Impact Of Pulp Magazines On American Culture Essay

Impact of Pulp Magazines on American Culture Essay
Impact of Pulp Magazines on American Culture
"The story is worth more than the paper it is printed on." Frank Munsey's words symbolized the
history of the pulp magazine. Frank Munsey started the pulp magazine craze with his first magazine,
the Argosy, in 1896. The Argosy was a revamping of his children's magazine, the Golden Argosy,
shifting its focus from children to adults. The Argosy offered large amounts of fiction for a low
price, because these stories would be printed on cheap pulpwood scraps, thus gaining the name 'pulp
magazine'. The pulp magazine has been a part of American history for well over a hundred years.
During the late 1890's, there was a period of high immigration. These immigrants and other working
poor had no ... Show more content on Helpwriting.net ...
Pulp magazines mainly dealt with racy love stories, detective cases, western and war fiction, thus
they had gained a notorious reputation for quality. While this was true, it was not always the case.
Pulp magazines have had contributions from many different, famous authors. These authors include:
H.P. Lovecraft (author of the Cthulhu Mythos), Isaac Asimov, Arthur C. Clarke (author of 2001: A
Space Odyssey), Ray Bradbury (author of the Martian Chronicles), Edgar Rice Burroughs (author of
the Tarzan, Mars, and Pellicidar series), Lester Dent (author of the Doc Savage series), Walter
Gibson (author of the Shadow series), Erle Stanley Gardner (author of the Perry Mason novels),
Robert Heinlein (author of Starship Troopers, Stranger in a Strange Land), Robert E. Howard
(author of the Conan stories), Robert Heinlein, Daishell Hammett (author of the Maltese Falcon and
the Thin Man), Steven Crane, and Tennessee Williams. Such famous authors of great American
literature took their roots from these supposedly tawdry magazines.
Pulp magazines faded for a combination of reasons. The first reason was the development of comic
books as an alternative to the pulp magazines, drawing away the juvenile group from the pulps.
World War II paper shortages almost halted the printing of the pulps. The development of the
paperback book offered the population high quality writing at a cheap price. Because of these
reasons, eventually all the pulps
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Summary Of ' The Call Of Cthulhu '
In the short story, "The Call of Cthulhu" by H.P. Love Craft, Cthulhu is described multiple times
throughout the story a giant, otherworldly, unimaginable monster with ancient origins. What if
Cthulhu is more than a giant evil monstrosity but is a representation of madness itself, and like the
narrator, the reader is doomed to a fate of madness and there's nothing we can do about it. The story
is split into three chapters that introduces us to Thurston and Angell who learned of Cthulhu and
starts researching about it, then in chapter two it gives us more detail about the fanatic cult and then
in the third chapter, we learn a horrible truth behind the monster and the cult. The story shows how
anyone who knows or anyone who even conceives the idea of Cthulhu becomes crazy or even dies.
This fate has happened to the great uncle Angell, the narrator Thurston, and even possibly us as the
reader.
In chapter one, we're introduced to Thurston and we discover his great uncle, Angell, died from
mysterious circumstances and left several journals behind. Angell was a professor of Semitic
Languages at Brown University in Rhode Island. He was studying a strange statue of an
otherworldly creature on a pedestal with some hieroglyphics. Thurston describes it by saying "My
somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a
human caricature.... A pulpy, tentacled head surmounted a grotesque and scaly body with
rudimentary wings". The statue was made by

Horror The Supernatural Genre Essay
Horror The Supernatural Genre Horror is an ancient genre, it roots lodged in ancient myth and
folklore. Since then the genre has evolved, even sometimes doing without elements of the
supernatural on which the original horror stories where founded. Despite the emergence of natural
horror, horror which incorporates elements of the supernatural still remains superior. While horror
can be successful using only natural circumstances, horror that utilizes elements of the supernatural
evokes a more effective response from the reader. "A Rose for Emily" is a good example of horror
which contains no supernatural elements. While pieces of the story contain the unusual or violate
societal taboos the story conforms very much to the way in ... Show more content on
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An overriding element which makes the story so effective is the use of the supernatural, which
allows Lovecraft to create beings to terrible to exist in the world we know. Throughout the story
pervades a sense of the unknown, of some ancient mystery which mortal man should never venture
to know. The story evicts a visceral sense of horror from the reader, one of realization of what might
happen if such things were ever to exist. While any sane person would never claim that a giant god
from the stars will ever rise out of the ocean to destroy the world, the reader can nonetheless
envision such a horrific event. "The Call of Cthulu" shows how effective the supernatural can be in
horror. Another excellent Lovecraft story that incorporates the supernatural is "Nyarlathotep." The
plot centers on the arrival of Nyarlathotep, a modern–day prophet who throws the world into
madness. The entire basis for the story is the supernatural, the predestined end of man which comes
bellowing out of the depths of antiquity. While short in length the story nevertheless manages to
build a sense of dread before Lovecraft unleashes the terrible truth of Nyarlathotep's purpose upon
the reader. Unlike "The Call of Cthulu" "Nyarlathotep" ends with evil succeeding, in the world
being engulfed by unspeakable horrors. The tale truly grabs the reader with a pervading

The Call Of Cthulhu Analysis
WHAT TYPE OF HORROR In "The Call of Cthulhu," H.P. Lovecraft makes use of a more
psychological horror path, which is a major aspect of Lovecraftian horror. Psychological horror uses
more suspense build up and shock than blood and gore. H.P. Lovecraft accomplishes this by using a
buildup of suspense, not revealing the 'monster' till the end while hinting at what the 'monster' is
throughout the story. H.P. Lovecraft writes the main character following his great uncle's manuscript
and piecing together the puzzle of "the Great Ones." H.P. Lovecraft also creates the sense of
suspense by making the main character's inner dialogue contain the main characters emotions and
thoughts of suspect. Another example of the use of psychological horror is when Henry Anthony
Wilcox dreams of "the Great Ones," and experiences a period of mental breakdown that physicians
could not identify. Once Henry Anthony Wilcox came out of the episode he remembered nothing,
creating a shock factor, and making the reader ask "how did that happen?" In "Gramma," Stephen
King, similar to H.P. Lovecraft, travels a psychological horror path. Stephen King accomplishes the
psychological horror aspect by the buildup of suspense, until everything comes to fruition in the last
few pages of the story. Within the middle of the story George goes in to check in on Gramma only to
find out, Gramma is dead. Gramma has no pulse and is not breathing, George even goes as far as
putting a mirror in front of Grammas nose to make sure she wasn't breathing. With everything
checked and double checked by George to make sure Gramma is dead it comes as a surprise when
later in the story Gramma's hand grabbed Georges. Gramma is supposed to be dead yet she grabs
Georges wrist and then calls out to him saying "come here, boy, ... come in here––––Gramma wants
to hug you," (King, 1984, page 543). Although Gramma coming back to life is a huge shock factor
the build up of suspense to that shock factor makes the story a psychological horror. H.P. Lovecraft,
in "The Call of Cthulhu," and Stephen King, in "Gramma," use psychological horror. In "The Call of
Cthulhu," the buildup of suspense is more prominent than the shock factor, and in "Gramma," the
shock factor is more

Spring Break
For spring break this year I wanted to something different. So far during my college tenure, I have
not done anything that has been adventurous or fun. I have usually used that time to catch up on
sleep and homework. But this year I wanted to do something, anything to get out of the house.
During last year's spring break I forgone the chance to go home to only be stuck in my house
because it decided to rain all week. But this was a new year and at first a group of us were going to
the beach! That was until someone decided to back out last minute. So even though I was back to
square one, I still was desperate to do something. I was talking to a friend the Friday before break
trying to come up with a plan, when the Idea of doing an Escape ... Show more content on
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The room at this location is small and it got very hot and crowded quickly, which added to the
stress. Before we started we were given an introduction story to read aloud in order to set the scene.
The Cthulhu room is set in the 1940's in a library/study with a second floor that has a nasty surprise
for players (sorry won't take the whine on this one). The owners of the establishment took a lot of
time to put this together and they actually make you feel like you're in the specific time period
setting. The employee that played the daughter also did a good job staying in character and helping
us escape. Overall there was about twenty to thirty clues and riddles to break. The riddles and clues
were easy for some and harder for others, and at the start it seemed like everyman for themselves.
All of the statues are locked in boxes, and the clues and riddles led us to keys to unlock the statues.
Each time we found a statue the daughter would come and open the top half of the door and remind
us of how many we had left to find. The trick is to work as a team. Unfortunately it took nearly half
the time allotted for us to figure that out. If we did get stuck, we could ring a bell for the daughter to
again come and give us a hint in where to go. As we got closer and closer to escaping, I could sense
and see the energy rise. One of my friends and his brother came with us, and it became like a
competition with them jumping around

The Call Of Cthulhu Sparknotes
H.P. Lovecraft is a well–known cosmic horror writer, that write in the prose and antiquarian style. In
the short stories of Dagon and The Thing on the Doorstep and his popular novella The Call of
Cthulhu there several themes that are intertwined within his writings such as anti–anthropocentrism
which doesn't focus of human characteristics, but on the jellylike textures such as slime. The hero(s)
in these stories, feel helpless and hopeless due to their isolation leaving them with questions
unanswered, and inability to coop with the new–found knowledge resulting in insanity and or death.
(thefamouspeople.com). In breaking down the stories into three categories of foreshadowing,
flashback and supernatural the reader learns that the cause behind ... Show more content on
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The word structure in his works just add to the atmosphere making the viscerated texture along with
the antiquarian word use in these picturesque flashbacks, causing the audience to create the vivid
illustration. Leaving the narrator and the audience with unanswered questions. The Supernatural part
in Lovecraft's stories is anti–anthropocentrism, which is the belief that humanity is not the center of
the universe and their values mean nothing, as well as a dislike of humankind in his stories. After
gaining the knowledge that humanity isn't the center of the universe as well as seeing the monstrous
beings that wish to cause chaos onto the humankind the narrator or varies other characters are lead
to insanity. Dagon: "the thing slid into view above the dark waters. Vast, Polyphemus–like, and
loathsome, it darted like a stupendous monster of nightmares to the monolith, about which it flung
its gigantic scaly arms, the while it bowed its hideous head and gave vent to certain measured
sounds. I think I went mad then."(page 8) "I cannot think of the deep sea without shuddering at the
nameless things that may at this very moment be crawling and floundering on its slimy bed,
worshipping their ancient stone idols and carving their own detestable likenesses on submarine
obelisks of water–soaked

Seminar: Literary Theory Applied to H.P. Lovecraft-Notably...
Buena VistA university | A Theoretical Analysis of H.P. Lovecraft's "Beast in the Cave" | Senior
Seminar | | Cory J. Dahlstrom | 7/28/2012 |
H.P. Lovecraft has been called "one of the best, worst authors of our century." In the following
paper, I will explore his earliest work, "The Beast in the Cave," a story written when he was around
fifteen years old. I will explore its meanings and context through the lenses of reader response,
deconstructionism, new historicism, and psychoanalytic analysis. Through these lenses of literary
theory I hope to derive further meaning and understanding of this favored story as well as dismiss
some criticism that has been leveled against H.P. Lovecraft. Each ... Show more content on
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But without a doubt, this story, though simplistic in its plot and scare factor, has potential thought
value that can be critiqued and analyzed. Perhaps, my own background of cave spelunking seated a
more powerful attachment to this particular story, but before I explore the reader response theories
of "The Beast in the Cave," let me give you some background about the author taken from the brief
biography by Joshi, renowned as the foremost historian of Lovecraft.
Howard Phillips Lovecraft was born on August 20, 1890 to Sarah Susan Phillips Lovecraft and
Winfield Scott Lovecraft in Providence, Rhode Island. Winfield Lovecraft was a traveling salesman
for Gorham & Co., Silversmiths. During one of his business trips, Winfield suffered from what
has been described as a psychiatric fit in a Chicago hotel room and was later committed to Butler
Hospital and was reported to be paralyzed and comatose during his last five years of life from
evidence that Winfield died of paresis, a form of neurosyphilis.
Howard Lovecraft's upbringing then befell his widowed mother, two aunts, and his grandfather, an
industrialist and heir of prominent lineage. Lovecraft, who had troubles in school, received must of
education from the form of old books he had access to in his grandfather's lavish Victorian home.
Growing up, his earliest enthusiasm was for the Arabian Nights that he adapted the pseudonym of
"Abdul Alhazred," who authored the mythical book of the dead, the

Pelgrane: Cthulhu's End Of The World
Pelgrane continues to be innovative and the forefront of interesting Cthulhu's End Times arrives.
There have been a few stabs at it before but either as a monograph which merely located action to
Mars and Earth being a paradise that was lost to humanity, which always struck me, as a brilliant SF
setting (hence, my deep love for Cthulhu Rising) but not terribly well supported (alas, such is the
nature of the monograph project) or TOME's End of the World, which fed into 1970s theories of
catastrophism (some GOO coming to wipe out humanity). And, yes, there have been supplements
and adventures in between but Cthulhu has always taken the approach that investigators are the
brave Hans Brinkers who stick their thumbs in the dike to save the day, usually at great pains to their
health and sanity. However, what happens when the whole bleedin' dike comes crashing down on
top of you. That is the End Times. Pelgrane has ventured into this apocalyptic (and post–
apocalyptic) milieu with this very product, but, perhaps, because they are British with its long
tradition of cozy catastrophes, it is a milder and gentler form of calamity. This is a sourcebook that
incorporates and edits the series of adventures that had previously been available only as PDFs and
unites them into a ... Show more content on Helpwriting.net ...
For example, the Martian's heat ray is not futuristic, but an ancient and incomprehensible weapon.
General relativity is a glimpse into the fundamental and warped geometry on which the universe is
built. In developing their science, humans perceived an underlying reality, which they could not
understand and were not meant to know. Throughout The Apocalypse Machine, the terms "monster"
and "Mythos entity" are used almost interchangeably. Everything in the Mythos is monstrous. All
monsters are part of the Mythos. Because apocalypses often involve many Mythos entities, it is
often more convenient to talk about "the

The Call Of Cthulhu, By Nathaniel Hawthorne
In Nathaniel Hawthorne's short story, "The Birth–mark," and H.P. Lovecraft's horror story, "The Call
of Cthulhu," there are both similarities in themes and style, however, their characterization and
narration is entirely different. This lends itself to creating two different short stories, both can be
classified as horror or suspenseful. Hawthorne's story, published earlier, shares a similar theme of
humanity and union with "The Call of Cthulhu." The documentary style of H.P. Lovecraft's short
story contrasts with the less personal feel of "The Birth mark." Finally, the characterization of both
the birth mark and Cthulhu create the stories and give them purpose and meaning, while acting as
heavy symbols for the purpose of extending and building a fuller, more intense plot. Both "The
Birth–Mark" and "The Call of Cthulhu" discuss how humanity is fickle and humans are not the
ultimate authority in the world. In Hawthorne's story, we are able to see how the attempt to control
humanity is worthless as we are all doomed and mortal creatures. As Aylmer attempts to remove
said humanity, he ultimately loses life as they are intertwined. Similarly, Lovecraft explores a world
where humans are not the only thing in the world, nor the most powerful. Humans are shown as
weak, especially in comparison to the creature Cthulhu. This is remarkably similar to the power that
the birth mark exhibits over Aylmer as he allows it to encroach on his sanity. The birth mark and
Cthulhu both

Games Design As Narrative Architecture By Henry Jenkins
Narrative research
Introduction
Games and story, which on opposite sides of the interactivity. After reading a paper named "Games
Design as Narrative Architecture" by Henry Jenkins, I think controlling the balance of gameplay and
storytelling is important to game designers if they want to design a game with narrative. For this
essay I will be analysing two completely different examples, focusing on their narrative and
gameplay in order to explain this issue. In addition to this, I will also provide some games I have
played and combine the theories in this paper and other books to analyse their different ways to
create immersive narrative experience in the game.
What is narrative? Confliction of narrative and gameplay
Narrative, or ... Show more content on Helpwriting.net ...
Storytelling is one of the most important forms of play indeed (Crawford, 2013), however not every
player would like to read story in games, they enjoy the process of achieving goal, too much
narrative even can be experienced as an unwelcome interruption (Jenkins, 2004). In order to avoid
this situation, game designer should using environmental storytelling in various ways to build a
game space which full of narrative. So players can enjoy the game itself and narrative in same time.
Here is an example, which is not positive but can demonstrate the importance of keeping balance of
game and narrative. Ensemble Star is a Japanese smartphone game, which I have played for one
year. Its narrative is completely attractive and impressed, however, its experience of gameplay is
very inconspicuous. Players only need to read stories, spend money to get cards and collect items to
strengthen their cards. Players can make some choices, but their choices cannot cause serious
consequences to the overall stories. So strictly speaking, I think it is not a game but a novel with
interactive function. Yet, its Chinese version add some game mechanics and blend into game story,
which makes this interactive novel more like a game. For example, every character have their back
stories. In Japanese version, players only can tap stories' button to read. But in Chinese

Danforth's Madness Created In Greek Mythology By H. P...
H.P. Lovecraft hints throughout the story as to what Danforth witnesses as they leave the ruined city
of the Elder Things. Danforth when looking back, glimpses the ancient castle of Kadath, home of
the Great Ones and a part of the dreamland dimension, a place mentioned in "old Pnakotic whispers"
(Lovecraft, 69). Danforth's madness was brought about by the revelation of the existence of alternate
dimensions and the witness of the portal between these dimensions in the "violet westward
mountains" (Lovecraft, 101). Danforth's ramblings of observations indicate multiple beings and
planes in the universe that it is impossible to identify the source of his fear as a single entity. As
stated in the Cthulhu Mythos, Kadath is home to a race of gods

Comparing The Call Of Cthulhu And At The Mountains Of Madness
As important compositions of the Cthulhu mythos created by Howard Phillips Lovecraft, both "The
Call of Cthulhu" and At the Mountains of Madness employ first person narration. Lovecraft employs
a common technique of horror literature in these two stories: characters attempt to interpret
abnormal phenomena with rational explanations, and horror is created when the characters fail to
achieve their purpose. In these two stories, the narrators are both highly driven by curiosity, and they
are enthusiastic about what they explore. However, two narrators are both unwilling to solve what
they have learned ultimately. Through the alternation of the subjective attitudes of narrators,
Lovecraft argues that human curiosity can cause unexpected and dreadful ... Show more content on
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Although both narrators change their attitude about what they learn through each story, the tone of
Thurston in "The Call of Cthulhu" is less varied. In both works, the narrators start with an uneasy
and nervous tone. Since the first impression about Cthulhu, Thurston has insisted that the image of
Cthulhu is "shockingly frightful" ("The Call of Cthulhu" 5). Similarly, Dyer feels nervous and
terrified about what he sees in Antarctic, which reminds him some terrible reading experience from
Necronomicon (At the Mountains of Madness 7). Both the tones of Thurston and Dyer demonstrate
that they are anxious and nervous about the subjects they are going to study. However, the tone is
rarely changed in "The Call of Cthulhu" through the whole story. Moving to the ending, Thurston
feels scared because he "[knows] too much, and the cult still lives" ("The Call of Cthulhu" 32).
Thurston's tone of fear constantly remains, and it only changes to some degree. The feelings,
thoughts, and attitudes of Thurston are mainly based on his reading rather than going through
situations that really terrify him personally. Thus, readers' emotion is less affected by Thurston's
narration. Under this situation, third person narration can replace the first person narration in "The
Call of Cthulhu". The tone of third person narration can be more ominous and suspenseful,
especially when Thurston has no personal experience involved. In contrast, the tone of Dyer in At
the Mountains of Madness changes continually through the whole story. The variation of Dyer's tone
can easily evoke readers' emotions, and thus creates affective mutuality between readers and the
protagonist. After a short while of uneasiness and nervousness at the beginning, the tone of Dyer
becomes enthusiastic because of the significant discovery by their expedition. For instance, he says

Literary Works Of H. P. Lovecraft
Murder, dark fantasy, cannibalism, aliens, monsters, and human–fish hybrids are all themes in the
literary works of Howard Phillips Lovecraft. The works of H.P Lovecraft, the strange, the weird, the
improbable, mirror his own life in many ways. On August 20, 1890, Howard Phillips Lovecraft was
born in Providence, Rhode Island. He was the only child of Winfield Scott Lovecraft and Sarah
Susan Philips. In 1893, when Lovecraft was only three, mental illness took his father from him
when he was on a business trip. Lovecraft was raised by his mother, his two aunts, and his
grandfather. "His neurotic mother convinced him he was ugly; it was possibly this belief but
certainly his predilection for solitude which caused him to be reclusive" (Rothfield). ... Show more
content on Helpwriting.net ...
His stories "engage readers with personal, first person narration and the gradual revelation of
increasingly terrifying and unbelievable occurrences" (Phillips). One of his greatest works is called
The Call of Cthulhu. The short story is about a man named Francis Wayland Thurston. His uncle
suspiciously dies, and Francis finds his uncle's notes, photos, and newspaper clippings. Through
these findings he finds out about the Cult of Cthulhu, a secret society that worships the "dark god"
in macabre rites and is working to assist Cthulhu in its return. Another one of Howard's most famous
works is The Shadow Over Innsmouth. This story is about a man named Robert Olmstead. He
travels through New England and discovers a creepy costal town of Innsmouth. Odd people dwell
there. It seems the people referred to as the "Innsmouth look," which is best described as fish–like
features. Olmstead ends up stranded in the town and soon discovers secrets and his connection to

Ancient Nuclear Weapons (Indus Valley)
A ncient A tom Bombs Ancient Atom Bombs Fact, Fraud, and the Myth of Prehistoric Nuclear
Warfare Contents I. The Myth of Ancient Atomic Warfare 1 II. The First Ancient Atomic Bomb
Theories 4 III. The Tesla Death Ray 13 IV. Big Theories, No Evidence 16 V. What It All Means 20
Works Cited 24 ANCIENT ATOM BOMBS? ● 1 I. The Myth of Ancient Atomic Warfare I N
FEBRUARY 2008, GLOBAL DIGNITARIES gathered to inaugurate the Svalbard Global Seed
Vault, a repository for plant life designed to withstand nuclear war so survivors could restart
civilization with healthy seeds. Magnus Bredeli–Tveiten, who oversaw construction of the vault,
told the Associated Press that he expected it ... Show more content on Helpwriting.net ...
However, the authors' 1979 book, 2000 a.C. Distruzione atomica (Atomic Destruction in 2000 BC),
was not a scientific paper but another work of pseudoscience, ANCIENT ATOM BOMBS? ● 5
unrecognized by academia. There is to date no evidence of nuclear explosions prior to 1945. Instead,
the earliest reference to prehistoric nuclear warfare appears to be the Soviet mathematician and
ethnologist Matest M. Agrest, who argued in 1959 that Sodom and Gomorrah had been destroyed by
nuclear bombs from alien spaceships. This claim was brought to the attention of the other side of the
Iron Curtain through The Morning of the Magicians (1960), a French work by Louis Pauwels and
Jacques Bergier which outlined one of the earliest complete (nonfiction) versions of the modern
ancient astronaut t heory (see my eBook The Origin of the Space Gods) and, on page 122 of the
1963 English edition, offered outlandish claims about ancient nuclear warfare. We will examine
their specific claims about ancient India momentarily, but first we turn to the other alleged
prehistoric bomb blast––the one from the Bible. Biblical Bombs Those who support the theory of
ancient atom bombs tend to be believers in a lost civilization like Atlantis or in extraterrestrial
intervention in ancient history,

Lovecraft's Influence On American Literature
Lovecraft the most influential writer in the 20th century
Howard Phillips Lovecraft (better known as H.P. Lovecraft) is one of the most influential American
writers of the 20th century in horror fiction. Though he was never considered a success while he was
alive; he gained much of his popularity years after his death. The foot prints he left behind could be
seen all around us, inspiring writers such as Stephen king and Clive Barker. Lovecraft's influences
could also be seen in the film industry, inspiring John Carpenter, Dan O'Bannon, and H.R. Geiger.
Lovecraft has made what horror and science fiction are today; the themes of civilization under
attack, non–human influences on humanity, and risks of the scientific era. With his influence the ...
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"The Innsmouth Look:" H. P. Lovecraft's Ambivalent Modernism." Journal of Philosophy: A Cross–
Disciplinary Inquiry 6.14 (2011): 44–50. Humanities International Complete. Web. 14 Nov. 2014.
Boerem, R. "Lovecraft and the Tradition of the Gentleman Narrator." An Epicure in the Terrible:
ACentennial Anthology of Essays in Honor of H. P. Lovecraft. Ed. David E. Schultz and ST.
Evans, Timothy H. "A Last Defense Against The Dark: Folklore, Horror, And The Uses Of Tradition
In The Works Of H. P. Lovecraft." Journal Of Folklore Research 42.1 (2005): 99–135. Humanities
International Complete. Web. 14 Nov. 2014.
"Interview with Stephen King." Goodreads. 1 Nov. 2014. Web. 5 Dec. 2014.
<https://www.goodreads.com/interviews/show/989>.
Lambie, Ryan. "HP Lovecraft and His Lasting Impact on Cinema." Den of Geek. Web. 5 Dec. 2014.
<http://www.denofgeek.com/movies/18189/hp–lovecraft–and–his–lasting–impact on cinema>.
J. M. Tyree. "Lovecraft at the Automat". New England Review (1990–), Vol. 29, No. 1 (2008), pp.
137–150 Published by: Middlebury College Publications
Joshi. Rutherford, N.J.: Fairleigh Dickinson, 1991. 257–272. Rpt. in Short Story Criticism. Ed.
Jelena Krstovic. Vol. 165. Detroit: Gale, 2012. Literature Resource Center. Web. 15 Nov.

H. P. Lovecraft
H. P. Lovecraft: A Creative Case Study It is safe to say that most who enter a specific field seek to
leave a lasting impact upon that will last long after they are dead and gone. Obviously, not all end up
so fortunate; to create such a powerful legacy, one must be truly innovative and bring something
truly unique to the table. In the field of creativity studies there is a model of understanding creativity
called the Four C Model. In the article Beyond Big and Little: The Four C Model of Creativity Big
C creativity is stated to be made up of clear–cut, eminent creative contributions (2) In this model,
individuals like those previously described are considered "Big C" creatives. There have been many
individuals in history that have gown ... Show more content on Helpwriting.net ...
As previously stated, Lovecraft had very little success as a writer in his time. He did have a self–
published magazine called The Conservative and several of his short stories were published in the
horror magazine Weird Tales, but beyond this there was little to his career. After his death, authors
that he was close friends with championed his works and even borrowed elements from his
creations. His works steadily grew in popularity over time, but he still did not receive much in terms
of accolades. He did receive a memorial in his native Providence, Rhode Island but little else
beyond that. His achievements are based in what he left

Howard Phillips Lovecraft
Every once and a while a story comes out that makes everyone stop. They reevaluate how they see
things, how they see a whole genre after reading something. This incredible phenomenon is what
happened after Howard Phillips Lovecraft wrote his extraordinary tales about worlds in the beyond.
Lovecraft's works are very influential and can still be seen in works today. He created a whole sub–
genre that sprouted a cult, movies were born from his ideas, and even videogames are blossoming
truth behind how influential Lovecraft was and is. The man behind the madness may be gone, but
his tales still enthrall a large mass of people.
Lovecraft was able to write stories the way no one else at the time could. Cosmic and distant, these
stories were something ... Show more content on Helpwriting.net ...
Petersen has read countless Lovecraft titles, seen a few movie titles and recently tried her hand at
some of the video games available. Q: "Do you often see Lovecraft's themes in other stories?" A:
"Yes. Something that's really big right now is Zombies and the whole Zombie concept. It's not
uncommon that one or two of them has Necronomicon in it so that they can raise the dead. Some
sort of ancient spell or another. It's big right now but it's always been big. I think a lot of settings
take a Lovecraftian turn. Everyone always try's their hand at Lovecraft's impossible geometry
setting. Only a handful get it right. I think that's the hardest part for people to understand is that it's
not supposed to make sense. It's just something that's there." Q: "If you could pick any Lovecraft
game that you think is truest to the stories which would you pick?" A: "Probably Eldritch, each level
is like a distinct part of Lovecraft's stories. There are little star children monsters and Shoggoth is in
it. There's a few monsters in it if I recall. There's even an area that's supposed to represent the
Mountains of Madness. To me that's the best real Lovecraft game. You could always say that other
games have Lovecraft influence like Dead Space but it's not really the Lovecraftian

The Call Of Cthulhu By H. P. Lovecraft Summary
CHARACTER DEVELOPMENT In H.P. Lovecraft's short story "The call of Cthulhu," written in
1926, Lovecraft does not give his main character a name. H.P. Lovecraft does not tell the readers
anything about the main character besides that his great uncle, George Gammell Angell, has died in
an accident. When George Gammell Angell dies the main character goes through George's things,
finding George's manuscript that starts the main characters investigation. The main character may
not be given a name or have much development behind his character, but the main character is the
narrator of the entire short story. However, there are some points of inner dialogue from the main
character so the readers can understand his emotions. H.P. Lovecraft, although he does not develop
the main character to a large extent, does develop the side characters to the point we know who they
are and what happened to them. George Gammell Angell, as stated above, is the main characters
great uncle, as well as, a professor at Brown University before his sudden accidental death. H.P.
Lovecraft goes as far as describing George Gammell Angell's death:
The Professor had been stricken whilst returning from the Newport boat; falling suddenly, as
witnesses said, after having been jostled by a nautical–looking negro who had come from one of the
queer dark courts on the deceased's home in Williams Street. Physicians were unable to find any
visible disorder, but concluded after perplexed debate that some obscure

Taking a Look at Howard Philips Lovecraft
Howard Philips Lovecraft has been described by many as the father of the modern horror story. His
works influenced many future horror writers and set the tone for heavy metal music and horror films
from the 1960s to the 1990s. Much of this influence is based upon H. P. Lovecraft's depiction of
humanity in his stories. In the works of Howard Philips Lovecraft, the portrayal of humanity as an
inconsequential piece of the universe that is unable to exact any meaningful change in the world due
to its frail sanity and its inability to truly comprehend what is happening in its surroundings. is based
upon H. P. Lovecraft's personal philosophy and life experiences. When H.P. Lovecraft was three
years old, his father was confined to a mental institution where he would die a few years later. With
his father's death, Lovecraft was cared for by his mother, two aunts, and his maternal grandfather.
Lovecraft was an exceptionally intelligent child and by the age of six he would often read Gothic
horror stories with his grandfather. Although he was extremely intelligent, Lovecraft did not
regularly attend school until he was eight. H. P. was a sickly child and early in life began to suffer
from terrible night terrors. While attending high school, Lovecraft suffered a nervous breakdown
and never actually graduated. Following his departure from school, H. P. Lovecraft lived with his
mother for several more years. During this period, he worked on writing poetry and short stories.

Foucault 's Assertion That One 's Own
Written Response Most Persuasive Assertion Michel Foucault 's assertion that one's own "author–
function" can exceed their own work is a claim in which can be backed by an array of existing and
deceased author 's. An agreeable claim, even though Foucault attempts to disassemble it later on in
the essay. Foucault initially states, "One might say that it is not true that the author of a novel is only
the author of his own text; in a sense, he also, provided that he acquires some "importance," governs
and commands more than that. To take a very simple example, one could say that Ann Radcliffe not
only wrote The Castles of Athlin and Dunbayne and several other novels, but also made possible the
appearance of the Gothic horror novel at the ... Show more content on Helpwriting.net ...
And the authors are given credit for their contributions to the world of literature not only in
founding new genres but crafting new styles and expanding on existing genres/formats. The
experimental novels of Dorothy Richardson displayed what would eventually be coined by William
James as the stream of conscious narrative form. Religious mythologies around the world crafted the
parable, which would later get perfected in the form of Grimm 's fairytales and Aesop 's fables. The
thread line of the evolution of literature is there and can be followed to its main contributors.
Contributors whose work can easily be defined as something which exceeds their "author–function"
as Foucault states it. Such a claim can be broadened out to any art form including that of music and
art. Even more contemporary style of storytelling in film and cinema had individuals whose work
exceeded their "author–intention" and opened up the doors to new styles, genres, and avenues for
aspiring artists to venture forth down. Least Persuasive Assertion Foucault 's claim that the Author is
"dead" is solely based off of perspective and how you see an author. His assertion mirrors the
philosophical concept fashioned by Nietzsche you was famously quoted for his saying "God is
dead,". The phrase was used to signify the change in philosophical discussions which removed any
form of a God like figure from

Of The Unknown In H. P. Lovecraft's The Shadow Of Innsmouth
The curiosity of the unknown is a common theme within H.P. Lovecraft's writings. Both "The
Shadow of Innsmouth," as well as "The Call of Cthulhu," have narrators that are curious and hungry
for knowledge about the unknown. This curiosity and accumulation of knowledge ultimately leads
to the revelation of their true identities. In H.P. Lovecraft's "The Shadow of Innsmouth", the
remarkably quiet town of Innsmouth sparked the nameless narrators interest with it's architecture
and antiquity. During the bus ride to Innsmouth, the narrator takes detailed note of all the
architecture, describing it as "bedraggled remains of a circular green in the center" (Lovecraft 283),
and noting the lack of people walking throughout the town. The narrator is

Who Is The Protagonist In The Call Of Cthulhu
Humanity's Trivial Existence and the Genre that Shone Light Upon It H.P. Lovecraft's writing
sprouted an entirely new genre of horror and perception of horror, based on his own writings and the
concepts he brought into the twentieth century. Before his time, the majority of monsters were direct
translations of social fears, often based in teaching morality and caution to the readers, but Lovecraft
introduced the notion that humanity is intrinsically unimportant and easily destroyable without a
second thought of the monsters and gods who do so. That isn't to say that Lovecraft fully avoided
weaving social fears and teachings into his work, as is evident in his blatant racial prejudices, but
they mostly pertained to a cosmic structure unknown ... Show more content on Helpwriting.net ...
This relation of information from the protagonist's trusted mind to the reader's may or may not have
been common during Lovecraft's time, but it certainly creates a deep connection between the story
and the real world, which makes the horror of it all the more

The Call Of Cthulhu Sparknotes
For my analysis, I decided to choose 'The Call of Cthulhu' by H.P Lovecraft.
Lovecraft begins the story by saying "The most merciful thing in the world, I think, is the inability
of the human mind to correlate all it's contents." It shows that the narrator is perhaps unstable, and
vulnerable. It puts him in a place of knowledge over the reader as well, perhaps making the reader
feel just as vulnerable as he is, since the line implies that there is something that he knows that we as
a collective don't, and that it should terrify us. The positioning of the line, at the very beginning, is
meant to be a power play, to assert to the reader that the narrator is the one who is much more
informed, and from the rest of the text, we know that he is. The text doesn't mention the location in
which the story takes place, but it does mention that "We live on a placid island of ignorance in the
midst of black seas of infinity". It isn't meant to be taken literally at first glance, but it easily could
be, as the black seas of infinity could be space and the entirety of the universe that we can't map,
making us an island of ignorance, because we have no idea what's out there, linking back to the
main central point of the text– Cthulhu, who the writer could be subtly implying, is out there in the
unknown. This gives the unknown an almost tangible form to the reader, by using a metaphor that
also doubles as a literal. The narrator's uncle is introduced formally, and of course, dead. "With

The Weird Is An Essential Horror Component
As a genre, the weird is an essential horror component that is used to convey points and ideas that
regular Gothic monsters cannot. Dracula is not the fatalistic manifestation of "there is nothing you
can do to change the world" that Cthulhu is, and cannot be made into one. When the monsters are
tangible, they are understandable. They have a weakness, they can be conquered by humanity and
have the world return to a relative normal. The weird can convey the extremes in ways tangible
monsters cannot, and make a statement on the world that the Gothic is too limited to address
completely. Both Lovecraft and Gilman use the bounds, or lack thereof, of the weird to expand upon
ideas that cannot be properly expressed by what would be considered ... Show more content on
Helpwriting.net ...
The dead monster lies dreaming of a future where his acts and power are realized. He does not wish
death upon humanity, nor does he wish to help humanity because they are of so little consequence to
him. His cult is aware of this, worshipping the Old Ones so they could be "... Free and wild and
beyond good and evil, with laws and morals thrown aside and all men shouting and killing and
revelling in joy. ... And all the earth would flame with a holocaust of ecstasy and freedom."
(Lovecraft)
This shows how Lovecraft sees the world, using the elder gods as a tangible metaphor for his
nihilistic view of life and its meaning, or lack thereof. In a cosmic sense, the monster is unimportant,
adding another layer of merit to Lovecraft's argument. If the mighty Cthulhu is a simple
extraterrestrial being that happened to find Earth and build a city on it, what is his purpose? What
does he worship, fear, love? Even the world ending, miles–tall, progeny of Earth's ambivalent horror
has no purpose or drive beyond staying in his endless cycle, dreaming in R'yleh.
Gilman is much more positive than Lovecraft, in a way. She does not see the world as inherently
useless, but does question the ideas that society takes for granted, like the ability to control the self
and medical practices meant to deprive the patient of mental activity. The Yellow Wallpaper is her
take on the world through the

Supernatural Intervention In H. P. Lovecraft's Dagon
Divinely Inspired or Divinely Insane: Supernatural Intervention in Literature Throughout various
genres of literature, divine or mystical intervention has played a pivotal role in revealing truths to
man. In many cases, these truths prove to be too complex for the human mind to comprehend,
resulting in characters to slowly become insane. The characters of Macbeth, Lady Macbeth, and
Hamlet from their respective Shakespeare plays as well as the unnamed narrator in H.P. Lovecraft's
short story Dagon express this belief as they each struggle to maintain sanity after their experiences
with powerful, unknown forces. Supernatural beings play significant roles in several of
Shakespeare's plays, but take on detrimental roles in many of his tragedies. They can be seen most
prominently in what can coincidentally be considered his two most famous tragedies, Macbeth and
Hamlet. While paranormal beings appear in forms of the "Weird Sisters" in Macbeth and the ghost
of King Hamlet in Hamlet, John Gibson argues that they contribute to their plots differently. In his
essay, Shakespeare's Use of the Supernatural, he argues that Hamlet's supernatural elements confirm
a truth from the past, whereas in Macbeth to the future. Dr. John Charles ... Show more content on
Helpwriting.net ...
In the first act of Scene Five, she believes that she can see and smell blood on her hands, constantly
washing away stains that are not actually there. This blood could symbolize the possible recognition
of wrongdoing that she feels after the deaths of Duncan, Banquo and others who were murdered
because of her actions. Soon after this scene, Lady Macbeth is found dead. The cause of death is
heavily alluded towards suicide although it is left ambiguous. The death of Lady Macbeth mirrors
the death of Duncan that was committed in order to fuel her desire for power. (Van

Personal Narrative-Leng
Page 4 of 18
I noticed it was getting harder to finish assembling my gun; I was losing the outside light. The sun
was already setting, even though it was just after three. I remembered when I had gone to Middle
School, during winter, of having to walk through Arkham's icy atmosphere instead relaxing in the
warm luxury of riding in the car, which we'd sold to defray, in part, another of the old man's
expeditions, this time to Nepal in search of the legendary Plateau of Leng. Such dangerous
destinations meant nothing to me at the tender age of thirteen, of course, except in that I could no
longer bask in the warmth of the Nexus's heater.The Eastern horizon would be barely beginning to
lighten by the time I reached the gate. I got home just after ... Show more content on Helpwriting.net
...
There was more than a touch of unpleasantness contained within that safe. Across the room,
however, was my real arsenal: a two–tiered bookcase made of pressed particleboard that I'd picked
up at a garage sale for five dollars. Crammed in it and disguised by a simple holographic
misrepresentation which caused the volumes on the shelves to appear as a complete run of the Ace
Science Fiction Specials from the 1960s, was in fact such a collection of ancient tomes of mind–
blasting lore as to give the cognoscenti of such things many sleepless nights: The Book of Eibon,
Cultes des Goules, De Vermis Mysteriis, The Eltdown Shards, The People of the Monolith, The
Pnakotic Manuscripts, the Seven Cryptical Books of Hsan, Unaussprechlichen Kulten, and the
dreaded Al–azif itself, know also as the Necronomicon. Should the Four Horsemen of the
Apocalypse show up, even wearing Armani and Kevlar while driving SUVs and brandishing
Russian assault rifles, I was ready for them. While finishing the assemblage of the gun, I glanced up
long enough to make sure that whoever had entered a little less than four minutes ago wasn't, say, a
Mi–Go intent on booking me for a missing–persons case––with me as the star. I'd registered earlier
the sound of my client––or so I hoped–– standing and moving desultorily about the outer office.
There being no indication of impatience in the light steps, I merely raised my gaze, intending
nothing more than a cursory glance and a word or two of reassurance before completing my work.
Instead I stared, motionless, like a hare transfixed by the glittering gaze of a

H.P. Lovecraft’s Fascination in Supernatural Theories Essay
H.P. Lovecraft's fascination in supernatural theories plays into a main basis for his novels.
(Wohleber) With the unknown lurking, Lovecraft incorporates horror through the use of
psychological fear as a form of expression making it become crucial for many of his works. At the
Mountains of Madness encompasses this thought by the expeditions before and after effects on the
characters. The urge to be a success fills the scientists up with courage to embark on such a
dangerous trip; however, after the trip the survivors, Danforth and Dyer, had lost all sense of sanity.
"On our return Danforth was close to hysterics..promise to say shew our sketches or say anything."
(Lovecraft 176.) Their eyes couldn't believe what was seen having them debate ... Show more
content on Helpwriting.net ...
"The horror felt by the characters in the novel are not those of pain, but simply the fear of knowing
the unsuspected truth hiding just beneath the surface of things."(Wohleber.) Lovecraft's writing goes
beyond what tends to be said as "horror" by using madness in his characters, suspicion and
discovery to the surroundings and the belief of supernatural beings upon us on Earth.(Wohleber.)
Such statements tamper with the mind because with enough evidence one can only wonder whether
situations in life like that can happen. Throughout the book the confusion only grows more by
showing how their suspicion makes them come up with ideas that didn't even happen. When arriving
at base and having only one person a group of dogs missing while everyone else is dead can only
make someone bring up ideas on who is behind it all. Situations like these tamper with the
characters head only leading them to further insanity. Lovecraft works with the nature of fear in
literature. He possesses "an understanding of the psychological basis of horror appeal." (Burleson.)
Although it is said he was influenced by Poe, Lovecraft revised what Poe does in his writings. "Poe
questions the existence of the characters themselves while Lovecraft deprives the mental wellness of
the characters by questioning what their eyes and ears see or hear."

Stephen King Night Surf
The three short stories written by Stephen King that I read for class were Night Surf, Graveyard
Shift, and Jerusalem's Lot. The first thing I noticed while reading Night Surf was that it mentions a
super–flu that wipes out nearly the whole human race called "Captain Trips." This same super–flu
called "Captain Trips" is later used in a story written by Stephen King called The Stand. After doing
some research, it appears to be that Night Surf was King's precursor to the epic horror story, The
Stand as Night Surf was published in 1974 and The Stand was published in 1979.
The next short story that I read was Graveyard Shift. One major thing I noticed about this short story
was that King seemed to be more focused on the plot than characterization.

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