1. The Raft Of Medusa
The Painting that I have chosen to write about for this blog is "The Raft of Medusa". I think this is great painting that has a lot of aspects of the
romantic time period. One that sticks out is the display of nature and its portrayal of the intense and destructive power. This painting is about a crew
of sailors that lost their boat due to a terrible storm out on sea and they all had to make shift this raft and just float to where ever the current wanted
to take them. Gericault, the artist, wanted to make sure we had a sense of awe and bewilderment when we saw this painting. He brought a feeling of
nervousness when we think about the vast ocean and what it can do to us if we are not careful. I also think Gericault wanted to portray
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2. The Raft Of The Medusa Essay
Waves crashing against the broken raft that is from the pieces of a once great ship holding the survivors that were left behind. In a great french
romanticism painting the story of the crashed ship, the Medusa is told. The painting of the Raft of the Medusa gives me the feeling of having the will
to fight through and overcome anything. Even though they were left behind to fend on their own they did not let that defeat them. I relate to this painting
in the way of overcoming any obstacle and even being left behind I will still turn out okay. If I had a ticket to go anywhere I would go to France in
1818 to 1819 to watch Theodore Gericault paint the Raft of the Medusa. Since this is a magical ticket I would stay for as long as I could even a
whole year. Also, I would like to get there by train, simply because I have never traveled by train before. When I get there to France and meet
Theodore Gericault I would do an interview. I cannot speak french so communication with him would be difficult, but since this is fictional that really
does not matter. I would ask him questions about why he decided to paint this, what was his inspiration. Even ask about what is going on in his
personal life and see if the horrors of emotions in the ... Show more content on Helpwriting.net ...
I have never been over to Europe so I would use this trip to my advantage and take in all the surroundings around me. Sit in maybe a park and
observe everyone there along with Theodore Gericault and ask him all the questions I would ask questions ranging from the reason to paint the
Raft of the Medusa to what his favorite color was. Here I am talking to a famous artist, which I strive to be one day I would be crazy not to ask him if I
could be his apprentice, to learn from him. There may be a few times when we may disagree and have an argument, but we will overcome it like any
other problem. I would show every ounce of respect I have to
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4. The The Wreck of the Medusa Essay
"In the moonlight's ghostly glow,
I waken in a dream.
Once more upon the raft I stand,
Upon the raging sea.
In my ears the moans and screams
Of the dying ring,
Somewhere in the darkness
The siren softly sings..."
"The architects of our doom
Around their tables sit,
And in their thrones of power,
Condemn those they've cast adrift.
Echoes down the city street,
Their Harpies laughter rings.
Waiting for the curtain call,
Oblivious in the wings."
Excerpt from the lyrics, "The Wake of the Medusa", By The Pogues
"The Raft of the Medusa", by Theodore Gericault, 1819, was inspired by the catastrophic wreck of the French frigate, The Medusa, on July 2, 1816,
off the west coast of Africa, during a voyage to Senagal. The ship ran aground on ... Show more content on Helpwriting.net ...
A raft was constructed from the masts and crossbeams of The Medusa, to carry the crew, soldiers and some of the passengers. Due to there only being
six lifeboats aboard, the dignitaries, their families and other higher ranking officials took possession of them, leaving approximately 150 members for
the raft. Seventeen crewmen decided, for whatever reason, to remain on The Medusa.
Those in the lifeboats quickly decided that towing the raft was impractical, and Governor Schmaltz, not Captain De Chaumereys, was the first to drop
the tow line to the raft, leaving it to the cruelty of the open sea.
5. On the raft, the situation quickly deteriorated, and panic consumed those aboard. Fighting broke out, provisions were destroyed and the Raft of the
Medusa's infamous voyage commenced.
The first night 20 men were killed, or committed suicide, in a struggle to defeat terror, fear and dread. The undisciplined soldiers quickly staged a
mutiny, eventually committed cannibalism and other atrocities, and 13 days later, 15 of the original 150 that went into the ocean survived to be rescued.
The following material is from eye witness accounts of two of The Medusa's survivors, the ship's Surgeon, Henri Savigny and ship's Geographer,
Alexander Correard. Much of the testimony of the two survivors was released to an anti–Bourbon newspaper, resulting in a scandal and political
cover–up, and the court martial of Captain De Chaumereys.
According to the accounts
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6. Research Paper On The Minotaur
Paris can be a very busy city, tourists trying to snap as many pictures of monuments as they can, stop and go traffic on every street, and impatient
Parisians who are just trying to get to work and away from tourists. The reason for all of this bustle is because Paris hosts some of the most famous
attractions in the world! The Eiffel Tower, the Louvre, and the Centre Pompidou are at the center of these attractions in Paris.
Known for its renowned art, the Louvre is one of Paris' most famous art museums. Inside its walls, more than 35,000 paintings, drawings, and
sculptures reside. In the Louvre, tourists will find many well–known paintings, drawings, and sculptures. The most famous is the Mona Lisa, painted by
Leonardo Da Vinci. Originally ... Show more content on Helpwriting.net ...
The tower stands in the seventh arrondissement (district), is rich in history, and is one of the most visited attractions in Paris. The Eiffel Tower was
built in 1889 for the World's Fair and was the main attraction at the fair. It was constructed to commemorate the French Continental Army. This
memorial was no easy feat to build. Each of the 18,00 pieces used to construct the tower was specifically made for this creation. Two–and–a–half
million thermally assembled rivets later, this 324–metre tower was successfully finished. Although many people think Gustave Eiffel is to credit for
much of this creation, there are two other men, Maurice Koechlin and Emile Nouguier, who should be credited. According to Life Science.com,
Koechlin and Nouguier are actually the ones who came up with the original designs for the tower. Thanks to the work of Koechlin, Nouguier, and
Eiffel, the tower is Paris's most visited attraction. According to Frommer's Guide to Paris, on a high day, the tower can host over 32,000 people. That
adds up to about 7 million visitors a year. When visiting this historic monument, a tourist should keep in mind the rich history and process involved in
making this big
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7. Neoclassical And Romantic Styles Of Art
The Neoclassical and Romanticism periods in the arts, gave way to new styles of painting. By this time, the patrons commissioning art varied from
the previous periods. Added to the list was the Monarchy who also commissioned art, and made it public for all to see. Although, not everyone
approved of their classism, and their riches, while their subjects had very little on. I will discuss the effect the French Revolution had on both styles of
art, Neoclassical and Romanticism and show how the same subject was viewed very differently by the artists in favor of the French Revolution, and by
the artist opposed to it, and the Monarchy.
For the Neoclassical style, I selected Jacques–Louis David's Napoleon Crossing the Alps from 1801. It was hard not to select one of David's unofficial
tributes to Napoleon, as he was a big fan. I selected Napoleons Crossing the Alps specifically, because it is a prime example of how David used his
painting skills to convey a selective message, in this case, that Napoleon was a great heroic General. As Ben Pollitt highlights, "The fact that
Napoleon did not actually lead his troops over the Alps but followed a couple of days after them, travelling on a narrow path on the back of a mule is
not the point!" (Pollitt via khanacademy.org, n.d.). In other words, David totally painted a delusional story, contrary to what actually happened. Yet,
David painted a taller, stronger looking Napoleon, riding on a beautiful and muscular horse. The
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8. On The Raft Of The Medusa
The Raft of the Medusa depicts the point when, following 13 days unfastened on the raft, the rest of the 15 survivors see a ship drawing closer from
a separation (Gehrke, 2006). As indicated by an early British analyst, the work is set at a minute when "the destroy of the pontoon might be said to be
finished". The artwork is on a stupendous size of 491 Г— 716 cm (193.3 Г— 282.3 in), so the greater part of the figures rendered are life–sized and
those in the forefront twice life–estimate, pushed near the photo plane and swarming onto the watcher, who is drawn into the physical activity as a
member. Detail from the lower left corner of the canvas showing two dying figures The stopgap raft is shown as scarcely fit for sailing as it rides the
profound
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12. Medusa As Misogynistic
Hook: If you were in Ancient Greek time and saw woman being punished, abused or being portrayed as misogynistic would you do something about it
or would you sit at home and watch it happen?
Main Point One: We think of Medusa as a terrible monster but she was actually a beautiful women who was treated less than by the gods.
Main Point Two: As well as Medusa, Persephone was also a victim to misogyny.
Thesis: The ancient Greek myths that we learn in school portray woman as misogynistic, the stories of Medusa and Persephone are two examples on
how gods treat these beautiful young woman like lesser beings.
Body Paragraph Point one:
Topic sentence: We think of Medusa as ugly, horrible monster but in reality she was a beautiful young woman whose... Show more content on
Helpwriting.net ...
Point Two: Persephone is another example of misogyny. She was treated like property between the two gods Hades and Zeus.
Proof for Point Two: "Hades, God of the Underworld desired Persephone to be his wife. Although Hades' demand for Persephone's hand in marriage
was refused by Demeter, Hades was not dissuaded from his obsession with her. He pleaded with his brother Zeus to help him. The god of lighting
agreed to assist Hades." – Demeter and Persephone, Page 1, Paragraph 1, lines 2–4.
Explanation of Proof for Point Two: This proofs that even though Persephone was Zeus' daughter he still agreed to just give her away to Hades like
she was property. They didn't care about Persephone's feelings or about the feelings of her mother, Demeter when she was lied to by Zeus about where
her daughter was.
Concluding Statement: It is clear to see that Persephone was a victim to misogyny and how the gods Zeus and Hades treated her without any sort of
respect, like dirt.
Thesis: The Ancient Greek myths that we learn in school portray woman as misogynistic, the stories of Medusa and Persephone are two examples on
how gods treat these beautiful young woman like lesser
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13. Theodore Gericault's Raft Of The Medusa
The work of art from the reading I chose to explain how it exemplifies the characteristics of the Romantic period is Theodore Gericault's "Raft of
the Medusa". The story behind this painting goes that a ship ran aground off the coast of France, due to the incapability of it's captain who was
appointed as captain as a political favor, not out of any previous sea faring knowledge or experience. The ship The Medusa crashed, and began to
sink. There were not enough life boats for everyone, so the life boats were filled by the captain and crew and prestigious passengers and the rest were
left to fend for themselves. They built a raft of the timbers of the ship and after a while of paddling they abandoned that and just drifted. The people
were out
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15. Analysis Of The Raft Of Medusa
What's so great about this artwork? How can a photo give a sense of emotion? This is all questions the painting; the raft of medusa answers. Theodore
Gericault uses smart angels and pigmentation of different bland of colors to give different sense of emotion from just one painting.
The question as a novelist Julian Barnes asked, "how do you turn catastrophe into art?" to understand this artwork, we must look back to the origin of
the painting. The raft of the medusa was one of the most important masterpieces of the 19th century. As it was one of the earliest well–known romantic
painting. What makes it important is how the artist Theodore Gericault came to paint such a confronting image but before I go on, there is a
backstory to understand what motivated him to pursue such a painting. Theodore Gericault came from a wealthy French family and shows for his
vocation in life to be an artist. He left France to gain some inspiration from Rome, while away he missed all the news on the scandal of the event.
The event which lead to the raft of the medusa was the captain of the ship. Who was given the job of leading the ship not for his skills but because
of his royal connections as he was the king's representative. The captain was more interested in impressing the soon to be governor of Senegal. The
shipwreck would've never have happened if he did not try to impress the governor. The captain pushed the crew to move to fast and along the shore.
Bad idea as the medusa ran ashore on a
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17. Pablo Picasso Guernica vs. Theodore Gericault's Raft of...
For centuries artists have moved audiences through the use of pictures. As time progressed those images became more and more demanding of the
viewer until they were meant to invoke a physical response. Perhaps the earliest account of such emotionally exact artwork is the 1818 piece, Raft of
the Medusa, by Theodore Gericault. As time progressed people became more politically aware and involved and generations of art portrayed this. Pablo
Picasso's Guernica, created in 1937, is a great example of how modern times soon saw a peak in the occurrence of allegorical and politically packed
artworks. Gericault's The Raft of the Medusa and Picasso's Guernica are both horrifying accounts of the nature of men that aimed to alter a viewer's
political ... Show more content on Helpwriting.net ...
This predominantly two–toned color motif allowed for more focus to be drawn to the most dynamic figures, which are the same humans Gericault
wanted viewers to see and sympathize for.
While Gericault's, Raft of the Medusa was essentially criticized for its lack of direct criticism of the event and more a display of the human element, it
is this feature that made it characteristically romantic. Gericault took the national scandal out of the papers and turned it into a personal event for each
of the passengers. Rather than depict the weltering bodies of the crew, he gave them more muscular frames in vigorous poses. Originally setting out to
portray the event as nothing more than a visual truth, he shifted his focus to portray a greater truth of suffering.
The suffering is reflected in the face of every passenger and it is the main focus of the piece than any other element. The Raft's theme of human
suffering evoked empathy and compassion, which helped project the image beyond any hopes the artist could have held for the piece. This
predominant focus on the human condition allowed a stereotypical Romantic piece. Another artist famous for highlighting the human condition was
Spanish–born, Pablo Picasso.
In 1936 the Spanish government commissioned Picasso to paint a feature piece for their international exposition in Paris at the peak of World War II.
Picasso was unsure of what to paint until in 1937 when Nazi warplanes bombed the Spanish town of
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18. Analysis Of Ship Wreak Scene : The Raft Of The Medusa
In 1816, the French government sent a convoy of ships to set up a colony in Senegal. Hugues Duroy de Chaumareys, who was lacking in both
authority and experience, was appointed by the king to be the Captain of the ship (Brandt 132). When the ship ran aground, officers and officials
filled up the life boats, leaving about 150 men to float on a quickly made raft with nothing but a small amount of wine for sustenance, forcing them
to cannibalism. The raft was found 13 days later, with only 15 men left living. When Theodore Gericault found out about this, he set out to seek
justice for the tragedy that was the Medusa (Gericault video kanopy). Alothough it was initially titled "Ship Wreak Scene", the Raft of the Medusa
was immediately recongnized by the pubic as an image of the horrific event that it was (Gericault video kanopy). Not only were critics appalled at
the romantic art style defined by the "spiraling energy and brushstrokes", but the general public recognized the "scathing commentary on the
ineptitude of the restoration government" (Mary's video). Paintings of this size were normally reserved for heroic subjects. However, this painting
was the direct opposite of that. It is directly addressing the monarch's "indifference to the suffering of others", and this message was not lost on its
viewers (Brandt 133). The art style of the Raft of the Medusa was "progressive and modern" because of the life and energy that portrayed in it. The
painting has an emphasis on
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22. What Influenced The French Revolution
The French revolution was a revolution that happened in France which started in the year 1789 and ended in the year 1799. It was caused by the
rigidness of the old order in the face of a changing world. There were also aggrieved peasants who were influenced by the ideas of the Enlightenment.
There other factors that had influenced the French Revolution include the scarcity of food that had lasted for several years. There was also an
unmanageable debt that was caused by an inefficient tax system. The French got fed up with the way the King and queen were running things. They
burned down stores and stole things and they were no longer following the King's orders. They ended up killing the King and Queen and replaced them
with Napoleon.
The French revolution played a very important role when it came to shaping the way art and sculpture was done in France. There was the rise of
Neoclassicism which was linked to the Revolution. Artists like Jacques–Louis David served in propaganda programs of the revolutionary factions as
well as Napoleon's. His art was influenced by artists such as Caravagio and Poussin and adopted their contrasts to color, clear tones and firm contours.
"He gave his figures structural mass and arranged them friezelike in emphatic compositions that were meant to inspire his fellow citizens to noble
action."
One ... Show more content on Helpwriting.net ...
Romantic art was mainly based on emotion and imagination. An example of a painting that was done during the French Revolution would be the Raft
of the Medusa by Theodore Gericault. The painting shows men who are on a ship and are struggling against the sea with the victims trying their best
to survive. The painting showed horror and was based on a true story. The people are shown as three dimensional. The people on the ship were shown
on the painting as muscular and healthy. The painting was painted after the Medusa crashed on a sandbank in an attempt by the French to colonize
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24. On The Raft Of The Medusa
"A Historical Painting" If there was ever a painting that historical significance, The Raft of the Medusa would definitely be the one. This painting
was considered a major piece of work during the 19th century and this was definitely considered a period piece because it was during the Romantic
period. On July 5th1816, a raft went down in shark infested waters off of the coast of Africa, with hundred's crewmember's on board and of those
men that were there, only 15 survived. The Raft of the Medusa was based off of this shipwrecked frigate, the Medusa, it had ran ashore on the west
coast of Africa. Altogether, the Medusa carried over four hundred colonists and soldiers, but there were not enough lifeboats for everyone so they built
a raft. Furthermore, this raft was assembled from wood, this raft was meant to hold those soldiers and colonists that were low–ranking and low–status.
What happened next was a tragedy, the raft was meant to only hold so many and as a result the raft began to submerge under water.... Show more
content on Helpwriting.net ...
These tragic events culminated in a scandal, the likes the world has not seen in sometime. This tragedy happened because of the incompetency and the
unskillfulness of the captain. But the real story behind this catastrophe had to do with the ineptness of the leaders, the Bourbons, The Raft of the
Medusa, eventually became a symbol of a country that was meandering away because the lack of experience by their leaders. In other words, the
painting itself reflected how both the captain, as well as the leaders of the French government as not being competent enough to rightly lead its
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25. The Raft Of The Medusa And The Nightmare
Although the untrained observer may see The Raft Of The Medusa by Jean–Louis–Theodore Gericault and The Nightmare by John Henry Fuseli as
belonging to the same artistic group for their dark color palette and scary, somewhat "gothic" imagery, they're from two artistic movements that are
actually very different; the Neoclassical Era (1750–1860) and the Romantic Era (1800–1880). The Raft Of The Medusa is very unique for a
Neoclassical painting in that it portrays a then–contemporary event (and not a very noble one, to boot) rather than the era's usual heroic ancient
subject matter but, if you look very carefully, the Neoclassical elements are still there in full force. For example, while you'd expect the survivors of
a shipwreck to be emaciated, probably diseased etc., Gericault portrays the survivors in the painting with more idealized, strong, healthy bodies which,
while incongruous with the situation at hand as I said before, fits perfectly within Neoclassical ideals because it reflects the Classical tradition of
always presenting the idealized human form, no matter what the situation. There is also a homage to Dante in the fact that the positions of a group of
figures on the raft are meant to mirror those in a depiction of Count Ugolino and his sons. Also, Neoclassical paintings featured a heavy use of
chiaroscuro (contrast between light and shadow for dramatic effect) and The Raft Of The Medusa has that in spades with the sunlight just barely
peeking out behind the cloud
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26. The World Is Too Much With Us By William Wordsworth
The Romantic period is a time when artists, poets, and writers turned their views from the eighteenth century focus on reason and thinking. They now
emphasize imagination and beauty in nature. Reason and thinking are no longer the way to see how the world works, how to gain experience,
imagination is. Literature, writing, and art during this time find a new respect and love for nature, the common man and childhood, senses,
individual, and imagination. People at the time were also intrigued by darker and exotic things. They felt as if it was finally acceptable to rebel,
"think outside the box", and focus on human rights. Although Romantics were concentrating on these good ideas, all of their work was not always the
most pleasant. Often times it would involve death or darkness. The Romantic period is complex one filled with contradicting and empowering ideas
and works that are remembered very well. The Raft of the Medusa was painted approximately in 1818–1819 by a prodigious French painter Theodore...
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It emphasizes that the world today is too materialistic and distracted. This poem argues that there is too much happening in the world that people
often times do not appreciate it and see what it truly is. Instead of being amazed and recognizing the beauty of nature, people ignore it and do not
care since they see it all of the time. The speaker says that people will go as far as selling their souls to accumulate other things. The sonnet is an
extended metaphor that compares the speaker to a pagan to explain that the speaker would much rather worship other gods in order to make himself
less upset over the situation. He feels that pagans have a much stronger appreciation and love for nature. This pagan influence can also be seen when
the speaker refers to Greek gods. According to the speaker, those gods have power over nature but still appreciates
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27. The Raft Of Medusa By Theodore Gericault
While searching through all the photos in the Romanticism reading, i decided to chose one particular piece of artwork to write about. I chose to
write about The Raft of Medusa, by Theodore Gericault. This piece of art work is so eye catching and really shows many characteristics of the
Romantic period. Just from the first glimpse of this piece of artwork, one can be filled with unbridled, deep–felt emotion. This piece of artwork has
some very emotional extremes. The bodies of the people that are laying on the raft, most of them are dead, but others look as if they are in pain and are
suffering. The facial expressions of these people are are not good. Some look as if they are being tortured, some look very sad, but most of them look
helpless
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29. The Raft Of The Medusa
Solitude is greatly expressed throughout the Raft of the Medusa and is exemplifying Burke's sublime to perfection. Surrounded by death and the open
sea, solitude could not have been more pronounced. With the only chance of survival miles away on the horizon, the men are stranded. No one and
nothing is around to save them. The compositional spacing in the painting also connects the painting to the solitude that Burke describes in his sublime.
Grouping the stranded men together in the bottom left of the painting while a distant ship is barely seen along the horizon in the upper right
exemplifies the impending doom and distress approaching the isolated men. This example of solitude relates to Burke's solitude rather than Kant's
because Burke's
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31. The Raft Of The Medusa And The Nightmare
Although the untrained observer may see The Raft Of The Medusa by Jean–Louis–Theodore Gericault and The Nightmare by John Henry Fuseli as
belonging to the same artistic group for their dark color palette and scary, somewhat "gothic" imagery, they're from two artistic movements that are
actually very different; the Neoclassical Era (1750–1860) and the Romantic Era (1800–1880). The Raft Of The Medusa is very unique for a
Neoclassical painting in that it portrays a then–contemporary event (and not a very noble one, to boot) rather than the era's usual heroic ancient
subject matter but, if you look very carefully, the Neoclassical elements are still there in full force. For example, while you'd expect the survivors of
a shipwreck to be emaciated, probably diseased etc., Gericault portrays the survivors in the painting with more idealized, strong, healthy bodies which,
while incongruous with the situation at hand as I said before, fits perfectly within Neoclassical ideals because it reflects the Classical tradition of
always presenting the idealized human form, no matter what the situation. There is also a homage to Dante in the fact that the positions of a group of
figures on the raft are meant to mirror those in a depiction of Count Ugolino and his sons. Also, Neoclassical paintings featured a heavy use of
chiaroscuro (contrast between light and shadow for dramatic effect) and The Raft Of The Medusa has that in spades with the sunlight just barely
peeking out behind the cloud
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34. The Raft Of The Medusa Essay
The Raft of the Medusa depicts the minute when, following thirteen days drifting on the raft, the remainder of the fifteen survivors see a ship
drawing nearer from a distance. Nau of these people that a pictured surviving on the raft were most likely cannibals. Cannibalism was the only way
that the survivors were successful. Per an early British analyst, the work is set at a minute when "the ruin of the raft may be said to be complete".
The depiction is very large, so that the greater part of the figures rendered are life–sized and those in the frontal area twice life–measure, pushed near
the photo plane and swarming onto the viewer, who is drawn into the physical activity as a member. Gericault's painting was designed in a pyramid
form, which comes full circle in the figure of the negro waving a cloth toward the boat seen in the distance. In any case, the composition of the
painting gives such energy to the idea of hope among the wrecked survivors. The raggedy raft is displayed as unsafe as it rides the profound waves,
while the men are rendered as shattered and in despair. One old man holds the cadaver of his child at his knees; another removes his hair in
dissatisfaction... Show more content on Helpwriting.net ...
Tragically, neither the French Academy the gatekeeper of the guidelines of scholastic workmanship nor the administration saw any advantage in
empowering this kind of emotionalism. As anyone might expect in this way, despite its painterly qualities, the Medusa was not generally welcomed
by the critics, nor was it purchased by the administration as Gericault had hoped it would be. Disappointed by his relative disappointment after so
much exceptional work, he took the artwork to England right on time in 1820; he made a lot of cash by demonstrating it there in a travelling
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35. The Raft of the 'Medusa' by Theodore Gericault
The Raft of the 'Medusa' by Theodore Gericault is considered by many to be one of the greatest paintings of Romantic Art. Here I will discuss
Romantic Art, some history behind the painting, the painting in general, and to prove why the first statement is true. If we are going to call this
painting Romantic Art one must first know what it actually is or have some sort of idea what is counted as Romanticism or as something that Romantics
would do. Romanticism celebrates the spontaneity and the use of the imagination. Abandoning tradition constraints of the art world to explore new and
creative ways of expression. Possibly seen as intuitive individualism and primacy of feeling. Romantics didn't reject reason but though emotions were
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He interviewed the survivors, drew mutilated corpses in the Paris morgue, and had a model created in his studio of the raft. The painting was 16
feet 1 inch by 23 feet 6 inches so it is huge in size and the dramatic impact was just as amazing. This gave the people a record of an event that
happened in a time before photography. At first glance a viewer might just see people huddled on a raft together, a couple waving down a ship, and
trying to get someone off canvases attention while others try to keep those who are weaker on the raft. But if they look closer they might notice
other things of interest that are commonly found in Romanticism or Romantic Art. Gericault use of the double triangles in this image of the mast
and rope help keep the main focus on the people on the raft who are dying or dead. Suffering against heat, dehydration, starvation, and forced to
canalize each other to survive which is a true struggle against nature but also against ones self. It would be a very horrific and emotional experience
for anyone to have to choose between eating another human being or dying of starvation. He focuses on the true emotion, the disgusting horror of the
event, and what had to be done or was done to survive. It has very rustic looking colors in the image, reds, oranges, yellows, browns, blacks, and grays
that give it an autumn like color theme. This gives you a sense that they
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36. Romanticism In The Raft Of The Medusa
Romanticism, like most artistic movements, can best be understood when juxtaposed with history. It was a time of uprisings and conflicts, of liberal
thought and confrontation–and the winds of change swept away everyone and everything, from monarchies and governments to French farmers and
salon owners. A new way of thinking and looking at the world was proposed; the shift revealed itself in the works of new artistic masters who broke
out onto the scene, shocking the critics and the public (mostly bourgeois, old masters, and nobles) with their new styles that approached art in a way
that challenged all traditions. Such changes can be tracked from the mass of altered techniques and change of focus, usually very manifest in most
paintings, and... Show more content on Helpwriting.net ...
His then–unorthodox landscape paintings not only are touching to the eye and the heart, but also provide much food for thought and deep
contemplation. If you take a look at several of Friedrich's works, you'll be able to discover that most of those landscapes include the back(s) of one
or several people, who, like us, are peering over the panorama. The structure allows us to (1) put ourselves into that person's viewpoint, as if we were
on that very site, feeling the winds brushing our faces and carrying smell of the open air, and (2) wonder what worries or thoughts are occupying that
person's
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38. Of Theodore Gericault's Artwork 'Raft Of The Medusa'
VISUAL ARTS TASK 3
HISTORICAL AND CRITICAL
Question 1: Practice
Theodore Gericault's artwork 'The Raft of the Medusa' was produced between 1818 and 1819, it is regarded as a quintessential Romantic painting and
an icon of Romanticism. The painting's alludes to governmental negligence and corruption that ignited great controversy and brought Gericault
widespread attention.
This painting depicts an event of human and political aspects that greatly interested Gericault who chose to display it at a monumental scale to portray
the horrifying explicitness of the Senegal, 1816 shipwreck in which the captain had deserted his crew and passengers, leaving them to die.
Gericault was captivated by the accounts of the widely publicised 1816 shipwreck ... Show more content on Helpwriting.net ...
The portrayal was throughout the application of charcoal pencil on paper that is 33cm x 28cm. Some have considered that O'Doherty has always been
something of an outsider when it comes to the art world, this thought originates from his style of peculiarity, semi–surreal landscapes and figures with
hyper–real colouring and strange distortion in contrast to other artworks that have the rigid confines of contemporary art. On the day O'Doherty left
Sydney to France, he banged his hand and lifted the nail on his thumb, it then became infected by the time he arrived in Paris. Upon his arrival he
consulted a French doctor who prescribed him painkillers that allowed him to produce a modicum of drawings. 'Fire with Fleeing Houses' expresses
Chris O'Doherty feelings about bushfires in Australia and their effects on people and their property this notion is presented through placing the houses
on the bodies of humans, as generally through people are trying to escape the bushfire by running away from it, this design incorporates his
semi–surrealistic landscape. The use of charcoal displays his style of hyper–real colouring as seen through the colouring of the flames. The tones start
of dark in the background but gradually become lighter and more vibrants as it reaches the foreground. The middle house running is the centre of
attention as it surrounded by lighter tones which highlights that area around the house also through the use of lines drawing the eye towards
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39. How Did The Raft Of Medusa Differ From Romanticism?
The Romantic Era began in 1800 and lasted until 1850 and is the embodiment of emotion. Romanticism only cared about one thing, emotion.
Romanticism can be separated into three parts French Romanticism, English Romanticism, American Romanticism. Theodore Gericault born 1791 and
died in 1824 set forth Romanticism with his painting called The Raft of Medusa. It was based on a ship, the Medusa, which carried French colonists to
Senegal and sank off because of the ineptitude of the Captain. Distastefully, The Captain, crew, and immigrants all escaped but later the crew and
captain cut the immigrants loose leaving them without food or water, only 15 survived. The Raft of Medusa is a portrait of Gericault's passion and
research on this catastrophe, he studied putrid bodies, lunatics in an asylum, and even recreated the event in his studio. Dramatically, the painting
insanely impacted... Show more content on Helpwriting.net ...
Turner and John Constable were the two English painters of the Romantic Era. John Constable lived from 1776 to 1837 but sadly his paintings were
not liked while he lived. John Constable loved nature as a child and began painting nature in 1802. His paintings reflect his love of nature rebelling
against the coffee–colored tones used in landscapes at that time. Constable created his paintings to simulate the shimmering of light and used vibrant
colors to capture the landscapes true picture. J.M.W. Turner lived from 1775 to 1851, he is very similar to Constable later experimenting with vibrant
colors in his own paintings. Turner differed from Constable in what he painted, he prefered the dramatic subjects, such as fires or storms. As Turner
attempted to display emotion through color his paintings became abstract and so many critics disliked them. His paintings became so loathed that
Turner started becoming more and more reclusive, hiding with a false name from his acquaintances. Although Constable and Turner were loathed by
many, their paintings were simply masterpieces of future
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40. The Raft Of Medusa
The Romantic Period of Art was unlike any other period of art because of the level of emotion behind each painting or work of out. Most of the
works of art I have come across have been very dramatic and emotional for the audience. The one that I am going to focus on is The Raft of Medusa.
The Raft of Medusa is an oil painting from 1818–1819 by Theodore Gericult of France. This painting shows me that Theodore was trying to show his
viewers what it was like for a ship to rec and having the passengers struggling to survive. The background of this story comes from a ship went down
and the crew men were started to worry. Struggling for their lives they began to become crazy. Some even began eating each other and struggling to
remain on that little
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41. Cannibalism In The Medusa By Theodore Gericault And...
Artist's within the Romantic period reacted to the brutalities of inhumane occurrences in the world. Romanticism was an art movement that occurred in
the 19th century in which undoubtedly allowed artists to react personally and emotionally to a specific subject matter. Contrasting to the refined period
of Neoclassicism, Romantics broke it's conformist, logic of the movement. The use of centring the human figure as the dominant feature embodied the
tortuous and ghastly occurrences of war, depicting terror within their works. Theodore Gericault and Francisco Goya both made sense of their world by
expressing what they critically believed needed to be shown, the horrific act of inhumanity.
The determined, passionate artist Gericault depicted the horrific act of abandonment of man at sea, the Medusa which occurred in 1819. Departing
from the Senegal, one hundred and forty–seven french men and women were left knowingly abandoned on a makeshift after the wreckage on the coast
of Africa. Lacking lifeboats, individuals built a raft in order to survive whilst their conceited captain boarded a lifeboat to safety. Upon the Medusa,
individuals experienced episodes of immeasurable starvation, extreme insanity and the beastly act of cannibalism for approximately thirteen days.
Undoubtedly, the chaotic circumstance of soldiers and settlers were significantly portrayed by the artist. "Neither poetry or painting can ever do justice
to the horror and anguish of the men on the raft."
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