Portfolio Of Student Of Dezyne E'cole College , Sandhya Laxkar, Second Year Fashion Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com

1. SANDHYA LAXKAR
2nd Year Diploma In Fashion Design
Confirming To NSQF Level 6, NSDC
Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
CRAZY QUILT

2. Project Report
on
Collection
At
Dezyne E’cole College
Submitted to
Dezyne E’cole College
Toward The partial fulfillment of the
Two year diploma in Fashion Design
By
Sandhya Laxkar
NSQF Level 6, NSDC
Dezyne E’cole College
106/10,civil lines Ajmer
tel : 0145 -2624679
www.dezyneecole.com
2018-19

3. Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
This project of miss. Sandhya Laxkar student of Fashion Technology with two years advance diploma
program has been checked and graded as________________________________________________
Principal
[Seal & Signature]

4. I, Sandhya Laxkar Student Of Dezyne E’cole College, An Extremely Grateful To Each And Every Individual Who Has Contributed
In Successful Completion Of My Collection.
I Would Like To Express My Special Thanks Of Gratitude Towards Dezyne E’cole College And Its Mentors For Their Guidance And
Constant Supervision As Well As For Providing Me The Necessary Information And Support Regarding The Completion Of
Collection.
I Also Want To Thank My Parents And My Friends Who Helped Me A Lot In Finalizing This Collection Within A Limited Time
Frame.
ACKNOWLEDGEMENT
Sandhya Laxkar
2ndYear Fashion Design Diploma
NSQF Level - 6 Of NSDC

5. SYNOPSIS
Heartily present my work to DEZYNE E’COLE COLLAGE For give me direction to my career through 2year advanced
diploma in fashion technology .
During my course of study I learned about all this subject garment construction design basic draping print development and
took a lot of inspiration from all subject’s.
after learning this all subjects I got a case study to solve. and I worked upon my own collection where I was given a case
study to design a collection for a 15-25year old girl in which I design 6 dresses for girl and construction one out of six in
reality .
I was inspired from waste fabrics to recycled fashion I’ve also done some extra work which included in this collection.

6. COLLEGE FRAME

7. CONTENT
INTRODUCTION
TO COLLECTION
CASE STUDY
RESEARCH
DIRECTION
RESEARCH
INSPIRATION
MIND MAPING
CREATIVE
PROCESS
GARMENT
PRODUCTION
PROMOTION
1
COLLECTION 2019
2
3
4
5
6
7
8
Market survey
Online
Offline (visit to local market
Market research.
Which market.
 Case study analyziation
Mood board.
Color board.
Inspiration board
Brain storming.
Specification sheet
Garment Production.

8. F
A
S
H
I
O
N
D
E
S
I
G
N

9. Introduction
What is collection ?
A collection is a range of garment, accessories or product that are designed and produce for sale to retailers or directly to
customers. this may be inspired by trend, theme or design direction reflecting cultural and social influences. Clothes are made in
small quantities to guarantee exclusivity ‘so they are rather expensive .ready -to –wear collection are usually presented by
fashion houses each season during a period known as fashion week
Successful designer, manufacturers or retailers have clear understanding of their customers ‘need as well as understanding
their position in competitive market. In order to gain an understanding fashion there is a need to conduct a ‘comp shop’
to compare the stock with competitors. Some costumers are inspirational that knows as muse who embodies the designer
style or approach to fashion.

10. Design a range of 4 design for a young girl of 15-25 years the design should be in trend be in and garment created
Must have use of various elements & texture.
you are require to produce 4 design in full colour
and all designs should be illustrated as working drawing consideration should be given to design including construction
As well as surface interest of there and garment show back and front views .
Sit necessary develop your design ideas with consideration of media use a present the ideas for your portfolio they may be
Any shape or size as long as they fill in to on A4 portfolio and should all be created using the various media link Photoshop
Corel draw and illustrator.
SUGGESTED AREA OF CONSIDREATION
 Silhouette
 Fabrication
 Colour
 Pattern/texture
 Presentation
 Graphics
 Fashion direction
CASE STUDY

11. CASE ANALYZING

12. • NAME OF CLIENT – DIKSHA SHIVNANI
• AGE - 21
• OCCASION – FOR EVERY OCCASION
• PROFESSION - COLLEGE GOING GIRL
• SEASON – SPRING SUMMER
• SILHOUETTE - A LINE SHAPE
CLEINT DETAILS
Diksha Shivnani
A person or personified forced who is the source of inspiration
for a creative artist .
Muse are the personalities that made designers famous.
for my collection m choosing my muse to make my dress
design great she is a collage going girl .

13. Haute couture houses are the major fashion houses of the world
run by recognize internationally famous designers.
Pret-a –porter is designer wear the move into ready to
wear clothing by designers meant that they could offer
their stylish design and high quality to a wider audience
Mass market or street fashion is the market area in which most
people buy their cloths. New fashions can be in the high street
stores extremely quickly and that customers lose in exclusively
they can make up for in value for money.
Fashion
Market’s
Pret- A -
Porter
Haute
Couture
Mass Market
MARKET RESEARCH

14. MASS MARKET
I CHOOSE MASS MARKET BEACAUSE THIS IS A BIGGEST MARKET IN OUR COUNTRY. ALSO PROFIT IS MORE IN THIS MARKET.
I DID MARKET RESEARCH ONLINE AS WELL AS OFFLINE .
MASS MARKET OR STREET FASHION IS THE MARKET AREA IN WHICH MOST PEOPLE BUY THEIR CLOTHS. NEW FASHIONS
CAN BE IN THE HIGH STREET STORES EXTREMELY QUICKLY AND THAT CUSTOMERS LOSE IN EXCLUSIVELY THEY CAN MAKE
UP FOR IN VALUE FOR MONEY.

15. I SEARCHED VARIOUS CUTTING LINES
IN WOMEN’S
PALAZZO AND SHRUG WITH TOP.
ONLINE AND OFFLINE. TO MAKE
FURTHER VARIATIONS IN IT. ALSO I
SEARCHED ABOUT THE DETAILS THAT I
CAN USE DURING THE IDEATION
PROCESS.
RESEARCH

16. OFFLINE MARKET RESEARCH

17. ONLINE MARKET RESEARCH

18. SILHOUETTE

19. SLEEVES

20. BODICE

21. CUFF’S

23. PATCH WORK
UPCYCLING FABRIC

24. Patch Work Or” Pieced Work” Is A From Of Needle Work That Involves Sewing
Together Pieces Of Fabric In A Larger Design . The Larger Design Is Usually Based On
Repeating Patterns Built Up With Different Fabric Shapes.( Which Can Be Different
Colors ) & Geometric Shapes Making Them Easy To Piece Together ..
The Running Stitch Or Straight Stitch Is The Basic Stitch In Hand –
Sewing And Embroidery , The Stitch Is Worked By Passing The
Needle In And Out Of The Fabric .
(Also Called KANTHA Embroidery ) Running Kantha Stitch Belong
From Indian State Of West Bengal, Tripura And Odisha .

25. UPCYCLING FABRIC
Up Cycling Is The Process Of Converting Waste Fabrics And Waste Materials Or Useless Product S In
To New Garment Material & Products Of Better Quality Or For Better Environmental Value.’
In Today Is World ,Stuff Is Wasted And Thrown Away .Mostly By People Who Have More Than
Enough Stuff .
Upcycling ,Also Known As Creative Reuse, Is The Process Of Transforming By - Products , Waste
Materials Or Unwanted Products In To New Materials Or Products Or Better Quality Or For Better
Environmental Value .
Upcycling Is The Opposite Of Down Cycling, Which Is The Other Face Of The Recycling Process.
The sad reality of waste
fabric pollution ..
Be part of the solution at.

26. INSPIRATION
patch work with running stitch

27. MOOD BOARD

28. C ; 22
M ;100
Y ;73
K ;17
C ; 21
M ; 34
Y ; 58
K ; 0
C ; 93
M ; 31
Y ; 73
K ;17
COLOR BOARD

29. DYEING FROM MARRY GOLD FLOWERS
FLOWERS PONDING FROM MARRY GOLD
FLOWERS .
BRAINSTORMING

30. BRAINSTORMING

31. This process helped me to figure out what
exactly I want to create. I collected all of the
ideas that came into my mind while studying
for this collection..
BRAINSTORMING

32. SPECIFICATION

33. MAKING OF THE OUTFIT
MAKING PATCH
ADD SEQUENCE IN
PATCH
DOING RUNNING
EMBROIDERY STITCH
ON PATCH
MAKING MINI TOILE MARKING & CUTTING
FINAL TRIALWASTE FABRIC
SEQUENCE WORK
SLEEVE CUFF

34. FRONT PART OF SHRUG
PATCH
BACK PART OF SHRUG
CULOTTE
SLEEVE CUFF
WITH RUNNING
EMBROIDERY
STITCH
NECK LINE
FINISHED WITH
PIPING
INNER CROP TOP
VIEWS OF OUTFIT

35. PROMOTING OUTFIT

36. PRESENTATION
A presentation is process of
presenting a topic to an audience
.it is typically a demonstration
,introduction, lecture, or speech
Meant to inform , persuade
,inspire, motivate or to build good
will or to present a new idea or
product..
..
PROJECT DISPLAY

38. STITCHED SHIBORI
SANDHYA LAXKAR
2nd Year Diploma In
Fashion Design
Confirming To NSQF Level
6, NSDC
Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
TIE&DYE

39. Here is my project during my learning process in collage I got a case study in which I have to design an ethnic garment( TENT
FOUNDATION DRESS ) it is specified that we have to use TIE & DYE for creating surface interest . Show front, back and side
view if necessary.
As par the case study I’ am very much clear about what to make and which surface design technique I have the choose .
So the next step is to do market research on tie & dye and than for tent foundation dress its silhouette, color, sleeves, other
surface embellishment if I use to making it more ethnic.
CASE STUDY

40. FRONT VIEWSIDE VIEW BACK VIEW
VIEWS OF OUTFIT

41. VIEWS OF OUTFIT

43. Shibori A Form Of Tie-dye Which Originated In Japan And Indonesia .It Has Been
Practiceced There Since The 8thcenrury .Shibori Includes A Number Of Laber
Intensive Resist Techniques Which Include Stitching Elaborate Patterns And Tightly
Gathering The Stitching Before Dyeing .Forming Intricate Designs For Kimonos .
Another Shibori Method Is To Wrap The Fabric Around A Core Of Rope ,Wood Or
Other Material ,And Bind It Tightly With String Or Thread. The Areas Of The Fabric
That Are Against The Core Or Under The Binding Would Remain Undyed.
To make patterns on cloth by tying knots in it or tying part of it with strings before
putting it in a dye , so that only parts of the fabric receive the dye
This Pattern Is Mokume Shibori Technique .. Mokume Means ( Wood grain )
WHAT IS TIE & DYE
Shibori technique

44. PROCESS OF DYEING

45. SHIBORI INDIGO DYEING
SHIBORI BLEACH SHIBORI STITCHED
TRADITIONAL TEXTILE SHIBORI
SHIBORI STITCHED
SHIBORI POLE WRAPPING
SHIBORI DYE/ INDIGO DYE..
THIS IS A MOKUME SHIBORI
TECHNIQUE.MOKUME MEANS
WOODGRAIN.
SHIBORI DYE
TECHNIQUE

47. 2nd Year Diploma In Fashion Design
Confirming To NSQF Level 6, NSDC
THANK YOU
Dezyne E’cole Collage
106/10 Civil Lines, Ajmer
Tel: 0145-262467
WWW.dezyneecole.com
SANDHYA LAXKAR