Culture Of Bangladesh

Culture of Bangladesh
п‚– Introduction to the country: "Bangladesh" is a combination of the Bengali words, Bangla and Desh, meaning the country or land where the Bangla
language is spoken. The country formerly was known as East Pakistan. п‚– What is Culture: o The set of shared attitudes, values, goals, and practices
that characterizes an institution, organization or group. o The sum of attitudes, customs, and beliefs that distinguishes one group of people from
another. o Culture has been taken as constituting the way of life of an entire society, including the codes of manners, language, rituals, norms of
behavior, and systems of belief. п‚– Geographical location of Bangladesh: Bangladesh, a country in South Asia, bordering the... Show more content on
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Language differences mirror social and religious divisions. Bangla is divided into two fairly distinct forms: sadhu basha, learned or formal language,
and cholit basha, common language. Sadhu basha is the language of the literate tradition, formal essays and poetry, and the well educated Cholit basha
is the spoken vernacular, the language of the great majority of Bengalis. There are also small usage variations between Muslims and Hindus, along
with minor vocabulary differences. пѓ Symbolism: The most important symbol of national identity is the Bangla language. The flag is a dark green
rectangle with a red circle just left of center. Green symbolizes the trees and fields of the countryside; red represents the rising sun and the blood
spilled in the 1971 war for liberation. The national anthem was taken from a poem by Nobel laureate Rabindranath Tagore and links a love of the
natural realm and land with the national identity. пѓ Food in daily life: Rice and fish are the foundation of the diet; a day without a meal with rice is
nearly inconceivable. Fish, meats, poultry, and vegetables are cooked in spicy curry ( torkari ) sauces that incorporate cumin, coriander, cloves,
cinnamon, garlic, and other spices. Muslims do not consume pork and Hindus do not consume beef. Increasingly common is the preparation of ruti, a
whole wheat circular flatbread, in the morning, which is eaten with curries from the
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Critique Of Bhojohari Manna
Oh! Calcutta Located in Mumbai, Delhi, Hyderabad, Bengaluru, Gurgaon and, of course, Kolkata, this restaurant chain promises to serve the long lost
dishes that speak volumes about Kolkata's Bengali, Nawabi and colonial cuisine. Some may find the prices a bit stiff but the regulars swear by its
'authentic' style of cooking. Address No.10/3, 4th Floor, Forum Shopping Mall, Elgin Road Contacts 033–2283 7161 Website http:/
/www.speciality.co.in/ Oh Calcutta Typical IndianLobsters Bhojohari Manna The restaurant created a stir when they chose to bring to the table
long–lost tastes such as Dak Bangla Chicken and Goalondo Steamer Curry (a mutton dish). The restaurant takes its name from a song by Manna Dey
where he talks about the chef Bhojohari Manna who goes around the world learning all types of cuisine. The very name of this restaurant – 'Bhojohori
Manna' – brings forth nostalgia in every Bengali, familiar with the popular rendition by Manna De with its amusing lyrics," Ami Sri Sri Bhojohori
Manna" The core founding team includes film director Goutam Ghose. BesidesKolkata, it is also present in Bengaluru, Mumbai, Siliguri and Puri.
The popularity of their cuisine rests on the recipes of 'pice' hotels which were frequented by all and sundry even a few decades ago. "Our very first
outlet at Hazra, Salt Lake was at Ekdalia and we worked out from a... Show more content on Helpwriting.net ...
The Park Circus branch situated right in front of the Park Circus crossing has the best servings in terms of taste. It is not much expensive. Inside the
restaurant, it is difficult to find a person who does not have a plate of Biryani apart from other dishes. There is no competition faced by this eatery
despite so any other places and it continues to attract people every day. A tip would be to order a plate of Arsalan Special Biryani. Nothing on earth
tastes

Hannah Seneesh Research Paper
Hannah Senesh was born in Budapest, Hungary, on July 17, 1921. She had a younger brother and her parents were an author and a journalist. She
was always very talented in writing. Throughout her life, she kept a diary and wrote many poems. She was Jewish, and in 1939, she moved to Israel
with her brother because of anti–semitism in Hungary. In Israel, she attended an agricultural school, and later settled at the Kibbutz Sdot Yam. Hannah
Senesh was brave, and stood her ground for what she thought was right. She did what she knew what good for other people, even if it hurt her. In
1943, Hannah Senesh joined the British Army. She volunteered to be parachuted into Europe to help Jewish communities under siege. She was one of
33 people chosen to

Amit Chaudhuri Diasporic Themes
DIASPORIC CONSCIOUSNESS IN AMIT CHAUDHURI'S "A NEW WORLD"
Abstract
Diaspora is a displacement of a community or individual from one geographical region to another geographical region. Indian English Fiction is
repleted with several instance of diasporic issues where the artist makes an effective endeavour to present India's rich varied culture, tradition, and
heritage while living in abroad. Like Amit Chaudhuri's fourth novel "A New World" under the prespective of diasporic issues such as rootlessness,
identity crisis, nostalgia, homesickness, conflict between tradition, and modernity etc., He is not a diaspora writer. Amit Chaudhuri is writing in the
great Bengali tradition. Chaudhuri differ in almost everything realities being portrayed to their intellectual mooring, narrative concerns and use of
language. The central character Jayojit Chatterjee, ... Show more content on Helpwriting.net ...
The new worlds emerging from such phenomena go beyond the personal, for the country they left behind is changed as well as the one to which they
go. The Indian diaspora contains a high number of professionals, making for a global expatriate community with a strong measure of influence and
clout. Chaudhuri's novel is a gently told, convincing glimpse into the life of one ordinary non–resident Indian, stated in deceptively simple, elegantly
rendered.
Works cited: Chaudhuri, Amit A New World. Picador, 2000. Ganguly, Dabjani. "Of Unremarkable, Un
–Rushdie–like Lives: the Diasporic 'Local' in the
Latest Fiction of Amit Chaudhuri." Crnle Journal (2000): 84–95. Gokhale, Namita. "The Business of Living." Rev. of "A New World". The Book
Review 24.8 (Aug 2000):35. Gerenin, James. Rev. of "A New World". World Literature Today 75.2 (Spr 2001): 316
–317. Khair, Tabish. Rev. of "A
New World". Wasafiri 32(Aut 2000):62
–64. http://books.google.co.in/books isbn=339658061.

The Book ' The Namesake ' By Jhumpa Lahiri
The Struggle of Find a Cultural Identity
Many people of different ethnicity have passed over many obstacles and difficult experiences where growing up in a new country has been like a
great wall where you cannot exceed to the other side by much effort can put. Growing up in the United States may differ between types of culture and
education given by parents. Over the years many people like me with double identity can struggle to be two person at the time where you communicate
and experience new cultures in other family or persons. At home, you are the other person where you communicate with your first native language;
you interact with family regularly with manners, traditions and culture. It 's really difficult to have two identities and do not know who you really are,
in the book "The Namesake" by Jhumpa Lahiri author, demonstrates the theme of how hard it is to find an identity in America. The protagonist of the
book Gogol, during his childhood went through many difficult stages related to his identity and find himself like another characters that passed the
same way.
Additionally, immigrants have been always tried to live with their same beliefs, traditions, manners, and food. This may be due to the fact that most
immigrants think that they could be betraying the roots of ethnicity. According to Bagchi, Amitabha and Chatterji, Dejajyoti researches Bengalis
immigration began during the 1950s where the Immigration Act of 1965 opened the doors to many professionals to

Analysis Of Kobitar Khoje 's Goal
Kobitar Khoje's goal is to encourage and motivate young poets through releasing a solo album of their poems by an eminent recitation Artist. The event
will patronize these poetry enthusiasts by offering them big platform and canvas, simultaneously the opportunity to record their recitation poem and
publish in CD along with publishing a souvenir with your biographic information. This will be a bridge between young poets and eminent poets. The
criteria of poems will be Love, creation, rebel, independence and native.
Such kind of first–ever opportunity will give young poets to flourish their skill and make them feel deep magnetism on the writing art that profoundly
affected their poems. Nowadays, the practice of poem writing is becoming increasingly popular day by day. There are lots of young and energetic
poem writers in and around the Bangladesh. But, they do not have platform and canvas for blooming their skills. So, they might be loose their hope
and faith on writing motivation. In this circumstance, Kobitar Khoje's initiative may bring betterment in the cultural ecosystem in Bangladesh. We see
that all the poem recitation CD albums are released with the poetry of famous poets. This time, we are working to promote the young and new poets to
encourage them in their writes. The poems should be in Bengali Language. We have planned to publish 1000 CDs with small booklet and 1000
souvenir and we expect that this will lead to development and encourage 100 young and new

The Idea Of Nationalism And The Indigo Planting Mirror
Introduction on The idea of nationalism in the colonial world in Deenabandhu Mitra's Neel –Darpan
Neel Darpan; or The Indigo Planting Mirror is a Bengali play written by Dinabandhu
Mitra in 1858–1859. The play was essential to Neelbidraha, or Indigo revolt of
February– March 1859 in Bengal, when farmers refused to plant indigo in their fields as a protest against exploitative farming under the British Raj.
The preface to the play addresses the numerous indigo planters who are offered the neel darpan (the indigo mirror), 'so that they may take a look
reflected in it'. In this play it reflects the social, political and economic situations affected by the tyranny of the indigo planters which exploits the Indian
peasants.
The play is based on Mitra's experience as a postmaster in rural areas of Orissa and
Bengal. He saw the indigo farmer's oppression very closely. The trials of the peasants were not only unjust but inhuman and exploitative in nature.
Mitra wrote this play to raise a voice against the indigo planters, jamindars and British officials. Gradually the message spread all around and the
voices of the peasants became the voice of the masses against the imperialism. This play's central theme is the exploitation of

International Mother Language Day
Our Mother Language Day
(21st February)
UNESCO's declaration of 21st February as the International Mother Language Day has brought fresh glory and prestige to Bangladesh which is
making significant strides towards peace, progress and prosperity at home and discharging international obligations abroad. After 1952, the people of
Bangladesh have been observing every year the 21st day of February as their glorious and unforgettable Language Martyrs Day. What happened on
21st February 1952 is widely known. Still let us very briefly recount the fateful happenings of that day and the circumstances that led to and followed
them.
In August 1947, a new state called Pakistan, comprising two far–flung wings in the west and east, separated by ... Show more content on
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Yet so long, it has been mainly a national event of Bangladesh. But with the declaration of 21st February as theInternational Mother Language Day, it
has transcended the national borders of Bangladesh and acquired an international significance and a global dimension.
International Mother Language Day is particularly significant in the sense that it has a cultural importance. From now on, 21st February – so long
observed in Bangladesh as the Bangla Language Martyrs' Day – will be observed here simultaneously as the Bangla Language Martyrs' Day and the
International Mother Language Day. And in nearly 200 countries of the world, various peoples speaking various languages and belonging to various
national cultures will observe 21st February as the International Mother Language Day. They will naturally celebrate their own mother languages, but
while doing so, it is more than likely that they will refer to Bangladesh and the Language Movement launched by her people that reached a climactic
point on 21st February 1952.
The declaration made by the UNESCO in November 1999 designating 21st February as the International Mother Language Day has placed
Bangladesh on the cultural map of the world with a highly positive image. We, people of Bangladesh, should now do all that we can to further
develop our mother language Bangla in all branches of knowledge so that it can play a worthy role in the community of world languages. We shall
love, cherish and promote Bangla,

Symbols In Mr. Sen, By Mrs. C. Lahiri
Once upon a time, she was a wealthy woman in Bengali, theere, she feed the poor on festival days. But after came to calcatta, she did not have any
wealth, even, she does have good food to eat, wear dirty clothes and sleep on the old newspapers. Lahiri used ,some metaphors in this story, cocunut
trees, cattle, rosewood and women with saries. Using metaphors described about not only person and also thing. She has given a plase by the Bengali
people and every day, she sleep unter the letter box. Bengali people of those appartments give her food and other items but still, they considers her
"as a refuge" and she consiter her herself also " an outsider". She feels herself, she has no place in the world. She faced double trouble, that is, she is
not Indian and also belongs to the lower caste. According to Gayatri C.Spivak, the caste system of India is worse than "racism" of other countries and
calls both India and United states "bad, but in different ways."(13) She interpret her own identity and class status. Much of her ... Show more content on
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But in her one of the collection, Mrs.Sen's is bviously dealt with the pain of culturaly alienation and nostalgic feeling of the migrated people in a
foriegn land, through out the character Mrs. Sen. She is the protagonist of the story, mistress of the University professor, a thirty year old home maker.
She migrated from Calcutta to Boston with her husband mistress who teaches in the university of Boston. This not only the changes of location but
also facing the problem of traditional and cultural conflict where they were migrated as well as they injured by socialy and psychologically causing a
strong sense of lonliness and segregation. Mrs. sen coud not adopt by hostculturalwhere she missings her own traditional. Lahiri mentioned in an
interview that she depicted the character of Mrs. Sen while in her mind, she keeping about her mother and women of her

Footwear International
Case Study: Footwear International
Footwear International: Bangladesh – History, Development, and Growth In order to investigate how a company's can maneuver though present
situations it is important to map critical incidents in its past. Historically, the country in which Footwear International resides, Bangladesh, has seen
major political upheaval in a short period of time. In the 1940s the government transitioned to British–ruled to that of a providence of Pakistan called
East Pakistan. Due to political unrest, in the early 1970s power transferred again, thanks to the help of India, where they gained independence and
became known as the country of Bangladesh (Lane, Distaefano, & Maznevski, 2006). Despite their independence, ... Show more content on
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Footwear Bangladesh also employs local businessmen as their Board of Directors who are bound to help the company abide by Bangladesh laws
(Lane, Distaefano, & Maznevski, 2006).
| SWOT Analysis |
|Footwear International: Bangladesh |
|STRENGTHS |WEAKNESSES |
|300 new products introduced annually. |Managing Director of Footwear Bangladesh, John Carlson, is a foreigner |
|1,800 employees of Bangladeshi decent. |to the country. |
|Financially, a medium contributor within the Footwear organization. |Managers of production, marketing and sales were also not from |
|Publically traded and largest private–sector foreign investment in the |Bangladesh. |
|country. |Design on insole of shoes changes "often" as a marketing feature. |

West Pakistan Genocide
"Kill three million of them, and the rest will eat out of our hands" (qtd. in Hensher). In keeping with this declaration of General Yahya Khan, West
Pakistani soldiers began a campaign in 1971 to torture and kill millions of Bengalis and Hindus in East Pakistan. West Pakistan had significant concerns
regarding the unrest of the independence movement in East Pakistan, and had decided to halt the protests by force. After the first attacks at Dhaka
University on the night of March 25, 1971, until the surrender of Pakistani forces to the Indian military on December 16, West Pakistan succeeded in
their plan to inflict extreme suffering on the Bengali ethnicity. The East Pakistan genocide of 1971 involving West and East Pakistan was a result of the
... Show more content on Helpwriting.net ...
Instead of brutally exterminating nearly three million people, West Pakistan should have sought non–violent negotiations to defuse the tense situation
in East Pakistan. Also, outside powers such as the US could have discontinued their support of West Pakistan and condemned the horrific events in East
Pakistan to discourage the perpetrators of the genocide. In the future, international cooperation and diplomacy must be implemented to prevent the
extreme suffering of millions of people and halt the causes of genocide before murder and military intervention are necessary. Currently, one particular
conflict strongly resembles the East Pakistan genocide, namely the war in Syria. The civil war in Syria has caused 60,000 deaths, mostly rebel
soldiers and Sunni civilians, as the oppressive government of Bashar al–Assad continues to halt uprisings and murder citizens (Genocide Watch). In
order to stop further suffering, determined international negotiations and increased understanding between religious groups will be necessary.
Situations such as the events in Syria often begin with events in which a group of people are viewed as inferior and unworthy of living. In the East
Pakistan genocide, these events were evident through the statements of the main perpetrators such as Yahya Khan, as they portrayed the Bengalis as
lesser beings and unworthy of living. In order to prevent senseless suffering and the countless loss of lives in the future, and also to ensure a
successful and harmonious society, individuals must accept the differences of others, and regard all people as equally deserving of a fulfilling

Tyfhbgyf
The short story
The short story –– Alice Munro an exception, (perhaps) –– is an illustration of one facet of human nature. Often a character undergoes some event and
experiences something which offers him change. This is why it's said that short stories usually "say something", often a narrow or small something, but
sometimes delivered with such precision that the effect is exquisite, even a life–moment for the reader, something akin to a religious experience or
seeing a never–to–be–repeated scene in nature.
For a minute, let me remind you that, for me, the perfect short story is written with a poet's feel for language, with a poet's precision, and that the shape
and sounds and rhythms of the words are more commonly part of the work's ... Show more content on Helpwriting.net ...
п‚· Develop a resolution: How does the main character come to terms – or not – with his or her problem?
Source: Lessons that Change Writer, Nancie Atwell, 2002 Short Story Terminology
Atmosphere – the general mood, feeling or spirit of a story.
Characterization – the way that the author creates characters.
Protagonist – the main character that is faced with a problem.
Antagonist – the person, place, idea or physical force against the protagonist.
Climax – the point of the highest dramatic intensity; the turning point.
External conflict – happens outside the character.
Internal conflict – happens inside the character
Foreshadowing – clues of hints which prepare the reader for Future action or events.
Irony – contrast or contradiction of what is expected and what Results.
Verbal irony– occurs when a character or narrator says one thing But means the opposite.
Dramatic irony – occurs when the reader knows more than the Character.
Situational irony – occurs when the contrast between what Appears to be and what actually exists.
Plot – action of the story.
Chronological – places events in order of time from first to last.
Flashback – looks back at events that have already occurred.
Point of View – the angle from which the author tells the story.
First Person Narrative – the narrator uses "I" and participates in The action.

Third Person Narrative – the narrator uses "he" and "she" and is an

Devdas Metaphor Essay
Devdas as the word comes to mind it conjures up the visage of a haggard, world–weary, lovelorn soul, driving himself to drink and hurtling on
relentlessly on the path to self–destruction. The 'Devdas Metaphor', a time–honoured, enduring tragic symbol of unfulfilled love, has captivated readers
and film–going audiences for the better part of a century now. Devdas has several adaptations and translations and therefore it is good to look at the
specific ways in which the Devdas metaphor has engaged our imagination over several generations. Saratchandra Chattopadhyay's Devdas was
published in Bengali in 1917. It was also a time when the forty–year old writer has just experienced his meteoric rise to fame. Saratchandra
Chattopadhyay ... Show more content on Helpwriting.net ...
The first official screen adaptation, a 1928 silent film directed by Naresh Chandra Mitra starring Phani Sharma. However, in 1935 came Bengali film
directed by Pramathesh Barua. It stars Barua himself as Devdas and he even succeed in making the impact as the love–torn tragic hero. Barua followed
the success of the 1935 Bengali version with a Hindi adaptation the following year in 1936 starring K.L.Saigal. Further there was last of three
language versions, by Barua first being in Bengali and the second in hindi and the third one in Assamese in 1937 starring Phani Sharma. Then
Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and Tamil with slightly different casts. The most
prominent version after Barua's masterpiece was undoubtedly Bimal Roy's 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as
Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and considered by many to be the most faithful adaptation of
the novella is still considered a classic of the celluloid screen. The power and effectiveness of the early scenes between Devdas and Parvati,

Common Themes In The House Of The Scorpions
In the novel House of the Scorpions by Nancy Farmer, the memoir, Where Am I Wearing by Kelsey Timmerman, and the short story The Scholarship
Jacket by Martha Salinas, the common theme is that a person is always a person, no matter their wealth, their skin color, or even their birth
circumstances. In the House of the Scorpions, an instance that shows this is when Matt finally listens to what all of his friends have been telling him,
about how he is not inferior to them. Another example that accentuates the theme from Where Am I Wearing is where the reader learns about the
terrible conditions Bangladeshi workers have to suffer through. A final example of the theme in The Scholarship Jacket is when Martha is denied the
jacket because she's poor and Mexican. A common theme similarly found in The House of the Scorpions by Nancy Farmer, The Scholarship Jacket by
Martha Salinas, and Where Am I Wearing by Kelsey Timmerman is that everyone ishuman, no matter their financial status, ethnicity, not to mention
circumstances of birth, and all deserve to be treated the same. In the novel, The House of the Scorpions, an example of how the theme is aptly
portrayed is when Matt understands that he is not inferior to other humans because he is a clone. A quote from this moment states, "Matt had to
swallow hard to keep the tears from rolling down his face. He wasn't alone after all. With friends like these, he would triumph, as El Patron had
triumphed over death and poverty and death so

The Emergence Of Nationalism In The Nineteenth Century
Introduction: Nationalism is the most potent factor conducting in the political ground. In the nineteenth century it was almost universally accepted as a
injunction for religion. Though in the middle age religious view had prominent influence but in the first half of 16th century more emphasis was given
to geographic and national unity and field of national sovereign state was established. At that time strong central national government was established
in England, French, Spain. French revolution has been considered the first emergence of nationalism. On the other hand Renaissance and Protestant
reformation movement significant role in the rise of European nationalism. "Machiavelli believed that the uniformity of tradition, language and law are
the main element of nationalism" (Ayesuddin,1976, in bengali). Besides these it is also necessary to understand clearly the implication of the trend of
nationalist movement. The recorded history of Bangladesh is found from around the first century of the Christian era. Until the coming of muslims in
the early 13th century the region was ruled by the Hindu and Buddhist kings. The muslim rule in Bangladesh began early in the 13th century and
continued until the coming of East India Company. It had been seen a seat of political influence in the history of south Asia, especially 19th and 20th
centuries. All major freedom movements against the British rule and 'Sipahi Bidroha' in 1857, was the first counterblasts against them by the

Adapting Culture Shock By Noah Webster
Mannat Shukla
Dr. Andrea Bell
English 202
07 December 2014 Adapting To Culture Shock
According to Noah Webster, "Culture means the customary beliefs, social forms, and material traits of a racial, religious, or social group also the
characteristic features of everyday existence shared by people in a place or time." When people accustomed to a particular culture enter a foreign land
with different practice, they are bound to experience cultural shock. Culture shock is personal incomprehension a person may feel or experience when
in an unfamiliar culture or way of life as a result of a visit to a new place or immigration. It is most prominent among immigrants. As Paul Pederson has
mentioned in his book, "It is a process that an individual undergoes in experiencing a new environment; it can be categorized into five stages, the
honeymoon stage, the disintegration stage, the reintegration stage, the autonomy stage and the interdependence stage." And according to John J.
Macionis and Linda Gerber, "The common problems associated with it are language barrier, generation gap, homesickness, information overload,
boredom, technology gap and cultural response ability among many others." Cultural differences affect individuals differently. Therefore, there is no
definite way of preventing culture shock. Jhumpa Lahiri in her work The Namesake very beautifully depicts the journey of Ganguly family in order to
throw light upon the

The Cultural Capital Of India
ABOUT PHOTOGRAPHY
Photography is the symbolization, science and practice of making tough pictures by recording light or other electromagnetic radiation, either artificially
by method for a light–sensitive material, for example, photographic film, or electronically by method for a picture sensor. Ordinarily, a lens is utilized
to center the light reflected or emitted from items into a true picture on the light–touchy surface inside a Polaroid amid a timed introduction. The result
in an electronic picture sensor is an electrical charge at every pixel, which is electronically handled and put away in an advanced picture document for
ensuing show or handling.
The result in a photographic emulsion is an imperceptible inert picture, which is later artificially "created" into an unmistakable picture, either negative
or positive relying upon the reason for the photographic material and the system for transforming. A negative picture on film is customarily used to
photographically make a positive picture on a paper base, known as a print, either by utilizing an enlarger or by contact printing.
ABOUT KOLKATA
Kolkata is the Cultural Capital of India. It has long been known for its abstract, aesthetic and progressive legacy. As the previous capital of India, not
just Kolkata, WestBengal was the origination of present day Indian artistic, masterful and educational thought. Bengalis have a tendency to have a
unique thankfulness for craft and writing; its custom of inviting new ability

The Strengths Of Sita In Ramayana
Traditionally, a woman has been called 'abala'. In Sanskrit and many other Indian languages 'bala' means strength and 'abala' means one without
strength. If by strength we do not mean brutish strength, but strength of character, steadfastness, endurance, she should be called 'sabala', strong. When
a woman, whom we call 'abala', becomes 'sabala', all those who are helpless will become powerful. Such empowering may not be bestowed upon them
by legislation or assistance only offered by men. The women who think of themselves as weak must gather strength to survive with self–esteem. In all
branches of folk literature and Bengali literature, we see that the Bengali women are 'abala', helpless, deprived of their basic rights and tortured ... Show
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Nazrul expected that women would break up their veils and chains into pieces and come out raising the voice against all forms of discriminatory issues
regarding men and women. It may be stated here that though Rokeya's dream is unflinching and time–winning, many instances in South
Asia especially in Bangladesh augment depression. We may refer to the harrowing story of Arzina who became the victim of the claws of her
husband. The story was published in The Daily Star on 6 August 2008:
Her husband, Kamruzzaman Kamu, who teaches at a college, set fire to Arzina chasing in the kitchen and locked the room to ensure death. Before
being freed with the help of neighbors, she had already 57% burns of her body. Suffering serious burns in her face, breast, abdomen, both arms, back
and part of thighs and struggling for life at DMCH, Arzina, a master in Geography from Rajshahi College who passed the 27 th BCS exams in 2007,
turned a victim of a beast incarnate. (Ashraf and Mollah 16)
As Arzina raised her voice against her husband's adultery, she had to face a holocaust like this. Arzina is fit educationally and free economically; she
has educated herself in higher institution. Yet she can not escape

The Media Representation Of The Collective Action By...
Statement of Purpose It is essential in an increasingly globalised world, to have a deep understanding of nation–states, political and economic
institutions that govern, and the cultural backgrounds and values of its citizens. My interest in sociology has thus far entailed studying of the
indigenous communities of Chittagong Hill Tracts (CHT), Bangladesh. For my MA thesis, I propose to study the media representation of the
collective action by the Indigenous nationalism against the backdrop of Bengali nationalism in CHT. My Master of Social Science (M.S.S) degree in
sociology has developed my skills in interpretation and analysis as well as in constructing reasoned arguments. I have gathered experience as a social
activist and journalist and have also worked with several Swedish teacher groups in Rural Bangladesh Study Projects. Those projects focused on
cultures, value systems, economic structure, religion, political participation, organizational attachment, etc.Apart from improving my sense of freedom
and work ethic, this has given me numerous valuable experiences dealing with different type of people and communities. As I believe in citizen rights,
I am immensely interested in community backgrounds, their political history, cultural diversities and interactions towards others. I have keenly
observed community problems and various forms of collective actions like political movements as well as armed resistance. My experience as a media
employee enlightened me about

Renaissance Dbq
Renaissance DBQ During the Renaissance time period, each man and woman needed to strive to meet the "ideal" image that was expected by
society. If this image was not met, the person would be judged by society. Both males and females had different goals that they needed to meet in
education, as well as in their lives. While there was an "ideal" image, some people disagreed with them. There was always a distinct role for both
women and men, but within those roles, there could be controversy. The most controversy could occur over the education that the males and females
were getting, there were clear roles and ideals for men and women in the beginning of the Renaissance time period, but as time went on, people
became more skeptical of the ... Show more content on Helpwriting.net ...
There were certain aspects of learning that he emphasized more than the others. Not only did he focus on major works that the people should know
but also on "...writing in verse and prose..." (3) Castiglione had the ideal image in his mind of exactly what people needed to be and the way they
should act. When he said this, it was greatly respected because of his writing of his well–known conduct book. However, people began to veer away
from this ideal of a needed education; it became a major change for society. Later on, in the Letter to the Parlement of Dijon concerning the reopening
of a French Jesuit school, it was explicitly said that all men do not need an education. Some men need to do work that is not based off of education;
they need to do the basics that make society properly function. "The study of literature is appropriate only to a small minority of men." This
statement explicitly says that an education is not for everyone, boldly going against Castiglione. (11) This was a bold statement to make, because
it showed a drastic change in people's point of view of a proper man. Along with saying not all people needed to be educated, there was also the vast
criticism of the school system and the way it was teaching. The concepts being learned in school needed to be more readily applied into real life
situations, and this did not seem to be the true goal. (8) While there was vast change in the view of the education of

Application Of A Handwriting From A
Abstract :
The Objective of this project is to recognise english handwriting from a given document image. In this report we have used 40point feature extraction to
extract pattern from the characters and then use this data to train artificial neural network.This system is very successful in recognition of handwritten
characters. Hence this system will be suitable to convert handwritten text into text document.
Introduction :
Optical Character Recognition is one of the most researching field in recent years. It has numerous applications in the field of automation and
advancement of machine interface with man. Handwritten recognition is one of the challenging and fascinating area for research in Optical
Character Recognition. Online and Offline are two modes for handwritten recognition. In Offline method, writing is captured by scanner and final text
is formed. The data formed from 40point feature extraction is used to feed artificial neural network to train it and produce more accurate result. Several
applications such as document reading, mail sorting, postal address recognition and bank processing require offline handwritten recognition. As a
result, offline method is very active area for research for more accurate solutions. In this project we used english alphabet characters to train artificial
neural network and test its accuracy of character recognition.
Previous Works :
In recent years, many research papers have been published in the field of optical character

Critical Analysis Of Gitanjali
Monika Pareek
Professor Smita Gandotra
Modern Indian Writing in English Translation
31st March, 2016
Tagore's Gitanjali: Experiments in Modern Indian Poetry India's struggle for Independence had acquired a new dimension with the Revolt of 1857 and
at around the same time, in 1861, one of India's most celebrated poets Rabindranath Tagore was born in Bengal. The time in which Tagore is born and
later begins his literary career becomes important in understanding the politics of his writing; the poets and writers who wrote before him and also how
he begins to experiment with the forms, styles and images in modern Indian poetry. This paper seeks to explore the relationship between the time in
which Tagore is writing, specifically with reference ... Show more content on Helpwriting.net ...
This frail vessel thou emptiest again and again, and fillest it ever with fresh life.
The human body is a temple of the soul, the human soul is temple of God. The human soul has no significance unless it is inhibited of "filled" by the
Supreme. Birth and death are but the filling and emptying of the soul by the Supreme, and the individual, insignificant as he may seem to be, in this
way partakes of God's endless life, His immortality. Hence sings Tagore:
This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.
For Tagore, the lifeless flute comes to life when the Lord of Brindavan plays it– forever piping songs that are forever new. The human soul is not only
God's temple, it is also Krishna's flute. Life's vicissitudes are but new melodies played by the Lord. The poet, therefore, concludes –
At the immortal touch of thy hands my little heart loses its limit in joy and gives birth to utterance ineffable.
Thy infinite gifts come to me only on these very small hands of mine. Ages pass and still thou pourest, and still there is room to

Analysis Of Jhumpa Lahiri 's The Namesake The Question Raises
A cultural identity is something that in a way defines who we are to other people. Cultural and ethnic identity is not only our background, it also
showcases our parents and relatives background which connects us through familiarity of customs. In Jhumpa Lahiri's The Namesake the question
raises, does one's cultural identity change? In this formal writing I will discuss Ashima's journey through life and how she came to accept America
and its customs. Ashima Ganguli is the mother of our protagonist Gogol and one of the more interesting characters in the book. Ashima is a typical
Bengali in a sense of staying loyal to her customs and way of life. She grew up in Calcutta where she was pursuing a college degree before she was
married to Ashoke. Ashima was 19 at the time she met Ashoke, "the third in as many months,"marriage meeting which her mother set up for the slight
chance she would marry. Ashoke was different from the others, the way he dressed and presented himself was foreign to her. Ashoke's shoes opened a
bit of curiosity within Ashima when she saw them. Ashima stated, "she noticed... a pair of men's shoes that were not like any she'd seen on the streets,
trams and buses of Calcutta... she saw the size... and the initials U.S.A... unable to resist a sudden and overwhelming urge, stepped into the shoes at her
feet." Ashima was unable to resist the foreign element that Ashoke had around him. Quickly after meeting him, she was married and, "eight thousand
miles away in

The Cultural Appreciation Of A Tribute Syed Rabius Shams...
Bernicat's Cultural Appreciation to BD: A tribute Syed Rabius Shams Ambassador Marcia Stephens Bloom Bernicat was designated to emissary to
Bangladesh in 2014 as the 15th US Ambassador Extraordinary and Plenipotentiary (Officially titled) nominated by President Barack Obama. Her
Excellency arrived in Dhaka on January 25, 2015 and presented her credentials to President Md. Abdul Hamid on February 4. That's the start of her
diplomatic assignment in this country. With regard to the envoy's Public Diplomacy effort, she has been greeting in Bangla and wearing sarees in
several occasions that have notched into peoples ' minds. The Diplomat's first appearance that spotlighted by Bangladeshi Media when she attended in
BNP chief Begum Khaleda Zia's Eid–ul–Fitr greetings exchange programme and she turned up donning a saree held at the Bangabandhu
International Conference Centre in next to her arrival year 2016 (July 16). Begum Khaleda praised the envoy saying that she looked amazing.
Marcia Bernicat also admired Khaleda's cream color saree. Earlier, on the day she also met and greeted President Abdul Hamid adorning the same
green colored saree. Ms. Marcia Bernicat also came on public eye on February 21, the International Mother Language Day, this year through the US
Embassy's video honouring language martyrs. In the footage, the American staff honoured those who sacrificed their lives to preserve the Bangla
language. They wished the people of the country saying 'Amar Ekushey'

Rabindranath Tagore Poem
Rabindranath Tagore (1861–1941) was the youngest son of Debendranath Tagore. Tagore had early success as a writer in his native Bengal. With his
translations of some of his poems he became rapidly known in the West. In fact his fame attained a luminous height, taking him across continents on
lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage and for India, especially for Bengal, he became a
great living institution.
Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) ,
Sonar Tari (1894) , Gitanjali (1910) , and many more .Gitanjali , Song Offerings (1912), the most acclaimed of them, contains poems from other works
besides its namesake. Tagore's major plays ... Show more content on Helpwriting.net ...
"The frail vessel thou emptiest again and again and fillest it ever with fresh life" . It suggests the empty and destitute life of a man. Through this
symbol the poet means to suggest that life without the grace of God is as worthless as a pitcher without water. "The day is no more; the shadow is
upon the earth. It is time that I go to the stream to fill my pitcher." Here, the poet is eager to fill the empty pitcher with virtuous activities. The poet
is always afraid that one day when terrible Death knocks at his door, he will be able to welcome the guest with the full vessel. Rabindrnath Tagore
certainly is one of the greatest poets of the world. His achievement as a poet rests mainly on his English Gitanjali. Gitanjali is a proof of Tagore's
towering genius and marvellous artistic powers. Tagore's Gitanjali shows apart from many other things, a fine use of symbolism which is a blend of
mysticism and music, religion and poetry. The list of the symbols used by Tagore for explaining the meaning of the objects, mostly of sublime
complexion, is

Ideas: The Devdas Metaphor
Devdas as the word comes to mind it conjures up the visage of a haggard, world–weary, lovelorn soul, driving himself to drink and hurtling on
relentlessly on the path to self–destruction. The 'Devdas Metaphor', a time–honoured, enduring tragic symbol of unfulfilled love, has captivated readers
and film–going audiences for the better part of a century now. Devdas has several adaptations and translations and therefore it is good to look at the
specific ways in which the Devdas metaphor has engaged our imagination over several generations. Saratchandra Chattopadhyay's Devdas was
published in Bengali in 1917. It was also a time when the forty–year old writer has just experienced his meteoric rise to fame. Saratchandra
Chattopadhyay ... Show more content on Helpwriting.net ...
The first official screen adaptation, a 1928 silent film directed by Naresh Chandra Mitra starring Phani Sharma. However, in 1935 came Bengali film
directed by Pramathesh Barua. It stars Barua himself as Devdas and he even succeed in making the impact as the love–torn tragic hero. Barua followed
the success of the 1935 Bengali version with a Hindi adaptation the following year in 1936 starring K.L.Saigal. Further there was last of three
language versions, by Barua first being in Bengali and the second in hindi and the third one in Assamese in 1937 starring Phani Sharma. Then
Devadasu a 1953 film directed by Vedantam Raghavaiah, film was shot simultaneously in Telgu and Tamil with slightly different casts. The most
prominent version after Barua's masterpiece was undoubtedly Bimal Roy's 1955 Hindi film, starring Dilip Kumar in title role, Vyjayanthimala as
Chandramukhi and Suchitra Sen as Parvati in lead (which followed the novel closely) and considered by many to be the most faithful adaptation of
the novella is still considered a classic of the celluloid screen. The power and effectiveness of the early scenes between Devdas and Parvati, are the
scene where she proposes marriage to him, or their meeting on the riverbank just before her marriage enhanced drama by some telling touches– that
blows out during Devdas's last talk with Parvati, signaling the closing of their days, even as Devdas asks her chillingly futile question, "Can you run
away with me tonight"; or the scenes between Devdas and Chandramukhi are etched out so beautifully that it seems equivalent as reading novel. In
1965 Devdas an Urdu film, directed by Kawaja

Essay on How My Spoken Language Changes in Different...
Spoken Language Although I have my own idiolect, the way I speak constantly changes. This is because I try to adapt my spoken language to suit
the situation I am in. There are many reasons for why I try to adapt my spoken language some of the main reasons being that I am fearful of the
judgements and perceptions that others may make because of the way I speak also being afraid of exclusion or not being able to fit in and
sometimes I feel pressurised into speaking in a certain way. With my parents I often codeswitch between Bengali (my mother tongue) and English.
'Aboo money lagГ©' (Dad I need money). Notice how I go from speaking Bengali to English and then once more back to Bengali. I use more Bengali
to show my parents that even... Show more content on Helpwriting.net ...
This is to show my parents that I am in touch with me Muslim heritage, and to show that I am proud of my religion. Also by using Arabic terms it
shows my parents that I enjoy learning and practising my religion which in turn would make them proud. However when I am at school, it is a
different context so I automatically change the way I speak. For example I use phatic talk, which I would never use in front of my parents
because it would show that I am lazy and I am not bothered about the way I speak. However I use it now to show my friends that I am relaxed and
do not take things too seriously which is a good thing in this context as it makes me seem 'cool'. Also sometimes I use slang words when speaking
with my friends. The slang words I use are usually words I pick up from friends. I use these words when I am speaking so I feel closer to them and
l accepted, as I speak like one of them. I would never use slang in front of my parents because of the way I fear they may see me. In culture using
slang words gives the impression that you are unintelligent and uneducated. However these stereotypical views are also view that I fear my friends
may have if I was to speak in my mother tongue Bengali. Although we all speak it I find it difficult because my friends may see me as what society
calls today a 'freshi'. A word used to describe illiterate and uneducated people. When I speak with my friends we all usually speak informal.

Does Film Play An Important Role On The Way People...
ABSTRACT:
Religion often plays an important role in film, but does film play an important role in religion? Perhaps the better question is, "Does film play an
important role in the way people understand religious concepts? And the answer to these questions is YES. Films or movies do play an important role
in shaping the mind sets of people in a certain way. There are various traditions and beliefs that have been followed by Hindu Indians since ancient
times. Also, many movies are made based on these customs and traditions which are mentioned below in the article. Also, religion is present. There are
many religion–based movies made and these movies also receive a good response from the people. But, like a coin has two sides, similarly there are
also negative effects of these. People also opposed to some parts of the movie made on it. But the main thing that they DO AFFECT the society.
All this is included in this article. And not only religion but also other areas like culture, rituals, customs, traditions, family, etc is shown through
movies and all these are also as important as religion and which play a significant role in movies... History of Indian Cinema
The Indian film industry is the largest in the world in terms of ticket sales and number of films produced annually (877 feature films and 1177 short
films were released in the year 2003 alone). India accounts for 73% of movie admissions in the Asia–Pacific region, and earnings are currently
estimated at US$8.9

Analysis Of Lahiri 's The Third And Final Continent
Memory and Relationships in Lahiri's The Third and Final Continent
Each piece of diaspora literature is laced with several underlying themes that make themselves visible in unique ways. Memory and family are two of
these themes that seem to take root in several pieces. These themes enable the author to add dynamics and depth to anything that they write. A prime
example of these dynamics can be found in Jhumpa Lahiri's The Third and Final Continent. Lahiri flawlessly uses both of these themes to bring her
writing to the next level. In fact, the relationships, both familial and otherwise, formed in The Third and Final Continent are based heavily on shared
memory and routine. Lahiri proves that shared memories play a huge part in ... Show more content on Helpwriting.net ...
Luckily, he did not have to overcome his journey alone. Lahiri incorporates his family life in Calcutta with his family life in America. His life in
Calcutta was not the best that it could have been, he quite literally watched his mother die. He had to take on a mature role in her passing as he
explains that, "and then, because my brother could not bear it, I had assumed the role of the eldest son and had touched the flame to her temple, to
release her tormented soul to heaven," (Lahiri, 5). All of the familial memories associated with Calcutta seem to be very dark and deep in contrast
with the familial memories the narrator makes in America. Lahiri most likely did this in an effort to show the bettering and renewal of a life. A
very minute detail of this story that resonates deeply would be the narrator's son. Though he is only mentioned on the last page and not even
given a name, he seems to hold a lot of the weight of the story and underlying themes on his back. The son grows up fully in Massachusetts and
lives life as a Bengali submerged in an American culture. The narrator grows afraid of his son losing his sense of Bengali pride after the passing of
himself and his wife, Mala, and makes it a point to incorporate Bengali tradition into everyday life as much as possible, as shown on page 14: "So we
drive to Cambridge to visit him, or bring him home for a weekend, so that he can eat rice with us with his hands, and speak Bengali, things we worry
he will no longer do

Khudiram Bose
–––––––––––––––––––––––––––––––––––––––––––––––––
Khudiram Bose
From Wikipedia, the free encyclopedia | This article needs additional citations for verification. Please help improve this article by adding citations to
reliable sources. Unsourced material may be challenged and removed.(January 2010)|
| Khudiram Bose| Born| December 3, 1889
Habibpur, Midnapur| Died| 11 August 1908 (aged 18)| Nationality| Indian| Known for| Indian freedom fighter|
Khudiram Bose (Bengali: а¦•а§Ќа¦·а§Ѓа¦¦а¦їа¦°а¦ѕа¦® а¦¬а¦ёа§Ѓ Khudiram Boshu) (3 December 1889 – 11 August 1908) was a Bengali revolutionary,
one of the youngest revolutionaries early in the Indian independence movement. At the time of his hanging, he was 18 years, 7 months 11 days
old–barely a legal ... Show more content on Helpwriting.net ...
Immediately after settling down, they started planning and preparing for the attack. They gave themselves a few days time to closely observe the daily
routine, activities and movements of their target, Kingsford–taking note of his timings at the court, the club and his house. They did not want to risk
the lives of innocent people by making an attack at the court during working hours. That led to the passing of a few more days, and finally they
decided that Kingsford had to be attacked either during his ride from his house to the club, or vice–versa, when he would be alone. During this time,
the two of them wrote to one of their mentors, Barindra Kumar Ghosh, the eminent revolutionary and the younger brother of Sri Aurobindo, whenever
they needed money, addressing the Barindra with the code–name "Sukumar" for safety. to assassinate Kingsford, the Calcutta Presidency Magistrate,
and later, magistrate of Muzaffarpur, Bihar.
On the evening of 30 April 1908, the duo waited in front of the gate of the European Club for the carriage of Kingsford to come. The time was around
8.30 pm. When the carriage came out, they responded quickly, holding their pistols in one hand as back–up and throwing their bombs. The hit was a
success and the carriage blew up and started burning. The duo immediately left the place, covered themselves in the darkness, and reached the railways
station, where they parted to escape any suspicion, boarding trains towards opposite directions. But

Women Role in Indian Cinema
| Women
Significant Women Roles in Indian CinemaInnovative women roles in Indian films, especially mainstream cinema, are few and far between. Some
creative directors, working within the mainstream format, however have given us some meaty characters. Several women–significant films were made
in the early days of Indian cinema like "Achchyut Kanya," which touched the theme of untouchability. Bimal Roy made a few films inspired by the
novels of Sarat Chatterjee like "Biraj Bou", "Devdas" and "Parineeta." "Biraj Bou" was a film based on a selfless Indian woman, who endured hardship
and pain for the sake of her husband. Films like "Ramer Sumoti," based on a Sarat Chaterjee work, were remarkable and depicted the love and warmth
which ... Show more content on Helpwriting.net ...
The latest talent on the Kolkata filmmaking scene, Rituparno Ghosh, has women–related subjects as theme in all three of his award–winning films
"Unishe April", "Dahan" and "Asookh" and his latest "Bariwali" (featuring Kiron Kher). The women characters in the films of Gautam Ghose &
Buddhadeb Dasgupta are equally intriguing. In Gautam Ghose's "Antarjali Jatra" a young bride is forcibly married off to a dying Brahmin, while
marital disharmony was the subject of films like Buddhadeb Dasgupta's "Griha Yuddha" and "Lal Darja" andAparna Sen's "Yugant". Sanat Dasgupta's
"Janani" featuring Rupa Ganguly was a poignant Bengali film about a woman who was ostracized and labeled a "witch," but in the end sacrificed her
life for her son.
Ordinary women characters, rising to extraordinary levels, were witnessed in films like Sushant Mishra's "Aasha" (Oriya), Arinbam Shyam Sharma's
"Imagi Ningtem" (Manipuri) and Sanjeev Hazarika's "Meemansxa" (Assamese). "Aasha" dealt with a courageous lady journalist hounded by corrupt
politicians. "Meemansxa," dealt with the agony faced by a woman when she moves to court after being molested by

Essay On Sri Aurobindo
Political Life
Sri Aurobindo's life can be divided into two clear phases. The first relates to political activism and the second to spiritual activism.
Aurobindo's political career lasted only four years, from 1906 to 1910. Though he had been active behind the scene surveying, organizing and
supporting the nationalist cause, ever since his return to India, especially during his excursions to Bengal.
In 1905 an event occurred that changed the course of Indian history and the freedom movement. This was the Partition of Bengal by Lord Curzon,
known as Banga bhanga, which immediately created a tremendous reaction in the whole of India and particularly in Bengal. The whole of Bengal
galvanised into activity.
Sri Aurobindo resigned his job in Baroda and moved to Calcutta. For five years, from 1905 to 1910, he shone like a meteor in ... Show more content on
Helpwriting.net ...
Having returned to India to join the Baroda service, Sri Aurobindo immediately set about writing on politics. A brilliant writer, his first series of
articles was published in a journal called Indu Prakash, in which he castigated the moderate leadership of the Congress. He said that their policy of
prayer, petition and protest would lead nowhere. What was needed was a revolutionary movement against the British. A born revolutionary, Sri
Aurobindo revolted against the British and the Congress leadership
This change was affected by the advent of the aggressive nationalist thought of Lokmanya Tilak who declared that swaraj was his birthright and Bipin
Chandra Pal who demanded "complete autonomy" from Britain. However none went as far as Aurobindo in articulating the legitimacy and necessity of
complete independence. He "based his claim for freedom for India on the inherent right to freedom, not on any charge of misgovernment or

Themes Of Ashima
Cultural Dislocation and the Sense of Loss: A Study of Ashima's Predicament in The Namesake
Abstract
Due to increasing urbanization, dislocation and migration, a person's identity is caught up in many contradictions. While trying to locate oneself
in–between their root and their new existence, the sense of belonging to a particular place often gets blurred. Modern and postmodern fiction bears a
true reflection of this universal human condition in the present world. With the diasporic writers these issues find the most powerful, striking and
convincing expression. Narrating the story of a Hindu middle–class Bengali couple that settles in the US, Jhumpa Lahiri's The Namesake depicts the
vexing issues of diasporic identities, predicament of assimilation ... Show more content on Helpwriting.net ...
She chronicles dislocation and its resulting sense of loss in a strikingly powerful manner. She blends the two cultures and creates inner turmoil for many
of her characters who struggle to balance the Western and Indian influence. To sum up, one must acknowledge that the story beautifully portrays the
postmodern predicament in the multicultural juncture. Ashima's sense of loss and trauma, the vacuum in her heart, speaks of the universal fate of an
immigrant life. Though not easily acceptable, this painful experience is an inextricable part in expatriate life.
REFERENCES
Asnani, Shyam M. "Identity Crisis of Indian Immigrants: A Study of Three Novels." Writers of the Indian Diaspora: Theory and Practice. Ed. Jasbir
Jain. New Delhi: Rawat Publications, 1998. 73.
Brah, Avter. Cartographies of Diaspora; Contesting Identities. New Delhi: Routledge, 1997.
Indira, S. "Splintered Self: An Approach to Bharati Mukherjee's Wife." Commonwealth Writing: A Study in Expatriate Experience. Eds. R.K. Dhawan
and L.S.R. Krishna Sastry. New Delhi: Prestige Books, 1994.

The Namesake Short Story
Millions of people immigrate to the United States from various parts of the world. In the Namesake, Ashoke and Ashima Ganguli moved to America
from India. After moving to America, they gave birth to their two children Gogol and Sonali. In America, the Ganguli family had to face many
obstacles such as language barrier, cultural barrier, and loneliness.
For many immigrants, in America, language barrier is one of the many obstacles that they have to face. Ashima encountered this barrier when she was
at the hospital for Gogol's birth. "Patty smiles, a little too widely, and suddenly Ashima realizes her error, knows she should have said "fingers" and
"toes."" Ashima realized that she made a mistake. This hurts Ashima because she tried hard to learn English like many other immigrants. Immigrants
not only have to worry about learning another language but they also have to worry about teaching their kids their native language. Usually, when
people move and have kids in America, the kids have a hard time learning their parent's native language. Ashima and Ashoke wanted to avoid this
problem so they sent Gogol and Sonia to Bengali language and culture lessons every other Saturday because it failed "to unsettle them that their
children sound just like Americans, expertly conversing in a language that still at times confounds them in accents they are accustomed not to trust."
This shows the language barrier between the parents and the kids. When Gogol and Sonia speak they sound American

Role Of Fatma Begum
Bengal could show the way to lessen gender imbalance in Indian film industry One might not have heard the name of Fatma Begum. Indeed, she isn't
quite the household name. But her achievement as the very first Indian woman to ever single–handedly direct a movie is engraved in stone, and will
always be. The year was 1926, at a time when world cinema was still experimenting with the science and technology of motion pictures. Indian cinema
had already taken long strides by then, but produced only acting roles for women. Yet, breaking the mould, Fatma Begum established her own
production company – Fatma Films – and went on to direct Bulbule Paristan! Perhaps without even realising the effect of her achievement, Fatma laid
the foundation stone for a generation of women, who sought to be employed by the burgeoning film industry in a role other than that of an actress. The
Southern film industry – encompassing three major languages: Tamil, Telugu, and Kannada– did not see its own female–driven films until the 1960s,
when Savitri Ganesan – the spouse of the iconic Gemini Ganesan – directed Chinnari Papalu. When one reads about it, it seems like a rosy story. But
women had to make unimaginable strides and struggles to even tread on the path that was paved by Fatma Begum forty years earlier. Savitri Ganesan
herself... Show more content on Helpwriting.net ...
And the other industries have been graciously receptive of the quality of art that is produced by Bengali makers. It is important that the entire country
learns to accept the strides that the women filmmakers of Bengal have made, and only have a more sustained belief in their own daughters. Move over
the days where women were only meant to be actresses, models and item number girls. It's high time women are given the opportunities that men have
considered a

Analysis Of Jhumpa Lahiri's Novel 'The Namesake'
Jhumpa Lahiri's novel The Namesake (2003) is a culture–oriented, more precisely, a Bengali diasporic culture–oriented novel. As a diasporic novel it
represents the diasporic themes like displaced, dislocated and deterritorised feelings of the first generation expatriates like Ashima Ganguli, the female
protagonist of the novel; assimilated, translational and transcultural tendency among the diasporic people, especially among the second generation
immigrants in the novel like Gogol Ganguli, Sonali Ganguli and Moushumi Mazoomdar; a feeling of nostalgia towards the natal/imaginary homeland
by the first generation expatriates like Ashima Ganguli; the community feeling among the diasporic people; the familial, human relationships within a
diasporic family in a diasporic land and other traits. Ashima Ganguli is moored in diasporic land with her feelings of rootlessness/uprooting/re–rooting
/tracking root and also finds routes to discover her at home in many homes in the world. The Bengali diasporic cultures are amalgamated dexterously
in the texture of the novel. Lahiri's The Namesake was adapted as a film in 2006, released on March 9, 2007, following screenings at film festivals in
Toronto and New York City. The film is directed by an Indian born filmmakerMira Nair, living in the US. Sooni Taraporevala adapted the novel into a
screenplay. The film received positive reviews/acclaims from American critics and won 'Love is Folly International Film Festival' (Bulgaria)–"Golden

has picked up from "examinations centred upon...
has picked up from "examinations centred upon Shakespeare's dramatization and Byron's verse or more all... the extensive hearted progressivism of
nineteenth–century English legislative issues. The disaster, as Tagore saw it, originated from the way that what "was genuinely best in their own
particular development, the maintaining of pride of human connections, has no spot in the British organization of this nation. If in its place they have
made, stick under control, a rule of 'lawfulness,' or at the end of the day a policeman's principle, such a joke of civilization can assert no appreciation
Rabindranath defied the determinedly patriot structure that the autonomy development frequently took, and this made him forgo taking an especially ...
Show more content on Helpwriting.net ...
In the novel, Nikhil, who is enthusiastic about social change, including ladies' liberation, however cool to patriotism, steadily loses the regard of his
vivacious wife, Bimala, in light of his disappointment to be eager about against British disturbances, which she sees as an absence of energetic
responsibility. Bimala gets intrigued with Nikhil's patriot companion Sandip, who talks splendidly and acts with devoted militancy, and she falls
head over heels in love for him. Nikhil declines to change his perspectives: I am eager to serve my nation; yet my love I hold for Right which is far
more stupendous than my nation. To love my nation as a divine being is to carry a condemnation upon it.
As the story unfolds, Sandip gets irate with some of his comrades for their disappointment to join the battle as promptly as he supposes they might as
well (Some Mohamedan merchants are still resolute). He orchestrates to manage the recalcitrants by smoldering their pitiful exchanging stocks and
physically striking them. Bimala need to recognize the association between Sandip's energizing nationalistic assumptions and his partisan – and at last
brutal activities. The sensational occasions that accompany (Nikhil endeavors to help the victimized people, taking a chance with his life) incorporate
the close of Bimala's political sentiment.
This is a troublesome subject, and Satyajit Ray's lovely film of The Home and the World splendidly carries out

The Between Pakistan And Pakistan
After the battle of Palashi in 1757, the English set their colony throughout the indian sub–continent and they ruled 190 (1757–1947) years through great
colonial impressions. In 1947 due to movement over all india and their own egarness to free india from their rule they gave the independence as two
sovereign state named india and Pakistan where Pakistan had two parts– east Pakistan (todays Bangladesh ) and west Pakistan (todays Pakistan)
Background of language movement: After the division, the two sovereign country became separated. Pakistan was consisted with two parts East
Pakistan and West Pakistan with the distance of 5600 square miles, but the two parts were different from one another in many sectors including
regional differences, political dissimilar, religious belief, economic importance and other sectors. Where East Pakistan was economically more solvent
than West Pakistan and most of the people of west Pakistan were Muslim where the maximum inhabitants of east Pakistan were Hindu. On the other
hand, there were various language talked in westPakistan, but the common language of east Pakistan was Bengali yet the autocratic ruler of west
Pakistan wanted to make Urdu as the state language of Pakistan, then the political, economic, language related clashes took places in many times and
one of them is the language movement of 1952. The reasons of Language movement: There were many legal reason behind the valiant movement for
language in 1952, they are economic,

BOOK REVIEW ON Emergence of a new nation In a multipolar...
BOOK REVIEW
ON
Emergence of a new nation
In a multipolar world: Bangladesh
Written by
Dr. Mizanur Rahman Shelly
Cover Page:
The Book at a Glance:
Title: Emergence of a new nation in a multipolar world: Bangladesh
Edition: 4th Expanded Edition, April'2007.
Published by: Academic Press & Publishers Library.
Cover Design by: Golam Kabir
Price: TK 375.00
ISBN:984–08–0147–3
All Pages are offset.
Dedication: To his wife and beloved sons.
About the Author:
Dr. Mizanur Rahman Shelly
Born in 1943, Munshigonj.
Social Scientist, Educationist and Literature. Joined CSP On 1967.
Was minister for information and later for irrigation, flood control and water resource development.
Has been working ... Show more content on Helpwriting.net ...
During 1953–1957 the United State was busily making collective security arrangements in an attempt to recruit 'Allies' for her confrontation with the

communist camp. In south–east Asia the United State sponsor and encouraged the formation of SEATO (The South East Asian Treaty Organization)
and CENTO (The Central Treaty Organization).
The arrangement was originally viewed by the United States & Thailand as underpinning the inherently with Geneva agreement which recognized the
communist–ruled North Vietnam. CENTO also began as a regional security grouping at the behest of Iraq and Britain, but the participation of those
northern states of Asia sharing frontiers with the Soviet Union such as Iran, Turkey, Pakistan and the reinsurance, as it were, provided by the United
Sates, made CENTO no less than SEATO, a US weapon against her Global adversary, Soviet Union.
The birth of Bangladesh–the first state to be born in blood and fire in a polycentric world has been a unique case, as the following analysis shows.
There is hypothesis that political factors, rather than economic, ethnic and cultural one, were catalyst of Bangladesh revolution.
Chapter –2
From autonomy to secession
1. A brief history about the Muslim rules inIndia from the late 1200 century to 1957 is described here.

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