The document describes several job roles in the television industry including their responsibilities and required skills. It outlines the roles of camera operator, script supervisor, makeup artist, director, researcher, gaffer, and boom operator. For each role, it lists the main duties and qualifications needed such as communication skills, attention to detail, technical expertise, leadership abilities, and knowledge of health and safety procedures.

1. Unit 3 TV Job Roles Grid
Job Role Roles and Responsibilities
(what they do and are in
charge of)
Qualities Needed (skills and or
qualifications)
Camera Operator (Studio/Outside
Broadcast)
Make sure that cameras and associated
equipment are rigged and ready for the
required shots to be taken at the correct
angle and placement.
-have good colour recognition, and hand-to-eye co-
ordination,a strong understanding of technology,
(knowledge of the relevant electronics and cameras used)
-have good communication skills and meeting needs of
artists, production staff and crew and also being able to
work as part of a team, particularly in large camera crews
with tricky shoots
-be able to carry out instructions with detailed accuracy and
attention to detail
-be able to frame and compose shots and perform camera
moves with precision and speed
-capable and flexable enough to work long hours -have a
physical capablitiy of moving heavy equipment
-understand the requirements of the relevant Health and
Safety legislation and procedures
Script Supervisor
Ensuring that film and TV dramas, shot out
of script sequence, end up making
continuous verbal and visual sense
-have a meticulous and methodical attention to detail
-have the ability to remain alert and focused during long
filming days
-be able to take detailed notes quickly and efficiently
-have good organisational skills and a practical approach
to jobs
-be able to think on your feet and respond quickly to

2. changing circumstances
-be able to remain friendly and calm in challenging
situations
-understand the requirements of the relevant health and
safety legislation and procedures
-be able to collaborate and work as part of a team
-have a full, clean driving licence, ideally
Make-Up and Hair Artist - Film & TV
Creating make-ups and hairstyles to meet
production requirements,
overseeing make-up and hair continuity
during filming, and working to the Make-up
and Hair Designer’s brief
possess hairdressing skills including: cutting, waving,
straightening, non-permanent colouring, setting, applying
extensions, braiding, shaving; wig setting and dressing;
and applying, dressing and applying facial hair
-possess make-up skills including: straight corrective;
ageing face, hands and neck; contouring effects; and some
specialised techniques such as creating tattoos and body
painting
-have an understanding of the anatomy of the human skull
and facial muscle structure
-be able to break down scripts in terms of make-up and
hair plots
-be able to problem-solve creatively
-pay close attention to detail in overseeing continuity
-have good presentation skills
-be able to work calmly and efficiently under pressure to
meet deadlines
-have language skills, ideally, for foreign shoots
-understand the requirements of the relevant health and
safety legislation and procedures

3. -a full EU driving licence
Director
Being the driving creative force in a film's
production - visualising and defining the
style and structure of the film, then bringing
it to life.Carrying out duties such as casting,
script editing, shot composition, shot
selection and editing, furthermore acting as
the crucial link between the production,
technical and creative teams
-have exceptional artistic vision and creative skills
-have unerring commitment
-have a deep passion for filmmaking
-be a strong and confident leader
-make decisions
-have excellent communication and interpersonal skills
-inspire and motivate the team
-have an extensive understanding of the entire filmmaking
process, from both technical and creative points of view
-work intensively for long hours
-remain calm and think clearly under great pressure
-be determined to succeed
Researcher
Originating or developing ideas, drawing on
knowledge and understanding of industry
requirements, and presenting findings to
decision makers.
be able to establish a rapport quickly with production
personnel and potential contributors
-maintain up-to-date contact lists and be able to access
relevant information from various sources
-source and suggest suitable contributors, demonstrating
how their input fits into each production
-be able to explain tactfully if contributors are not suitable
-be aware of the legal and ethical considerations
surrounding the release of information to the press and
public, especially when sensitive or contentious issues are
involved
-be responsible for handling floats and petty cash, e.g. for
taxis for contributors during production

4. -be able to keep accurate records of all income and
expenditure
-have excellent verbal and written communication skills
-have advanced IT skills
-show sensitivity when working with writers, producers,
actors, presenters, other contributors and crew members
-have current knowledge of the relevant legislation,
regulations, and associated procedures, including
copyright, data protection, public liability, etc. and how to
comply with regulatory requirements
-have knowledge of the requirements of the relevant health
and safety legislation and procedures
Gaffer
Being responsible for all the practical
aspects of lighting sets and locations
ave a deep knowledge of what can be achieved in terms of
lighting for each production, in any particular studio or
location
be able to interpret lighting plans, including all aspects of
the rig, scale drawings of all lamps and their positions, and
what lighting gels and circuits to use
-have strong team-working skills, both within the lighting
department and with other departments involved in the
production
-have an understanding of all aspects of television
production
-have knowledge of electrical theory and practice
-have excellent IT skills
-be adaptable and resourceful before and during the
production process

5. -show diplomacy and sensitivity when working with artists,
other contributors, members of the public and all crew
members
-be willing to work long and irregular hours
-have a thorough knowledge of the relevant Health and
Safety requirements and legislation, and the ability to carry
out risk assessments
Boom Operator
Controlling the long boom arm,
manoeuvring it as close to the action as
possible in order to achieve the best quality
sound recording.
be a strong team player – many of the skills needed in this
role involve working as a team as efficiently and effectively
as possible
-have good knowledge of audio equipment and sound
technology
-have knowledge of the film production process
-have excellent hearing and a good memory for dialogue
-have excellent timing for anticipating lines and moving the
boom accordingly
-have excellent balance, agility and physical strength,
matched with good spatial awareness and hand/eye co-
ordination
-possess knowledge of microphone characteristics, lighting
techniques and camera lens angles
-have knowledge of the requirements of the relevant health
and safety legislation and procedures

6. -show diplomacy and sensitivity when working with artists,
other contributors, members of the public and all crew
members
-be willing to work long and irregular hours
-have a thorough knowledge of the relevant Health and
Safety requirements and legislation, and the ability to carry
out risk assessments
Boom Operator
Controlling the long boom arm,
manoeuvring it as close to the action as
possible in order to achieve the best quality
sound recording.
be a strong team player – many of the skills needed in this
role involve working as a team as efficiently and effectively
as possible
-have good knowledge of audio equipment and sound
technology
-have knowledge of the film production process
-have excellent hearing and a good memory for dialogue
-have excellent timing for anticipating lines and moving the
boom accordingly
-have excellent balance, agility and physical strength,
matched with good spatial awareness and hand/eye co-
ordination
-possess knowledge of microphone characteristics, lighting
techniques and camera lens angles
-have knowledge of the requirements of the relevant health
and safety legislation and procedures