HORSE SAY MOO IS LIES

1. Year 2018-2022 Place Description & skills developed
2018 University Year 1: Introduction to Music Film (BA Hons)
develop skills and knowledge for:
● Language of Film
● Introduction to New Media
● Introduction to Film History
● American Television Culture
● Media and Popular Music Culture
● Essentials of Media Production
● Introduction to European Cinema
● Saints, Geniuses, Stars
● Animation from Mickey to Manga
● Women on Film
● Monteverdi to Mahler
● Harmony and Counterpoint
● Composition
● Practical Music Technology
● An Introduction to Early Music
● Twentieth-Century Music
● Music Cultures of the World
● Media and Popular Music Culture
● Solo Performance
● Performance and Interpretation
These Modules will help me understand the
basics of film theory and how to work on set,
as well as helping me continue my path down
the music production industry, preparing me
for my eventual goal of music production for
film.
2019 University The second year of University will be even
more focused on the music side of the course,
teaching many different music style, opening
my repertoire to include styles from all over the
world, meaning i can compose for many
different genres of media.
● Standard Media Production
● Games and Virtual Environments
● Marketing Creativity
● Multimedia
● Documentary and Drama
● Film Theory/Film Culture
● Writing for Film and the Media
● French Film 1895-1950
● Bodily Cultures
● Essential Film Production

2. ● World Cinema
● Hollywood
● Cerdd. Metcalf, Sam a Barrett
● The Violin in World Culture
● Christian Church 2
● Choral Music 1750-1830
● Songs of Protest
● Minimalism
● The Twentieth-Century Symphony
● J. S. Bach
● Purcell in the Theatre
● Bartok
● Felix Mendelssohn Bartholdy
● Debussy and Ravel
● Orchestrations and Arranging A
● Composition A
● Orchestrations and Arranging B
● Composition B
● Ensemble Performance 1
● Historical Performance Studies
● Solo Performance
● Ensemble Performance 2
● Conducting
● Writing about Music
● Tonal Studies A
● Ethno A: Ethno in Action
● Welsh Music Studies A: 20th-Century
● Arts Administration
● Recording Techniques
● Wagner in the Theatre
● Schenkerian Techniques
● Research Project
● Notation and Editing
● Tonal Studies B
● Music in the Community
● Community Arts Project
These Modules mostly go towards experience,
though some of the course is helping the
community and obviously composing some of
my largest orchestral pieces for the
composition branch of the course.

3. 2020 University There are many opportunities to learn within
the third year, but it is by far the most practical
of the three, focusing on producing
documentaries, continuing composing and of
course my dissertation. As well as several solo
performances.
● Supplementary Study (10)
● Orchestration and Arranging A (10)
● Composition A (10)
● Orchestration and Arranging C (10)
● Songs of Protest (10)
● The Twentieth-Century Symphony (10)
● J. S. Bach​ (10)
● Purcell in the Theatre (10)
● Bartok (10)
● Writing about Music (10)
● Tonal Studies A (10)
● Ethno A: Ethno in Action (10)
● Welsh Music A: 20th-Century (10)
● Arts Administration (10)
● Teaching Techniques (10)
● Recording Techniques (10)
● Ensemble Performance 1 (10)
● Historical Performance Studies (10)
● Composition (project) (20)
● Composition (project) (30)
● Composition (project) (40)
● Dissertation (20)
● Dissertation (30)
● Dissertation (40)
● Edition (20)
● Edition (30)
● Edition (40)
● Tonal Music Project (20)
● Tonal Music Project (30)
● Tonal Music Project (40)
● Solo Performance (20)
● Solo Performance (30)
● Solo Performance (40)
● Supplementary Study (10)
● Orchestration and Arranging B (10)
● Composition B (10)
● The Violin in World Culture (10)
● Christian Church 2 (10)
● Choral Music 1750-1830 (10)
● Minimalism (10)
● Wagner in the Theatre (10)
● Felix Mendelssohn Bartholdy ​(10)
● Debussy and Ravel (10)

4. ● Schenkerian Techniques ​(10)
● Research Project (10)
● Notation and Editing (10)
● Tonal Studies B (10)
● Ethno B: Music in Africa ​(10)
● Music in the Community (10)
● Community Arts Project (10)
● Editing Fifteenth-Century Music (10)
● Ensemble Perform
● Individual Project (20) (core)
● Advanced Media Production (20)
● Development of Public Relations (20)
● British Cinema (20)
● America on Film (20)
● Scripts for Theatre and Television (20)
● Stanley Kubrick: Auteur (20)
● Creating Documentaries (20)
● East Asian Media and Culture (20)
● Page and Screen: France (20)
● Adaptations in European Cinema (20)
● Advanced Games (20)
● Applied Film Production (20)
● Celtic Film (20)
2021 Work and
Experience
Sadly. in the entertainment industry,
sometimes you have to work for free to gain
exposure, i will likely be doing a lot of
composing and filmmaking for independent
projects this year, getting work where i can,
but often also working for free in order to
obtain exposure. Said Exposure, and the
connections I make in this year will likely help
me get noticed by larger companies, which will
lead to higher paid work and eventual
success.
2022 Employm-
ent
By the next year, I hope to have created a
large enough portfolio, and had enough
experience to work in the big leagues, with
feature length films and larger companies.I will
work for free far less, and hope that my
experience will be enough to work out.
My Inspiration is who other than John Williams. In terms of Film Composers, you really can't
get any more influential, no other man has won more Academy Awards other than Walt
Disney himself, and he has composed music for 8 of the movies in the top 20 highest
grossing movies of all time. He has composed the highly recognizable themes for Jaws, the
Star Wars series, Superman, E.T. the Extra-Terrestrial, the Indiana Jones series, the first
two Home Alone films, the first two Jurassic Park films, Schindler's List, and the first three

5. Harry Potter films. You could likely hum every single theme on that list, that's how successful
and recognizable his music is.
He inspires me because his music has been in so many movies, and he has debatably
contributed more to modern culture than any person in the world, certainly being in the top 5,
and he does it all with film music. He has been a part of nearly every large scale cultural
phenomenon of the last 40 years purely through the power of his music, and his music, large
scale orchestral music is the type i work on, so obviously i aspire to be on his level.
John was the son of a carpenter and a woodworker, His first ever Feature Length film was
Daddy-O, a comically bad movie released in 1958, showing that no matter how humble the
beginnings, that you can do whatever you want.