Isle Of Dogs

Isle Of Dogs
As to be expected, Director Wes Anderson once again delivers a masterfully crafted stop–motion
animation film Isle of Dogs with distinctive style and striking visuals. Anderson captures the spirit
of each canine character behavior with palpable affection and a careful eye for detail while
addressing ideas of fear and aggression with underlying messages about distrust of the government
and public resistance. Isle of Dogs is an artful masterpiece of skillful word building that lures
viewers into the story with aplomb.
From beginning to end, Isle of Dogs is told like a fable with surprising soberness and brutal honesty;
the nostalgia of the film persists throughout despite it's setting twenty years in the future. The film is
set in futuristic ... Show more content on Helpwriting.net ...
Fox (2007). In true Wes Anderson fashion, every shot is breathtakingly beautiful, captivating, and
absolutely necessary to the film, with a unique style and stunning visuals not dissimilar to that of
Blade Runner 2049 (which won an Academy Award for its amazing cinematography). The copious
amounts of perfectly balanced shots in this film exhibits Anderson's love of symmetry, which
contrasts with the endearing rough–around–the–edges quality of the stop–motion animation. Each
setting has its unique tone and feeling, yet stays consistent with the film's overall theme. Every
detail is included with immaculate precision and care, from discarded water bottles that catch the
light like precious gemstones to each blade of grass billowing in the wind; this dissonant beauty and
almost grotesque imagery is very prominent in Isle of Dogs. Best of all are the fight scenes, which
devolve into cotton–cloud puffs of dust and flailing
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Hayao Miyazaki and Japanese Animation Essay
Hayao Miyazaki Hayao Miyazaki has been revolutionary in Japanese animation. A mangaka (an
artist/writer/creator of manga, Japanese comics), an animator, and storyteller, Miyazaki has not only
been very successful in his work, well known and loved by many, but has changed the world of
anime with his unique style of drawing. Through passion and hard work, Miyazaki has become one
of the most successful animators in all of Japan. Miyazaki was born on January 5th, 1941, in Tokyo,
Japan (MUBI.com). His father, Katsuji Miyazaki, was the director and owner of their family's firm,
Miyazaki Airplane, that made parts for Zero fighter planes. His father's job contributed to his
fascination with flying, and accurately depicting it in his animation ... Show more content on
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2: 344–345) Manga grew in popularity in Japan while he was still in high school, and he decided he
wanted to be a comic artist. While animation was regaining its popularity in the postwar years, he
saw Legend of the White Serpent by Taji Yabushita, the first Japanese colour animated movie, and
he absolutely fell in love with the feature. After graduating from Toyotama High School (1959) he
went on to enroll in Gakushuin University, where he studied political science and economics. While
he was there, he studied European childrens books and comics after joining a children's literature
research society, things by authors like Rosemary Sutcliff and Antoine du Saint–Exupery. In 1963,
he finally graduated with a degree in political science and economics, but instead of moving into the
fields of politics or finance, he promptly went to get a job at the animation studio of Toei Company,
Toei Cine, where he had an apprenticeship before he was allowed to work as an entry–level in–
betweener on Watchdog Woof–Woof and Wolf Boy Ken (an in–betweener takes the first and last
frames of the action or movement drawn by the animator and creates the flow, the series of
picutres/sketches in between the two to connect them and complete the movement or action). He
was a hard, dedicated worker, with a passion for what he does, and so he quickly climbed up to
positions with more and more responsibility in the animation industry. Wolf

Studio Ghibli Research Paper
For the past few decades now, this production studio has created many classics appealing to
generations all over the world, creating different genre films for people to enjoy. For years this
company has been overwhelmingly successful, winning multiple awards and receiving love from
millions of fans. Studio Ghibli is one of the most successful production companies in all of Japan
because of the awards they won for their films.
Studio Ghibli Inc, is a Japanese animation film studio based in Koganei, Tokyo, Japan. The studio is
recognized for many rewarding anime feature films, such as Spirited Away(2001), and My Neighbor
Totoro(1988). Ghibli was established in 1985 by Yasuyoshi Tokuma, Hayao Miyazaki, Isao
Takahata, and Toshio Suzuki. However, ... Show more content on Helpwriting.net ...
He is the co–head at Studio Ghibli with his long time colleague Hayao Miyazaki. Takahata is
recognized for being a famous director of Ghibli films. One of his films; Grave of the Fireflies, is
considered one of the greatest animated films ever made. It tells the story of teenager being forced
to take care of his younger sister after losing their home in an American bombing during WWII. He
is very talented at capturing the audience's emotions in his movies. Toshio Suzuki was born August
19th, 1948. He is chief producer and co–founder of Studio Ghibli. He was the president of Studio
Ghibli from 2005–2008. Furthermore, Suzuki is recognized for being one of the most successful
producers after the box office success (in Japan) for his many Ghibli films. Suzuki worked on the
Asahi Geino Magazine before becoming an editor of Animage in 1978. In fact, he met Hayao
Miyazaki when he created the Nausicaa of the Valley of the Wind manga. Suzuki was so impressed
that he convinced Miyazaki to make Nausicaa into a film, as a result, he co–founded Studio Ghibli.
Hayao Miyazaki was born January 5, 1941, in Tokyo, Japan and is known as a famous director of
many anime films. He is also the co–founder of Studio Ghibli Inc. Along with Isao Takahata and
Toshio Suzuki. However, most of Miyazaki's films are set around the same kind of themes of the
struggle between good and evil, and other common things like politics and environmentalism.
Usually, the protagonist in his films is young, strong, independent females, while the antagonist is
full of jealousy, rage or greed. In conclusion, Miyazaki announced his retirement directing in 2013,
after his last film, The Wind

Hiroshima And Nagazaki's Effect On Japan
The film Akira was produced at the year 1988, while the first part of the manga for Akira was
released in Decemeber 1982 and the manga was serialised in the pages of Weekly Young Jump
Magazine from 1982 to 1990. Katsuhiro Otomo inspiration for the film Akira comes from some of
the western film, such as Bonnie and Clyde. Katsuhiro Otomo was given with a huge budget of $11
million to bring Akira to the screen. Katsuhiro Otomo then proceeds producing Akira with 70
animators. 327 colours were used in the film, which include 50 specially created colour and in total
of 97 shades of red. With over 160,000 cels, Akira was produced with a smooth, realistic and
convincing animation.
Akira had become the most influential genre so far as the international ... Show more content on
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History depicts that Japan had gone through periods of rebuilding. By seeing into Japan's culture, it
seems like it is true in terms of Japan's layered past and representation of new media. At the year
1945, Hiroshima and Nagazaki were levelled by the atomic bomb dropped by the United State, and
this catastrophic event would have shape the nation over time. However, the Japanese has not
simply forgotten about it, but the bombing of Hiroshima and Nagazaki seems to have given the
Japanese a new meaning with the newer generation today. The word of atomic bomb to most of the
people meant death and destruction, but at the same time it can also mean rebirth or hope for the
future. Hence the concept of death and rebirth had become common theme in Japanese anime.
The concept of rebirth can be seen the film Akira. Akira took place after the World War III, Tokyo
has been rebuilt into a new city called "Neo–Tokyo", since at the start of the film Tokyo was
destroyed by Akira. Neo–Tokyo is presented to the audience as a glowing city that filled neon lights
and higher technology. Some people may see Akira as a tech noir genre film, according to what
John Treat stated, "paradoxical genre that excoriates technology at the same time as its sophisticated
special effects are implicit celebrations of technological achievement" (Contemporary Japan and
Popular Culture

The 's The Circle Of Life
It's the circle of life.
The generation that grew up with "The Lion King" movie as children, get to experience the
television reboot as adults.
Although the television show is meant for kids, it's more than likely that adults will be interested in
the show just to see what everyone in the Pride Lands is up too.
Samuel Morin, 3rd year animation student at Sheridan, was lucky enough to work on it.
"I feel like I've come full circle with Lion King. I grew up being absolutely obsessed with Lion King
and so the fact that they would kind of reboot it and that I get the opportunity to work on the first
episode (and other episodes after that) its just crazy," said Morin. I'm not a big believer it fate, but of
all the Disney movies that I loved growing up, this is the one I was most obsessed with and that I am
now getting to work on it"
The television show Lion Guard is based on the 1994 "The Lion King." It'll premiere first as an hour
long episode called The Lion Guard: Return of the Roar, and will continue as a regular television
series later in the year on the Disney channel. The first episode will be released in November and
the rest of the series is expected in early 2016.
In the show we get to meet Nala's and Simba's second–born son Kion and his friends who create a
group to protect the Pride Lands. There are also returning characters.
"I think Bunga, the honey badger and one Kion's friends was my favourite work with. He has a lot
of personality and so he was kind

Spirited Away
Viewing Hiyao Miyazaki's "Spirited Away" for the third time, I was struck by a quality between
generosity and love. On earlier viewings I was caught up by the boundless imagination of the story.
This time I began to focus on the elements in the picture that didn't need to be there. Animation is a
painstaking process, and there is a tendency to simplify its visual elements. Miyazaki, in contrast,
offers complexity. His backgrounds are rich in detail, his canvas embraces space liberally, and it is
all drawn with meticulous attention. We may not pay much conscious attention to the corners of the
frame, but we know they are there, and they reinforce the remarkable precision of his fantasy
worlds.
"Spirited Away" is surely one of the finest of ... Show more content on Helpwriting.net ...
That is why it plays so powerfully for adult viewers. Movies made for "everybody" are actually
made for nobody in particular. Movies about specific characters in a detailed world are spellbinding
because they make no attempt to cater to us; they are defiantly, triumphantly, themselves. As I
watched the film again, I was spellbound as much as by any film I consider great. That helps explain
why "Spirited Away" grossed more than "Titanic" in Japan, and was the first foreign film in history
to open in the U. S. having already made more than $200 million.
I was so fortunate to meet Miyazaki at the 2002 Toronto film festival. I told him I love the
"gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes
people will just sit for a moment, or sigh, or gaze at a running stream, or do something extra, not to
advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said. "It's called 'ma.' Emptiness. It's there intentionally."
He clapped his hands three or four times. "The time in between my clapping is 'ma.' If you just have
non–stop action with no breathing space at all, it's just

The Film Mulan
Disney Film: Mulan
This one of a kind Disney film "Mulan" (Bancrofty and Cook, 1998) draws an innovative path for
Disney's animation studio. It mixes the traditional elements such as with a brave heroine and those
cute animal sidekicks. The material appears to be more adventuresome and grown up. Similar to
Fox's "Anastasia," Mulan is known as a film from which not just children but also adults can enjoy
on their own, devoid of feeling an obligation in taking along with their children.
In terms of the story, it tells the time as not a retread of a recognizable Western children's classic,
however on the basis of a Chinese folk fiction concerning a brave Chinese teenage girl who covers
up herself as a boy to have fought by the assaulting Huns. By the time the invaders along with their
pitiless leader named Shan–Yu, who then was looking like Karl Malone in an alarming way sweep
down on the Chinese Wall, capable men were called by the Emperor in order to combat for a
defense for the kingdom.
The father of Mulan in this film emphasizes being old and weak. However, he throws away his
crutch to make a voluntary effort. In order for his father be granted of his personal desire, Mulan on
its best has stolen the family sword, summons the family ancestors for aid, and clandestinely went to
his place. As a matter of fact, Mulan defies not merely for get–together, nevertheless on the desire of
her family to let him stand for by the plans of a matchmaker and marrying whomever Mulan

Cinderella Research Paper
3）Which film genre you prefer? And Why? Disney's Cartoon Animation is my favorites film genre
from past until now. It is because Disney's Cartoon Animation is not only for children; young and
adult also can watch it. Disney's Cartoon Animation not only represents fairy tale, prince or
princess, but also can be a topic about family, friends, animals, robots and so on. There is some
moral value about kind, brave, smart. I love those wear pretty in the story for example even she is
Cinderella, her worn–out skirt is pretty too. After she met the fairy mother, her worn–out skirt
becomes a blue gorgeous dress. I love the dress deeply. It is so beautiful. The graphic in all Disney's
animated movie is most attractive for me. Frozen, Big Hero 6, Cinderella ... Show more content on
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This movie is adopted from the other movie Snow Queen. Princess Anna and Elsa are sisters and
also a best friend. One night Anna wakes Elsa up to go play in the snow. Elsa has magical powers
that create the snow. When Anna and Elsa get too excited, Elsa accidentally hurts Anna badly.
Fortunately, Elsa is saved but Elsa is prohibited to come out of her room until she can control her
powers. However, Anna doesn't understand why Elsa will not come out because her memory about
the accident has been erased. Because of this, she feels that her sister has ostracized her, although
they once were best friends. Tragically, Elsa and Anna's parents which is the King and the Queen die
and the gates of the castle are closed until Elsa can be crowned Queen. When she can be crowned
Queen, Elsa is nervous because she can't control her powers yet. But the coronation goes very well.
However, Anna meets Prince Hans and decides to wants to marry him but Queen Elsa disagree her
sister marrying someone she just met so Anna fights with her. This cause Elsa can't control her
power and freezes the entire kingdom and runs

The Importance Of Japanese Animation
Over the years, Japanese animation have gain more attention from the public than before. Japanese
animation, also widely known as anime, dominates most of the animation that exists in today's
media. Much of its popularity originates from Studio Ghibli's movies and classics, such as Astro
Boy, One Piece, and Pokémon. These anime movies and series allowed anime to gain attention from
the world as it revealed a different level of animation. However, anime was not at first well received
by the Japanese people along with other foreign countries. Due to the fact that some anime
displayed an amount of violence that ruined the specific purpose of animation. Since it carried a
negative connotation, anime had only gained more popularity during the 20th century. In addition,
many people learned that anime's audience were not just children, as young teens and adults
indulged in anime as well. At the same time, anime displayed a variety of genres that differ from
animation that strive to connect with children. Compared to any animation that is created children,
anime strives to incorporated different concepts and ideas that reflect today's political, social,
historical, and economic situation. Nevertheless, this paper will analyze how anime plays a role in
people's life as they consume it. Anime has given many people a collective identity that helps them
identify themselves with the anime and its elements that defined it. Anime is not same as animation
as it gives people a sense of

Racism Present In Disney/Pixar Films. For Many Parents,
Racism Present in Disney/Pixar Films For many parents, these Disney/Pixar movies are something
nice they can show to their children, they grew up on many of them and they wish to share this joy
with their kids as well. If one was to walk up and tell them "These movies are fairly racist, you
should show them to your children lest they get the wrong idea!" in most cases, they will find them
to be just a closet nutcase and ignore that like it never happened. Society and these movies have
conditioned the people so much that people cannot even identify the racism present, because when
they see it, those cases are not seen in there head as unnatural but the opposite so then it fades into
the background and unless asked to focus they probably ... Show more content on Helpwriting.net ...
This movie was mostly made to try to make those who were upset with urban life, more specifically
whites who were upset, to leave it behind and join the plantation life (Terry, 471–2). This movie was
more for the white audience, making the black slaves who are living on the plantation out to be
happy, and that it's the dream place to be. This was of course not how it really was, it was a much
darker situation then, especially for the "happy" blacks. The lead actor himself could not even come
to watch his own movie, due to the segregation laws in place during that period. One common type
of propaganda done by the media is usually dehumanizing the enemies during war times or just
during times of tension between multiple countries. Usually it is newspaper comics or other similar
media outlets, but what some people probably did not know if Disney made a few as well. They had
made some during conflicts with Germany and Japan. A few examples would be such as "Der
Fuehrer's Face (1943)", "Commando Duck (1944)", and Education of Death (1943)" which made
the Axis enemies look like brainless fools (Young). The Japanese soldiers depicted in "Commando
Duck" had weird glasses, giant buck teeth, and spoke in broken English while saying to each other
"Its Japanese custom to shoot enemy in back".

Stop Motion Animation
Stop motion animation: Stop motion animation is when you take a picture of something, move it
ever so slightly (depending on how smooth you want the sequence to be) then take another picture
and so on and so on. The sequence of pictures will create an illusion of a moving image. When
creating a stop motion animation it can either be done traditionally or a computer can be used to
generate the background sets. Examples of stop–motion animation on TV are commonly children's
shows such as Morph, Shaun the sheep, Bagpuss, The Clangers, Noddy and Wallace and Gromit's
World of Invention. The advantage of stop motion animation is that you can be creative because
there aren't many limitations on what you can do with an object like you do in real life. The
disadvantage is that it's very time consuming and extremely laborious and you have to make sure
the camera's still because one little slip up shows very clearly.
Clay animation: It is similar to stop motion animation however using clay. It works by capturing
each frame and then playing the recorded shots to see a live action. Clay animation films were
created in the 1908's, however it's in 1916 that it started to become popular overseas. Each clay
character is produced by using a wire and clay, the wire is called an armature. The disadvantage of
clay is that it's very fragile therefor when producing and shooting the characters and objects must
not be altered by any smudges, hair or dust

Japanese Culture In Japan
Japanese culture is filled with creativity, especially in Tokyo. The best way to describe Tokyo is to
compare it to New York. In America New York is the heart of fashion, business and music. Basically
it was the place to be or go to if you wanted your dreams to come true. Tokyo is a mirror of these
themes for the Japanese people. One of the attractions in Tokyo specifically is Anime. The first
generations to begin Anime started in the late 1910's. From then on Anime has become the core
content to view one of the most famous animated series in the world. Especially since Anime started
in Japan, it's very likely that you'll see a lot of the Japanese culture within every animated piece.
Two animated movies that have been greatly obsessed with not only in Japan, but also all around the
world are Akira and Michiko & Hatchin. Both movies were created by two different director who
rose in the Anime popularity not so far from one another. Katsuhiro Otomo was the director who
created Akira which was published in 1988, and Sayo Yamamoto was the director who created
Michiko & Hatchin. With animation being a competitive field where directors are trying to create
the most critically acclaimed filmed, some of the factors that are often ignored is whether the
director was a male or female. If you were to watch these movies one after the other you would be
amazed with the overall results of each one, but what is it that makes one movie better than the other
and how does it play an effect.

Anime In America Research Paper
Everyone knows each project has a process no matter how long or short it may be, with that said this
will be a deep analysis on my project: Anime in America. I chose a topic revolving around anime
mainly because I watch it and I wanted to do my project on something I found interesting. Another
reason for my choice in topics is because I already knew about some of the things revolving around
my thesis, my thesis being how America's encounter resulted in a sanitized, non–stereotyped and
easily accessible form of media. Even though I had background information on my topic,
researching it gave me material I could build upon and use to support the reasons behind my thesis.
Now that you know the topic that this project is based on, it would probably be important for you to
know where most of my information was derived from. Most the information used in this project
came from my own background knowledge and the internet. Background knowledge on this topic
was especially useful since it helped with figuring out what to focus on and building ideas. The
format I chose for presenting my topic was the performance format due to the well–executed
examples I've seen. Another reason for my choice in format was an Anime where at the end of each
episode had a comedic ... Show more content on Helpwriting.net ...
Plenty of shows today are heavily influenced by anime and have done extremely well. Not only that
but with the internet accessing anime is a lot easier, and finding subtitled versions is some peoples
preferred way of watching it. Moving away from the act watching anime, there is plenty of
merchandise with recognizable characters from anime on it, and are even conventions where people
dress as their favorite characters (cosplay) the largest one being Anime Expo. To conclude anime
has definitely impacted America and its pop culture

My Personality Group Through Human Metrics
Over the course of this assignment; I have discovered much about myself. Likewise, I probably
would not have learned this much about myself or my career, had I not taken this course. Such as
how I have found my personality group through Human metrics; which presented that I was within
the INFJ grouping (Jung, 1998). I was also able to learn much more about the career that I may be
pursuing in the future, as well as the people in the field similar to it. The Jungian personality test
showed that my personality type, the INFP, is a mediator (Jung, 1998). The website claims that
INFJs are idealistic, future–oriented, as well as creative. The possible careers listed on the website
are psychologists, artists, and child care/ teachers (BSM, 2016). These results show some correlation
to my own personality, as I am aspiring to be an artist. I am also very future–oriented and I would
like to perceive myself as being rather creative. Another trait that I relate with would be how INFJs
would typically value deep and authentic relationships with others. I enjoy harmony with others and
predictable schedules. Such an example would be how I tend to eat dinner with friends around 6pm
every night and do homework afterwards, as well as have the classes at the appropriate times
throughout the week. The consistency of the schedule allows me to plan ahead without feeling too
much stress, which may result in some errors along the way. As a child, I was always fascinated
with subjects like

Thank You for Our Project, Jessica
Hello again Jessica. I know I haven't exactly been keeping my promises on the due dates and I'm
only fortifying the stigma that I touched on in my last email but I've still got a few questions. (Did
you get my last email, by the way?) Anyway, would you just like me to submit what I have? I have
well over two minutes and way more than five angles. Sound has also been added and mixed. The
entire movie, however, is not finished. It should give you enough to grade or at least be a worthy
placeholder until I can really submit a product I'm not totally disappointing with. I know it may be
hard to even fathom what could possibly be taking so long but I've been mulling over several other
things regarding this project.
One of the reasons I can't seem to get anywhere and one of the areas I'm constantly getting hung up
on is the nature and tone of the project itself.
I wanted to establish a sort of creepy and unsettling mood for the project and I can't achieve what I
was originally visioning in my head. Some of the animations employed simply seem to make their
scene seem frivolous, silly, and awkward. I may spend up to an hour or two just trying to figure out
how to make the seemingly insignificant feel "right."
Another issue that I'm having is that there are several frame rate and "frame jump" mishaps that
have occurred during the initial picture taking. Sometimes the character will "jump" from one shot
to another and, subsequently, the scene appears

Stop Motion Animation
Stop–motion animation requires the shooting of physically manipulated still objects to appear as
moving objects.
Some use dolls, props or clay (also known as called Claymation) to sequentially move an object in
between individually shot frames.
Depending on the preference of the director, stop–motion animation may also require either
traditional or computer animation to supplement the movie's other visual requirements such as the
backgrounds, sets, and props.
Examples of stop–motion animation on TV are commonly children's shows such as Morph, Shaun
the sheep, Bagpuss, The Clangers, Noddy and Wallace and Gromit's World of Invention.
The advantage of stop motion animation is that you can be creative because there aren't many
limitations on what you can do with an object like you do in real life.
The disadvantage is that it's very time consuming and extremely laborious and you have to make
sure the camera's still because one little slip up shows very clearly.
Clay animation:
It is similar to stop motion animation however using clay. It works by capturing each frame and then
playing the recorded shots to see a live action.
Clay animation films were created in the 1908's, however it's in 1916 that it started to become
popular overseas.
Each clay character is produced by using a wire and clay, the wire is called an armature.
The disadvantage of clay is that it's very fragile therefor when producing and shooting the characters
and

How do story telling techniques in Japanese animation...
'Misfit Lit': comics and graphic novels
How do story telling techniques in Japanese comic media differ to the western tradition?
The differences between the Eastern, Anime and Manga and the Western, Comic and Cartoon
counterparts are clear from the outset. Apart from the obvious contrast in styles, there are many
more distinctions that can be made between the two.
The words Anime and Manga refer to two separate and distinct, but interrelated things. The word
Anime is used to describe Animation of Japan, similar to the animation made popular in America,
by companies like Walt Disney. The word Manga is used to describe the Comic Books of Japan,
similar to the comic books made popular in America, by companies like Marvel and D.C. To ...
Show more content on Helpwriting.net ...
They are designed to be an escape from the harsh world of reality from which we all want to protect
our children.
It is also a strange phenomenon that almost all feature length animation by Americans are musicals.
Rousing musical numbers designed to excite the senses in a multimedia experience. Hardly any
other popular medium except animation has made a successful musical in the last 20 years.
Animation in America on the most part is strictly for kids. No one dies, no one gets hurt. The evil
villain's plans are defeated, but the villain himself escapes to hatch new villainy in the next episode.
One great difference between Japanese and American TV Series is that the Japanese TV Series are
designed to last only one or two seasons, 13 or 26 episodes and then come to a climactic and
definite ending
Recently however several American cartoons have broken the mould and chosen to tackle real world
problems and issues, while still maintaining a cartoon persona. Cartoons like The Simpson's, Family
Guy, South Park or Spawn have come to the forefront and some have even been labeled for a mature
audience. The ways these cartoons depict society is interesting in itself. The primary way in which
all these shows display their message is by obvious exaggerations of reality. The Simpson's and
South Park highlight some of the more colorful examples of American family life. The series Spawn
presents a character that is neither hero nor

Cool Worlds Effect
I don't think you need to be embarrassed about that. (We both laughed.)
No, it's funny. I will literally sometimes binge on a cartoon the way someone might binge on a
Netflix show. So it's like I watched cartoons for two or three hours. Some of the best TV I think has
been in the Japanese cartoons and their storylines. Just wild worlds 'cause I think there's something
really cool about an animation series––if you're going to make a prime time TV series––they're
getting pretty close with CGI these days, but with a cartoon, the director can say, "I literally want all
this insane stuff to happen," and they can just make it happen. They wouldn't have to worry about
special effects or any of that other stuff, so they created some really, really cool worlds in my
opinion. That's the nerd starting to sneak out of me, and I could talk ... Show more content on
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And that means there's a lot of me doing heroic battle cries. Stuff that as a kid, I would have been
told , "Quiet in there!" It's so much fun for me to do that and not get sent to the principal's office for
just turning the class into a frenzy. They're both very different mediums. I love them both to death. I
would never want to trade either of them for the other. I would also say I think some of the best
character actors would make great voice actors.
Another cool thing about voice work is that it provides an opportunity to stretch my instrument in a
way I wouldn't have the opportunity to do with film. In film, you make your name in a certain area,
and then you can break out. But I don't even want to stereotype that because there are so many
different ways of doing it. Long–winded answer.
Honestly, it's been interesting just to listen to you because I could tell what you were really
passionate about. So, in addition to Aurora Teagarden, are there any other upcoming works you can

Anime Essay
Anime Anime is the Japanese take on the word "animation". It represents the Japanese style of
animating cartoons. However, not all anime is for children. Majority imported to America is aimed
at an adult audience– containing deep storylines, graphic violence, gore, as well as nudity and adult
situations. This cinematic genre is a fast growing trend in the west and can now possibly be
considered the most popular phenomenon among children, considering the success of the much–in–
demand anime series "Pokémon". Anime art is known for it's characters' big round eyes, abnormal
shaped hair, and it's unique exaggeration of physical reality. Since anime is basically movies
translated into animation, it contains as many subgenres as there ... Show more content on
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Usually it's a helpless, victimized, female character that ends up falling madly in love with the hero.
Kagero, a female ninja, best fits the description of this character. Because she is a ninja, she's not as
helpless as some might imagine the "damsel–in–distress" character to be, but she is constantly
victimized (helplessly raped twice by two different enemy demons) and is saved a countless number
of times by
Jubei. Sure enough, in the end, she falls in love with Jubei, the only man to ever steal her heart.
The third main character type is "the enemy". The "head" antagonist, usually male, is a hideous
monster in horror anime, and in action anime almost always possesses supernatural powers. He
seems much more invincible and usually batters in the climax, but he always has a weakness for the
hero to capitalize on. He is impure, immoral, unethical and, in short, evil. His heart has no remorse
for his actions and for those suffering from them. The enemy, like the hero, is unknown to us and is
gradually introduced throughout the story. The enemy of this story is Himuro Gemma. Gemma is a
bisexual, immortal human with the ability to reincarnate himself. In his early days, he caused Jubei
and his friends to turn on each other, forcing Jubei to kill them. He poisons an entire village, and
with the help of his henchmen, plans to take over an already dark army of ninjas.

The Meaning Of The Fate Apocrypha Poster From A-1 Pictures
Art is different for each individual. There are those who believe that art only includes high class
paintings made by people from high social order like Michelangelo or Francisco Goya. There are
also those who believe anything can be considered art, not just paintings but songs, movies, and
even video games. But while everybody has different opinions what art can be, everyone
understands that art has some meaning behind it. On this passage below, I will be demonstrating the
meaning behind "Fate Apocrypha" poster from A–1 Pictures. A–1 Pictures is an entertainment
company that animates stories from light novels to manga. While they do not actually create stories
themselves, the publish stories that can have a light hearted theme to emotional themes. Since they
publish numerous stories per year, they strive to have each story be as developed and lucid as
possible. Their ultimate goal in doing all of this is to attract a huge number of audiences to their
shows in hopes of increasing sales and views. A–1 Pictures created this poster in order to attract
people who are interested in watching genres that are the action–fantasy. To be able to portray the
action genre, the background is drawn that displayed some sort of conflict. The background
displayed a dead tree, ashes, burning building, and embers flying around. The dead tree signified
that the land itself was dying. The burning buildings signify the destruction of humanity. The ashes
are covering most of the poster which gives the idea that the land has been burning for a long time.
With all the destruction on the background, the main focus of the poster is the picture of two
determined and strong looking characters. Since the characters looks determined and strong while
there is chaos all around them, the audience can tell that the story will not be focused on the
hardships of war but on the fights that happen in battle. To portray the fantasy portion of the story,
the two characters are wearing completely different clothing. The male character seems to be
wearing a suit and vest which is common to the present day era, while the female character is
wearing armor which was common to the medieval era. This indicates that the genre is fantasy
because 2 people

The Negative Impact Of Eroticism In Japanese Animation
While violence attributed to either technological fusion or natural depiction is a great cause of
concern for most critics of anime, it does not compare to the outrage visited upon Japanese
animation on the basis of sexually explicit content. According to Hinton (2014), the greatest concern
for most critics of anime is the constant depiction of underage girls in sexually suggesting situations
and scenes. This is especially true for Japanese animation subgenres such as hentai, lolicon and
rorikon. Accordingly, Hinton (2014) suggests that western media in particular is often outraged by
images of scantily dressed underage girls in Japanese animation. The reality of the matter, according
to Hinton, is that Japanese culture as a whole seems to tolerate this sexual depiction because their
culture has in the past permitted the prostitution of underage, school going girls by older me for
financial gain (Hinton, 2014). In this regard, Hinton (2014) suggests that eroticism in Japanese
animation is largely influenced by two key factors; fantasy and purity or innocence, which when
combined often have the net effect of distorting human nature.
The Negative Impact of Violence and Eroticism in Japanese Animation on Teenagers There exists,
among proponents of Japanese animation, the notion that an individual can exists both in the fantasy
world of anime, and the real world. This is shown by Yui (2010), who states that those who
subscribe to Japanese animation should not be labelled as

The Fireflies ( 1988 ) Directed By Isao Takahata And Waltz...
In America, most animated movies incite young audiences. The funny characters and feel–good
script entertain children and also gives them moral lessons along the way. The same cannot be said
for international films such as Grave of the Fireflies (1988) directed by Isao Takahata and Waltz
with Bashir (2008) directed by Ari Folman. These animated films contrast each other, not only
cinematically, but in the plotline as well. Wars replay over the main characters in each film, both
inside and outside the war itself. The difference between civilians and soldiers, color and grayscale,
dreams and reality create films which mesmerize the adult audience. Both anime and comic–book
animation soften the audience's overwhelming emotions when facing the realities brought by war
and help story–tellers create scenes with a specific purpose. The animation used in Grave of the
Fireflies provides child–like imagination during World War II. Set in Japan, the plot follows two
children torn away from their parents and struggling to survive on their own. By using anime, the
children's harsh conditions seem unreal, yet powerful. If the director, or producers, used real actors
and actresses to create Grave of the Fireflies, then the audience would find Setsuko and Seita's
situation harder to swallow. Seeing real people ripped from their families and starving on the streets
forces people to accept other realities different from their own. American audiences see how the air
raids effected civilians

Japanese Animation and Identity Essay
Japanese Animation and Identity
In Orientalism, Edward Said claims that, "as much as the West itself, the Orient is an idea that has a
history and a tradition of thought, imagery, and vocabulary that have given it reality and presence in
and for the West" (5). The complex network of political, economical, academic, cultural, or
geographical realities of the Orient called "Orientalism" is a way of coming to terms with the Orient,
or to be less geographically specific, the Other. Although Said defines Orientalism to be specifically
Franco–British experience in the Arab world, his basic arguments can be applied to the process of
Othering in a more general sense. Especially his idea of "representation" plays a central role in the
... Show more content on Helpwriting.net ...
In other words, not only construction but deconstruction of the dubious entity "Orient" require the
West (the Orient's agent) to speak for the Orient. Another problem is what Said calls "a triumph of
Orientalism" (323) today, the major source of which is no longer Britain or France, but the United
States, the democratically totalizing economy power. It means cultural domination on the one hand
("Orientals" educated in the United States repeat the Orientalist cliché), and economic absorption of
poor nations on the other (consumerism in the Orient). A simple example Said takes up is "the
paradox of an Arab regarding himself as an 'Arab' of the sort put out by Hollywood" (325). The
Orient, in short, playacts its image as imagined by the West. This is far more problematic than the
former form of Orientalism because the subject position of an "Oriental" is now realized only as the
subject that (re–)presents itself as the Other before the Western eyes, as imagined by the West: and
this Western gaze is what the Oriental subject identifies her/himself. It is disappointing in a sense
that Said does not develop his arguments more than the idea that this phenomenon of cultural
domination is only the Orient's

Walt Disney Company Vs. Studio Ghibli
Marina Klimova
Professor Stacy
English 111
1 October 2017
The Walt Disney Company vs. Studio Ghibli
What does a whistling mouse and a catlike bunny creature have in common? They are both the
logos of two leading animation companies: the Walt Disney Company and Studio Ghibli. While
Disney and Studio Ghibli vary in their style, production, and overall themes, they both produce
award winning and adventurous movies for Western and Non–Western audiences alike.
In 1928, the whistling Mickey Mouse in the short cartoon Steamboat Willie led to the beginnings of
success in Walt Disney's company and set the ball rolling for the studio to become the widest known
in the world (Holliss and Sibley 5). Before that, the company was strained financially and ... Show
more content on Helpwriting.net ...
While the directors of Studio Ghibli had in mind to meet these goals as well, they founded the
studio more to have free reign in their artistic visions for animated movies. They wished to produce
original anime movies(Takai). They on the other hand aimed for just their home country Japan and
came to more renown than they intended.
Altogether Studio Ghibli and Disney have won many different
Therefore, Studio Ghibli's animations embody a strong sense of Japanese culture while also using
Western characters and settings in its productions (Odell and Michelle 33–35). Each animation has
the characteristic style of Anime or animations made in Japan which usually looks like the manga,
Japanese comic books, they are adapted from. Each has their own look but usually the characters
have bigger eyes, small nose and mouth. The two directors of Studio Ghibli brought different
themes and genres of animation to the table. Hayao Miyazaki was preoccupied with fantastical
worlds hidden inside of our own world, flying machines or flying in general, and environmentalism.
Isao Takahata focused more on realistic settings such as school life during adolescence and
collaborated with Miyazaki to produce films that had more themes such as, growing up, strong
female lead characters, forming an identity, animals with human characteristics and anti–war
sentiments (Odell and Michelle 23–30). Disney in contrast, has

Disney Movies Throughout American History
Disney Movies Throughout American History
Presented to Mr.Hyatt
Presented by Seanita Caim
Disney has been involved in the lives of millions of Americans since the early 1920s and even now,
continues to touch the hearts of each new generation. What started as a simple and humble cartoon
studio grew into a world–wide known enterprise. Disney brought comfort to the United States post
WWII and has been a staple in households across America for children everywhere. It is not
uncommon for people to reminiscence about their childhood when thinking about Disney shows or
movies. So, how did a little cartoon studio get so well known? The era of when the studio was
created may be one of the advantages that led Disney from an uncle's ... Show more content on
Helpwriting.net ...
(The Americans: Reconstruction to the 21st Century, pg.535) America was in an uproar during this
time, screaming words of isolationism and in the midst of this Disney films offered citizens an
escape from reality for a short amount of time. With all of the chaos overseas; the studio suffered
from the loss of foreign market, but it was thanks to the huge success of Snow White that kept
Disney out of debt.
Snow White and The Seven Dwarfs set the stage for Walt Disney's studio rise to fame. Once more,
after the studio's first success they set to work on the next feature film and in 1940, Pinocchio and
Fantasia were released. Tensions in America were high because just a year prior; France, Germany,
and Great Britain had declared war on each other. President Roosevelt was under great pressure to
remain out of the conflict; on the other hand during this time the two movies just released grossed
up to $84 million and $83 million respectively. It was clear during this time that Americans wanted
a break from the crushing atmosphere, so going to watch a movie allowed them some peace of
mind. One year later with a careful eye out to, "Look Out for Mister Stork," everyone's favorite
circus elephant, Dumbo, became known to the public. This movie was released late in the year of
1941, but only two months before disaster struck. That same year in the month of December, Japan
launched an attack on Pearl Harbor.
The United

Essay about Variations in Animation in Different Cultures
Animation in different cultures
Animation has a variety of differences between Japanese culture and the culture of the United
States. While animation is usually made for the sole purpose of entertainment for children in the
United States, Japanese animation, also known as anime as it is referred to both in Japan and in the
West, is a form of media that is enjoyed by people of all ages. Unlike the Teenage Mutant Ninja
Turtles and SpongeBob Square pants, both very popular American animations shows in their times,
anime focuses more on drama and other non childlike qualities. The differing cultures of the United
States and Japan can be considered the main factor to the huge differences in their own respected
animation styles.
Anime is ... Show more content on Helpwriting.net ...
Created by the Toei Doga Company, this film showed that full–length animated feature films were a
viable commercial product in the Japanese market (MacWilliams 50). Previously only animated
films from foreign nations reached Japanese theatres, mostly coming from the United States.
With the rapid spread of television in the 1960's, Japanese animators found a new way to sell their
products. One of the first Japanese anime to see great success was Tetsuwan Atom also known as
Astro Boy, seeing success in western countries such as the United States and Europe. Another
popular series from this time period was Tetsujin 28–go or Gigantor. Unlike the cartoons being
shown in the United States at this time period, such as Spiderman, The Flintstones, and The Jetsons,
Astro Boy and Gigantor focused on bigger, more mature issues. Cartoons in the United States aimed
more at entertaining children with superheros thwarting criminals, and both prehistoric and
futuristic comedy. These types of cartoons were never meant for anything other than entertainment
with a small side of morality lessons put in for good measure. While entertaining, very rarely did the
cartoons that were from the United States create critical thinking or questions about morality
amongst their young viewers.
In comparison, Astro Boy, while similar to

Defining Value Added Animation to Promote Positive Living...
DEFINING VALUE ADDED ANIMATION TO PROMOTE POSITIVE LIVING
ENVIRONMENT: A CRITICAL STUDY OF UPIN AND IPIN
Introduction
The global animation industry is growing very fast, as practitioners, we are all caught up in the
excitement of producing our own animated creations to keep abreast of trends and take advantage of
the "hype". However, there is a tendency to blindly follow animation styles that are already well
established in popular culture. Located in Southeast Asia, Malaysia is strategically situated between
the East and West and sandwiched between the great civilizations of China and India; thus it has
always been exposed to different cultural influences that have shaped its local culture. Therefore,
cultural adaptability and hybridity ... Show more content on Helpwriting.net ...
"Malaysian animations are generally appealing... the only concern I have is– I can't really feel the
uniqueness of Malaysian values that they should have... Every one of those productions seems
struggling to earn recognition..."
He also pointed out, when looking at Malaysian animations, he could not see any elements that hold
them as a whole. Every Malaysian animation that he has seen is very heavily influenced by others
like Western and Japanese animations, whereas, Malaysian identities are hardly found. To him, as a
product coming from a supposedly 'unique' country with unique cultures, it should strongly bear its
own distinctive 'trademark' and can give positive examples to the audience. This unique
characteristic could be an effective vehicle to educate audience at all level.
As western and foreign influences in animation are very much the issue for Malaysian animation
productions, it is very hard to pull ourselves away from this 'norm' since people are thinking that
following 'the trend' is the right thing to do. Although to start with, animation shorts that were
produced by National Film of Malaysia in the year 1983, directed and made possible by Hassan
Mutalib, were quite interesting and can be considered as successful to portray Malaysian scene. It
did not only have Malaysian flavours in its looks, the contents were also very much Malaysian.

Character Analysis Of 'Kirikou Et La Sorceress'
Abstract: "Kirikou and the Sorceress" (1998) originally titled in French language "Kirikou et la
Sorcière" is a movie. The film was made using traditional animation characteristic, which was
drafted and conducted by Michel Ocelot. A movie that tells the story of a hero's mission to find out
why the Sorceress is so mean and evil and how to defeat her. This article is intended at analyzing
this preferred animated movie through research and observation analysis. e.g. pointing out the style,
narrative, scene etc. In addition to compare plot and storyline with other animated movies. The goal
is to inspect the movie and the opinions of the students and author's supervisor about this movie.
Investigating the aesthetics of the character Kirikou and the Sorceress shows the roles of the
protagonist and the antagonist.
Keywords: animation, Kirikou and the Sorceress, film or movie, story,
Introduction
The author recently has just seen this movie and would like to give an opinion about it. The writer
would like to include other comments made by her students and supervisor. The author finds the
animated movie amusing and not too provocative. The movie has many ... Show more content on
Helpwriting.net ...
African stories have been orally spread from one generations to another. A story can contain a
village and sorceress with other characters in the story. This type of story can be expressed by a
griot. A Griot is a West African historian, storyteller, singer and a poet a poet. They are usually the
keeper of the verbal custom. For instance, in the movie scene (Kirkou and sorceress). The movie
mentioned the use of two older people of the village scene. The old man in the village under a tree,
who is incompetent because he believes in superstition. While Kirikou's grandfather who exists on
the other side of the village (Mountain) was a knowledgeable man. There was a contradictory
between the characters which proposes that to be old is not an assurance of

Cultural Differencesialism In Madhouse Inf
Cultural Differentialism in Regards to Studio Madhouse
Madhouse Inc. is a Japanese animation studio that was founded in October of 1972. Since then, the
studio has created many popular animated TV series, films and OVAs; short for original video
animations. Some of their works include the 2011 series Hunter X Hunter, The Animatrix, Paprika,
One–Punch Man, Highschool of the Dead and Death Note; just to name a few. The studio has
approximately 70 employees, once you include contractors, and their employment levels vary
depending on the number of productions the studio decides to take on at any given time (Madhouse
Inc.). In addition, the directors and animators at the studio are constantly changing; meaning that
there is no consistent style of animation. As a result, each project is approached from a new and
unique perspective.
In regards to the theoretical frameworks discussed by George Ritzer, Madhouse Inc. serves as a
prime example of cultural differentialism. Cultural differentialism is essentially the idea that
cultures, more often than not, do their best to differentiate themselves from one another and put up
barriers in an attempt to prevent other cultures from infringing on their traditions (Ritzer 155).
According to Ritzer, this theory is geared primarily towards cultures that, "at their core are largely
unaffected by any processes of globalization" (Ritzer 155). Excellent examples of cultural
differentialism can be found in cultures that consistently interact with

Essay on American Censorship of Japanese Animation
American Censorship of Japanese Animation
Abrstract: This essay will explore why Americans feel the need to censor Japanese Animation, how
the Japanese culture differs from American culture, and how to solve the growing debate of the
censorship of Japanese media.
Japan, that strange and exotic land in the east, has a complex and interesting history that has shaped
and molded its culture into a very unique society today. Of course their customs have influenced
their entertainment, especially television and movies. In a day and age where information is free to
all through the internet and reliable postal systems these television shows, movies, toys, and comics
have made their way all over the world. The reception of ... Show more content on Helpwriting.net
...
The American versions of the ever popular "Sailor Moon" and "Dragon Ball Z" are vastly different
from the Japanese versions. The Japanese version is more intense and serious, with harsher violence
and grittier storyline. The kids who watch these shows in America and those kids, who watch it in
Japan, are the same age, but for some reason it is too edgy for American youth. I am going to
explore why Americans feel the need to censor, how the Japanese culture differs from American,
and what this media does to both cultures, and how to solve the growing debate of Japanese media
and censorship.
Review of Related Literature Throughout history most of Asia has been viewed as strange and
exotic by western cultures. This is especially true for Japan, because, unlike other Asian nations
Japan was isolated from western culture until around the year 1542 when the Portuguese landed at
Tanegashima (Bryant 14). There are several reasons for Japan's solitude, most of them geographical.
One of the primary reasons is what the Japanese call kamikaze, or divine wind (Bryant 24). These
strong stormy winds blew across the waters surrounding Japan, making it quite difficult to approach
the island. Japan is also quite far away from most western nations, especially since the ships had to
sail around Africa to get to it. When the

Similarities Between Wall E And Wall-E
Quite possibly the worst way to judge WALL–E is as an archetypal animated or science–fiction
film. Directed by Pixar and animation industry veteran Andrew Stanton the movie has a story which
unravels with a poetic and emotional pull to rival any romantic–comedy since the turn of the
millenia.
Set on a futuristic earth, now completely desolate and transformed into a deserted wasteland, the
movie tells the story of a 700–year–old automaton and waste disposing machine, WALL–E, who
meets EVE – a vegetation and life searching robot.
Although multiple themes of religion, environmental conservation and friendship run deep through
the premise of the film; it is Stanton's unique twist on the "Beauty and the Geek" narrative that
ultimately resonates ... Show more content on Helpwriting.net ...
Bereft of dialogue; music was bound to play an integral part in WALL–E while soundtracks such as
Hello, Dolly which the titular character often listens to, and occasionally hums, succeed in casting a
smoke of nostalgia; they also serve as an anti–thesis to the ambience of the Axiom. While at the
spaceship audiences are treated to a more different and orchestra–like background score altogether
which not only establishes a leap into a more futuristic setting but also provides WALL–E and
EVE's blossoming romance with a cinematic appeal.
Throughout its 103 minute–long running time WALL–E manages to stay inventive in not only its
graphics but also its plot details. It serves as a warning of a desperate world in dire need of
rejuvenation. Although not as haunting in terms of realism in comparison to its Japanese
counterparts; WALL–E does hold out a mirror that allows the viewer to gape into the world of

Gender Roles : Kids And Young Adults ' Animated Shows &...
Gender Role in Kids & Young Adults' Animated Shows & Movies.
We grow up following the steps of the cartoon characters we see on TV. Thanks to these characters,
we get the sense of who we want to be in life, and how we want to make a change. History of
animation dates back to 1906, when the first animated cartoon was created. The title was Humorous
Phases of Funny Faces, and it was a sensation at that time. And then, the first "Mickey Mouse"
cartoon appeared in 1928, and with it came the Walt Disney Company. After years of history of
animation, people are now able to look back in history, and pay attention to the small details, such
as gender role in cartoons. At the beginning, cartoons were short films, supposed to make people
laugh; but when Disney's first animated movie came out, "Snow White and the Seven Dwarves"
(1937), the meaning of animation changed. The movie tells the story of fourteen years old Snow
White, who has to run away from home because her stepmother wants to kills her, so that she can be
the most beautiful woman that exists. When she's running away, she goes into the deep forest,
finding a tiny house where she found refuge. Not realizing that the house had an owner already, she
started cleaning and organizing the house. She then finds out that the house is own by not one, or
two, but by seven dwarves. She starts a friendship with the seven dwarfs, and exchanges doing the
shores, for living in the house with them. When the evil queen (Snow White's

Compare And Contrast Anime And Anime
In recent years, animated programs have dominated the world of film and TV in both America and
Japan. These programs, known as cartoons and anime, are some of the most popular forms of
entertainment today. Anime and cartoon shows, such as One Piece and Family Guy, have been
running for decades and are very well known among society. Animated films such as Disney's The
Lion King and Studio Ghibli's Spirited Away have also thrived and even surpassed animated
television shows in some instances. Both American and Japanese animation industries have
flourished, and their cartoons and animes continue to grow in popularity. However, similarities and
differences between the two soon arise when compared closely; these observations are often what
lead fans to prefer one style over the other as well as shape pop culture. Anime and cartoons had
very similar origins. Gertie the Dinosaur from 1914 is considered the first American cartoon. Japan's
first anime is not as clear, but many believe it to be 1917's An Obtuse Sword. Both of these
animated features were short, silent, and black–and–white. Their rise in popularity and introduction
of the style of animation seen in the modern world did not begin until their "Golden Age" of
animation. In the US, the "Golden Age" was from the 1920's to 1960's; this was when Walt Disney
created his own animation studio and began to put out longer cartoons with sound and color. Snow
White from the late 30's was Disney's first big feature film hit. In the

Japanese Animation: A Global Cultural Phenomenon Essay
Astro Boy, Doraemon, Pokémon, Slam Dunk, Dragon Ball, Shinchan, many of us may heard about
one or few of these names despite where we come from, they are some of the famous Japanese
animations, which have worldwide influences and have become more than a regional pop culture,
but a transnational culture phenomenon. Like many transnational pop cultures, the reasons of why
they can be popular in other countries while others cannot are complicated, it may relate with the
social environment, cultural background, and many other factors. This article will briefly introduce
the history and development o Japanese animations, and analyze their influences and reasons of why
they become a worldwide cultural phenomenon. Today Japan has become the ... Show more content
on Helpwriting.net ...
Japanese animation firstly became popular in Japan, but because of the common cultural
background shared by Japan and most countries in Asia, Japanese animations soon gained
popularity in other Asian countries as well. China began to import Japanese animation in 1980s, the
first Japanese animation played in Chinese television is Astro Boy, imported by CCTV (China
Central Television). This animation was given for free to CCTV as a gift by Casio, a Japanese
electronics manufacturing company, in exchange, Casio required that its advertisements must be
played along with the animation. Astro boy caused significant influence in China, until today, most
Chinese with ages over 25 can still remember the name and the story of this animation. After Astro
Boy was played in Chinese television, many other Japanese animations were imported by other
television stations in China. For example, Doraemon, which tells a story of a robotic cat called
Doraemon who travels back through time from 22nd century, it is not a science fiction animation
based on rigorous scientific theory, but the imaginative story and creative technology it contains did
influence many people, and is considered to be the first teacher in science for many children. Other
animations including Slam Dunk and Captain Tsubasa are also considered to be responsible for

The Influence Of Japanese Animation In Avatar : The Last...
The Peabody Awards have a long history of finding and rewarding shows that exhibit excellence in
television programming, and Avatar: The Last Airbender is no exception. The show was incredibly
successful during its run and even though it ended almost a decade ago, still has a large fan base of
all different ages and genders. The show has also inspired several graphic novels and print books as
well as a spinoff series, Avatar: The Legend of Korra. Avatar is an excellent example of how mixing
styles and genres can enhance a show's potential.
Running for 61 episodes over three seasons, Avatar features an unusually deep plot for a children's
cartoon. In her article "The Influence of Japanese Animation on Avatar: The Last Airbender",
Katalin Bakonyi mentions that this is significant because, "American TV animation tends to be
constructed in an episodic way, where at the end of every episode characters are "reset" to their
default status." (Bakonyi 30) This is not the case in Avatar, however, where the overarching plot is
stated within the first couple episodes – Aang must master the four elements and defeat the Firelord
before the end of summer – and stays true to this mission all the way to the end. Although the group
occasionally gets off track, each episode propels them towards that final goal in one way or another.
Few, if any, children's cartoons have such a clearly stated, overarching plot that it remains true to
over the course of multiple seasons. More often cartoons are

American Anime Censorship
Japan and its people is open–minded to many thing which has led to very bizarre actions such as
cartoon porn and 'hentai' being able to be purchased in bookstores and convenience stores
throughout the country. This show how censorship and cartoons are treated compared to America. In
America cartoons are considered childish but in Japan cartoon can be viewed by everyone and to all
types of people. Due to Japanese animation success to appeal to huge audiences around the world, it
has grown to become one of the strongest mediums in Japan and the U.S. Question is how is
Japanese animation different compared to American animation? Anime can be differed from
american cartoons by three things: the cultural and production practices, the complexity ... Show
The times mature content is censored is on TV. Many people watch TV so the possibility of a child
watching a mature show is high but it censored to a degree. In Japan, Article 21 of the Japanese
Constitution guarantees freedom of expression and prohibits formal censorship. "Freedom of
assembly and association as well as speech, press and all other forms of expression are guaranteed.
No censorship shall be maintained, nor shall the secrecy of any means of communication be
violated" (Japanese Constitution). Videos Games and anime from Japan will have nearly any forms
of sexual content be censored with the teams creating product asked to either "add clothes to the
characters" or make the female character's "less sexy". This result of censorship in america has
resulted in anime and video games creators hesitate to released materials to america. There's no such
thing as "underage" when it comes to art. "These characters are pixels on a screen, not people. Even
"of–age" characters are, in actuality, less than one year old when most of us see them; and on the
flip side, characters who've been around for a long time, like Lisa Simpson, are in their 20s. The age
the character is given in continuity is just a number. It's not representative of anything real.If these
were real people, yes, I'd agree it's something that cannot stand. But they're not. And that makes all
the difference in the world"

Clay Animated Biography: Adam Elliot Essay
Adam Elliot is an Australian stop–motion animator. He has received over one hundred awards
through his career. In 2003 Adam Elliot won an academy award for Animated Short Film for his
movie "Harvie Krumpet". Elliot calls his films "clayography" – clay animated biography – because
most of them are based on his friends and family.
"Mary & Max" is an Australian clay–animated film written and directed by Adam Elliot. The film is
about a friendship between two pen pals, Mary a eight–year old girl and Max a forty–year old man.
Hayao Miyazaki is one of Japan's greatest animation directors. Most of his movies are very
successful e.x. "Kiki's Delivery Service", "Nausicaa of the Valley of the wind", "Princess
Mononoke" and "Spirited Away". With a ... Show more content on Helpwriting.net ...
Although the sad and very serious theme, the movie doesn't become depressing but leaves you with
an optimistic view of friendship. Also, it's a very well animated film with an amazing recreation of
the New York City in clay. "Mary and Max" it's a bittersweet story that depicts life as it really is. In
addition, "Mary and Max" has an amazing character development that engages the audience that
follow as the characters develop in life. The movie really stands out because its realistic and honest
characters that win your sympathy despite their many flaws.
"Ponyo" was released in 2008 and won several awards. In 2008 Tokyo Anime Fair announced
"Ponyo" as Animation of the Year. In addition, the film reached #9 in the US box office charts on its
opening weekend and was a box office success.
The film has the very noticeable visual style and artwork, with bright, dreamy, watery, pastel
colours, Miyazaki always creates. Everything in the film was animated by hand with the traditional
technique. The backgrounds were created in pastels. In addition, the film is dealing with the
relationship humans have with the environment, a theme you often see in Miyazaki's films.
Animation History Page 5
Effie Fasoulioti April 19, 2014
However, beside the good animation and the beautiful scenes Miyazaki creates, the film lacks in
character development. Most of the characters doesn't really serve any real purpose. They seem to
be very predictable and that

Who Said That Animation Is Just For Kids Essay
Ask any student in college about old cartoon shows like Looney Toons or X–men, and you'll
probably get a response like "I used to love watching that show!". Children in America today are
raised on cartoons, as most American animation is directed at children. If you were to ask the people
who said that they used to watch cartoons if they still watch animated shows today, they would
probably say that they grew out of watching cartoons a long time ago. However, this is not the case
everywhere, in Japan animated shows are directed to all ages instead of just children. Animated
television shows are made for children in America, but in Japan animation has a much broader
spectrum. In America one of the first popular achievements in ... Show more content on
Helpwriting.net ...
This made animation much easier and soon became a trademark of American cartoons. As the years
went on cartoons did not diverge from the successful slapstick routine that was shown. But as the
years passed and local televisions were introduced, cartoons were no longer something you could
only see in theaters. Adults became less interested in the cartoons, and began considering cartoons
as something that only children should watch. As such animation companies began directing all of
their shows at young children. Merchandising was now the best way to make money off of these
cartoons now that the cartoons could be watched at home, with constant advertisement, companies
could sell all kinds of merchandise based off of cartoons, a great example of which is Disneyland.
Up into the 90s cartoons were still directed at children urging them to purchase the next cool toy
based off of the show. Today some animated shows are becoming more adult oriented with shows
like The Simpsons, or South Park which contain more mature content but still keep the crazy antics
that are prevalent in animation. Over the years American animation has almost always been very
episodic, where at the end of the episode every thing was back to normal and life keeps going as if
nothing has happened, character's in shows never age and always stay the same. This way people
watching the

Snow White Argumentative Essay
"Mon Dieu," I murmured, glancing at "the sassy, burping cow" that gawked brainlessly from the
cover of Home On the Range; its reverse had the words, "Round up the family and get ready for a
whole lotta fun with Disney's hilarious animated comedy Home on the Range," (Roper).
Unfortunately, Disneytends to exaggerate ever so slightly in marketing their products. Competitors–
DreamWorks, Blue Sky, and Laika– usually promote film mediocrity under the all–encompassing
banner of "the family film." But animation has changed significantly since Snow White and the
Seven Dwarves: Walter Elias Disney, the pioneering, persevering innovator, lowered the floodgates
for a burgeoning art, and suddenly, animation created thrillers, adventures, and worlds full ... Show
When Walt Disney debuted his first feature–length film, its titular character–Snow White– refrained
from decision–making, with every other character affecting her future: her stepmother, the wicked
queen, attempts to kill Snow White several times; the huntsman spares her life; the seven dwarves
take her in, although with initial surprise and reluctance; and the prince revives Snow White from
her death–like coma. Throughout this whirlwind of events, Snow White passively undergoes both
enjoyment and troubles, being acted upon by everyone except herself. Sleeping Beauty (1959)
possibly epitomises the "quintessential Disney princess, . . . who does nothing the whole film but
sing wistfully about Finding Her Man, before becoming the ultimate passive Damsel in Distress,
and other than that has maybe ten actual lines of dialogue," (Butler). Again, Aurora acts as the
recipient of consequences from the actions of all other characters, without attempting to take action,
nor to determine her fate. Feminist Disney attacks Aurora for helplessly watching events unfolding
around her, arguing that, "The older princesses– Cinderella, Aurora, Snow White– all of these
women have been rewarded for their beauty and kind, obedient disposition. None of these women
did anything to achieve being held up as role models for young girls." Thus "Disney and [other
animation studios] . . . [have] responded to parental demands for positive female role models with . .
. films featuring increasingly three–dimensional heroines"– giving their characters force of will to
actively participate in their stories, instead of overtly relying on others to influence their futures.
Going into the contemporary era, The Little Mermaid (1989) began to reflect that growing trend
among animated films, although

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