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Page 1
POETRYReferences :
Adventure in Reading by Fannie Safier
Introduction to English Literature by Sunardi, S.S.,
M.Hum
Page 2
Definition
Poetry:
•is composed of carefully chosen words expressing
great depth of meaning.
•uses specific devices, such as connotation, sound
and rhythm, to express the appropriate combination
of meaning and emotion.
•a form of writing that uses not only words, but also
form, patterns of sounds, imagery, and figurative
language, to convey the message.
Page 3
Poetic Devices
•The speaker
•Diction
•Imagery
•Figurative language
•Sound Patterns
•Structures
•Tone
Page 4
The speaker
• The created narrative voice of the poem (i.e.
the person the reader is supposed to imagine
is talking)
• One aid to understanding a poem is to identify
its speaker. The knowledge of who or what
the speaker is will help us to understand
other things about the poem:
*where and when the poem is set,
*what situation it describes,
*what story it tells.
Page 5
Diction
• Is about choice of words
• In their diction, poets aim for the clearness
and effectiveness
• The poets must consider a word’s:
– Denotation: a word’s literal, its definition
according to dictionary
– Connotation: the additional meanings a
word gains because of its association.
For example, springtime has connotation of
youth, rebirth, and romance
Page 6
Imagery
• Words and phrases used specifically to help
the reader to imagine each of the senses:
smell, touch, sight, hearing, and taste.
• Two types of imagery:
– Visual imagery:
“…masses of flowers load the cherry branches and
color some bushes yellow and some red…” (The
Widow’s Lament in Springtime by William Carlos
Iliams)
– Auditory imagery:
“Listen! You hear the grating roar of pebbles which
the waves draw back, and fling. … with tremulous
cadence slow, and bring the eternal of sadness in”
(Dover Beach by Matthew Arnold)
Page 7
* Imagery
Poets attempt to share their
experiences with us by appealing
to our imaginations.
One way in which a poet makes
an experience seem real, vivid,
and fresh to us is through the
skillful use of imagery
Page 8
Let’s try to enjoy
Langston
Hughes’s poem
Dream Deferred
What happens to a dream deferred
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load
Or does it explode?
For his poetry, Hughes
drew on modern folk
and jazz rhythms, the
kind of speech and
music he heard in the
black community.
Hughes’s work, down-
to-earth, distinctly
American kind of poetry.
Page 9
Figurative language
• Language that represents one thing in terms
of another.
• We may describe an action or a feeling by
comparing it to something else, for example:
~I felt like a worm
~We ate like kings
• Expression that describe one thing in terms
of another are called figures of speech.
• Figures of speech help to make language
richer in meaning and more imaginative.
Page 10
• Emily Dickinson, describing a violent storm,
uses this figure of speech :
There came a wind like a bugle
to evoke the sound of a shrill wind
• Through figurative language poets can
express fresh, exciting, or unusual
relationships between things, and so give us
new insights into what we see and feel.
Page 11
The basic figures of speech are:
1. Simile
~is a direct or explicit comparison between two,
usually unrelated things, indicating a likeness or
similarity between some attribute found in both things.
~a comparison using like or as.
~ The dawn comes up like thunder
2. Metaphor
~is an implied comparison between two, usually
unrelated things, indicating a likeness or analogy
between attributes found in both things.
~unlike the simile, a metaphor does not use like or
as to indicate the comparison.he road was a ribbon
of
~Your eyes are a ocean I could swim in.
The road was a ribbon of moonlight.
• Your eyes are a ocean I could swim in.
Page 12
3. Personification
 When a lifeless object or idea is given human
characteristics or qualities and spoken of as if alive –
gives personality to it.
 The attribution of human characteristics to an
inanimate object.
 An object, emotion or abstract quality can be
personified.
 Gentle waves crept up the beach whispering quietly to
the sand.
The sun beat mercilessly down.
4. Synecdoche
 The technique of mentioning a part of something to
represent the whole.
 All hands on deck! (hands=sailors)
Page 13
5. Metonym
~is the substitution of a word naming an object for
another word closely associated with it.
~Pay tribute to the crown. (crown=king)
The White House has decided(White House=President)
6. Symbolism
~The consistent use throughout a literary work of an
object to refer to a concept.
~The word or image signifies something other than
what it literally denotes.
~The practice of representing things by symbols, or of
giving things a symbolic meaning.
~TS Eliot’s use of ‘the river’ to symbolise life
The sun is often used as a symbol for light,
warmth and clarity.
Page 14
Sound Patterns
• Poets, like musician, are sensitive to the
effect of sound. By varying rhythms, they can
excite different emotions in the reader.
• They may use harsh or melodious sounds to
convey a particular mood.
• In combination, rhyme and other devices of
repetition can give a poem a rich texture of
sound, which is pleasurable in itself and
which also enhances the poem’s meaning.
Page 15
1.Rhythm
• The pattern of beats or stresses in a poem.
• Poets use patterns of stressed and unstressed
syllables to create a regular rhythm.
• Try beating out the rhythm with a finger as you read
these lines:
She was a child and I was a child,
In this kingdom by the sea;
But we loved with a love that was
more than love –
I and my Annabel Lee;
2. Rhyme
• The repetition of the same or similar sounds,
usually in stressed syllables at the ends of
lines, but sometimes within a line.
• Internal rhyme (rhyme occurs within a line of
poetry)
The splendor falls on castle walls
Page 16
3. Onomatopoeia
• Sound is matched to meaning of the words.
• The word sounds like the action – resembles the sound
it describes.
• Words which imitate natural sounds.
• “Buzz”, said the bee
4. Alliteration
• The repetition of the same consonantal sound in
several words placed close together or stressed
syllables e.g. on the same line of a poem to create an
image and sound effect, either gentle or harsh.
• Word group where most of the words start with the
same sound.
• Six small sausages smeared with sauce.
Page 17
5. Assonance
• The echoing or repetition of vowel sounds – a e i o u
(rather than consonants) to create an image.
• The creation of a sound effect by combination of vowel
sounds.
• feet, need, week.
• day, shape, wake
• The rain in Spain falls mainly in the plains.
Page 18
Assignment:
• Find one poem and analyse by using three
kinds of poetic devices.
• Add your impression about the poem and the
message that you find in the poem.
• Write in 2-3 pages, times new roman, font 12,
space 1,5, paper A4.
• Submit the assignment on Monday, 28th
Sept
2015 in my locker.
Happy Idul Adha,
May God always bless us all
Page 19
STRUCTURES
• The basic unit of structure in most poems is the
stanza.
• A stanza is:
 Any group of lines that forms a division of a poem.
 It may be based on:
o the number of lines
o rhyme scheme
o rhythm
o or other devices of repetition
 A new stanza generally marks a division in thought, so
that each one works something like a paragraph.
Page 20
• One of the most popular poetic
forms is the sonnet.
• Sonnet is:
a fourteen-line poem with a
traditional rhyme scheme.
for example:
 The Petrarchan sonnet
 The Shakespearean sonnet
Page 21
• Free verse has become a popular form in
20th
C:
 It is called free verse because no set pattern controls
it
 It may rhyme in some places, and not in others or not
rhyme at all
 Its lines may be of different lengths
 It may have no dominant rhythm, or it may switch
rhythms as it progresses
• Free verse enable poets to create effects that
are not possible within the restrictions of a
set pattern
• Poets are freer to fit sounds and rhythms
more closely to the meaning of a poem
Page 22
TONE
• Tone:
 Shows the speaker’s mood, the emotion
behind the words.
 Shows its speaker’s attitude toward the
subject as well as toward the audience
 Results from all the different parts of the
poem working together.
• Although there may be shifts of mood
within a work, poets generally aim for
uniformity of tone.
Page 23
TYPES OF POETRY
1. Lyric
 generally short poems that express an intense emotional
response of the speaker to some person, place, object or
idea.
 the examples are:
a. Simple Lyric :
embraces a wide variety of poems and is characterized by subjectivity, imagination,
melody and emotion.
b. Song :
short lyric poem which has a specific melodious quality and is intended to be sung
c. Sonnet :
a poem expressing of 14 lines with a formal rhyme
d. Elegy :
a poem expressing lament or grief for the dead.
e. Ode:
Page 24
2. Narrative
 It tells a story
 It includes:
a. Ballad:
short simple narrative poem composed to be sung and is orally told
from one generation to another
b. Metrical Romance:
a long rambling love story in verse which is centered around the
adventures of knights and lords, and their royal ladies during the
age of chivalry.
c. Epic:
a long, majestic narrative poem which tells the adventures of a
traditional hero and the development of a nation.
Page 25
3. Dramatic
 Present characters who speak to other
characters or to an implied audience.
 May be in the form of a dialogue between two or
more people, or the speaker may be talking to
someone who does not answer but whose
presence is understood.

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Poetry

  • 1. Page 1 POETRYReferences : Adventure in Reading by Fannie Safier Introduction to English Literature by Sunardi, S.S., M.Hum
  • 2. Page 2 Definition Poetry: •is composed of carefully chosen words expressing great depth of meaning. •uses specific devices, such as connotation, sound and rhythm, to express the appropriate combination of meaning and emotion. •a form of writing that uses not only words, but also form, patterns of sounds, imagery, and figurative language, to convey the message.
  • 3. Page 3 Poetic Devices •The speaker •Diction •Imagery •Figurative language •Sound Patterns •Structures •Tone
  • 4. Page 4 The speaker • The created narrative voice of the poem (i.e. the person the reader is supposed to imagine is talking) • One aid to understanding a poem is to identify its speaker. The knowledge of who or what the speaker is will help us to understand other things about the poem: *where and when the poem is set, *what situation it describes, *what story it tells.
  • 5. Page 5 Diction • Is about choice of words • In their diction, poets aim for the clearness and effectiveness • The poets must consider a word’s: – Denotation: a word’s literal, its definition according to dictionary – Connotation: the additional meanings a word gains because of its association. For example, springtime has connotation of youth, rebirth, and romance
  • 6. Page 6 Imagery • Words and phrases used specifically to help the reader to imagine each of the senses: smell, touch, sight, hearing, and taste. • Two types of imagery: – Visual imagery: “…masses of flowers load the cherry branches and color some bushes yellow and some red…” (The Widow’s Lament in Springtime by William Carlos Iliams) – Auditory imagery: “Listen! You hear the grating roar of pebbles which the waves draw back, and fling. … with tremulous cadence slow, and bring the eternal of sadness in” (Dover Beach by Matthew Arnold)
  • 7. Page 7 * Imagery Poets attempt to share their experiences with us by appealing to our imaginations. One way in which a poet makes an experience seem real, vivid, and fresh to us is through the skillful use of imagery
  • 8. Page 8 Let’s try to enjoy Langston Hughes’s poem Dream Deferred What happens to a dream deferred Does it dry up like a raisin in the sun? Or fester like a sore— And then run? Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet? Maybe it just sags like a heavy load Or does it explode? For his poetry, Hughes drew on modern folk and jazz rhythms, the kind of speech and music he heard in the black community. Hughes’s work, down- to-earth, distinctly American kind of poetry.
  • 9. Page 9 Figurative language • Language that represents one thing in terms of another. • We may describe an action or a feeling by comparing it to something else, for example: ~I felt like a worm ~We ate like kings • Expression that describe one thing in terms of another are called figures of speech. • Figures of speech help to make language richer in meaning and more imaginative.
  • 10. Page 10 • Emily Dickinson, describing a violent storm, uses this figure of speech : There came a wind like a bugle to evoke the sound of a shrill wind • Through figurative language poets can express fresh, exciting, or unusual relationships between things, and so give us new insights into what we see and feel.
  • 11. Page 11 The basic figures of speech are: 1. Simile ~is a direct or explicit comparison between two, usually unrelated things, indicating a likeness or similarity between some attribute found in both things. ~a comparison using like or as. ~ The dawn comes up like thunder 2. Metaphor ~is an implied comparison between two, usually unrelated things, indicating a likeness or analogy between attributes found in both things. ~unlike the simile, a metaphor does not use like or as to indicate the comparison.he road was a ribbon of ~Your eyes are a ocean I could swim in. The road was a ribbon of moonlight. • Your eyes are a ocean I could swim in.
  • 12. Page 12 3. Personification  When a lifeless object or idea is given human characteristics or qualities and spoken of as if alive – gives personality to it.  The attribution of human characteristics to an inanimate object.  An object, emotion or abstract quality can be personified.  Gentle waves crept up the beach whispering quietly to the sand. The sun beat mercilessly down. 4. Synecdoche  The technique of mentioning a part of something to represent the whole.  All hands on deck! (hands=sailors)
  • 13. Page 13 5. Metonym ~is the substitution of a word naming an object for another word closely associated with it. ~Pay tribute to the crown. (crown=king) The White House has decided(White House=President) 6. Symbolism ~The consistent use throughout a literary work of an object to refer to a concept. ~The word or image signifies something other than what it literally denotes. ~The practice of representing things by symbols, or of giving things a symbolic meaning. ~TS Eliot’s use of ‘the river’ to symbolise life The sun is often used as a symbol for light, warmth and clarity.
  • 14. Page 14 Sound Patterns • Poets, like musician, are sensitive to the effect of sound. By varying rhythms, they can excite different emotions in the reader. • They may use harsh or melodious sounds to convey a particular mood. • In combination, rhyme and other devices of repetition can give a poem a rich texture of sound, which is pleasurable in itself and which also enhances the poem’s meaning.
  • 15. Page 15 1.Rhythm • The pattern of beats or stresses in a poem. • Poets use patterns of stressed and unstressed syllables to create a regular rhythm. • Try beating out the rhythm with a finger as you read these lines: She was a child and I was a child, In this kingdom by the sea; But we loved with a love that was more than love – I and my Annabel Lee; 2. Rhyme • The repetition of the same or similar sounds, usually in stressed syllables at the ends of lines, but sometimes within a line. • Internal rhyme (rhyme occurs within a line of poetry) The splendor falls on castle walls
  • 16. Page 16 3. Onomatopoeia • Sound is matched to meaning of the words. • The word sounds like the action – resembles the sound it describes. • Words which imitate natural sounds. • “Buzz”, said the bee 4. Alliteration • The repetition of the same consonantal sound in several words placed close together or stressed syllables e.g. on the same line of a poem to create an image and sound effect, either gentle or harsh. • Word group where most of the words start with the same sound. • Six small sausages smeared with sauce.
  • 17. Page 17 5. Assonance • The echoing or repetition of vowel sounds – a e i o u (rather than consonants) to create an image. • The creation of a sound effect by combination of vowel sounds. • feet, need, week. • day, shape, wake • The rain in Spain falls mainly in the plains.
  • 18. Page 18 Assignment: • Find one poem and analyse by using three kinds of poetic devices. • Add your impression about the poem and the message that you find in the poem. • Write in 2-3 pages, times new roman, font 12, space 1,5, paper A4. • Submit the assignment on Monday, 28th Sept 2015 in my locker. Happy Idul Adha, May God always bless us all
  • 19. Page 19 STRUCTURES • The basic unit of structure in most poems is the stanza. • A stanza is:  Any group of lines that forms a division of a poem.  It may be based on: o the number of lines o rhyme scheme o rhythm o or other devices of repetition  A new stanza generally marks a division in thought, so that each one works something like a paragraph.
  • 20. Page 20 • One of the most popular poetic forms is the sonnet. • Sonnet is: a fourteen-line poem with a traditional rhyme scheme. for example:  The Petrarchan sonnet  The Shakespearean sonnet
  • 21. Page 21 • Free verse has become a popular form in 20th C:  It is called free verse because no set pattern controls it  It may rhyme in some places, and not in others or not rhyme at all  Its lines may be of different lengths  It may have no dominant rhythm, or it may switch rhythms as it progresses • Free verse enable poets to create effects that are not possible within the restrictions of a set pattern • Poets are freer to fit sounds and rhythms more closely to the meaning of a poem
  • 22. Page 22 TONE • Tone:  Shows the speaker’s mood, the emotion behind the words.  Shows its speaker’s attitude toward the subject as well as toward the audience  Results from all the different parts of the poem working together. • Although there may be shifts of mood within a work, poets generally aim for uniformity of tone.
  • 23. Page 23 TYPES OF POETRY 1. Lyric  generally short poems that express an intense emotional response of the speaker to some person, place, object or idea.  the examples are: a. Simple Lyric : embraces a wide variety of poems and is characterized by subjectivity, imagination, melody and emotion. b. Song : short lyric poem which has a specific melodious quality and is intended to be sung c. Sonnet : a poem expressing of 14 lines with a formal rhyme d. Elegy : a poem expressing lament or grief for the dead. e. Ode:
  • 24. Page 24 2. Narrative  It tells a story  It includes: a. Ballad: short simple narrative poem composed to be sung and is orally told from one generation to another b. Metrical Romance: a long rambling love story in verse which is centered around the adventures of knights and lords, and their royal ladies during the age of chivalry. c. Epic: a long, majestic narrative poem which tells the adventures of a traditional hero and the development of a nation.
  • 25. Page 25 3. Dramatic  Present characters who speak to other characters or to an implied audience.  May be in the form of a dialogue between two or more people, or the speaker may be talking to someone who does not answer but whose presence is understood.