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SGP powerpoint 30 slides

  1. 1. Fashion Design and Runway Production <ul><li>By: Brittany Stanish </li></ul><ul><li>Mrs. Oren </li></ul><ul><li>English 12 CP </li></ul><ul><li>Period 7/8 </li></ul>
  2. 2. Overview <ul><li>Thesis statement </li></ul><ul><li>Fashion design </li></ul><ul><ul><li>Components of fashion design </li></ul></ul><ul><li>Runway production </li></ul><ul><ul><li>Components of runway production </li></ul></ul><ul><li>Application </li></ul><ul><li>Class Activity </li></ul><ul><li>Conclusion </li></ul>
  3. 3. Thesis Statement <ul><li>Fashion design and runway production is a lot tougher than it seems. However, by taking the proper steps, being motivated and using creativity it can be accomplished successfully. </li></ul>
  4. 4. “ Inspiration exists, but it has to find you working” Pablo Picasso
  5. 5. Fashion Production <ul><li>Research </li></ul><ul><li>Trend Forecast </li></ul><ul><li>Sketch Design </li></ul><ul><li>Fabric Design </li></ul><ul><li>Prototype </li></ul><ul><li>18 to 24 months to finish </li></ul>http://i561.photobucket.com/albums/ss52/ElectroPopxSS/Photography/Fashion%20Sketches/fashionsketchesxw3.jpg
  6. 6. Concept <ul><li>A huge component in making a fashion line. </li></ul><ul><li>It’s your inspiration, and thought portrayed through material. </li></ul><ul><li>It can be anything- music, art, shapes, and places are just a few examples. </li></ul><ul><li>Usually kept in a book </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print. “ Fashion Designers.” Bureau of Labor Statistics . N.p., 7 Dec. 2009. Web. 27 Feb. 2010. <http://www.bls.gov//.htm>.
  7. 7. Design Research <ul><li>Trends- Fashion, social, and consumer trends </li></ul><ul><li>Season that is being designed for </li></ul><ul><li>Demographic- who is buying what? </li></ul>&quot;Fashion Designers.&quot; Bureau of Labor Statistics . N.p., 7 Dec. 2009. Web. 27 Feb.       2010. <http://www.bls.gov/oco/ocos291.htm>.
  8. 8. “ Maintaining all five senses alert-especially the visual sense-is one of the keys to creativity.” (Marcarena San Martin, 55)
  9. 9. Fashion Sketches <ul><li>A mix of observation and invention </li></ul><ul><li>Where inspiration meet paper </li></ul><ul><li>Lines and silhouettes </li></ul><ul><li>Types of materials and colors to use </li></ul><ul><li>Sketches can be influenced by anything </li></ul><ul><li>A rough idea </li></ul>Ireland, Patrick John. Figure Templates For Fashion Illustration . London: Batsford, 2000. Print. San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print.
  10. 10. Fashion Figure <ul><li>A 2-D representation of a garment </li></ul><ul><li>Gives a good idea as to how the piece will look on a human body </li></ul><ul><li>Have to be knowledgeable of the human body </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print. Ireland, Patrick John. Figure Templates For Fashion Illustration . London: Batsford, 2000. Print.
  11. 11. “ A fashion figure doesn’t have to be a fashion illustration, it only needs to clear about what it is you want to express.” (Marcarena San Martin, 72) http://www.flickr.com/photos/fashion_art/2163504219/ http://www.flickr.com/photos/20606337@N00/375608329/
  12. 12. Trend Forecast <ul><li>An actual occupation </li></ul><ul><li>The future of fashion </li></ul><ul><li>What is going to be “in” in two years </li></ul><ul><li>A continuous cycle- the same trend will show up every so often. </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print. “ Fashion Designers.” Bureau of Labor Statistics . N.p., 7 Dec. 2009. Web. 27 Feb. 2010. <http://www.bls.gov//.htm>.
  13. 13. <ul><li>Trends get recycled </li></ul><ul><li>Some of the most popular trends back then are making their way back into mainstream fashion. </li></ul>http://news.bbc.co.uk/nol/shared/spl/hi/magazine/09/fashion/img/fashion786.gif San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print.
  14. 14. Fabric Design <ul><li>Raw materials </li></ul><ul><li>Prints have to be created </li></ul><ul><li>Material being used </li></ul><ul><li>Color </li></ul><ul><li>Alternatives that can be used </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print.
  15. 15. Prototype <ul><li>The first time a piece comes to reality </li></ul><ul><li>It’s a rough idea of what the final product will look like </li></ul><ul><li>The piece is used to determine if everything is how it’s supposed to be </li></ul><ul><li>The garments seen in runway shows are usually prototypes </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print. “ Fashion Designers.” Bureau of Labor Statistics . N.p., 7 Dec. 2009. Web. 27 Feb. 2010. <http://www.bls.gov//.htm>.
  16. 16. Calendar <ul><li>Pret-a-porter- a structured calendar </li></ul><ul><li>The calendar has changed from 2 collections to 6 </li></ul><ul><li>Main collections and pre-collections </li></ul><ul><li>Consistency is key </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print.
  17. 17. Presentation <ul><li>Sample a.k.a prototypes </li></ul><ul><li>First step is selling the collection </li></ul><ul><li>Show the collection in conjunction with the pret-a-porter </li></ul><ul><li>Presentation comes before a runway show </li></ul>San Martin, Marcarena. Field Guide: How To Be A Fashion Designer . Beverly: Rockport, 2009. N. pag. Print.
  18. 18. The Pattern <ul><li>“ The architecture of fashion” </li></ul><ul><li>Enables garments to be mass produced </li></ul><ul><li>Used to make any shape, style, etc. </li></ul>Marcarena, 67
  19. 19. The Moulage <ul><li>A different technique </li></ul><ul><li>Molding the fabric to the body </li></ul><ul><li>“ Sculpting on a body with cloth” </li></ul><ul><li>Enables a designer to get certain styles and volumes </li></ul>Sue jones, 112
  20. 20. Textile Ennobling <ul><li>“ Finishing” </li></ul><ul><li>Mass produced garments </li></ul><ul><li>Customization </li></ul><ul><li>Bleaching, dying, accessorizing, etc. </li></ul>Marcarena, 131
  21. 21. Textile Ennobling Cont. <ul><li>Suppliers work with manufacturers </li></ul><ul><li>Direct designer input not necessary </li></ul>Marcarena, 34 Sue Jones, 189
  22. 22. Pattern Grading <ul><li>Also fabric grading </li></ul><ul><li>Used to determine different sizes for a piece </li></ul><ul><li>Fabric-ally done by rearranging internal stitches </li></ul><ul><li>Usually done by computer when making a pattern </li></ul>http://apparelservices.bg/uploads/pics/pattern_grading_screen.jpg Marcarena, 172
  23. 23. Production of Clothing <ul><li>Workshop </li></ul><ul><li>Suppliers </li></ul><ul><li>Manufacturing companies </li></ul><ul><li>Haus </li></ul>Sue Jones, 159
  24. 24. Branding <ul><li>Brand title </li></ul><ul><li>Collection title </li></ul><ul><li>Collection tagline </li></ul><ul><li>logo </li></ul>Sue Jones, 109
  25. 25. Production Cost <ul><li>Fabric </li></ul><ul><li>Accessories </li></ul><ul><li>Raw materials </li></ul><ul><li>Grading </li></ul><ul><li>Shipping </li></ul><ul><li>Warehousing </li></ul>http://designsociety.net/social/pg/file/designsociety/read/118/cost-sheet-template Marcarena, 79
  26. 26. Runway Production <ul><li>Location </li></ul><ul><li>Music, lights, and set </li></ul><ul><li>Models </li></ul><ul><li>Budget </li></ul><ul><li>Theme </li></ul><ul><li>Promotion </li></ul>Marcarena, 136 Sue Jones, 100
  27. 27. Location <ul><li>Easily accessible depending on exclusivity </li></ul><ul><li>Dependable on how many are in attendance </li></ul><ul><li>Accommodating </li></ul>http://www.associatedcontent.com/article/167664/how_to_put_on_your_own_fashion_show_pg2.html?cat=30
  28. 28. Theme <ul><li>Coincides with collection </li></ul><ul><li>Fits into the concept </li></ul><ul><li>Identifiable </li></ul>The theme of this show fits directly with the indian-inspired collection. Picture found from google http://www.associatedcontent.com/article/167664/how_to_put_on_your_own_fashion_show.html?cat=30
  29. 29. Music and lights <ul><li>Needs to reflect the mood </li></ul><ul><li>Add to the theme </li></ul><ul><li>Reflect the collection </li></ul><ul><li>Keep people excited </li></ul>McQueen video Sue Jones, 43
  30. 30. Distribution <ul><li>Through ones own store </li></ul><ul><li>Buyers buy collections </li></ul><ul><li>Retail </li></ul><ul><li>Agent or Sales representative </li></ul>Marcarena, 45
  31. 31. Budget <ul><ul><li>Before having a show put together a budget </li></ul></ul><ul><ul><li>Cost list: </li></ul></ul><ul><ul><ul><li>Set Building </li></ul></ul></ul><ul><ul><ul><li>Lighting </li></ul></ul></ul><ul><ul><ul><li>Employees helping </li></ul></ul></ul><ul><ul><ul><li>Models </li></ul></ul></ul>Marcarena, 124 http://www.associatedcontent.com/article/167664/how_to_put_on_your_own_fashion_show.html?cat=30
  32. 32. Promotion <ul><li>Paper ads-flyers </li></ul><ul><li>Website ads </li></ul><ul><li>Magazines </li></ul><ul><li>Invitations </li></ul><ul><li>Radio </li></ul><ul><li>Television </li></ul>http://www.flickr.com/photos/gsalib/3215377774/ http://www.associatedcontent.com/article/167664/how_to_put_on_your_own_fashion_show.html?cat=30 Marcarena, 208
  33. 33. My Application <ul><li>My application consisted of designing my very own line of clothing, producing them, and having a runway show to showcase them. I had my benefit, Fashion For Food, at the King of Prussia Firehouse. All of the proceeds went to the hunger relief organization Philabundance. Angelina Petraglia was my partner, in that she helped me set it up, and that it was the charity of her choice. </li></ul>

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