in England and Germany, then in the post revolutionary France and North America, "Its leading
exponent was a Madame de StaГ«l, whose book entitled De l'Allemagne, was published in Paris in 1814. This literary work was to become a bible
for the Romantics. It veered away from classicism (which de StaГ«l viewed as a transplanted literature), towards more indigenous literatures such as
those of the Germanic people. She wrote: 'The word romantic has been lately introduced in
Germany to designate that kind of poetry which is derived from the songs of the Troubadours; that which owes its birth to the union of chivalry and
Christianity and 'That [literature] of chivalry and romance is

Swan Lake
SWAN LAKE
В‘Swan Lake' was re–choreographed by Marius Petipa and Lev Ivanov in1895, after initially being choreographed by Julius Reisinger in 1877. The
musical score was composed by Pytor Tchaikovsky. В‘Swan Lake' was created towards the end of the romantic period, so the culture and style of
romanticism was prominent, with glimpses of the beginning of the classical era. Because of this, it contains elements of both eras. Some of the
romantic characteristics include the pursuit of the unattainable, romance, fantasy, focus on the female role, gas lighting and simple sets, pointe work,
soft and feminine technique for females and the bell tutu. Some of the classical features include the length of the ballet, the classical tutu and more ...
Prince Siegfried has to choose between keeping his word and his love for Odette, and as a result he takes Odette and they jump into the lake and
drown, the other swans also drive Odile and von Rothbart into the lake, and are left to their deserved fate. Some of the themes of a romantic ballet
are shown in the plot of В‘Swan Lake', along with a few from the classical Ballets. A theme of romance between Odette and Prince Seigfried, is
evident with their oath of undying love for each other. Romance was very important in a classical ballet, as the romantic era affected peoples emotions,
and Although the plots may be fictional, the themes were always real and universal Also the pursuit of the unattainable is also evident, with prince
Siegfried not wanting any of the princesses available, but instead wanting to be with someone living a cursed life. For the working class in Russia, the
ballet was an escape, and seeing someone pursue for something they want was a source of motivation for the audience. Also themes of the supernatural
are shown, with the sorcerer, von Rothbart, enchanting beautiful maidens. The supernatural themes helped the audience mentally escape from real life,
so was popular for the working class.
В‘Swan Lake' is a four act ballet, which is a common element amongst the classical era of ballets. During the romantic era they were usually only two
acts, where as they were up

Classical Ballet : Classical And Romantic Ballet
Contemporary ballet, although is a form of ballet but looks vastly different from classical and romantic ballet. Contemporary ballet consist of ballet and
contemporary dance, and the dance often includes having a partner. Contemporary ballet is often done in a turned in position while classical ballet is
done in a turned out position. A turned out position would be the first position in ballet where the dancer's feet are usually pointing outwards. Like
modern dances in the 20th century, contemporary ballet often hints a message to the audience. Alonzo King, a local San Franciscodance company
owner inspired many choreographer with his choreography by having a perfect blend of traditional and modern dances in his piece. His choreography
often contain a strong, controversial meaning. "The Moroccan Project", choreographer Alonzo King suggests the message of love and inequality, using
their trademark moves: spinning and elevating, in the contemporary modern dance style. As a revolutionary contemporary ballet choreographer, Kings'
dance pieces are often put together without restrictions and the moves are often modern. For example, the dance move at 0:17 to 0:27 consists moves
that are traditional and contemporary and conveys a message of struggle and breaking free. The female dancer first bends one of her knees while
straightening the other knee while making a big circle with her arms. Then, she straightens up her body while bringing her arms together to her chest
with her

Vive Paris: Three Types Of Dance
Vive Paris!
Ballet is a strategically disciplined type of dance. It requires control and is the building blocks to many other types of dance this includes modern and
jazz. Modern is a very leveled type of dancing meaning there are many levels the body is put in in order to convey the field of emotion that is needed
this in itself requires the discipline that ballet brings to the table. Jazz is also very leveled but is more free and requires different variations of technique
brought through by ballet. Vive Paris contained all three types ofdance each of which in their own contributed to the storyline/plot of the show.
Within act one scene one ( On the Streets of Paris) the show kicks off with a sort of classical ballet. Everything is very ... Show more content on
Helpwriting.net ...
At first the dancers did a lot of Jazz movement such as jazz hands and even some tap was thrown in amongst this time. Soon enough the stage turned
into levels upon levels galore there was a lot of floor work along with arms that stemmed from their backs. The movement was strange and enticing. The
dancers stayed low to the ground and were often rolling around on it but then they would get up and be lifted into the air showing different dynamics
throughout.
In modern class we are exposed to much of what was shown throughout the show. We do a lot of floor work, back work, and level changes. Seeing it
on stage you realize the impact those movements can make on an audience and how they can convey a sense of emotion and most importantly tell a
story.
In ballet class we are also exposed to a lot of went on during the show. Situations which require control and precise movement as well as confidence
and discipline.
To conclude Vive Paris was well choreographed in all areas of dancing the dynamics and changes formed well with the plot line and made a huge
impact on the audience or at least it made an impact upon me. Watching the dancers change from one character to another and watching that dancers
character evolve was miraculous and showed just how well the performance was. All in all it was worth the

How Ballet Has Changed Over Time
Today's ballets are nothing like what they were at first. Ballet has changed over time. A great deal of Ballet dances, at Ballet's beginning were based
off of court dances. Court dances were social dances performed in court, usually between a man and woman. They are also known as ballroom dances.
Ballet has grown from being a court dance for the nobles to a sophisticated complex art many can enjoy watching or dancing it. It is often believed that
the beginnings of ballet started with Queen Catherine during the mid–15th century. Queen Catherine brought her love for the arts to France from Italy,
when she married King Henry II, the heir to the French throne 1547–1559. She was a big financial supporter of the arts, particularly in Ballet. Many of
Queen Catherine's entertainments were based around mythology. Whenever the Queen hosted an important guest, she would have grand dance
performances. These dance performances soon became a trend across Europe. Ballet was further shaped by Ballet de Cour. Ballet de Cour was a
type of ballet performed as a celebration for the French court between the 16th and 17th century. This style of ballet consisted of nobles performing
social dances, music, speech, verse, song, pageant, dГ©cor, and costume. In 1573, the first ballet, Ballet de Polonais, was performed to honor the
Polish Ambassador. Ballet de Polonaise was an hour long and it was choreographed by Balthazar de Beuajoyeulx. It consisted of sixteen women to
represent the 16 French

Romantic Ballet
The theatre is full of young men and women. The gas lanterns dimly light the room and the silhouette of a figure can be seen in the shadows of the
stage. As she emerges, she is like a dream: a tall, elegant body with a form fitting bodice and tutu. She is entrancing on her tiny pointe shoes as she
floats across the stage. Love and passion fill the air as she moves in such a way that is almost magical. The Romantic Ballet Period introduced the
aspects of theme, costume, and new technique to the dance world and its influences are still seen in contemporary works in ballet. Ballet has been an art
form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers... Show more
content on Helpwriting.net ...
An article by Camille Hardy states, "Romanticism had deep roots in the national psyches...of France." Rooted from Neoclassicism, Romanticism
revolted against the rigid forms of classic works (Clark and Crisp). It was essentially a literary movement and influenced almost all movements of art.
The romantics sought out for a way to break free from their classical ancestors and achieved a great accomplishment than anyone had ever thought
possible. In a span of two decades, ballet was transformed becoming a major theatre art and gaining the acceptance from its viewers (Guest). The
Romantic Ballet period was an international movement spreading from Paris to New York (Garafola "Rethinking..."). Although it can be seen
throughout many cultures, it remained predominantly in Paris, where it began. The stage was the ballerina's focal point. The ThГ©Гўtre de
l'AcadГ©mie Royale de Musique or Paris OpГ©ra first introduced the prospects that Romantic ballet could provide. In fact, it proved to do much better
than critics had once thought. Ballet once being subservient to the OpГ©ra was now its own theatre art. Before the Romantic period, dancing and
singing were performed together. It was only until the development of the ballet dВґaction that ballet could be performed separately from opera. After
this, ballet became a major entertainment piece to society, which it accomplished with only the help of an orchestra (Guest). Before the turn of the

Ballet And Modern Dance Analysis
Ballet and Modern Dance discusses the history of dance from the 16th century to the present day. It was written by Susan Au, a dance historian and
writer. The book was originally published in 2002, but the most recent edition was published in 2012. In the chapters "A Most Obedient Servant",
"The Rise of Professionalism", and "The Development of Ballet d'Action" from Ballet and Modern Dance, Au introduces her topic by starting with the
origins of ballet in the 16th and 17th centuries. She walks her readers through the court ballet, ballet d'action, and the romantic ballet; different
periods of ballet's history. Au's main point of these articles is to describe and explain the origins or ballet, discuss the major creators and influencers,
and give an overview of how it progressed and developed throughout the 16th through 18th centuries. To explore her main point in more depth, Susan
Au looks at three centuries in three chapters. The court ballet was established in the 16th century. During this time, dance was not for the highly
skilled, but performances were usually led by the King and Queen with nobles of the elite class taking part as well. As time went on, dance progressed
from a social, more leisure activity to a technical skill that required trained professionals for performances. At the start of the 18th century, ballet
d'action was developed. This new way of dancing emphasized the use of human expressions and emotions to connect with the audience. In this

Reflection Of Bugaku And Ballet
Reflections Chapter Fourth: Bugaku and Ballet, from the Royal Courts to Theatrical Dance.
The author, Harriet Lihs begins explaining that It is very difficult to separate religious dance and court dance. because the linking of dance to the
courts of nobility has been inevitable in history of the sacred role of the highest authority. So there's for two reasons, firstly dance vividly provided
displays of power, and secondly dance seeks patrons.
So Court dance is related to folk dance, dance demonstrated hierarchy in relationships, demonstration of power, dance for the king, emperor, monarch,
sultan, etc.
Court Dances explores dance in the royal courts of the world and shows how its function lives on in European ballet, Japanese Bugaku, and the dance of
the Asante kings of Ghana (West Africa).
Bugaku ... Show more content on Helpwriting.net ...
The Empress Catherine the Great brought ballet to Russia, founding the Imperial Ballet (the KIROV) in St Petersburg.
Classical Ballet : Sleeping Beauty
Set during the time period in France of LOUIS XIV, (Created in Russia) By Marius Pepita (French) Moved to russia in 1847 as a dancer, FIRST ballet
for the composer Tchaichovsky, Rose Adagio. Other Classical Ballets by Petipa: Cinderella, Swan Lake, Baydeare, The Nutcracker
Characteristics of Classical Ballet:
Technical Virtuosity. Choreography has form and structure, harmony and order, repetition and symmetry. Similar to court dance. For example: The
Swan Lake has 32 Fouetes, Shortened toutus support virtuosity movement, pointe shoes got harder and wider, pas d'action becomes only a small part.
Narrative tells about Good vs Evil, Hierarchical form.
Characteristics of Romantic within Classical

Narrative: Good vs Evil, Costumes appropriate for era, Village and Forest scenes transfer to Castle and Nature scenes, Sylphs and Willis become
Enchanted Snowflakes and Swans, Love of the Ballerina.
Century 20th : Serge Diaghilev and the Russian Ballet Company (Ballet

Origin Of Ballet Tutu
Ballet tutu
The History of the Ballet Skirt
Quite a few theater–goers regularly associate ballet with conventional clothes, the ballet skirt being a distinguishing characteristic of stage apparel and
tight–fitting leotards worn in a dance class.
The records of ballet level outfits are intently linked to the French courts. After Louis XIV based the instructional Royal Danse in 1661, ballet moved
from court to degree and the costumes, as soon as large, heavy and proscribing the liberty of motion, changed as properly.
In line with arts historians, the first ballet skirt, additionally referred to as a ballet 'tutu', become invented or, as a minimum, have become a popular
item of the degree outfit inside the 1800s in Paris. The word tutu is idea to be derived from the French cucu, that means 'toddler communicates'. Often,
visitors sitting inside the decrease part of the theatre couldn't see dancers' footwork nicely, which brought on some communicate, inclusive of baby
communicate.
Marie Taglioni becomes the primary to wear a classical ballet skirt. Taglioni's tutu became reduce above the ankle to accentuate her remarkable
footwork. She is known to be the first ballerina performing en Pointe, additionally called a toe dance. As much as 5 layers of tulle were used to create
a flowing ethereal look of the skirt. This period in the ballet ... Show more content on Helpwriting.net ...
it could be made from tender leather–based, canvas, or satin, and has bendy, thin soles. Traditionally, women put on red shoes and men wear white or
black shoes. Tan colored slippers–which might be unobtrusive and thus provide the advent of dancing barefoot–are worn in modern ballets and on
occasion cutting–edge dancing by way of both men and women. Most ballet dancers put on smooth ballet slippers for the main part of the ballet
magnificence. Extra superior female dancers can also exchange into Pointe footwear for centre paintings and

La Sylphide Research Paper
La Sylphide introduced the romantic era by poststructural breaking the traditional style of ballet. Male dancers dominated ballet for the second half of
the 18th century in Paris. During this time woman was not equal to men during this time. Many people stereotypically believed that woman was
inferior in technique to men during this time. The woman was mainly given secondary roles compared to the men. Filippo Taglioni created la
Sylphide, Marie Taglioni father to showcase his daughters' skill and technique in en pointe. ( Aschengreen). La Sylphide was one of the first
performance to make the ballerina the center of attention whereas it was more traditional for men to be in the spotlight. La Sylphide gave more of the
control to women

Jean De Medici And King Louis Xiv
Ballet has always been important throughout history. It was and is still a thrilling way to celebrate special events and ballet is also a form of
expression. Ballet was originated during the 15th century in the Italian Renaissance Courts. Two very passionate dancers began to fund and help
popularize ballet. Their names were Catherine de Medici and King Louis XIV. Victor Marius Alphonse Petipa was also a very well known French
ballet dancer, teacher and choreographer. He is considered to be the most influential ballet master in ballet history becuase he internationally popularized
dance and his works made a long lasting impression. Petipa choreographed many famous ballets, and among them, one of the most famous classical
ballet in existence that he choreographed is Swan Lake. The physicality of the movement made this ballet simply beautiful, but by combining music,
costumes and stage sets, Petipa created an extraordinary experience in the theater. Swan Lake is an elegant and cherished ballet which tells the story of
a prince who stumbles across a beautiful swan named Odette. She was once a human princess but had been transformed by a heinous sorcerer's curse.
Petipa 's choreography expressed romanticism and emerging symbolism, which revolutionized the Russian culture. On January 15,1895, the Petipa
production in ST. Petersburg was the day ballet developed from a man 's most magnificant and artistic creations. Petipa simplified the structure of Swan
Lake, involving

Essay On Eifman's Ballet
Ballet is a dance performance whose focus is comprehending the subconscious of humanity via representation of psychological drama. Music, plastique
art and painting are some of the elements that must work in conjunction to assure a unified statement of the ballet performance. The dancing
component of the presentation should convey a message or rather the motive instead of mere movements. Eifman ballet of St. Petersburg is widely
known for its distinguished creativity in dance performance. I was privileged to witness one of their outstanding works at David H. Koch theater in the
month of April this year. Eifman's choreographic interests for Anna Karenina novel by Leo Tolstoy were intensified by how the author vividly depicts
the psychology of characters. He elaborates the mindset of the main character and also offers an examination into their psycho–erotic personality.
Eifman's opinions on the chief character is that she had two personalities; one that was conventional in the society and the other filled with erotic
yearns. Further, the writer encompasses enthusiasm and transformations that have not been ventured into by contemporary texts. All these captivated
Eifman and his attentiveness to perform a ballet on the foundation of this novel. The music employed in this ballet dance performance suited the moves
and ... Show more content on Helpwriting.net ...
There were two duets performed by three well–trained dancers. One of them played role of Anna's husband, the other one acted as her lover while 'she'
remained constant in the two pairs. Moreover, the two main dances revealed differing themes of the play. The performers depicted stamina and
technical competence that wowed the audience. Their moves in the middle of the dance showed the torment and torture via contractions as well as the
emotional connection through erotic moves. All the moves are choreographed and unified to deliver the main theme of the dance which is love

Ballet As Part Of The Romantic Era
The art form, Ballet emerged in Italy during the Renaissance (late 1400's) and was developed throughout the world as history went on. Following its
introduction to France, Ballet exploded and became a very significant part of society; reaching its height in the late 1600's under the rule of King
Louis XIV who was a great patron of the arts and the founder of the AcadГ©mie Royale de Danse. There were many eras of Ballet such as Ballet de
Court (1600's) and Ballet de action (1700's). The 19th Century in particular saw a significant development in Ballet as part of the Romantic Era.
Following the French Revolution (1789–1799) there was a new social enlightenment and opportunity for people push boundaries, break social norms
and challenge morals and ideas. This massive shift in society saw the beginning of the Romantic era; a period in which writers, poets, artists and
dancers had the freedom to express themselves in a way that disregarded many classical aspects of past which focused on harmony, balance and
order. This provided a new era of creations that had strong sources of inspirations from the natural world and mythology. (Vam.ac.uk) Much like how
we use theatre in present day as an escape from everyday life; many of the romantic art forms acted as a 'return to nature' and the countryside that many
people had left following the establishment of more urban and industrial way of living. Ballet in particular was effected significantly by this and there
were numerous changes

Comparison Of Sleeping Beauty, Mats Eke And Rudolf Nureyev
There is a long standing tradition in the dance world of using fairy tales as inspiration, particularly in ballet (Lawson, 1964; Roslavleva, 1966).
Choreographers, from Martha Graham to George Balanchine have the ability to pick, choose, discard, interpret, and manipulate these folkloric stories
and parables in order to fit their choreographic intentions .In the case of Sleeping Beauty, Mats Eke and Rudolf Nureyev's versions are both relevant to
today's audiences and they both play vital roles by giving each set of audiences a warning for parents with children. Even though both productions have
the same fundamental themes and narrative structure at the heart of each work, their manifestations highlight the capacity of dance to change over ...
This production is not meant for a young audiences due to the explicit motifs. This is mainly aimed at parents of young adolescents or a mature
audience. Even though is deals with the same themes of good, bad and innocence, but it does so in a more direct and realistic manner. The dance
performed is a more modernised form of Ballet. His choreography consists of extreme dynamic variations, flexed feet, contractions and contortions
of the torso. Different forms of body language is used to help communicate the meaning to the audience such as sickled feet showing her being a
rebellious teen, and not wanting to do what her parents want her to do. Or a slumped over body, shows sadness. These help the audience get an
idea on how aurora is feeling. The ballet begins before Aurora is born making the focus all on Queen Silvia and King Flores tan. By emphasising
their innocent love and soon shows their desire to have a child which turns out to be a direct foil to the abusive relationship that later aurora is
consumed by.it is quickly learnt that not even the power of a magical kiss from the prince cant redeem her from her dark past.Ek has clearly broken
undoubtedly broken the convention that typically applies to this ballet.
The non–movement components in the first scene of Nureyev's version Perfectly captures the essence of romantic ballet in its depiction of the king and
Queen welcoming their

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