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By Mansoor Asib Ahaidi
My role in corroboration
with my team was film
director.
 Has a director you will tend to lead large or small team cast crew to direct full
length films, short films, live or recorded television programmes such as
commercials, music videos or corporate videos.
 The work can include such as:
 Meeting producers to discuss the film or television programmes
 Commissioning a script or an idea for a documentary
 Interpreting scripts and developing storyboards
 Deciding on how the production should look and where it should be filmed
 Planning the shooting schedules where to film and when to film it.
 Knowing how to hiring the cast and crew
 Directors also tend to write the film or television script. As well in some case as a
director you can operate the camera or sound equipment.
 Directors are responsibility for the film or televison programmes that are
made
 Directors have a creativity organisational skills and technical knowlege to
manage the whole production process.
 Director’s have the leading team of different people in different roles.
 As a directors you will need a good communicational skills to talk to different
people in the film indistory.
 Director need to be well organised and have a good at planning for the
filming.
 They would also need to make strong decisions knowing what work’s well
and not
 manage your time well and keep to your budget in limit
 There are many different routes to getting into this job. You could start out as
a 'runner', or progress from camera or acting work. Courses in media
production could teach you some of the skills you would need.
 Have a creativity and imagination skills
 Good communication skills toward the people that
you are working with
 The ability to lead and motivate others while they
are stressing out
 Have a excellent organisational and planning skills
 Knowning how solve a problem
 Good time management and budget awareness
 Calmness under pressure
 Awareness of health and safety issues.
 The working hours on a shooting film or television
programme would often be long and not suitable hours
according to the production's needs, and may include
evenings and weekends.
 Depending on the film production the directors could work
in film/TV studios or out on location. Work may be anywhere
in the UK or overseas, so working conditions would vary
depending on where the production will be filmed.
 They are different way’s of a person to become a
director. The most important requirement is to have an
experience in TV or film. To understand the production
process, as well having the good knowledge of network
and contacts in the industry.
 Mostly directors start of has a runner and they work
though they way up through other jobs then assistant
director or floor manager.
 Starting runner, they need to show there are
commitment to working in the media industry, applying
for work experience placement is the best way to start of
working for the media.
 Taking a filmmaking or media production course that
helps you to build practical skills and make contacts.
Going to college and university and completing BTEC
HNDs, degrees and postgraduate courses.
 Camera operators are employed by television, within the
film industry and by video production houses. Camera
Operator are responsible for operating a variety of
technical equipment that include a single and multiple
portable, remote- control and electronic cameras,
cranes and mobile mountings . Camera operators are
responsible for:
 Assembling and setting up equipment
 Planning, preparing and rehearsing scenes
 Following camera scripts
 Creatively framing and capturing action;
 Responding quickly to directions;
 Liaising with lighting and technical staff;
 Problem solving.
Camera operators they operate in film,
television, commercials and music
videos. They use film or digital video
cameras, following instructions from
the production’s director or the director
of photography.
They need to set up the equipment’s,
planning shots, and sorting out the
technical and lighting issues.
 Camera operators are involved in the following:
 Setting up and positioning camera equipment
 Planning and rehearsing shots
 Following a camera script and taking cues from the
director or floor manager (in TV studio recording)
 Choosing the most suitable lenses and camera
angles
 Solving practical or technical problems such as
lighting
 Working closely with other technical departments
such as lighting and sound
 Camera operator’s mostly working long hour, as
well it can include working late at night, and it
depends on production. As well while working in the
camera operator you need to be fixable because
you can be short notice manly if you are working in
the news.
 Camera Operators will work anywhere from the
studio to outside locations regardless of the
weather conditions. Location work could be
anywhere in the UK or overseas. News camera
jobs may involve working under difficult or
dangerous conditions such as riots or war zones.
 Employers are more interested in the person technical
skills that they have and the work experience that is being
part over the years than qualifications. It’s important to go
to college to have knowledge in using different types of
the camera.
 It is important to gain as much as experience in technical
and using different camera
 Getting involved in community film projects
 Working for a camera equipment hire company
 Finding work experience as a runner or camera assistant
with a production company.
 As well is good to have skills in photography and
electronics that could help you to become a camera
operator
 To become a set designer you need to have a high level
in design skill and have a creative vision. In the
beginning you will start as designer’s assistant in prop
maker in the theatre, or in the art department trainee or
a runner in the film and TV. To become a set designer
there no specific qualification however is good to have a
qualification in the art.
 Set designer need to have a good drawing skills and
knowing how to create a model making it perfect for the
audience to see when watching the film or television
production. In the film industry set designer are mostly
knowing as production designer.
 Set designer they need to be creative and imaginative,
as well to have a good communication skills with people.
As well is important to have a well organised when
working under pressure.
 Set designer or stage designer, would start production planning
process, from beginning tell the night when film begin, they would
create the design ideas, as well as that you will delegate the practical
work. Other works that set designer are involved are as follow:
 Set designer they study the scripts and have discussing with the
director frequently giving their ideas making sure that the set is
suitable for the scene that is being filmed.
 Set designer have to communicate with the costume making up the
props and lighting design
 Making quick changes when problems appeal such as lighting or
different scenes changes
 Having a creative effective design within the budget that is giving to
set design
 Having a good art to draw a storyboard explaining what each scene
will look scene by scene
 The skills that set designer will need to have are the
following:
 Having the creativity and imagination in the scene
 Having a good art skills to draw and model making
 Having good communication skills with different people
 Having awareness in the budget making sure you do not
spend more money than you have to
 The ability to work under pressure and meet deadlines
 Making sure you get the correct information when
researching for something
 Problem solving ability
 A flexible and adaptable attitude
Set designer tend to work long
hours that could include evening
and weekend to meet the
deadlines.
They work in the studio, an office
or at home. They tend to attend
meeting with the theatres or
film/TV production companies.
To become a set designer you need to
have a high level in design skill and
have a creative vision. In the
beginning you will start as designer’s
assistant in prop maker in the theatre,
or in the art department trainee or a
runner in the film and TV. To become a
set designer there no specific
qualification however is good to have
a qualification in the art.

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Film Director

  • 2. My role in corroboration with my team was film director.
  • 3.  Has a director you will tend to lead large or small team cast crew to direct full length films, short films, live or recorded television programmes such as commercials, music videos or corporate videos.  The work can include such as:  Meeting producers to discuss the film or television programmes  Commissioning a script or an idea for a documentary  Interpreting scripts and developing storyboards  Deciding on how the production should look and where it should be filmed  Planning the shooting schedules where to film and when to film it.  Knowing how to hiring the cast and crew  Directors also tend to write the film or television script. As well in some case as a director you can operate the camera or sound equipment.
  • 4.  Directors are responsibility for the film or televison programmes that are made  Directors have a creativity organisational skills and technical knowlege to manage the whole production process.  Director’s have the leading team of different people in different roles.  As a directors you will need a good communicational skills to talk to different people in the film indistory.  Director need to be well organised and have a good at planning for the filming.  They would also need to make strong decisions knowing what work’s well and not  manage your time well and keep to your budget in limit  There are many different routes to getting into this job. You could start out as a 'runner', or progress from camera or acting work. Courses in media production could teach you some of the skills you would need.
  • 5.  Have a creativity and imagination skills  Good communication skills toward the people that you are working with  The ability to lead and motivate others while they are stressing out  Have a excellent organisational and planning skills  Knowning how solve a problem  Good time management and budget awareness  Calmness under pressure  Awareness of health and safety issues.
  • 6.  The working hours on a shooting film or television programme would often be long and not suitable hours according to the production's needs, and may include evenings and weekends.  Depending on the film production the directors could work in film/TV studios or out on location. Work may be anywhere in the UK or overseas, so working conditions would vary depending on where the production will be filmed.
  • 7.  They are different way’s of a person to become a director. The most important requirement is to have an experience in TV or film. To understand the production process, as well having the good knowledge of network and contacts in the industry.  Mostly directors start of has a runner and they work though they way up through other jobs then assistant director or floor manager.  Starting runner, they need to show there are commitment to working in the media industry, applying for work experience placement is the best way to start of working for the media.  Taking a filmmaking or media production course that helps you to build practical skills and make contacts. Going to college and university and completing BTEC HNDs, degrees and postgraduate courses.
  • 8.  Camera operators are employed by television, within the film industry and by video production houses. Camera Operator are responsible for operating a variety of technical equipment that include a single and multiple portable, remote- control and electronic cameras, cranes and mobile mountings . Camera operators are responsible for:  Assembling and setting up equipment  Planning, preparing and rehearsing scenes  Following camera scripts  Creatively framing and capturing action;  Responding quickly to directions;  Liaising with lighting and technical staff;  Problem solving.
  • 9. Camera operators they operate in film, television, commercials and music videos. They use film or digital video cameras, following instructions from the production’s director or the director of photography. They need to set up the equipment’s, planning shots, and sorting out the technical and lighting issues.
  • 10.  Camera operators are involved in the following:  Setting up and positioning camera equipment  Planning and rehearsing shots  Following a camera script and taking cues from the director or floor manager (in TV studio recording)  Choosing the most suitable lenses and camera angles  Solving practical or technical problems such as lighting  Working closely with other technical departments such as lighting and sound
  • 11.  Camera operator’s mostly working long hour, as well it can include working late at night, and it depends on production. As well while working in the camera operator you need to be fixable because you can be short notice manly if you are working in the news.  Camera Operators will work anywhere from the studio to outside locations regardless of the weather conditions. Location work could be anywhere in the UK or overseas. News camera jobs may involve working under difficult or dangerous conditions such as riots or war zones.
  • 12.  Employers are more interested in the person technical skills that they have and the work experience that is being part over the years than qualifications. It’s important to go to college to have knowledge in using different types of the camera.  It is important to gain as much as experience in technical and using different camera  Getting involved in community film projects  Working for a camera equipment hire company  Finding work experience as a runner or camera assistant with a production company.  As well is good to have skills in photography and electronics that could help you to become a camera operator
  • 13.  To become a set designer you need to have a high level in design skill and have a creative vision. In the beginning you will start as designer’s assistant in prop maker in the theatre, or in the art department trainee or a runner in the film and TV. To become a set designer there no specific qualification however is good to have a qualification in the art.  Set designer need to have a good drawing skills and knowing how to create a model making it perfect for the audience to see when watching the film or television production. In the film industry set designer are mostly knowing as production designer.  Set designer they need to be creative and imaginative, as well to have a good communication skills with people. As well is important to have a well organised when working under pressure.
  • 14.  Set designer or stage designer, would start production planning process, from beginning tell the night when film begin, they would create the design ideas, as well as that you will delegate the practical work. Other works that set designer are involved are as follow:  Set designer they study the scripts and have discussing with the director frequently giving their ideas making sure that the set is suitable for the scene that is being filmed.  Set designer have to communicate with the costume making up the props and lighting design  Making quick changes when problems appeal such as lighting or different scenes changes  Having a creative effective design within the budget that is giving to set design  Having a good art to draw a storyboard explaining what each scene will look scene by scene
  • 15.  The skills that set designer will need to have are the following:  Having the creativity and imagination in the scene  Having a good art skills to draw and model making  Having good communication skills with different people  Having awareness in the budget making sure you do not spend more money than you have to  The ability to work under pressure and meet deadlines  Making sure you get the correct information when researching for something  Problem solving ability  A flexible and adaptable attitude
  • 16. Set designer tend to work long hours that could include evening and weekend to meet the deadlines. They work in the studio, an office or at home. They tend to attend meeting with the theatres or film/TV production companies.
  • 17. To become a set designer you need to have a high level in design skill and have a creative vision. In the beginning you will start as designer’s assistant in prop maker in the theatre, or in the art department trainee or a runner in the film and TV. To become a set designer there no specific qualification however is good to have a qualification in the art.