1. Unit 3 TV Job RolesGrid
Job Role Roles and Responsibilities (what they do and
are in charge of)
Qualities Needed (skills and or
qualifications)
Camera Operator
(Studio/Outside
Broadcast)
Ensuring that cameras and associated equipment are rigged and
ready for the required shots to be taken
have good colour vision, and excellent hand-to-eye co-
ordination
be able to take direction and work as part of a team,
particularly on multi-camera shoots
Script Supervisor
Ensuring that film and TV dramas, shot out of script sequence,
end up making continuous verbal and visual sense
have exceptional skills of observation
have a meticulous and methodical attention to detail
have stamina to remain alert and focused during long
filming days
Make-Upand Hair
Artist - Film& TV
Creating make-ups and hairstyles to meet production
requirements
Overseeing make-up and hair continuity during filming
Working to the Make-up and Hair Designer’s brief
possess hairdressing skills including: cutting, waving,
straightening, non-permanent colouring, setting, applying
extensions, braiding, shaving; wig setting and dressing;
and applying, dressing and applying facial hair
Director Being the driving creative force in a film's production -
visualising and defining the style and structure of the film, then
bringing it to life
Carrying out duties such as casting, script editing, shot
have exceptional artistic vision and creative skills
have unerring commitment
have a deep passion for filmmaking
2. composition, shot selection and editing
Acting as the crucial link between the production, technical and
creative teams
be a strong and confident leader
Researcher Originating or developing programme ideas, drawing on
knowledge and understanding of industry requirements, and
presenting findings to decision makers
Checking facts and briefing writers who write scripts for on-
screen presenters
be able to establish a rapport quickly with production
personnel and potential contributors
maintain up-to-date contact lists and be able to access
relevant information from various sources
Gaffer
Being responsible for all the practical aspects of lighting sets and
locations
have a deep knowledge of what can be achieved in terms
of lighting for each production, in any particular studio or
location
be able to interpret lighting plans, including all aspects of
the rig, scale drawings of all lamps and their positions,
and what lighting gels and circuits to use
Boom Operator
Controlling the long boom arm, manoeuvring it as close to the
action as possible in order to achieve the best quality sound
recording
Fitting radio microphones to actors and presenters
be a strong team player – many of the skills needed in
this role involve working as a team as efficiently and effectively
as possible
be willing and able to compromise
pay close attention to detail and concentrate for long
